Florent Schmitt - Dionysiaques
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- Опубликовано: 4 мар 2021
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Florent Schmitt (1870-1958)
Dionysiaques (1913)
for Wind Band
Performers: • Cincinnati Wind Sympho...
Score from: imslp.org/wiki/Dionysiaques%2...)
***
Here's what Thomas wrote on his original video:
'Although wind bands have proliferated greatly in numbers and importance over the last century, growth in repertoire specifically written for the wind band has lagged, as many composers seem to favor traditional ensembles like orchestras and quartets. One conspicuous exception to this trend is the French composer Florent Schmitt, who composed two major works for wind band and percussion: Dionysiaques and a Marche militaire, which formed the first and second works in his Op. 62. It has been speculated that Schmitt's service in World War I brought him into closer contact with military bands and encouraged him to write this substantial music. Like many of Schmitt's works, Dionysiaques partakes of a vaguely defined exoticism, marrying sonorities which would not sound out of place in the context Maurice Ravel's brilliant musical depictions of "foreign" places. Schmitt took his title from the orgiastic festivals held in ancient Greece to celebrate Dionysius, the god of wine, fertility, drama, and other enjoyable things. Schmitt's work depicts a celebration beginning as a sensuous dalliance, soon rising in fever to a profoundly drunken romp. The work begins with a languorous, decadent theme in the lower brasses and winds, with a yearning theme overlaid in the higher winds; here the music sounds reminiscent of Igor Stravinsky's Firebird ballet. However, the party seems close at hand, with occasional outbursts of quicker, louder music. When the percussion becomes almost obsessive, the first of a series of jaunty, march-like party themes enters. Schmitt's writing here poses a test of the virtuosity of any wind band, with quicksilver unison trills, gigantic leaps, and unrelenting tempi. At times, the party seems to be quieting down, and just before the end of the piece the music comes almost to a complete halt, but of course Schmitt has reserved the biggest climax of all for the end. In general, Schmitt has been an underestimated composer; Dionysiaques is a good introduction to his music, full of appealing themes, inviting sonorities, crowd-pleasing climaxes; in short, an extraordinary sonic spectacle.' - Andrew Lindeman Malone 
Видеоклипы
Played this in college! Piece is definitely greater than the sum of its parts, hard to appreciate fully being one of the artillery vs listening with score since there’s so much to focus on.
Fall of 1980, University of Michigan Symphony Band. I'll never forget it.
Congratulations! Anyone being exposed to this is fortunate. I've never heard it before. Who led your band when you played it?
H. Robert Reynolds; Carl St.
Clair was his assistant, and Glenn Richter was the director of the MMB. Richter only stayed one year; he was followed by a graduate student member of that band, Eric Becher.
playing this as an 7th grader, really excited!!!! 🎉🎉🎉😂😂😂
SEVENTH GRADE?????
congrats!
Really. Hah. I played it in 4th grade.
interesting work..brilliant even..
Brilliant
庭野先生の佼成会聖堂が吹奏楽の聖地でした
YAMAHA銀座店でオーケストラ譜を売っているか、と相談した
当時のお姉さんさんは「もうちょっと経てば売譜がでる」と言ってた
吹奏楽で人気曲
Who play? Flugel parts are playing on Trumpet? It changes colors...
吹奏楽の名品
傑作
La sinfonía número dos de Sgambati es hermosa en su primer movimiento
Tendrás la partitura?
No, sorry!
Su serenade es hermosa
Tendrás la partitura?
There's only a transcription for piano 4-hands, and I can't find a recording anyway...
florent schmittは
Ravel、Stravinskyと仲良し
吹奏楽曲の傑作
Dutilleuxのバレエ音楽「狼」もこれを参考にしている
2:00 4:42
this shit is so juicy
10:13
9:08
8:22 [28]
Trilles :
-
6:56 [23]
7:07 [24]
-
9:52 [35]
10:21 [38]
ストラビンスキーのバレエ音楽「火の鳥」に近い
9:00
9:19