You are the only thing keeping these Sony sensors relevant. These LUTs are insanely good and a huge time saver. Sony should be paying you millions for adding such value to their cameras! Thank you again for doing this.
Sorry but stop disrespecting Sony. Do not forget Sony is the godfather of filmaking. Also Sony is the reason indie filmmakers without money can still put together a film. Any filmaker with common sense would know better than disrespecting Sony! And for your information Sony sensor's are fantastic!
Absolutely amazing! I have been a Director / D.P. for 25 years and I would have to say that these LUTS are one of the largest game changers Ive seen in my career. I have literally shot millions of feet of film, and used every process imaginable like bleach bypass, etc... and these LUTS are a MUST if you want a filmic and cinematic look. I used to test film stocks for Kodak and Fuji before they would be released to the public, and these LUTS make me feel like I am back in those days!
@@phantomluts of course! I just let the Exec. Director of a new series I’m Directing know that I’ve chosen these LUTS for our show! Amazing work! Thank you so much!
Great art is like porn, hard to define, but you know it when you see it. And these LUTS are a work of art. I am looking forward to the Panasonic versions.
The FS7 ARRI LUT single-handedly made me fall in love with this camera as I've never been before. Will pick up the BMPCC4K LUT as soon as I'll have the opportunity.
Joel, thank you for your time and effort put into these looks. I've been using these LUTs since G9 on particular quick turnaround projects, and the looks are immensely useful. There is a comment below by Simon Olsen, with which I immensely agree. Your LUT work is what keeps me even more confident to work with images that come out of the Sony sensors. Please, keep up the great work! To anyone considering getting these LUTs and reading this comment, trust me...they're worth it.
Cannot recommend these highly enough. I've been using Joel's LUTs since the G9 edition and right from the beginning I was blown away by how closely he's been able to replicate that beautiful Arri look...and with every update it gets even better. The time and effort he's put into these is immediately obvious on screen and I'm never disappointed by their performance under any lighting conditions. Just amazing!
Just bought the luts but im totally new to filmmaking. How does it work do i just pass the log 3 footage from my sony fs7 to davinci and simply apply the lut? Is that all or do i still need to adjust light exposure or anything else?
We love the look of film because we see it often in films we watch, and what you see often then your brain gets familiarized with it and you seek it - that's how advertisement works, you see, hear an add about a pain pill often and when you have pain you go for that specific brand of painpill. When you see someone famous/respected has something or wears something, then you think that if you do the same you will also be famous/respected - that's why you see famous people in commercials.
Just bought the luts but im totally new to filmmaking. How does it work do i just pass the log 3 footage from my sony fs7 to davinci and simply apply the lut? Is that all or do i still need to adjust light exposure or anything else?
So I've recently bought a Sony alpha 7 iv. Been away from photography or making videos for a while. For personal reasons. I'm coming from a Canon 5d mkiii which is a lovely camera and totally capable of creating some beautiful images, and a Canon g7x mkii, but I've been considering getting back into video/ cinematography and wanted to buy a camera that would give me a fighting chance of creating some good looking footage. I'm completely blown away with the camera and I'm learning it's functions slowly. So that's how I ended up here. Your luts look amazing so once I'm upto speed I'll definitely look to buying them. Thank you for your efforts in this regard. All the best.
Hello Joel , I'm in the FB group A7SIII , and I bought the 2 packs LUTS. It looks really awesome. I'm waiting on my A7SIII to be delivered and Let's go ! First I would like to thank you for your amazing work. I Read the "Read me" in the mail to better use the LUTS but If you have the time , it will be great if you could maybe make a video on how to properly expose SLOG3 (with the differents settings) with or without the external monitor for a beginner to be able to use your awesome LUTS the best way with the A7SIII. Cheers from france
Any chance for a LUT package for Nikon Z6 raw footage (either Blackmagic Raw or Pro Res Raw)? Or maybe even Pro Res 444 (Da Vinci Resolve on Windows only accepts Pro Res 444, not RAW or Blackmagic). I'm new to all this, but can I simply just purchase a LUT of yours intended for Sony for example, and use it for Z6 RAW video?
The Phantom LUTS are the only reason why i still stick to the Sony Fs7...They make all my stuff look So Much Better. And now these Film Stock Emulation. As said below: Sony should give you an award. Thank you, but really-for these great luts!!
Hello, as owner of Sony a7iii I would like to ask you, if there are any recommended settings for this camera in order to make the most out of the luts (settings for color mode, saturation, detail etc.)? Thank you in advance!
FYI people...I just bought a pair of FX30 units. Went out and did some testing. Went to my church, recorded a choir. I used these luts, best I have bought. They gave my footage a professional yet artistic look. Joel has obviously put a lot of time into these. They came highly recommended and I was very pleased with the result.
Just bought the luts but im totally new to filmmaking. How does it work do i just pass the log 3 footage from my sony fs7 to davinci and simply apply the lut? Is that all or do i still need to adjust light exposure or anything else?
yes that is about it. you can adjust if want in resolve...but overall I like the look...the more important part is getting correctly exposed footage to work with...I am not sure about the fs7....but with the fs6, FX3, FX30...you do not have to over expose like on older cameras...0 to +3 is enough..daylight go 0...darker scene +3 and this should do it for you..@@katflorida8349
i did some tests and i cannot use the format prores raw...too noise and burned lights. Otherwise, prores 422 and hq seems that works perfectly. Can you confirm that? edit. After followed some tips from Joel via dm, i solved the "issue": it's necessary to switch (i'm talking for Premiere Pro) from Bt2020 to Slog3. I don't know why Premiere does import in this settings but it's quite easy to switch in log. Thank's again Joel. Does never stop to learning.
Just bough these for my bmpcc4k. Installed them on my SD so i can preview luts while out filming im stoked to learn his new camera! LOVE how these luts look, might ge the arri look pack next
Im looking at getting the lots but had a question. I currently use the sony a7iii with slog 2 and plan on upgrading to a newer sony camera in the near future. I noticed that you have a different category for the older and newer cameras. If I got the guts for the newer cameras would they still work fine on my a7iii? Thank you
Hey Joel. When I apply the Eterna lut to a 5000k WB s-log3 footage it typically goes pretty green. I adjust the WB in post anyway but just wondering if that's the expected behavior, or am I doing something wrong somewhere?
Joel so I’m a bit confused, I see one of your lut is Name “Jamaica” or is that the description of that lut? If so what’s the official name ? And is it included in the film lut pack ? I own a A7Siii, would you recommend converting a slg3 footage with Sony rec 709 convert then your lut + minor CC? Sorry for the loaded questions, Thank You! I was told you’re a Film God 😅
The only Luts out there that make the Sony sensor and its color science usable again. I don't touch these cameras without Joel's LUTs. And on a BMPCC 4k/6k, the color is now really fantastic, very gradeable!
That's really helping me get great results with my FS5/atomos recorder. Shooting in slog2sgamut2 in prores422. the arri luts help with getting great, deep, vibrant natural colors, and the film look luts help a lot getting a more artsy look, but very highend. well done man.
I have both sets of these and am loving them. You mention that you add a little film grain to these. Do you have any advice on how best to add grain in conjunction with these LUTs please?
Hey now that the new Panasonic s5ii is out, are you going to make a new luts for it? The color science is different than the s5. Less magenta/red. I don’t think the current Panasonic lut you have will look the same. Care to drop some info on that?
I wish I were able but a LUT can not do this. I often to add grain and bloom/halation to my own videos though yes - or I use the Schneider Hollywood Blackmagic Halation Filter.
Hi Joel, thank you so much for offering these Luts. I'm about to buy them for the A7S 2 but I might get a A7S 3 oder EV-Z1 soon. Is there any possibility to upgrade to the package after buying it? Since I don't want to buy them just for different cameras.
Thank you for your effort! Do you have any input on how to expose correctly for these luts using an FS7 and wheather S-log2 or S-log3 offer the best results. Thank you for your help!
Hello, I'm using Sony ZVE10, shooting in 8 bits colour Slog2 or Slog3. Should I use your Phantom Legacy FS7 LUT version or using the newer A7S3 LUT version?
Love how the results look and bought myself a pack, just a quick question for Rec.709 profiles like Cine 4 etc. are these luts gonna work well on them or better not and just go Slog? Cheers!
hey hoping to get a response im planning on getting a sony a6400 this Christmas and i see people using the phantom luts on that camera and when i go on the site and press sony it doesnt have that camera so does it not work for that camera? or if it does which one/ones can i but that will work wit the sony a6400
I just bought the Arri + Film pack for BMPCC4K , I dont know if you created them to be used one over the other? Like use an ARRI Lut on Basic Correction and the FILM Luts on the cretive portion of premiere.
@@phantomluts Thank you so much for your response! and dang these are super sick for my camera. Well worth the investment and Thank you for giving us this product to the public.
Im kind of confused. On your site you only have Panasonic s5, s5ii and s1h Phantom luts. Do these luts not work the same with the Panasonic s1? Why isn't it listed when the s5 and the s1 supposedly use the same exact color science as well as the sensor?
Yes these also work with the S1 - I just assumed that would be understood given the sensor is the same as the S1h and S5 as you mentioned. I don't want to clutter the page but I just added S1 then so it's clear :)
Great video! These LUTS are beautiful. Will they work equally as well with Sony NEX cameras? Is there any additional, or specific, tweaking necessary for the LUTS to produce a great image like yours?🎬
Yeah we have LUTs for the Mavic 3 Pro (D-log and D-LogM) which are compatible with most never DJI drones (with a bit of adjustment due to their various different sensors)
Hi, i purchased your Phantom luts for Bmpcc6k..i have a question that, should I use or are you recommending to use IR cut filter for my Bmpcc6k when using your Luts.?please kindly reply and help me.Thank you somuch for your wonderful creation and hardwork..i appreciate it. I also purchased ur luts for my sony cameras..its Great
Hi Joel, I am a fuji xt3/4 user. I wanna purchase your luts, which one would more fit my cameras? Or does it even makes sense to get it for the fuji system? Thanks!
I’m not sure if I’m being a total idiot but I need help!!!! I have a canon r5, shooting in clog3 and so I purchased the canon pack of luts. On some correctly exposed footage the lut just looks whack, nothing like a one click fix or anything that can be used. I then thought maybe I need to put the ftg into rec709 first, but that wasn’t helping. I’m not sure what I’m doing wrong but someone help!!!!😅
@@phantomluts really appreciate the reply! So I set premier to 709. Im shooting on canon clog3 and colourspace to cinema gamut. Should I shoot to 709 gamut on cam as well?
Very interesting Luts, if I understood correctly these luts must be applied straight to the log footage, no log-rec.709 conversion needed first, right?
I'm getting a serious orange color cast on my Ninja V when using these LUTs on it. I can't figure out if it is the Ninja's problem or if I am using the LUTs wrong. How are you to use the LUTs that say "atomos pre-lut"? is this the only one that will work on the monitor?
Hey Joel, sorry I’m late to the party lol, but I have a quick question. I currently shoot in S Log 3 on the A6600 and I’m very interested in purchasing your Lut pack, but I’m not sure which version to get for my camera. Will the newer version work with 8 bit cameras? Thanks I’m advance!
Hey man, just bought these Luts but i’m confused. But the film look 5 lut bundle for sony As7iii (I own an FX3) it came with 2 folders, one for FX6 and A7Siii, but two other folders, legacy…what am I suppose to use? I shot everything in Slog 3, 1.7 overexposed and when I apply the lut (inside of premiere pro) the colors turn out way too intense, either with Cube 1 or Cube 2….am I doing something wrong? Thank you
thanks so much for sharing. I have a question for ya. should use Sony's slog2-rec709 firstly before applying your Luts ?or just directly apply to my slog2 footage ? your reply will be much appreciated.
Hi Joel, I have some questions - what is the difference between the lut with a 'legacy' at the back vs the one without it? and also for the eastman lut, there are two versions, one with the RM and one without. What does it mean? Thank you very much
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
You are the only thing keeping these Sony sensors relevant. These LUTs are insanely good and a huge time saver. Sony should be paying you millions for adding such value to their cameras!
Thank you again for doing this.
Too kind! Glad you're enjoying them dude - worked hard on them so its nice to see messages like this!
couldn't agree more! Thank you Joel!!!
So true!
so true, sorry is crap without his luts
Sorry but stop disrespecting Sony. Do not forget Sony is the godfather of filmaking. Also Sony is the reason indie filmmakers without money can still put together a film. Any filmaker with common sense would know better than disrespecting Sony! And for your information Sony sensor's are fantastic!
Absolutely amazing! I have been a Director / D.P. for 25 years and I would have to say that these LUTS are one of the largest game changers Ive seen in my career. I have literally shot millions of feet of film, and used every process imaginable like bleach bypass, etc... and these LUTS are a MUST if you want a filmic and cinematic look. I used to test film stocks for Kodak and Fuji before they would be released to the public, and these LUTS make me feel like I am back in those days!
Thanks for the comment Matthew!
@@phantomluts of course! I just let the Exec. Director of a new series I’m Directing know that I’ve chosen these LUTS for our show! Amazing work! Thank you so much!
Great art is like porn, hard to define, but you know it when you see it. And these LUTS are a work of art. I am looking forward to the Panasonic versions.
@@matthewarkins5374 which show is that? I would love to watch
Panasonic version released.
I've never been as sold on a LUT package. Bookmarked.
Me 2.. Unfortunately, I am a Canon shooter.... "No LUTs for YOU!" :)
@@oldtreefarm we have it now 🎉
I just started using these LUTs and man they make it easy for a person like me who isn't super video-techy to make a good looking image!
That’s great man! Thanks for the comment :) I like the idea of these being beautiful AND easy to use
The FS7 ARRI LUT single-handedly made me fall in love with this camera as I've never been before. Will pick up the BMPCC4K LUT as soon as I'll have the opportunity.
Glad to hear it dude and appreciate your support!
I bow down to you!! This is gonna save me so much time. Just the look I wanted. Perfect for quick turn arounds.
Glad I could help!
Your work on these LUTS is incredible. Respect.
Purchased! I love your passion behind them too. You can really tell with the images. Amazing work mate!
Incredible dedication, absolute game-changer for baked-in looks
Thank-you kindly!
Joel these luts are amazing! Just used them on our recent music video and it turned out looking amazing because of you ❤️
Thanks so much!
Joel, thank you for your time and effort put into these looks. I've been using these LUTs since G9 on particular quick turnaround projects, and the looks are immensely useful. There is a comment below by Simon Olsen, with which I immensely agree. Your LUT work is what keeps me even more confident to work with images that come out of the Sony sensors. Please, keep up the great work! To anyone considering getting these LUTs and reading this comment, trust me...they're worth it.
Cannot recommend these highly enough. I've been using Joel's LUTs since the G9 edition and right from the beginning I was blown away by how closely he's been able to replicate that beautiful Arri look...and with every update it gets even better. The time and effort he's put into these is immediately obvious on screen and I'm never disappointed by their performance under any lighting conditions. Just amazing!
Thanks Mark!
Just bought the luts but im totally new to filmmaking. How does it work do i just pass the log 3 footage from my sony fs7 to davinci and simply apply the lut? Is that all or do i still need to adjust light exposure or anything else?
Thank you Joel for your work! These luts are awesome!
You’re welcome! Thanks
Just bought. These are actual magic. Thanks so much for making these!
dude how do you not have more subscribers, phantom luts are like the gold standard. I hope you realize how much youre helping plebians like myself lol
Very kind words, Thanks Matt!
We love the look of film because we see it often in films we watch, and what you see often then your brain gets familiarized with it and you seek it - that's how advertisement works, you see, hear an add about a pain pill often and when you have pain you go for that specific brand of painpill. When you see someone famous/respected has something or wears something, then you think that if you do the same you will also be famous/respected - that's why you see famous people in commercials.
Absolutely incredible. Having these on my S5ii is beyond wonderful, thank you!
Just bought the luts but im totally new to filmmaking. How does it work do i just pass the log 3 footage from my sony fs7 to davinci and simply apply the lut? Is that all or do i still need to adjust light exposure or anything else?
beautiful video. What is the music?
So I've recently bought a Sony alpha 7 iv. Been away from photography or making videos for a while. For personal reasons. I'm coming from a Canon 5d mkiii which is a lovely camera and totally capable of creating some beautiful images, and a Canon g7x mkii, but I've been considering getting back into video/ cinematography and wanted to buy a camera that would give me a fighting chance of creating some good looking footage. I'm completely blown away with the camera and I'm learning it's functions slowly. So that's how I ended up here. Your luts look amazing so once I'm upto speed I'll definitely look to buying them. Thank you for your efforts in this regard. All the best.
This is absolutely incredible. I plan on investing in a Sony camera very soon and will be purchasing these LUTs right after, thank you.
thank you thank you thank you!!! THIs worked well with my Sony A7C! so crisp, natural and organic. almost made a wigga melt from contentment
I have an A7C as well. Are you using Slog2 with Cine3 gamma? Do you over expose? Thanks.
@@nevrozel slog2 was my technique..no cine3 or exposure ..I sold mine though and got a bmpcc6k. I'll never go back to anything else..
Love these LUTs. Too many people on RUclips create LUTs but dont understand color science... These LUTs are fantastic. A must have.
Thanks Daniel!
These are amazing thank you for doing the research and putting in the time to test them out.
Joe thank you for doing the Eterna Lut.
Amazing LUTs, looking forward to using it on more projects!
Hello Joel , I'm in the FB group A7SIII , and I bought the 2 packs LUTS. It looks really awesome.
I'm waiting on my A7SIII to be delivered and Let's go !
First I would like to thank you for your amazing work.
I Read the "Read me" in the mail to better use the LUTS but If you have the time , it will be great if you could maybe make a video on how to properly expose SLOG3 (with the differents settings) with or without the external monitor for a beginner to be able to use your awesome LUTS the best way with the A7SIII.
Cheers from france
The RED Helium 8k ad by Mark Toia and this Phantom LUTs ad are the best cinematography themed ads.
Thanks for the kind words!
So good Joel, love your work! Excited to play with my old a6500.
Just got myself the phantum lots set. Love your Phantum LUTS Joel
thanks man, appreciate it.
Any chance for a LUT package for Nikon Z6 raw footage (either Blackmagic Raw or Pro Res Raw)? Or maybe even Pro Res 444 (Da Vinci Resolve on Windows only accepts Pro Res 444, not RAW or Blackmagic). I'm new to all this, but can I simply just purchase a LUT of yours intended for Sony for example, and use it for Z6 RAW video?
I'm curious if the luts would fit for Canon cameras?
God bless you, you mad genius. We will buy and inculcate this in our work. Thank you so much!!
The Phantom LUTS are the only reason why i still stick to the Sony Fs7...They make all my stuff look So Much Better. And now these Film Stock Emulation. As said below: Sony should give you an award. Thank you, but really-for these great luts!!
Haha thanks Bas!!
Hello,
as owner of Sony a7iii I would like to ask you, if there are any recommended settings for this camera in order to make the most out of the luts (settings for color mode, saturation, detail etc.)?
Thank you in advance!
Sorry I missed this somehow! Best in camera settings are default slog2 or slog 2 Sgamut3cine for the 8 bit cameras
@@phantomluts what about for a7s3?
@@hello81642 SLOG3
FYI people...I just bought a pair of FX30 units. Went out and did some testing. Went to my church, recorded a choir. I used these luts, best I have bought. They gave my footage a professional yet artistic look. Joel has obviously put a lot of time into these. They came highly recommended and I was very pleased with the result.
Thanks so much Sean!
Just bought the luts but im totally new to filmmaking. How does it work do i just pass the log 3 footage from my sony fs7 to davinci and simply apply the lut? Is that all or do i still need to adjust light exposure or anything else?
yes that is about it. you can adjust if want in resolve...but overall I like the look...the more important part is getting correctly exposed footage to work with...I am not sure about the fs7....but with the fs6, FX3, FX30...you do not have to over expose like on older cameras...0 to +3 is enough..daylight go 0...darker scene +3 and this should do it for you..@@katflorida8349
i did some tests and i cannot use the format prores raw...too noise and burned lights. Otherwise, prores 422 and hq seems that works perfectly. Can you confirm that?
edit. After followed some tips from Joel via dm, i solved the "issue": it's necessary to switch (i'm talking for Premiere Pro) from Bt2020 to Slog3. I don't know why Premiere does import in this settings but it's quite easy to switch in log. Thank's again Joel. Does never stop to learning.
These LUTS work. Hands down. Pay for them now. Buy them. Right now. Right. Now. Don't ask questions.
Just bough these for my bmpcc4k. Installed them on my SD so i can preview luts while out filming im stoked to learn his new camera! LOVE how these luts look, might ge the arri look pack next
Im looking at getting the lots but had a question. I currently use the sony a7iii with slog 2 and plan on upgrading to a newer sony camera in the near future. I noticed that you have a different category for the older and newer cameras. If I got the guts for the newer cameras would they still work fine on my a7iii? Thank you
Hey Joel. When I apply the Eterna lut to a 5000k WB s-log3 footage it typically goes pretty green. I adjust the WB in post anyway but just wondering if that's the expected behavior, or am I doing something wrong somewhere?
Hey, shoot me an email with some screenshots! hello@joelfamularo.com
Joel so I’m a bit confused, I see one of your lut is Name “Jamaica” or is that the description of that lut? If so what’s the official name ? And is it included in the film lut pack ? I own a A7Siii, would you recommend converting a slg3 footage with Sony rec 709 convert then your lut + minor CC? Sorry for the loaded questions, Thank You! I was told you’re a Film God 😅
Jamaica is the name that specific LUT as part of the Film LUT pack
The only Luts out there that make the Sony sensor and its color science usable again. I don't touch these cameras without Joel's LUTs. And on a BMPCC 4k/6k, the color is now really fantastic, very gradeable!
That's awesome to hear Eugenia :)
That's really helping me get great results with my FS5/atomos recorder. Shooting in slog2sgamut2 in prores422. the arri luts help with getting great, deep, vibrant natural colors, and the film look luts help a lot getting a more artsy look, but very highend. well done man.
Guillaume Juin thanks man!
I have both sets of these and am loving them. You mention that you add a little film grain to these. Do you have any advice on how best to add grain in conjunction with these LUTs please?
Add grain after colouring and after the LUT, and I always try to use it sparingly
i have a sony a7iii. What package do you recommend me to buy? | SONY F55, FS7 / 5 & ALPHA SERIES (PRE-A7S-3) |or SONY A7S-3]?
Hey man the fs7 LUTs for the a73
Any chance you could share the grain effect you used on these shots? Love your work!
Hey now that the new Panasonic s5ii is out, are you going to make a new luts for it? The color science is different than the s5. Less magenta/red. I don’t think the current Panasonic lut you have will look the same. Care to drop some info on that?
Can these luts work on footage captured with GH5s?
Danny Gevirtz fixed his mistake by giving you credit. I'm glad I found your channel!
I want to know the same thing
@@arf8314 I hope he clarify and reply!
Are you including halation in your luts? Halation and grain are usually added for a more filmic look.
I wish I were able but a LUT can not do this. I often to add grain and bloom/halation to my own videos though yes - or I use the Schneider Hollywood Blackmagic Halation Filter.
@@phantomluts Thanks for your reply. I'm filling with Panasonic S1H - Vlog and edits in DaVinci Resolve in Aces colors space.
Amazing luts man. Are these applicable to the gen5 color science of the pocket 4k and 6k as well?
Thanks dude!
Not at the moment but there’s a Gen 5 update coming soon and it’ll be free for existing users.
Beautiful narration! Thanks!
Hi Joel, thank you so much for offering these Luts. I'm about to buy them for the A7S 2 but I might get a A7S 3 oder EV-Z1 soon. Is there any possibility to upgrade to the package after buying it? Since I don't want to buy them just for different cameras.
Sir, I am overwhelmed!!!
😁
Hi, what is the song during the intro ? It is beautiful.
Thanks a lot for your video.
Such amazing LUT’s man! I love using them!!!
Awesome dude!
Thank you for your effort! Do you have any input on how to expose correctly for these luts using an FS7 and wheather S-log2 or S-log3 offer the best results. Thank you for your help!
did I get it right? all these phantom LUTs are base LUTs which you use instead of the basic rec709 LUT?
They are all Log to Rec.709 LUTs with the conversion built-in
I own them and love them but these are strictly film stock and I can still use Kodak 2383print stock on top of that right?
Just buy it for my future A7S3, can't wait to try them !!
And good job for these quality Luts
Hello, I'm using Sony ZVE10, shooting in 8 bits colour Slog2 or Slog3. Should I use your Phantom Legacy FS7 LUT version or using the newer A7S3 LUT version?
The FS7 LUT is the one for you, use the S-Log2 version of the LUTs as they are designed for 8-bit footage
Great! Can i install the luts inside my BMPCC4k to check while shooting and are they recommend to burn in for prores quick turnaround? :) Thanks
I purchased the LUTS and it doesn't let me load them into my Sony FX30. I used the 65x version. Can someone pleas tell me what to do?
Thank you!
Cameras can only load 33x versions of LUT files, these are included in your pack!
Is the graing effect applied to the film look by default? It doesn't look like that in this video.
No, this is usually the camera itself that adds the grain look
Love how the results look and bought myself a pack, just a quick question for Rec.709 profiles like Cine 4 etc. are these luts gonna work well on them or better not and just go Slog? Cheers!
Just SLog
would the footage need to be converted to rec709 before applying this film stock LUT?
No - the LUTs all convert to 709 for their specific camera.
Trying to get an image that pops has been making my head hurt. Bought your LUTs today and early tests look wicked! Cheers 👊🏿
Vision Teal looks gorgeous.
hey hoping to get a response im planning on getting a sony a6400 this Christmas and i see people using the phantom luts on that camera and when i go on the site and press sony it doesnt have that camera so does it not work for that camera? or if it does which one/ones can i but that will work wit the sony a6400
Your camera is supported by the FS7-Legacy Pack! Shoot S-log2 S-Gamut3.Cine and apply the S-Log2 LUTs included in the pack!
The first and only luts I have ever paid for
🥰 aww shucks!
I just bought the Arri + Film pack for BMPCC4K , I dont know if you created them to be used one over the other? Like use an ARRI Lut on Basic Correction and the FILM Luts on the cretive portion of premiere.
Great. No they’re each standalone. I use them in creative portion
@@phantomluts Thank you so much for your response! and dang these are super sick for my camera. Well worth the investment and Thank you for giving us this product to the public.
Which colour management in resolve to match using these luts I have bought the full packages.
Colour Science set to DaVinci YRGB, Timeline colour space set to Rec.709-A for Mac users, or Rec.709 Gamma 2.4 for Windows users
Incredible, purchased. Would love to know the two tracks in this video!
Hi Joel. Great addition to ur awesome collection of luts. Can these work with HLG3 footage?
Thanks Hilary! These are designed for s log specifically but I have seen some users make them work for HLG3.
Im kind of confused. On your site you only have Panasonic s5, s5ii and s1h Phantom luts. Do these luts not work the same with the Panasonic s1? Why isn't it listed when the s5 and the s1 supposedly use the same exact color science as well as the sensor?
Yes these also work with the S1 - I just assumed that would be understood given the sensor is the same as the S1h and S5 as you mentioned.
I don't want to clutter the page but I just added S1 then so it's clear :)
@@phantomluts thank you
Great video! These LUTS are beautiful. Will they work equally as well with Sony NEX cameras? Is there any additional, or specific, tweaking necessary for the LUTS to produce a great image like yours?🎬
Currently saving for a Sony, looks like I’m saving a little more for this LUT package, colors look amazing!!
Do these LUTS work in-camera on the Komodo? Or are they only to be added in post?
Pretty sure they work in camera yeah
Is there any way these would work for d-log footage for drone and action camera?
Yeah we have LUTs for the Mavic 3 Pro (D-log and D-LogM) which are compatible with most never DJI drones (with a bit of adjustment due to their various different sensors)
@ thanks for the reply mate. Just purchased! Looking forward to giving them a go 👍
Joel, i have to be overxposed in slog3 by 1.7-2.0 stops or stay in the middle of histogram and try to expose to the right?
i have the sony a7r5 and don't know which package will work? please help ... trying to buy.
Your A7RV is supported by the FX6 LUT in the A7SIII/FX6 LUT Pack!
@@phantomluts Great! Thank you.
Are the Phanton LUTs compatible with Panasonic GH5?
If your GH5 has V-Log, then yes they will work
Is the A7SIII Lut also works for A7III?
Will, it gives the same look?
Please consider creating these luts for the Panasonic S line. Thank looks fantastic!
Hello Joel,
before i purchase this luts..can i ask if these gonna work on my a7r iii slog 2 and slog 3? thanks man! hoping for your response
Hi, i purchased your Phantom luts for Bmpcc6k..i have a question that, should I use or are you recommending to use IR cut filter for my Bmpcc6k when using your Luts.?please kindly reply and help me.Thank you somuch for your wonderful creation and hardwork..i appreciate it. I also purchased ur luts for my sony cameras..its Great
Yes - IR Cut filter is a good idea for BMD cameras.
Hi Joel, I am a fuji xt3/4 user. I wanna purchase your luts, which one would more fit my cameras? Or does it even makes sense to get it for the fuji system? Thanks!
I bought ZVE1 and this LUT, but what if ZVE1 doesn’t have PP8?
PP8 is simply Slog3+Sgamut3cine.
Are the film emulator luts able to be used in camera for the black magic pocket 4k?
Yes
I’m not sure if I’m being a total idiot but I need help!!!! I have a canon r5, shooting in clog3 and so I purchased the canon pack of luts. On some correctly exposed footage the lut just looks whack, nothing like a one click fix or anything that can be used. I then thought maybe I need to put the ftg into rec709 first, but that wasn’t helping. I’m not sure what I’m doing wrong but someone help!!!!😅
Depending on your NLE it can sometimes use automatic colour conform so make sure that's off!
@@phantomluts really appreciate the reply! So I set premier to 709. Im shooting on canon clog3 and colourspace to cinema gamut. Should I shoot to 709 gamut on cam as well?
Very interesting Luts, if I understood correctly these luts must be applied straight to the log footage, no log-rec.709 conversion needed first, right?
Correct
I'm getting a serious orange color cast on my Ninja V when using these LUTs on it. I can't figure out if it is the Ninja's problem or if I am using the LUTs wrong. How are you to use the LUTs that say "atomos pre-lut"? is this the only one that will work on the monitor?
Hey Joel, sorry I’m late to the party lol, but I have a quick question. I currently shoot in S Log 3 on the A6600 and I’m very interested in purchasing your Lut pack, but I’m not sure which version to get for my camera. Will the newer version work with 8 bit cameras? Thanks I’m advance!
Use the Fs7 LUTs and I advise you against Slog3 as it's only 8 bit. Slog2 + Sgamut3cine is better for 8 bit.
Just bought my Sony A7SIII and bought the LUT's.. can't wait dude!! 🤜🤛😎
So glad I stumbled across this. Are you shooting your SLog footage overexposed by 1 stop on the meter to get these results?
Hey man, just bought these Luts but i’m confused. But the film look 5 lut bundle for sony As7iii (I own an FX3) it came with 2 folders, one for FX6 and A7Siii, but two other folders, legacy…what am I suppose to use? I shot everything in Slog 3, 1.7 overexposed and when I apply the lut (inside of premiere pro) the colors turn out way too intense, either with Cube 1 or Cube 2….am I doing something wrong? Thank you
thanks so much for sharing. I have a question for ya. should use Sony's slog2-rec709 firstly before applying your Luts ?or just directly apply to my slog2 footage ? your reply will be much appreciated.
You're welcome man! No the Film LUTs work standalone - you don't need to use a rec709 conversion LUT first. Each of my 10 LUTs work on their own.
Hi Joel, can these LUTS apply to my Blackmagic OG camera with the cinedmg raw codec?
Hi Joel, I have some questions - what is the difference between the lut with a 'legacy' at the back vs the one without it? and also for the eastman lut, there are two versions, one with the RM and one without. What does it mean? Thank you very much
You are the best ! Thank you !!!
thanks!
"spaz out"! Can we still say this even if we are Australian??Great work BTW
😅