@@romanvse the on screen settings are for in camera film simulations which you need to manually input into your sony camera. LUTs are to be applied in an editing software, like davinci or premiere etc. and you can find some here www.veresdenialex.com/shop-film-power-grades-luts-presets-veresdenialex
I dont quite understand the WB... changing the kelvin then changing the colour filter do the same things? I can get the same results saying going to 6600k than i do at leaving it at 5100 and changing the filter? Sony SO need to back these settings in the profiles.. why they didnt is a really bad oversite., they should of provided this in firmware upgrade by now lol Excellent work by the way. As a film user of 15 years.. you cant emulate film with digital no matter what you do really.... people just need to use film :)
@@stevef2114 The kelvin and color filter don't work the same way. You aleays have to use the temperature together with the color filter settings provided on the website. Because kelvin works only 2 ways, hot or cold, while color filter influences the hues and gives a different tonality to the scene.
@@veresdenialex thanks. having been a large format shooter on portra film stock, i'm going to give your Vectro and Ektar a go. Ive only ever shot raw on digital and done work in lightroom or capture one. LF film was always drum scanned. Ive never used Negative Lab pro... but may give it a go and use the my Sony to make digtial scans of my negs.
watched this video when Fuji launched their newest product x100vi, didn't pre-order because I found the channel of a genius color engineer like you who showed the flexibility of Sony cameras with brilliant methods, subscribed, success always to you
@user-zz8re9cr9x ive got my reorder expected to arrive in 3-4 weeks for the x100vi but I'm really thinking of going for the a6700 instead as it's much more versatile ,
Interesting, I wouldn’t have thought to push things so far with the picture profiles. I’ve always thought of them as a way to get the most flat, neutral starting point for later manipulation. Cool stuff.
That's also a way of doing things, they are made to give you more control of the image that comes out of the camera, either by making it flat or baked and ready to go. Glad you enjoyed this clip.
Years!!! I have been searching for this kind of video for years. Fuji has a community of sharing the film simulation settings and the Sony community seems not focusing on this topic much. Thanks for sharing your setting, Veres, and keep up the good work. Subscribed and will share this channel to friends.
man, i know right? as soon as i got my first sony camera i started looking into picture profiles because it seemed so powerful, and after i saw fuji coming with its film simulation i started making my own recipes. took me about a year to create the profiles and finish this video, so glad people are enjoying it!
Just plugged these into my A6400 while having my morning coffee. Super easy and I am super novice with this part of the menu. What a fun project! My only wish is sony would let me rename the picture profiles in the menu. Thanks for your work on this. Subscribed!
This is great! If you do this again, I'd love to see the profiles without any additional grading or effects so that we can get a better sense of what they look like on their own.
Picture profiles are a great way of enhancing images inside of camera. It only takes time to get to know and understand the differences between gammas, color and all the submenus. I am really glad people are finding this video helpful
Great video man! Originally started with film so this is really nice to have as a reference. I like the Sony system but always wished for Fujis film simulation. Thank you! I mainly do photos (so no idea on video front for this) and I found for Portra 800, which was my favourite and main film stock I used, these settings have worked well for me. Obviously film is different depending on how it's exposed + where/how it's processed so YMMV. Putting it here as an alternative or if it helps anyone (mainly photos) for a reference: I expose P800 film by +0.3 or +1.3 so these are the colors I get: Sony a6400 sensor WB: 5000K, A:2.5 G:1.5 (Tweak color as needed) Black Level - 0 Gamma - Cine2 Black Gamma - Middle, -2 Knee - Manual, 90%, 0 Color mode - Cinema Saturation - +20 Color Phase - +3/+4 R -2 G +5 B +4 C +2 M +4 Y -2 Detail -3 Manual, Type 5 Limit/Crispning - 7/7
I am also working on building a cummunity on my website so we can all share settings and new recipes, hopefully it's going to be ready soon. So excited, you are actually the first one to start tweaking the profiles so that gives me a lot of hope to work on the website forum
It's a powerful grade which implies just draging and droping into the node to get the same kind of look. So can't be easier. It includes film color, film damage, softening, film grain, halation and more film characteristics. You can check out the results on my new video
Yeah! I’ll give it a watch!! I’ve figured out a pretty solid workflow with Dehancer paired with the phantom luts on the Sony FX3. But having that look baked in makes for fun run and gun shooting scenarios. Not sure if you’re thinking about making these picture profiles as luts, but that’d be awesome!
@@JesseScimecaFilmthanks! Yeah, didn't think about making them as luts, since you can already set them in camera not sure people would actually need them. Instead, i've made the film luts which includes over 40 classic film colors and contrast gammas, giving a lot of control and choices
Dude, how incredible that you figured out to really take control of all the settings to create these types of picture profiles. I can only imagine how much time you spent adjusting the details.
You've breathed new life for sony A7iii users. Is there any way you can share your powergrades for us Resolve users? Love your content, keep it up. You got yourself a subscriber.
O wow, thanks! Does feel good to see people are finding it useful and are enjoying the content. I will export the grades as Creative Film LUTs in the following weeks so people can download them. Thanks again!
My pleasure! I've made a total of 32 Sony Film Simulations since this video, go check them out on my website. www.veresdenialex.com/sony-film-simulation-recipes
That’s dope! Awesome work man! I am a long time Sony owner, and just sold my fujifilm just after 1 month owning it, because I cannot get used to the control of it. And ever since I only shoot with my adjusted creative style for my Sony. Hoping to shoot straight out from camera without too much coloring. And now you provide us these amazing work, it really open up our creativity when shooting. You are awesome.
@@veresdenialex when it will turn back to its original setting? Because I turned off my camera and change my battery but the setting that I input in PP(your setting) is still there. I hope it wont return to its normal adjustments :))
What fun! I needed this sooooo bad. I've been in an HLG3 rut that I just wouldn't let myself out of. I programmed these into my b-cam and had a blast shooting random nothingness all afternoon. Thanks so much - keep up the great work.
Heheh, yeah that sounds really nice, i think it's most fun when you just shoot nothingness and play around with the profiles. Glad to hear that you had fun shooting with them, it takes some time figuring them out, but if you experiment around with the Kelvin and the Color filter you definitely get some nice results. Have a great one!
Been searching for film simulation for Sony camera cuz i really love the color of kodachrome and thanks god i finally found your channel. Thank you for your magnificent work and hope to see more videos from you. Instantly subbed for sure~
wow, thank you! smiled. yeah, this week i'll be posting a video on how to get fujifilm eterna simulation on sony cameras. It's an amazing profile that renders beautiful colors and it might be my favorite until now. I think it will be done by wednesday. Make sure to check it out!
These are just so fun to use! Thank you very much for your work! Better to do it in camera if you’re working with an 8-bit codec and these days so much is made directly for the web so fast workflows that still allows for some creative touches are so valuable. I’ve subscribed and hope for some videos where you just describe your process and reflect upon how the different settings seems to effect the image. Regards from Sweden!
Thanks! Glad you found them helpful. Yeah, i'm currently working on a video explainning general guides on settings and how i use them individually. It takes some time cuz youtube it's just a hobby at the moment, but the tutorial will help a lot of people, so can't wait to finish it. Thanks again for the support and have fun shooting with them:D
Bro, what the fuck. Just found your channel, blown away by the quality of your stuff. And you reply to so many questions and comments. The fact you haven't blown up seems fucked up. Keep at it man. This taught me a lot about being creative within the bounds you your camera to pull off some wild stuff.
Hei dude, thanks alot! Glad you like the videos and that it helped you be more creative :D Yeah the algorithm works in mysterious ways, hopefully one day youtube will recommend this content to more people, but 'till then, you can also share this video on your social platforms to help spread the word, that would be very much appreciated!
i tried some of these settings but not the section in regards to detail or colour depth yet. i wasnt happy with colour in my sports photos because oranges yellows would infect everything. Now with these settings its actually effected my raw file! its bloody good as. Greens now come out green or predominately green. my skin is coming out WAY WAY better than before. the colour is good straight of the bat, the highlight rolloff with skin from your settings here also help raw file and make it look nicer! thankyou got this video!
lol, happy to hear this helped your photography! Imagine these are not even the updated recipes. On the website you will find all 50 film recipes, which I keep on updating constantly for refined color science
Thank you for an amazing video, subbed. I feel the value of shooting with a baked-in look (as opposed to flat) for me personally is that it forces one to focus more on how the scene looks, is lit, and is framed AS IT EXISTS, rather than as it COULD exist "if I tweaked it in post". Obviously post-production is essential to the process either way, but people who shoot on film generally understand the necessity of getting as much as possible correct in camera and there's a lot to be said for that approach.
yeah you're right, while i love having more control in post, lighting & composition are more important and should not be 'fixed' in color grading, so i agree with you. Glad you found this video helpful and i hope you have fun shooting with these profiles ! :D
I really like the mood of this video, nice shots and lovely color manipulation SIR. Can I ask which one do you recommend for biking scenes in the nature, especially in forest where there is a bit less light? Cheers!
Thank you so much! EvPro+Night for most flexibility in grading, Ektar 100 or Blue Velvet-Cinestill50D would render beautiful green colors and earthy skintones
Great videos and great profiles! Do you have any advice regarding WB settings to use with these? Can they be used with AWB? You mentioned that you suggest using a lower kelvin value (500-1000 lower) for some profiles, but does that solve green (or magenta) tint problems as well?
Thanks! Next week i'll be posting a video answering many of questions people are having, and also explaining how i shoot these profiles in terms of exposure, temperature and color filter. Make sure to check that out 🐳
@@veresdenialex I had the same question because I tested all PPs today at 5600k (1 light). I achieved almost the same results (except noise values, blacks, saturation, DR, and rolloff - ). The best PP in this scenario was PP6 (and PP3 for oranges and greens - fuji 400H). Using my old 6300 and helios 44-2 and takumar set + mist 1/4.
Both! In photo mode it will be baked into the JPEG only, raw files need matching, and you can use these presets www.veresdenialex.com/product-page/sony-film-simulation-presets-lightroom-presets
pls a explanation video about the settings names... knee, gamma, etc.. Thank you for this video, i'm also playing around with the settings to make my recipes. But still figuring out so much
3:33 are you adding halation / glow in post? Or is it a black mist filter? or is that all done in the PP? your fuji400h blew my mind, wow! Also, how did you do that shot at 3:35, did you walk with a gimbal and then point up, and speed up the tunnel part? Gorgeous.
Adding halation in post yeah :D unfortunately can't get that out of camera. And yeah that's exactly how i did it, i remember my hands were freezing cuz we were shooting for couple hours that day in near freezing temperature. So yeah, thanks:{ warms up my heart receiving comments like this
Hello! Is it possible to save these recipes on a Sony RX1R and shoot directly in JPEG with them? Or maybe they only work in more modern cameras? Thank you!
Love this video bro, gonna use these forsure. Especially love the EVpro! One quick question tho, when it comes white balance..you recommend to just increase it towards the color you are shooting/want? (for creative artsy projects haha)
Most of the time yeah, bring it as close to the colors you imagined the story in. If you don't have a story, then choose correct temperature. Color grading is the last part in the post processing, but I usually think about every aspect before hand to be sure i have every piece of gear i need, so of course i try to inagine the set and setting, and what mood i want for each video
this is very awsome and im very late and disappointed that i didnt find this sooner. i got lazy and copied 3 of them but they are super incredible thanks for this! i am going to use these for photos
Just got into watching Euphoria the Show on HBO and said to myself “wow I love the look of this show (grading) “ This video will literally help me achieve that look ! Thanks so much ! I’m going to test it on my A7iv
These look amazing! Thank you for offering them for free, these looks inspire me to go out with friends and make some vibey imagery :P I instantly assumed these would be some 80 dollar lut pack, really cool that they're custom picture profiles in camera! I'll give all of these a go on my sony a7iv, thank you!
Good question! Honestly not quite sure, but i would have to make some comparison testing with the color checker to try emulate it, anyways you would still have to post process it to enhance the colors because i feel cinestill 800t is quite a complex and unique film stock.
You can use them only as Picture profile inside camera, and they will give you better color than sony factory settings, but to get the same results and get closer to the film look you will need the Creative Film Power Grades.
Hi i am a beginner and going buy my first camera next month, I've been dead set on buying xs20 for a long time but recently i saw reviews telling autofocus and ibis are much better on sony so started watching sony a6700 reviews. The one thing that's kinda confusing me is, are the film simulations in the camera like fuji OR do we have to edit these later?
They are in camera recipes and they are applied only to the JPEGs so you don't have to edit them later unless you want to enhance them even further. For the raw you will need to post process them to color match with the JPEG, I've prepared presets to easily match them with your a6700. Check it out www.veresdenialex.com/sony-film-simulation
Thank you so much, I'll be buying your presets in a few months once i get hands on my 1st camera and get used to it a bit. Also can you share your views on comparison between xs20 and a6700?
Some of them are out of camera, some of them slightly edited. somewhere at the end, i recon minute 8, I have a Chapter with the before and after of a couple clips. very minor adjustments anyhow
@@insomniacoder3383 Thanks! Glad you like it. Taking a little break for this month, i've been having some health problems, but will come back next month probably. Ring the notificatiom bell to see new uploads
Hi. I’m a new A7CII owner. It’s my first real camera. I was just wondering if these settings can be applied for shooting photos as well or is it just for videos. I love your videos btw, big fan here. More power to you! Thank you!
It applies to Video & JPEGs images. For raw photos you can use these presets to match with the in camera JPEG look. www.veresdenialex.com/sony-film-simulation
It applies to Video & JPEGs images. For raw photos you can use these presets to match with the in camera JPEG look. www.veresdenialex.com/sony-film-simulation
These are amazing!! Recently got a Sony RX100iii and am wondering how to implement these settings? I can’t seem to figure it all out. Where do I change these? Thanks!
Hey man , I loved it. Earned a new subscriber. Just wanted to ask, I have been comparing rx7 , Ricoh and xt30ii. After watching this video , I am so tempted to just get RX7, but does the 1inch sensor really provide more photo quality than smartphones ?
When talking straight out of camera, the rx100VI is better than a smartphone in daylight situations. In lowlight you will need to edit your raw files to get better results, as the smartphone does some HDR and in camera noise reduction bs
I usually tweak it, i have sample settimgs on my website on my Sony Film simulation page. It costs 5$ per year and you have access to all 21 Updated film simularion settings. Try it out, it will help you
@@songseakleng more to come, at the moment i'm working on the creative LUTs video which will be ready in a week or two. Make sure to enable the notification bell to see that one
Hey bro, love the video and the film emulations you've made. I've I've a quick question, the luts you're selling on your site what exactly are they? Are they the same as this without us having to input the settings or is it different? Would love to know. And what exact profile are these considered under is it slog 3 or something totally different? Would love to know as I love the looks you've achieved just want to know more (the 40 lut pack). Cheers bro. You earned a new subscriber!
The Creative LUTs are different than these film profiles, and made for any camera footage. Usually luts are very limiting and don't offer control over the image, i made the Creative Luts so that you can easily adjust contrst, color and halation without distroying the image and much more versatile than regular luts.
Gives a good image out of the camera so there is little or no color grading needed. Giving you a good base to start from, in terms or color and contrast. S-log3 will give you the most flexibility in post, but sometimes you don't have time to color grade, or there is no budget for anything fancy.
That’s understandable, but the colors in your video is absolutely beautiful! Even with color grading on resolve at xdr 1600 nits, it’s a quite difficult, there’s too many parameters, lol! For one, the right exposure, I’m experimenting with going from +2 on the metering to +1 or 0 just so I can get the most dynamics on skin tone to grade, seems like there’s a little bit to it’s curves! But thanks to you, I’m really excited to adjust temp and in body color adjustments again, so thank you!!!
Yeah they are really fun to work with, i initially made them for myself, and after 8 months of experimenting and testing, i wanted to share these profiles with everybody. In total this project took me about a whole year with shooting and editing it as well, so i'm really glad people are liking it. Thanks for watching, in about two weeks i'll come back with another video on how i expose, set color filter on each profile and how to use the creative LUTs more efficiently, so don't forget about that. Have a great one!
Nice jobs really， your sharing show me how powerful are the Sony cameras, also helps me shoot photos straight out of camera with pleasant color, thanks a lot. But there is still a problem bothering me, I know you offered some color settings above, but kelvin should be flexible with the environment changed, should I also change the color filter? If so, how should I change it?
First, change the kelvin as needed for your environment, if you are hitting any extreme limits like 2500k or 9900k and still need more warmth or coolness, then use the color filter. I also use the color filter to adjust the tint of the image, but I mostly leave it as the recipe mentions.
Hey man these are great! I do have a question about post in DaVinci: do they require a colour managed space or a CST node? Which colour space/gamma would these require?
Use CST and adjust saturation, hue on your liking. After translating them to rec709 some profiles might look too pink or too saturated, so it needs to be toned down in post processing
@@veresdenialex what color space/input gamma would you recommend? The CST node effect appears to be geared towards LOG profiles for Sony cameras as it only contains sgamut/sgamut3/sgamut3cine color spaces for Sony and slog/slog2/slog3 gammas. Even setting up your project as a color managed space I run into the same issue 😵💫
@@deathwaits1613 well, not all color spaces needs conversion, for example pro color, is actually a small color space which does not need translation to rec709 because it's very very close to it. Usually you need the conversion to rec709 with big color spaces for accurate color reproduction, like s gamut, to translate them to your monitor screen and render accurate colors. You don't need that with small color spaces like Still, Movie, Pro and so on. You need to use it on Bigger spaces like cinema, bt2020, s-gamut to come closer to how colors will actually look like. use the cst to convert the color if the film simulation uses a wide color space like s-gamut and so on. You can also choose to convert the input gamma if it uses something flat like HLG or Log, but it's not needed for Gammas like Still Movie Cine1 which are already very contrasty. just grade it manually with your preferred tools, like the primaries wheels or curves.
@@deathwaits1613 also, always translate the color to your monitor, or the final medium (theatre, tv's, where ever it will be watched) meaning if you use Portra 800, which uses Cinema color space (DCI-P3) and you use a monitor which can render DCI-P3, then you don't necessary need translation, because you can see the accurate colors on your screen.
Hey Alex, I have a question, I realized the color science on the A7iv is different from the A7iii, do you think it will be significantly different if I used these on the a7iv? asking because I own the a7iv lol
You know, with each new sony camera the color has changed and improved, so definitely will be a little difference, but remember my clips are 8bit and the color is fine, so the 10bit footage on the a7iv it's going to look even better. Feel welcome to try them out and let us know how they work. Hopes this helped :D
@@veresdenialex changing all my settings as we speak, I will leave feedback for sure! I'm gonna try them out on camera mode as well, wonder how they gonna look as well lol
You are amazing! Thank you for sharing, subbed. I am a Sony user but I prefer Fuji film simulation. These settings gave me a whole new feel to my camera.
Just stumbled upon this and I'm glad I did. I recently bought a Sony camera. Does this film profiles work for still photography or strictly for videos only? Thanks for your work!
It works for both video and photo modes, but for photos it will be baked only in the JPEG. The Raw file cannot contain the picture profile information and need color matching. That's why I created the RAW presets www.veresdenialex.com/sony-film-simulation
Evpro+ is my all time fav for anykind of project, or portra800 for well lit situations. Currently testing the portra profile in lowlight to see how much we can push the limits. Remember to check that out when is out!
I have a ZV-E1, and in PP6, I don't have S-Log2 available in the gamma mode. How can I achieve a Portra 800 look without using S-Log2. And in pp1 for Vektro 100 the s- gamut is not avalable in colour mode. I have same problem here. :/
You can use S-log3, it's similar but much flatter. You will need to correct the contrast afterwards. Use S-gamut3 instead of S-Gamut, they are very similar.
I'm curious, do you have s-log assist on auto when you have these? I find it helps with some of these profiles because with it off, it looks odd on some. Asking because my company purchased an A7IV and I find the standard picture profiles on Sony's very boring, because I normally shoot on Fuji and those sims are amazing. But after seeing this video, there is yet hope!
Turn off assist. Assist should only help convert S-log and HLG to rec709 on screen, shouldn't work with any other gamma. And if you leave it on while using these recipes, they might look overly saturated. I always leave assist off, even when using traditional S-log3 with sgamut3.cine, because like this, I can actually see how much detail I have in highlights and shadows, while with the rec709 look, I don't actually realize how much data I've lost on both ends. You need to use the custom settings from the Pinned comment. Just like Fuji, each sony film simulation was designed to be used with the Color settings in order to get the best results. Check out this playlist for the basics, ruclips.net/p/PL-gfcmjtW3nup_6nXvu8JTn3obVpU2-o-&si=rv0vwEauDuwedcyD
▼Updated Film Recipes▼
www.veresdenialex.com/8-free-sony-film-simulations
Hey! Sorry for a dumb question but how can I apply these LUTs to my cam? Or this files are for editing the footage? TY!
@@romanvse the on screen settings are for in camera film simulations which you need to manually input into your sony camera. LUTs are to be applied in an editing software, like davinci or premiere etc. and you can find some here www.veresdenialex.com/shop-film-power-grades-luts-presets-veresdenialex
I dont quite understand the WB... changing the kelvin then changing the colour filter do the same things?
I can get the same results saying going to 6600k than i do at leaving it at 5100 and changing the filter?
Sony SO need to back these settings in the profiles.. why they didnt is a really bad oversite., they should of provided this in firmware upgrade by now lol
Excellent work by the way. As a film user of 15 years.. you cant emulate film with digital no matter what you do really.... people just need to use film :)
@@stevef2114 The kelvin and color filter don't work the same way.
You aleays have to use the temperature together with the color filter settings provided on the website. Because kelvin works only 2 ways, hot or cold, while color filter influences the hues and gives a different tonality to the scene.
@@veresdenialex thanks. having been a large format shooter on portra film stock, i'm going to give your Vectro and Ektar a go. Ive only ever shot raw on digital and done work in lightroom or capture one.
LF film was always drum scanned.
Ive never used Negative Lab pro... but may give it a go and use the my Sony to make digtial scans of my negs.
watched this video when Fuji launched their newest product x100vi, didn't pre-order because I found the channel of a genius color engineer like you who showed the flexibility of Sony cameras with brilliant methods, subscribed, success always to you
lol, blushing!
I am doing the same now to convince myself not to buy the Fuji, haha!
@user-zz8re9cr9x ive got my reorder expected to arrive in 3-4 weeks for the x100vi but I'm really thinking of going for the a6700 instead as it's much more versatile ,
Interesting, I wouldn’t have thought to push things so far with the picture profiles. I’ve always thought of them as a way to get the most flat, neutral starting point for later manipulation. Cool stuff.
That's also a way of doing things, they are made to give you more control of the image that comes out of the camera, either by making it flat or baked and ready to go. Glad you enjoyed this clip.
Years!!! I have been searching for this kind of video for years. Fuji has a community of sharing the film simulation settings and the Sony community seems not focusing on this topic much. Thanks for sharing your setting, Veres, and keep up the good work. Subscribed and will share this channel to friends.
man, i know right? as soon as i got my first sony camera i started looking into picture profiles because it seemed so powerful, and after i saw fuji coming with its film simulation i started making my own recipes. took me about a year to create the profiles and finish this video, so glad people are enjoying it!
also, i made some update on the profiles, will make a video about it soon
Just plugged these into my A6400 while having my morning coffee. Super easy and I am super novice with this part of the menu. What a fun project! My only wish is sony would let me rename the picture profiles in the menu. Thanks for your work on this. Subscribed!
Glad to hear! Bless
I always wondered why recipes are such a Fuji-Thing. Finally someone started this :D Thank you so much, that's exactly what I needed
More than welcome, check out the Creative LUTs to get even closer to the film look that you want, i prepared over 40 classic film colors
This is great! If you do this again, I'd love to see the profiles without any additional grading or effects so that we can get a better sense of what they look like on their own.
Check minute 8, i show the before and after
Recently switched to Sony from Nikon….I didn’t realize the endless possibilities with picture profiles….wow. SUBBED!
Picture profiles are a great way of enhancing images inside of camera. It only takes time to get to know and understand the differences between gammas, color and all the submenus. I am really glad people are finding this video helpful
Cheers so much hands down the most absolutely awesome Sony colours tutorial ever 😊
Such a time and client saviour ❤
Great video man! Originally started with film so this is really nice to have as a reference. I like the Sony system but always wished for Fujis film simulation. Thank you!
I mainly do photos (so no idea on video front for this) and I found for Portra 800, which was my favourite and main film stock I used, these settings have worked well for me. Obviously film is different depending on how it's exposed + where/how it's processed so YMMV. Putting it here as an alternative or if it helps anyone (mainly photos) for a reference:
I expose P800 film by +0.3 or +1.3 so these are the colors I get:
Sony a6400 sensor
WB: 5000K, A:2.5 G:1.5 (Tweak color as needed)
Black Level - 0
Gamma - Cine2
Black Gamma - Middle, -2
Knee - Manual, 90%, 0
Color mode - Cinema
Saturation - +20
Color Phase - +3/+4
R -2
G +5
B +4
C +2
M +4
Y -2
Detail -3
Manual, Type 5
Limit/Crispning - 7/7
These are also really good settings if you want less noise together with a lower base iso
I am also working on building a cummunity on my website so we can all share settings and new recipes, hopefully it's going to be ready soon. So excited, you are actually the first one to start tweaking the profiles so that gives me a lot of hope to work on the website forum
@@veresdenialex Hey dude, do you have some news about this project ? or similar ones ? I like that idea !
@@antoinemercier8275 check my channel and website, i have more than 40 sony recipes since this vifeo came out
I don’t think you realize how fantastic this is. This combined with Dehancer’s halation, bloom, and grain makes for some some super easy post flow.
Wow, thanks a lot, heheh. I just made a film powergrade called 8mm Home Film, check it out
It's a powerful grade which implies just draging and droping into the node to get the same kind of look. So can't be easier. It includes film color, film damage, softening, film grain, halation and more film characteristics. You can check out the results on my new video
Yeah! I’ll give it a watch!! I’ve figured out a pretty solid workflow with Dehancer paired with the phantom luts on the Sony FX3. But having that look baked in makes for fun run and gun shooting scenarios. Not sure if you’re thinking about making these picture profiles as luts, but that’d be awesome!
@@JesseScimecaFilmthanks! Yeah, didn't think about making them as luts, since you can already set them in camera not sure people would actually need them. Instead, i've made the film luts which includes over 40 classic film colors and contrast gammas, giving a lot of control and choices
Dude, how incredible that you figured out to really take control of all the settings to create these types of picture profiles. I can only imagine how much time you spent adjusting the details.
You've breathed new life for sony A7iii users. Is there any way you can share your powergrades for us Resolve users? Love your content, keep it up. You got yourself a subscriber.
O wow, thanks! Does feel good to see people are finding it useful and are enjoying the content. I will export the grades as Creative Film LUTs in the following weeks so people can download them. Thanks again!
🍭Hei, I'm happy to announce that you have won the 40+ Creative Film LUT Pack. DM me on Insta and i'll provide with a download link. Congrats!🍭
My a7iii has been reborn with this picture profiles. Thanks! keep creating!
Glad ypu like them, consider making a store purchase to support the creation process
Beautiful footage and an incredibly useful video. Huge thanks for being so generous with your knowledge and creativity. You're a star.
My pleasure! I've made a total of 32 Sony Film Simulations since this video, go check them out on my website.
www.veresdenialex.com/sony-film-simulation-recipes
That’s dope! Awesome work man!
I am a long time Sony owner, and just sold my fujifilm just after 1 month owning it, because I cannot get used to the control of it. And ever since I only shoot with my adjusted creative style for my Sony. Hoping to shoot straight out from camera without too much coloring. And now you provide us these amazing work, it really open up our creativity when shooting. You are awesome.
Thanks my man! I'm so happy to see this video is helping out people all around the world.
Don't let your battery run out while making changes. The PP settings won't be saved.
True
@@veresdenialex when it will turn back to its original setting? Because I turned off my camera and change my battery but the setting that I input in PP(your setting) is still there. I hope it wont return to its normal adjustments :))
@@joshuacalantas7597 as long as you shut down the camera normally, the settings will be saved.
What fun! I needed this sooooo bad. I've been in an HLG3 rut that I just wouldn't let myself out of. I programmed these into my b-cam and had a blast shooting random nothingness all afternoon. Thanks so much - keep up the great work.
Heheh, yeah that sounds really nice, i think it's most fun when you just shoot nothingness and play around with the profiles. Glad to hear that you had fun shooting with them, it takes some time figuring them out, but if you experiment around with the Kelvin and the Color filter you definitely get some nice results. Have a great one!
Been searching for film simulation for Sony camera cuz i really love the color of kodachrome and thanks god i finally found your channel. Thank you for your magnificent work and hope to see more videos from you.
Instantly subbed for sure~
wow, thank you! smiled. yeah, this week i'll be posting a video on how to get fujifilm eterna simulation on sony cameras. It's an amazing profile that renders beautiful colors and it might be my favorite until now. I think it will be done by wednesday. Make sure to check it out!
Im using senova light with a2.5 g2 on my a7rii now for a few months for pictures, i really love the results! Awesome work!
Thanks, glad you enjoy it! Consider making a store purchase to help the process of creating film simulation profiles :D
These are just so fun to use! Thank you very much for your work! Better to do it in camera if you’re working with an 8-bit codec and these days so much is made directly for the web so fast workflows that still allows for some creative touches are so valuable. I’ve subscribed and hope for some videos where you just describe your process and reflect upon how the different settings seems to effect the image. Regards from Sweden!
Thanks! Glad you found them helpful. Yeah, i'm currently working on a video explainning general guides on settings and how i use them individually. It takes some time cuz youtube it's just a hobby at the moment, but the tutorial will help a lot of people, so can't wait to finish it. Thanks again for the support and have fun shooting with them:D
thank you so much for sharing!! ive been trying to replicate these looks forever, you dont understand how much i appreciate this
Glad you found it helpful, also check the Creative Luts Pack for 40+ Classic film colors and Halation effect
Thank you for these! No need to spend time on post process to mimic film simulations.
I shoot mostly Fuji these days and my Sony collects dust but after watching this I’m definitely excited about picking the Sony up again!
heheh, glad you found it helpful! i know what you mean, picture profile really give us a lot of undiscovered opportunities
thx so much for these film sims, gonna test these out on my ZV1 especially the EvPro and Kodak Gold
Bro, what the fuck. Just found your channel, blown away by the quality of your stuff. And you reply to so many questions and comments. The fact you haven't blown up seems fucked up. Keep at it man. This taught me a lot about being creative within the bounds you your camera to pull off some wild stuff.
Hei dude, thanks alot! Glad you like the videos and that it helped you be more creative :D Yeah the algorithm works in mysterious ways, hopefully one day youtube will recommend this content to more people, but 'till then, you can also share this video on your social platforms to help spread the word, that would be very much appreciated!
I am currently using EOSHD LUT and PP for my sony a6400. Will try yours out. Thanks!
Let us know your thoughts, much appreciated
I think it's safe to say that we all would like to see a detailed video 🙌🏾🙌🏾
Thx ya for the video bro and much love from South Ga 🤞🏾
Thank you!
Dope work definitely interested in seeing side by side comparison of original PP and the modified one.
Sure thing, will do a comparison video with the ungraded footage, graded with base lut, and graded with creative luts. Thanks for watching
I made a short video comparison between the profiles, check it out!
@@veresdenialex I'll check that out now thanks!
🍭Hei, I'm happy to announce that you have won the 40+ Creative LUTs Pack. DM me on Insta and i'll provide with a download link. Congrats!🍭
i tried some of these settings but not the section in regards to detail or colour depth yet. i wasnt happy with colour in my sports photos because oranges yellows would infect everything. Now with these settings its actually effected my raw file! its bloody good as. Greens now come out green or predominately green. my skin is coming out WAY WAY better than before. the colour is good straight of the bat, the highlight rolloff with skin from your settings here also help raw file and make it look nicer! thankyou got this video!
lol, happy to hear this helped your photography! Imagine these are not even the updated recipes. On the website you will find all 50 film recipes, which I keep on updating constantly for refined color science
I highly recommend adjusting the Color Depth settings, it changes completely the way your jpegs come out
Thank you for an amazing video, subbed. I feel the value of shooting with a baked-in look (as opposed to flat) for me personally is that it forces one to focus more on how the scene looks, is lit, and is framed AS IT EXISTS, rather than as it COULD exist "if I tweaked it in post". Obviously post-production is essential to the process either way, but people who shoot on film generally understand the necessity of getting as much as possible correct in camera and there's a lot to be said for that approach.
yeah you're right, while i love having more control in post, lighting & composition are more important and should not be 'fixed' in color grading, so i agree with you. Glad you found this video helpful and i hope you have fun shooting with these profiles ! :D
🍭Hei, I'm happy to announce that you have won the 40+ Creative LUTs Pack. DM me on Insta and i'll provide with a download link. Congrats!🍭
This video is srsly the sony film sim bible, it is thorough and easy to follow, also the visuals are stunning!!
I really like the mood of this video, nice shots and lovely color manipulation SIR. Can I ask which one do you recommend for biking scenes in the nature, especially in forest where there is a bit less light? Cheers!
Thank you so much!
EvPro+Night for most flexibility in grading, Ektar 100 or Blue Velvet-Cinestill50D would render beautiful green colors and earthy skintones
Great work and info
ask,can i plugged in my A7C ?
Amazing! Like your videos. Would love to see how you expose and adjust color temp in camera for each profile. Thanks brutha!
Video about that coming soon!
You are underrated dude just bought my first camera and learning from you. Thank You
I appreciate that!
Hi Venes. How do you bring down the midtown sharpness in Davinci? Thank you so much for sharing your work!
Will definitely try these picture profiles.
can these be used on any sony cameras like the a5000, 6000 and a7 lineup?
www.veresdenialex.com/sony-film-simulation-recipes
at the bottom of this page you will find the Frequently Asked Questions, including yours
Great videos and great profiles! Do you have any advice regarding WB settings to use with these? Can they be used with AWB? You mentioned that you suggest using a lower kelvin value (500-1000 lower) for some profiles, but does that solve green (or magenta) tint problems as well?
Thanks! Next week i'll be posting a video answering many of questions people are having, and also explaining how i shoot these profiles in terms of exposure, temperature and color filter. Make sure to check that out 🐳
@@veresdenialex I had the same question because I tested all PPs today at 5600k (1 light). I achieved almost the same results (except noise values, blacks, saturation, DR, and rolloff - ). The best PP in this scenario was PP6 (and PP3 for oranges and greens - fuji 400H). Using my old 6300 and helios 44-2 and takumar set + mist 1/4.
Lovely video!!!! Can you use these for taking normal photos like Fuji cameras, or are they just for videos?
Both!
In photo mode it will be baked into the JPEG only, raw files need matching, and you can use these presets www.veresdenialex.com/product-page/sony-film-simulation-presets-lightroom-presets
Thanks for sharing man! Really appreciate your work.
Quick question: are you using any black mist filters? Or is halation straight out of the box?
Thanks man, glad you like it! I use black mist filters, and added red halation in post
man man man!!!! This could be the beginning of a whole filmmaking new era.
Thank you man!
These film profiles really do open up possibilities
I’m using xt3 film sims for almost everything and with this you gave life to my sony a7iii! Good work on this one!
Thanks!
Dude. So much detail. And thorough. Where science meets art. Thanks for sharing.
pls a explanation video about the settings names... knee, gamma, etc.. Thank you for this video, i'm also playing around with the settings to make my recipes. But still figuring out so much
3:33 are you adding halation / glow in post? Or is it a black mist filter? or is that all done in the PP?
your fuji400h blew my mind, wow! Also, how did you do that shot at 3:35, did you walk with a gimbal and then point up, and speed up the tunnel part? Gorgeous.
Adding halation in post yeah :D unfortunately can't get that out of camera. And yeah that's exactly how i did it, i remember my hands were freezing cuz we were shooting for couple hours that day in near freezing temperature. So yeah, thanks:{ warms up my heart receiving comments like this
Hello! Is it possible to save these recipes on a Sony RX1R and shoot directly in JPEG with them? Or maybe they only work in more modern cameras? Thank you!
Great video! I am thinking of changing system from Fuji to Sony. Can I use this profiles/settings when shooting JPEGS?
Yep
Love this video bro, gonna use these forsure. Especially love the EVpro! One quick question tho, when it comes white balance..you recommend to just increase it towards the color you are shooting/want? (for creative artsy projects haha)
Most of the time yeah, bring it as close to the colors you imagined the story in. If you don't have a story, then choose correct temperature. Color grading is the last part in the post processing, but I usually think about every aspect before hand to be sure i have every piece of gear i need, so of course i try to inagine the set and setting, and what mood i want for each video
Wow this is awesome. Thank you for all your hard work!!
Thanks and you're welcome! Have fun shooting with them. If you want to push them even further go check my website foe the LUTs. Take care
Thank you so much for sharing your hard work with the rest of us!
thanks for this video bro. awesome job, i never thought to move on camera settings for this results, you got 1 sub and like 🔥
Thanks man! Really do appreciate it
Wow amazing! What WB do you recommend on the EVpro?
Depending on the scene, but usually 1000 kelvin lower than normal
this is very awsome and im very late and disappointed that i didnt find this sooner. i got lazy and copied 3 of them but they are super incredible thanks for this! i am going to use these for photos
Just got into watching Euphoria the Show on HBO and said to myself “wow I love the look of this show (grading) “
This video will literally help me achieve that look ! Thanks so much !
I’m going to test it on my A7iv
More than happy to hear that
The show was shot using Ektachrome and Vision3 500T film stocks for season 2.
These look amazing! Thank you for offering them for free, these looks inspire me to go out with friends and make some vibey imagery :P
I instantly assumed these would be some 80 dollar lut pack, really cool that they're custom picture profiles in camera! I'll give all of these a go on my sony a7iv, thank you!
more than welcome my friend!
Love this video! Which one would be closest to Cinestill 800t- or do you have a custom?
Good question! Honestly not quite sure, but i would have to make some comparison testing with the color checker to try emulate it, anyways you would still have to post process it to enhance the colors because i feel cinestill 800t is quite a complex and unique film stock.
I’ll keep an eye out for your videos. These picture profiles have been very fun to play with. The portra 800 is spot on! Thanks for the video!
@@thereisawolf thanks and you're more than welcome! Happy you found it helpful🦑
🍭Hei, I'm happy to announce that you have won the 40+ Creative LUTs Pack. DM me on Insta and i'll provide with a download link. Congrats!🍭
Thank you so much for sharing this with the rest of us. I will credit you whenever I can if I use the profiles.
Hi, great video. I would like to ask you: do these pp profiles need to be used with the color lut or just set it in the camera
You can use them only as Picture profile inside camera, and they will give you better color than sony factory settings, but to get the same results and get closer to the film look you will need the Creative Film Power Grades.
@@veresdenialex Thank you very much, looking forward to solving the problem sooner, I can't wait to buy it
@@veresdenialex
And I would like to ask, I do n’t use Da Vinci, can the coloring plug -in in FCPX achieve the effect? Looking forward to replying
@@kluivert906 if you are confident in your color grading skills, then you can achieve the look in any software
@@kluivert906 you can use my Feel Free Cinema LUTs which will help you achieve a similar look
I love the mood of these shots! 😊
So glad that you do! Worked really hard on this video
Hi i am a beginner and going buy my first camera next month, I've been dead set on buying xs20 for a long time but recently i saw reviews telling autofocus and ibis are much better on sony so started watching sony a6700 reviews. The one thing that's kinda confusing me is, are the film simulations in the camera like fuji OR do we have to edit these later?
They are in camera recipes and they are applied only to the JPEGs so you don't have to edit them later unless you want to enhance them even further. For the raw you will need to post process them to color match with the JPEG, I've prepared presets to easily match them with your a6700. Check it out www.veresdenialex.com/sony-film-simulation
Thank you so much, I'll be buying your presets in a few months once i get hands on my 1st camera and get used to it a bit.
Also can you share your views on comparison between xs20 and a6700?
Copied them on my camera. Can’t wait to try them. SUBSCRIBED🙌
Thanks man! Hope you have fun shooting with them!
🍭Hei, I'm happy to announce that you have won the 40+ Creative LUTs Pack. DM me on Insta and i'll provide with a download link. Congrats!🍭
This looks amazing. Are those videos created straight out of camera without any postprocessing ? Or was it camera settings + LUTs in post ?
Some of them are out of camera, some of them slightly edited. somewhere at the end, i recon minute 8, I have a Chapter with the before and after of a couple clips. very minor adjustments anyhow
@@veresdenialex thanks for info, beatiful work !
@@insomniacoder3383 Thanks! Glad you like it. Taking a little break for this month, i've been having some health problems, but will come back next month probably. Ring the notificatiom bell to see new uploads
Hi. I’m a new A7CII owner. It’s my first real camera. I was just wondering if these settings can be applied for shooting photos as well or is it just for videos. I love your videos btw, big fan here. More power to you! Thank you!
It applies to Video & JPEGs images. For raw photos you can use these presets to match with the in camera JPEG look. www.veresdenialex.com/sony-film-simulation
Thank so much for this I have an A7r4 and felt limited by my 10 bit but not anymore just wish I could rename them
That looks great!! Nice job! Where i can find those frames?
Those frames? The film frames? I made them in photoshop from a film roll scan
@@veresdenialex Good job!! Looks cool!
@@pedrojacome. thanks my man
Great video. Do these profiles have same out come with with photos or is it sticky for video?
It applies to Video & JPEGs images. For raw photos you can use these presets to match with the in camera JPEG look. www.veresdenialex.com/sony-film-simulation
@@veresdenialex Awesome thanks for the information. I really appreciate it, I plan to download your Recipies ASAP.
@verexdenialex Hi, thank you for this video! Are those settings for video only , or can apply to photos as well?
photo mode as well
These are amazing!! Recently got a Sony RX100iii and am wondering how to implement these settings? I can’t seem to figure it all out. Where do I change these? Thanks!
check this playlist ruclips.net/p/PL-gfcmjtW3nup_6nXvu8JTn3obVpU2-o-&si=hVyVjctmcK77ZBoE
Hey man , I loved it. Earned a new subscriber. Just wanted to ask, I have been comparing rx7 , Ricoh and xt30ii. After watching this video , I am so tempted to just get RX7, but does the 1inch sensor really provide more photo quality than smartphones ?
When talking straight out of camera, the rx100VI is better than a smartphone in daylight situations. In lowlight you will need to edit your raw files to get better results, as the smartphone does some HDR and in camera noise reduction bs
hey, your picture profiles are great. but i wonder how did you set the white balance: you left it on awb or you tweaked it?
I usually tweak it, i have sample settimgs on my website on my Sony Film simulation page. It costs 5$ per year and you have access to all 21 Updated film simularion settings. Try it out, it will help you
I was about to get a Fuji for film simulation. Guess I have to try these thanks.
Welcome! 5 more film simulations coming next week together with LUTs
Omg, this is so good. Thank you so much for sharing. But one quick question, can it apply to all Sony camera models?
All models that have picture profiles, happy you found it helpful :D
@@veresdenialex got it, thank you. I'd love more of this ❤️
@@songseakleng more to come, at the moment i'm working on the creative LUTs video which will be ready in a week or two. Make sure to enable the notification bell to see that one
Hey bro, love the video and the film emulations you've made. I've I've a quick question, the luts you're selling on your site what exactly are they? Are they the same as this without us having to input the settings or is it different? Would love to know. And what exact profile are these considered under is it slog 3 or something totally different? Would love to know as I love the looks you've achieved just want to know more (the 40 lut pack). Cheers bro. You earned a new subscriber!
The Creative LUTs are different than these film profiles, and made for any camera footage. Usually luts are very limiting and don't offer control over the image, i made the Creative Luts so that you can easily adjust contrst, color and halation without distroying the image and much more versatile than regular luts.
You can shot any camera and gamma curve(slog3), these luts will work on it
@@veresdenialex thanks for the response man. That helps a lot. Do you recommend a promist filter with the luts or no need?
@@Addrian. promist, glimmer glass for softenning would be great
@@veresdenialex thanks Legend!
Beautifuuuuull!!! Are there benefits to doing this in camera? As opposed to just shooting in slog3 and color grading in resolve in post?
Gives a good image out of the camera so there is little or no color grading needed. Giving you a good base to start from, in terms or color and contrast. S-log3 will give you the most flexibility in post, but sometimes you don't have time to color grade, or there is no budget for anything fancy.
Also, not everyone is a colorist, so some people might find S-log3 pretty hard to grade, making it easier to use the Film Simulations
That’s understandable, but the colors in your video is absolutely beautiful! Even with color grading on resolve at xdr 1600 nits, it’s a quite difficult, there’s too many parameters, lol! For one, the right exposure, I’m experimenting with going from +2 on the metering to +1 or 0 just so I can get the most dynamics on skin tone to grade, seems like there’s a little bit to it’s curves! But thanks to you, I’m really excited to adjust temp and in body color adjustments again, so thank you!!!
Yeah they are really fun to work with, i initially made them for myself, and after 8 months of experimenting and testing, i wanted to share these profiles with everybody. In total this project took me about a whole year with shooting and editing it as well, so i'm really glad people are liking it. Thanks for watching, in about two weeks i'll come back with another video on how i expose, set color filter on each profile and how to use the creative LUTs more efficiently, so don't forget about that. Have a great one!
@@veresdenialex awesomeee! I’ll definitely be looking forward to that!! Have a good night and a great year filled with good luck!!
omg i need this for a wedding videos
So nice, @Veres Deni Alex! :) Do you have the Porta 800 equivalents for Adobe Bridge also?
I have simulation presets for lightroom and capture one www.veresdenialex.com/shop-film-power-grades-luts-presets-veresdenialex
@@veresdenialex I don´t have lightroom unfortunately, because of adobes absurd pricing strategies :(
Wow This video is a hidden gem. You gain my sub. Absolutely incredible 🙌🙌🙌
Thank you!
Nice jobs really， your sharing show me how powerful are the Sony cameras, also helps me shoot photos straight out of camera with pleasant color, thanks a lot. But there is still a problem bothering me, I know you offered some color settings above, but kelvin should be flexible with the environment changed, should I also change the color filter? If so, how should I change it?
First, change the kelvin as needed for your environment, if you are hitting any extreme limits like 2500k or 9900k and still need more warmth or coolness, then use the color filter. I also use the color filter to adjust the tint of the image, but I mostly leave it as the recipe mentions.
@@veresdenialex wow！Thanks for your reply！ It helps a lot!✌️😁 I’ll experience the recipes like you said in the video!
Amazing work!
Does this also work on the A7SII?
Yes! Color science varies between camera models, but as long as you have the same gammas and color modes, should work ok.
The 400H simulation looks magnificent ❤
Try the new version, it's even better www.veresdenialex.com/product-page/free-sony-film-simulation-recipes
This is pure gold, thank really really thank you so much for sharing this
Heheh, thanks, glad you like it! I have more recipes on the website
Does this work for photography too? I mean, can my Sony replace a Fujifilm X100v?
Yeah, they work for both photo and video
@@veresdenialex Thank you so, so much!
Hey man these are great! I do have a question about post in DaVinci: do they require a colour managed space or a CST node? Which colour space/gamma would these require?
Use CST and adjust saturation, hue on your liking. After translating them to rec709 some profiles might look too pink or too saturated, so it needs to be toned down in post processing
@@veresdenialex what color space/input gamma would you recommend? The CST node effect appears to be geared towards LOG profiles for Sony cameras as it only contains sgamut/sgamut3/sgamut3cine color spaces for Sony and slog/slog2/slog3 gammas. Even setting up your project as a color managed space I run into the same issue 😵💫
@@deathwaits1613 well, not all color spaces needs conversion, for example pro color, is actually a small color space which does not need translation to rec709 because it's very very close to it.
Usually you need the conversion to rec709 with big color spaces for accurate color reproduction, like s gamut, to translate them to your monitor screen and render accurate colors. You don't need that with small color spaces like Still, Movie, Pro and so on. You need to use it on Bigger spaces like cinema, bt2020, s-gamut to come closer to how colors will actually look like.
use the cst to convert the color if the film simulation uses a wide color space like s-gamut and so on. You can also choose to convert the input gamma if it uses something flat like HLG or Log, but it's not needed for Gammas like Still Movie Cine1 which are already very contrasty. just grade it manually with your preferred tools, like the primaries wheels or curves.
@@deathwaits1613 also, always translate the color to your monitor, or the final medium (theatre, tv's, where ever it will be watched) meaning if you use Portra 800, which uses Cinema color space (DCI-P3) and you use a monitor which can render DCI-P3, then you don't necessary need translation, because you can see the accurate colors on your screen.
Hey Alex, I have a question, I realized the color science on the A7iv is different from the A7iii, do you think it will be significantly different if I used these on the a7iv? asking because I own the a7iv lol
You know, with each new sony camera the color has changed and improved, so definitely will be a little difference, but remember my clips are 8bit and the color is fine, so the 10bit footage on the a7iv it's going to look even better. Feel welcome to try them out and let us know how they work. Hopes this helped :D
@@veresdenialex changing all my settings as we speak, I will leave feedback for sure! I'm gonna try them out on camera mode as well, wonder how they gonna look as well lol
@@thekkaolli can't wait! :D
question: Where do you accesses VH, BW , LImit, Cripsning and Hilight detail at in the camera? Im using the sony a7s3
In the detail submenu, 'detail' right click-> adjust-> and there you will find everything you need
This is dope as hell. EvPro+ reminds me of a Wong Kar Wai film.
I’m 1 min in and this video is already dope!!
Thanks, glad you are enjoying it, took a lot of work and time creating this video
How close is your Classic Chrome to the real deal with the A7iv? Thanks! Might purchase your plan :)
On my a7 iii it's about 90% identical, I have a video ready to be published comparing the sony and the fuji
You are amazing! Thank you for sharing, subbed. I am a Sony user but I prefer Fuji film simulation. These settings gave me a whole new feel to my camera.
Nice! Go check out the uodated versions on my website, color filter settings included as well
Just stumbled upon this and I'm glad I did. I recently bought a Sony camera. Does this film profiles work for still photography or strictly for videos only? Thanks for your work!
It works for both video and photo modes, but for photos it will be baked only in the JPEG. The Raw file cannot contain the picture profile information and need color matching. That's why I created the RAW presets www.veresdenialex.com/sony-film-simulation
@@veresdenialex Appreciate your work! How will I know which PP # should I change/modify?
@@lovecraftuni each pp slot is identic. You can customize whichever for the same results
Really like these, thank you for putting all that dang work in!
my pleasure! glad it helped!
What sony picture profile do you recommend for base footage? For easy edits on using the luts for premier pro
Evpro+ is my all time fav for anykind of project, or portra800 for well lit situations. Currently testing the portra profile in lowlight to see how much we can push the limits. Remember to check that out when is out!
Would these be baked in for jpeg stills?
Yes
Best video in such a long time
Man thanks, really appreciate it. Really took my time planning out how to make it short and interesting without any bs.
Wow 😯 glad I found this channel
Heheh, thanks man! Have fun using the profiles. Creative LUTs coming soon!
Awesome work ❤ed it. I assume this is applicable on a6400 as well. Hope to see such videos in future 🤟🏾
Thanks! Glad you enjoyed it. They work on any sony camera with picture profiles, i have posted a couple newer videos, check them out!
@@veresdenialex thanks.
@@midhilajsharafcm9777 welcome!
I have a ZV-E1, and in PP6, I don't have S-Log2 available in the gamma mode. How can I achieve a Portra 800 look without using S-Log2. And in pp1 for Vektro 100 the s- gamut is not avalable in colour mode. I have same problem here. :/
You can use S-log3, it's similar but much flatter. You will need to correct the contrast afterwards. Use S-gamut3 instead of S-Gamut, they are very similar.
I'm curious, do you have s-log assist on auto when you have these? I find it helps with some of these profiles because with it off, it looks odd on some. Asking because my company purchased an A7IV and I find the standard picture profiles on Sony's very boring, because I normally shoot on Fuji and those sims are amazing. But after seeing this video, there is yet hope!
Turn off assist. Assist should only help convert S-log and HLG to rec709 on screen, shouldn't work with any other gamma. And if you leave it on while using these recipes, they might look overly saturated.
I always leave assist off, even when using traditional S-log3 with sgamut3.cine, because like this, I can actually see how much detail I have in highlights and shadows, while with the rec709 look, I don't actually realize how much data I've lost on both ends.
You need to use the custom settings from the Pinned comment. Just like Fuji, each sony film simulation was designed to be used with the Color settings in order to get the best results.
Check out this playlist for the basics, ruclips.net/p/PL-gfcmjtW3nup_6nXvu8JTn3obVpU2-o-&si=rv0vwEauDuwedcyD