Chord Comping: The 6 Most Important Techniques
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- Опубликовано: 30 июн 2024
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LESSON SUMMARY
When it comes to jazz piano voicings, you need more than just one or two. In fact, finding the right comping voicing for a particular situation is a lot like searching for the right shoe to compliment an outfit. Of course, you can only pull out of your closet those items that you’ve put in it. Today’s Quick Tip on Jazz Piano Comping With Two Hands is designed to build up your collection of jazz piano voicings so that you’ll have a closet-full of classy jazz voicings for any occasion.
► Level 5 Foundations - Chord Shells:
pianowithjonny.com/learning-t...
► Level 6 Foundations - Rootless Voicings:
pianowithjonny.com/learning-t...
► Level 8 Foundations - Drop 2 Voicings:
pianowithjonny.com/learning-t...
► Level 7 Foundations - Block Chords:
pianowithjonny.com/learning-t...
► Level 9 Foundations - Quartal Voicings:
pianowithjonny.com/learning-t...
► Red Garland Style:
pianowithjonny.com/courses/5-...
Chapters:
00:00 - Intro
00:24 - Happy Birthday Lead Sheet
01:01 - Level 1: Open Shells
03:57 - Level 2: Rootless Voicings
06:31 - Level 3: Drop 2
09:33 - Level 4: Block Chords
12:47 - Level 5: Quartals
15:06 - Level 6: Red Garland
18:13 - Conclusion
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Happy practicing!
Jonny May
00:00 - Intro
00:24 - Happy Birthday Lead Sheet
01:01 - Level 1: Open Shells
03:57 - Level 2: Rootless Voicings
06:31 - Level 3: Drop 2
09:33 - Level 4: Block Chords
12:47 - Level 5: Quartals
15:06 - Level 6: Red Garland
18:13 - Conclusion
Outstanding lesson as always Jonny. For anyone that's interested, Shell Voicings were popularized by Bud Powell and others, Rootless Voicings by Bill Evans and others, 4 Part Close is an Iconic Sound Of Jazz Piano and Big Band, used by Bill Evans, Oscar Peterson, Erroll Garner, George Shearing and many Others. Quartel Voicings were popularized by McCoy Tyner, and the Red Garland Voicing was also popular with Erroll Garner. For more information please check out Jazz Piano Comping by Suzanne Davis and An Approach To Comping Vol. 1 and 2 by Jeb Patton. Thanks.
Errol Garner was not allowed into the musicians union because he couldn't read music!
Thank you for filling in these extra pieces of information.
This lesson tells you why jonny may is in a class by himself! It’s fantastic! I will need to study it for weeks but the way he breaks down the concepts is world class. Thanks a million PWJ!
Great job, A full rainbow of choices, and a lot of work to do.
Thank you,Jonny. Always excellent.🌹🌹🌹🔥
LOVE this lesson Jonny! So many great voicing options! 🙌🏼
This is like a two month course in about twenty minutes. 😄Jonny has a ton of knowledge and very good at explaining. Thank you!!
I was asking this lesson, sounds great! Well done vídeo! I'm a Brazilian fan
Very practical, useful lesson.
This is the kind of lesson i was looking for many many years ago how to comp behind a soloist and i am very grateful that i can download the lesson sheet unlike the others there are some of the lesson i couldnt download them i asked why but till today no any answer
WOW, now that was a lesson!
Hi jonny very good teaching👍
This is the best summarization on two note chord voicings I have ever seen. I plan on using it as a long term syllabus lesson for myself. Thank you Jonny
Type error; two hand chord voice, NOT two note voicings.
Amazing as usual. With you Johnny we learn that to play jazz and contemporary piano we do not have to be fearful to play different notes. Basically there aren't wrong notes😂
thanks
And remember, all notes are chord tones if you extend the chord far enough.
I bet you dollars for donuts that it was his birthday 🎂 🎉🎉🎉
Amazing that most instructors think that everybody knows what they learned since they were 7yo. Notice how fast they talk like life is beautiful. it would be nice if they take their time and explain one chord at the time and stay there long enough after repeating several times.
This is for beginning jazz piano students, not for beginning piano students. In other words, the teacher assumes you know the fundamentals and is just teaching you how to apply it to playing jazz.
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