Things Record Producer Phil Ramone Taught Me
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- Опубликовано: 30 июн 2024
- Recording engineer/ producer Phil Ramone was my mentor. Here are some quick simple lessons I learned from the master. Ist in a series.
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Great video. I miss Phil and wish he was still here. Legendary music producer and human being.
I was fortunate to work with him on numerous TV tapings. He was the epitomy of a genuinely nice person. He was confident without being arrogant or an asshole which was so refreshing. No Tommy amatola in other words. I really miss him.
He was quite man
Subscribed!
I love it when somebody gets right to the freaking point!
Fabulous! I loved being Phil's assistant.I miss him!
Always great to hear words of wisdom from the master. Thanks for sharing your experience!
Great Lessons. Beautifully done.
Hey Brad, great to "see" you again! Terrific job on this video - all sounds REAL (REEL) familiar, especially the fixed monitor level - I use 85 dB as the reference for my film work. At that level your ears are the flatest and long days are not too fatiguing.
It always amazed me when mixers would send cue mixes pre fader - seems so much more sensible to be post, so changes in the control room are reflected in the phones.
I look forward to more videos. I SUBSCRIBED!
Hey Michael great to "see" too. Hope all is well! and thanks for the comments!
Fantastic, Brad! Great advice!
Listen to Brad Leigh. He is a treasure. A Life saver. A fountain of knowledge. Working at Sound On Sound when I started in the business, he made sure us Whipper Snappers had a fighting chance. I should have asked more questions. Subscribe! I did!
Amazing video, thanks for sharing!
This is golden!!! Thanks!!!
NIce one Brad!! Yep. He always talked about monitor level. EXCELLENT advice.
Thanks, Brad!
Thanx for sharing
Excelent info!! Please make more videos about you and Phil Ramone psychologist approach to players. Congratulation!!!
Thank you! Will do!
Would a love to see an episode on gain staging and managing low end!
Hey Brad, Well done brother.
Funny, I've been going back and remixing a lot of old songs and I just discovered on my own how great a long predelay sounds on plates! Great minds! I also stole the trick of panning that reverb to the opposite channel, it really opens up the mix.
Did you ever work at the A&R on 48th street that got sold to the Music Union? I did some freelance work there in the 90s. I love your no BS approach instasub!
Yes, I worked at the W 48th location for a few years. He also did discrete panning on two plates as well.
I read his book, it was great!
Cool stuff. What c weighted volume did you guys mix at?
Never measured it. I would guess 80 maybe a little lower
Is this Glenn Berger?
No
Ouch! Hating on Glenn?@@biasedaudio