So much respect from England to each and every engineer, restorer, craftsman who has given back the world the Cathedral loved by us all.... and so much respect to this gentleman and all his team who have restored the organ. The French are, and have always been, very great engineers.
A momentous moment! To have access to hearing this glorious instrument sound again is such a privilege and so moving. Greetings and thanks from Scotland!
Un travail qui peut être long que d'accorder cet "instrument" si complexe et si gigantesque ! J'adore l'orgue et ses claviers, "pédales" et "boutons". J'étais petite quand je chantais à la chorale de l'église à côté de l'épouse de notre Pasteur, qui nous accompagnait à l'orgue. Ce jeu des mains et des pieds m'avait impressionnée, et ces sons, les vibrations !! Magnifiques 😀👌👌🎶🎹
Quelle joie de savoir que cet instrument est presque entièrement restauré! Je rêve d'ores et déjà du moment où je vais pouvoir l'entendre à nouveau sur place! (un fan qui vit aux US)
Merci pour ce très beau reportage ! Respect et Admiration à tout ces spécialistes pour accorder les orgues dans cette trés belle Cathédrale, qu'est N-D de Paris ! 🙏❤️⛪🕯️
I visited Notre-Dame on New Year's Day, around 1983-84; now I must return and touch the walls to Thank God for all those who have restored this Global Treasure, Gift from humanity to God and from God to Humanity. Peace, Love and Blessing to All!
It's so nice to hear this organ again after years of silence, I think this organ is craving for to be played so that we as the world can hear her majestic sound again oh I'm getting shivering just to know that the organ will be continuing her legacy, long live Notre dame, long live the great, powerful, majestic and awesome sound of the Notre dame grand organ
This is amazing! The video shows some of the magnificent stained glass as well as pipes of the organ! The gentlemen are carefully selected tor this work and wearing protective gear so as not to introduce any dust or other particulates into the electrical systems. I was present at the National Cathedral in Washington, DC when it was being serviced; that was a memorable experience.
La cathédrale Notre-Dame de Paris, aura à nouveau toute sa splendeur avec ses magnifiques grandes orgues avec ses surprenant contre-bombardes de 32 pieds joué à la pédale et ses trompettes en chamade en façade de ce magnifique buffet, et que dieu protège cette magnifique cathédrale.
Que de beaux souvenirs cela me rappelle. Le meilleur est la messe de minuit de Noel a Notre Dame ! L’orgue et sa musique remplissait la Cathédrale Je n’habite plus a Paris et meme en France, mais quand je pense a Paris, c’est toujours Notre-Dame (et le Vert Galant) qui me viennent a l’esprit tout premièrement . Az usa
This instrument was my first concern when I saw those ghastly flames erupting from this historic building. Praising God for the restoration of the building of international importance and this organ! Olivier Latry please bring your brilliant musicianship back to this instrument!!
J'ai une pensée ce jour pour Pierre Cochereau, Louis Vierne et tous les autres grand maîtres qui se sont succédé au clavier de cet orgue magnifique. Impatient d'entendre à nouveau la puissance inimitable de cet orgue Cavaillé-Coll légendaire. Les voûtes vont trembler à nouveau à Notre-Dame !
Les grandes orgues sont en cours de remontage : c'est merveilleux ! Mais que devient l'orgue de chœur, qui accompagne les chants de la maîtrise et du chœur d'adultes ?
« the organ is now reinstalled but the work and scaffolding inside the cathedral prevent us (at the moment) to ear the full resonance of it. It will take 6 months to accord each note of this organ. »
We, organists, professionals, students, amateurs, beginning and experienced musicians, music lovers, heritage lovers and defenders, the public and believers, protest against the changes to Notre-Dame’s team of organists imposed without consultation on April 24, 2024 by the cathedral’s rector. Why were new organists needed at Notre-Dame de Paris? After the disastrous fire, the perfectly understandable decision was taken to lay off the Notre-Dame organists for economic reasons, with the exception of the choir organist, whose service was still required, albeit relocated to Saint-Germain l’Auxerrois. Five years after April 15, 2019, what is the justification for the partial renewal of the current team? Why was Johann Vexo (substitute choir organist for the past 20 years at the time of the fire) sidelined? Why wasn’t Philippe Lefebvre offered the chance to remain at his position for at least a few months, to participate alongside his colleagues in the cathedral’s reopening ceremonies? The way in which new organists have been recruited continues to raise questions. Indeed, since 1984 - the date of Cardinal Lustiger's Ordonnance, which proposed special arrangements for "certain organs of specially consecrated renown" - competition has been the sole means of recruiting cathedral organists. Why such a choice? Of course, the role of any church organist is to serve the liturgy. And as such, it's up to the rector of the cathedral to preside over the choice of appointments. But Notre-Dame, whose international renown is undeniable, is also a most important symbol of organs and music in general, both in France and throughout the world. In view of its immense reputation, it is our duty to make it shine with the talent of highly qualified artists. Notre-Dame de Paris has always been home to exceptional musicians who have brought - and continue to bring - honor to the profession: personalities who have previously proved themselves not only through their vast experience as servants of the liturgy, but also through their academic careers, their success in international competitions, and their international careers. Of course, exceptional careers call for exceptional arrangements: the appointment of Thierry Escaich, renowned composer, improviser, international concert performer, winner of five Victoires de la musique awards, professor of composition and improvisation at the Conservatoire National Supérieur de Musique de Paris, member of the Académie des Beaux-Arts, cannot be contested. On the other hand, the recruitment without competition and for an indefinite period of time of a young 21-year-old organist, just a student, in the course of his studies and without any diploma, to the choir organ but also to the great organ, on the sole faith of a “promising talent”, seems incomprehensible. It is an arbitrary choice that can’t be explained on artistic grounds, and sends out the wrong signal to young professional organists who have taken or are taking the trouble to train extensively in both musical repertoire and liturgical accompaniment, demonstrating, in the final analysis, a very high level of church musicianship. How can we explain to them that the high level of skills acquired through their work might not be taken into account in the criteria leading to an appointment? That is why we’re calling for the return of the organists on duty at the time of the fire on April 15, 2019, with the addition - since the rector is calling for a “reinforced” team - of the talented Thierry Escaich. In addition, nothing prevents Philippe Lefebvre’s retirement from being deferred, with respect and dignity, for a few months. As for youth, it is obviously welcome and expected, but any appointment must be subject to the practices that have governed the appointment of organists up until now, and which underpin the legitimacy of the fortunate ones selected in the eyes of the profession, and, more broadly, of believers, of the musical public and lovers of musical and ecclesiastical heritage.
Desde Montevideo- Seglar de capilla S.Jerónimo- . .¿ Y qué opina Johann VEXO ? ¿Sigue al frente de este instrumento..además de improvisar magnificamente en Saint Gerrmain l' Auxerois. ?
Fulcanelli, Le Mystère des Cathédrales: À cet égard, Notre-Dame de Paris, église philosophale, est sans contredit l’un des plus parfaits spécimens, et, comme l’a dit Victor Hugo, « l’abrégé le plus satisfaisant de la science hermétique, dont l’église de Saint-Jacques-la-Boucherie était un hiéroglyphe si complet ».
merci j'espère que vous allez bien , je vous souhaite un bon mercredi , comme on fit en France pas de nouvelle , bonne nouvelle Vielen Dank, ich hoffe, es geht Ihnen gut. Ich wünsche Ihnen einen schönen Mittwoch, wie man in Frankreich sagt. Keine Neuigkeiten, nur gute Nachrichten
At 0:35 - When I heard that first note, I thought he was going to play Phantom of the Opera (or Pink Floyd, Relics 🤔). I wouldn’t have been able to resist but then I’m childish and irreverent.
It is surely a miracle that the organ survived and I am sure the restoration of the pipework and internal workings was done to exacting standards. But with the entire cathedral restoration being carried out with meticulous care and detail, it is astonishing that a Cavaillé-Coll style console was not made for this most illustrious instrument instead of this space-age creation with what looks like plastic knobs and couplers. Disappointing.
@@SirReginaldBlomfield1234 Evidently. But that cheesy thing is probably half way though its lifespan already. Let's say a Cavaille-Coll replica console would cost $100,000. that's about .013% of the roughly 760 Million dollar restoration. That organ is certainly worth it.
@@BG-sl9lv Actually they were supposed to build a replica of the Cavaille-Coll console in the 2012-2014 restauration but turned out that fitting all the 114 drawstops (originally the CC organ only had 86 stops) into it would have made some pretty much impossible to reach for an organist since it would have been so huge. The current console's rear side is actually the exact copy of the original so at least it looks the same to people viewing it from the nave. Personally, I don't understand why they went with the lighter wood on the organist's side since it doesn't match either Cochereau's pedal board they kept or the organ buffet.
O MARIE Conçue sans péché, priez pour nous qui avons recours à Vous, pour tous ceux qui n' ont pas recours à Vous et surtout pour les ennemis de Notre Sainte Mère l' Église. ( Saint Maximilien Kolbe )
Le Grand Orgue de Notre-Dame de Paris 🌹🇻🇦💒🇨🇵🌹!!!???....le Plus bel ORGUE🌿🎶💡🍒🪢 qui soit au Monde !!!( Maître PIERRE COCHEREAU 1924-1984💐🇻🇦✝️🇨🇵💛🕊🥰💡🍒🪢🌿💐✒📃📚💐🎨🙋♂️)
@@MrSUPERDUCONfaudrait t’informer un peu avant de te marrer, ça n’a rien à voir… La note LA du diapason est effectivement accordée par convention sur 440Hz, c’est la fréquence qu’on retrouve dans tous les orchestres, les pianos… Bref. En revanche, dans certaines églises, l’orgue est accordé différemment, le LA n’est pas sur 440Hz. Par exemple lorsqu’on recherche la Toccata et Fugue en Ré Mineur de Bach (BWV565) sur RUclips, on retrouve plusieurs versions qui sonnent différemment. Il y a notamment cette version : ruclips.net/video/w-QLSPmzMZo/видео.htmlsi=8SRyp6o5pFxxvTX5 qui sonne plus aiguë que la version classique, tout simplement parce que cet orgue n’est pas accordé à 440Hz, sans doute une question d’histoire, ou de sonorité… Voilà…
A l’âge avancé que j’avais le jour de l’incendie, je pensais ne jamais pouvoir ré-entendre le son de cette orgue ... quel bonheur 🙏 !!
❤❤
So much respect from England to each and every engineer, restorer, craftsman who has given back the world the Cathedral loved by us all.... and so much respect to this gentleman and all his team who have restored the organ. The French are, and have always been, very great engineers.
Ah, merci Seigneur Jésus Christ, trop heureux de l'écouter enfin !!! Merci à tous les ingénieurs et accordeur ! Grande hâte d'être sur-place !
Que du bonheur d'entendre à nouveau ces quelques sonorités de ce magnifique Cavaillet coll enfin renaître après ces cinq dernières années de silence.
Cavaillé-Coll.
Quel bonheur d'entendre chanter ces beaux tuyaux !!!! merci à Michel et au Chat !!!!!
A momentous moment! To have access to hearing this glorious instrument sound again is such a privilege and so moving. Greetings and thanks from Scotland!
Le roi des instruments !! Grandiose, solennel et poétique.
Un travail qui peut être long que d'accorder cet "instrument" si complexe et si gigantesque ! J'adore l'orgue et ses claviers, "pédales" et "boutons". J'étais petite quand je chantais à la chorale de l'église à côté de l'épouse de notre Pasteur, qui nous accompagnait à l'orgue. Ce jeu des mains et des pieds m'avait impressionnée, et ces sons, les vibrations !! Magnifiques 😀👌👌🎶🎹
Quelle joie de savoir que cet instrument est presque entièrement restauré! Je rêve d'ores et déjà du moment où je vais pouvoir l'entendre à nouveau sur place! (un fan qui vit aux US)
Quelle merveille cet orgue et ces vitraux 😇
Magnifique
Merci pour ce très beau reportage ! Respect et Admiration à tout ces spécialistes pour accorder les orgues dans cette trés belle Cathédrale, qu'est N-D de Paris ! 🙏❤️⛪🕯️
I visited Notre-Dame on New Year's Day, around 1983-84; now I must return and touch the walls to Thank God for all those who have restored this Global Treasure, Gift from humanity to God and from God to Humanity. Peace, Love and Blessing to All!
It's so nice to hear this organ again after years of silence, I think this organ is craving for to be played so that we as the world can hear her majestic sound again oh I'm getting shivering just to know that the organ will be continuing her legacy, long live Notre dame, long live the great, powerful, majestic and awesome sound of the Notre dame grand organ
Господи, какое чудо!! В это ужасное время ещё бывают хорошие новости... Надеюсь, что эти божественные звуки ознаменуют начало выхода из кошмара.
Nice to hear the organ come back to life.
Quels joyeux jours!!!!
C'est merveilleux!
Félicitations!
Je suis FrancoMexicain et je trouve Notre Dame De Paris une merveille !! C’est. Vreaiment tre belle!
This is amazing! The video shows some of the magnificent stained glass as well as pipes of the organ! The gentlemen are carefully selected tor this work and wearing protective gear so as not to introduce any dust or other particulates into the electrical systems. I was present at the National Cathedral in Washington, DC when it was being serviced; that was a memorable experience.
One of my favourite organs in Paris! I've experienced so many beautiful concerts and religious services there! I am very happy!
C'est Magnifique!!!
Incroyable! Cet instrument est magnifique. Je l’adore et je suis très heureux, que ç’était restauré.
La cathédrale Notre-Dame de Paris, aura à nouveau toute sa splendeur avec ses magnifiques grandes orgues avec ses surprenant contre-bombardes de 32 pieds joué à la pédale et ses trompettes en chamade en façade de ce magnifique buffet, et que dieu protège cette magnifique cathédrale.
Que d emotion!!!!merci messieurs de nous redonner foi en l homme
Maravilloso!!!❤
This is exciting! There hasn’t been much information out on this part of the work. Thank you.
Merveilleux !
Gracias.
Je suis tellement heureux d'avoir à nouveau le son de l'orgue !
Que de beaux souvenirs cela me rappelle. Le meilleur est la messe de minuit de Noel a Notre Dame ! L’orgue et sa musique remplissait la Cathédrale Je n’habite plus a Paris et meme en France, mais quand je pense a Paris, c’est toujours Notre-Dame (et le Vert Galant) qui me viennent a l’esprit tout premièrement . Az usa
While the titular organist is here in Australia it's great to hear the instrument coming back to life.
Bravos pour les facteurs d'orgues de notre dames superbe reportage jf
Fascinating! True craftsmen/women like a premier surgeon!! God Bless You All!
This instrument was my first concern when I saw those ghastly flames erupting from this historic building. Praising God for the restoration of the building of international importance and this organ! Olivier Latry please bring your brilliant musicianship back to this instrument!!
❤🎹❤C'est Merveilleux.❤🎹❤
God I’ll never forget that day of the fire…..my first thoughts were the organ and the stained glass being lost thank God it was saved
Crown of Christ too.
Incroyable! C’est magnifique 👏🏼
👏👍 Macchine magnifiche!! Bellissimo video!!
C'est magnifique.
Tellement émouvant ❤
Je connaissais pas la complexité de se boulot
Bon taff les gars
Todo para gloria de nuestro Señor!
Très content d'écouter retentir cet orgue
Bravo! Simplement Bravo!
Ausgezeichnet! Wunderschön!
Petite pensée à Olivier Latry qui sera content de retrouver son instrument
Les vitraux sont incroyable!
J'ai une pensée ce jour pour Pierre Cochereau, Louis Vierne et tous les autres grand maîtres qui se sont succédé au clavier de cet orgue magnifique. Impatient d'entendre à nouveau la puissance inimitable de cet orgue Cavaillé-Coll légendaire. Les voûtes vont trembler à nouveau à Notre-Dame !
Enfin ! Je me demande quel répertoire sera joué pour l'inauguration ? Je pense qu'on entendra au moins la Toccata de Widor ❤❤❤ !!!
5th Widor Toccata is my Favoritetoccata.
Beaucoup d'émotion ❤
La cathédrale rénovée promet de grandes et belles cérémonies religieuses ..👍✝️
❤ je reste sans voix.
Les grandes orgues sont en cours de remontage : c'est merveilleux ! Mais que devient l'orgue de chœur, qui accompagne les chants de la maîtrise et du chœur d'adultes ?
Vivement le 8 Décembre prochain, qui sera sans nul doute le plus jour de cet an de grâce 2024.
Praise the Lord
Cant understand but every 20th word, but i understand completely what they are talking about.
« the organ is now reinstalled but the work and scaffolding inside the cathedral prevent us (at the moment) to ear the full resonance of it.
It will take 6 months to accord each note of this organ. »
merveilleux félicitations à tous ceux qui sont engagés à installation
❤❤❤
Félicitations
We, organists, professionals, students, amateurs, beginning and experienced musicians, music lovers, heritage lovers and defenders, the public and believers, protest against the changes to Notre-Dame’s team of organists imposed without consultation on April 24, 2024 by the cathedral’s rector.
Why were new organists needed at Notre-Dame de Paris? After the disastrous fire, the perfectly understandable decision was taken to lay off the Notre-Dame organists for economic reasons, with the exception of the choir organist, whose service was still required, albeit relocated to Saint-Germain l’Auxerrois.
Five years after April 15, 2019, what is the justification for the partial renewal of the current team? Why was Johann Vexo (substitute choir organist for the past 20 years at the time of the fire) sidelined? Why wasn’t Philippe Lefebvre offered the chance to remain at his position for at least a few months, to participate alongside his colleagues in the cathedral’s reopening ceremonies?
The way in which new organists have been recruited continues to raise questions. Indeed, since 1984 - the date of Cardinal Lustiger's Ordonnance, which proposed special arrangements for "certain organs of specially consecrated renown" - competition has been the sole means of recruiting cathedral organists. Why such a choice?
Of course, the role of any church organist is to serve the liturgy. And as such, it's up to the rector of the cathedral to preside over the choice of appointments. But Notre-Dame, whose international renown is undeniable, is also a most important symbol of organs and music in general, both in France and throughout the world. In view of its immense reputation, it is our duty to make it shine with the talent of highly qualified artists. Notre-Dame de Paris has always been home to exceptional musicians who have brought - and continue to bring - honor to the profession: personalities who have previously proved themselves not only through their vast experience as servants of the liturgy, but also through their academic careers, their success in international competitions, and their international careers.
Of course, exceptional careers call for exceptional arrangements: the appointment of Thierry Escaich, renowned composer, improviser, international concert performer, winner of five Victoires de la musique awards, professor of composition and improvisation at the Conservatoire National Supérieur de Musique de Paris, member of the Académie des Beaux-Arts, cannot be contested.
On the other hand, the recruitment without competition and for an indefinite period of time of a young 21-year-old organist, just a student, in the course of his studies and without any diploma, to the choir organ but also to the great organ, on the sole faith of a “promising talent”, seems incomprehensible. It is an arbitrary choice that can’t be explained on artistic grounds, and sends out the wrong signal to young professional organists who have taken or are taking the trouble to train extensively in both musical repertoire and liturgical accompaniment, demonstrating, in the final analysis, a very high level of church musicianship. How can we explain to them that the high level of skills acquired through their work might not be taken into account in the criteria leading to an appointment?
That is why we’re calling for the return of the organists on duty at the time of the fire on April 15, 2019, with the addition - since the rector is calling for a “reinforced” team - of the talented Thierry Escaich. In addition, nothing prevents Philippe Lefebvre’s retirement from being deferred, with respect and dignity, for a few months. As for youth, it is obviously welcome and expected, but any appointment must be subject to the practices that have governed the appointment of organists up until now, and which underpin the legitimacy of the fortunate ones selected in the eyes of the profession, and, more broadly, of believers, of the musical public and lovers of musical and ecclesiastical heritage.
Olivier Latry was only 23 years old when he was made one of the four titular organists at Notre-Dame.
Bravo ! Bravo ! Magnifique
Très magnifique
❤❤
❤
Helaas versta ik geen Frans, maar wat een hemelse klanken genereert dit orgel....schitterend!
Fantastique!
J'aime à penser que ce bien cher Johan Sebastian Bach, du haut de sa place céleste, regarde (et écoute), en direction de notre Dame.
Desde Montevideo- Seglar de capilla S.Jerónimo- .
.¿ Y qué opina Johann VEXO ?
¿Sigue al frente de este instrumento..además de improvisar magnificamente en Saint Gerrmain l' Auxerois. ?
🙏🙏🙏🙏🙏😊😊😊❤❤❤
vive le Christ roi de France !
Gloire Dieu !
AMEN 🙏
Enfin
Ou en est l'enquête sur cet incendie ?
Demande à macronavirus il sait !
Ou est Monsieur Latry?!!
Fulcanelli, Le Mystère des Cathédrales:
À cet égard, Notre-Dame de Paris, église philosophale, est sans contredit l’un des plus parfaits spécimens, et, comme l’a dit Victor Hugo, « l’abrégé le plus satisfaisant de la science hermétique, dont l’église de Saint-Jacques-la-Boucherie était un hiéroglyphe si complet ».
C'est Olivier Latry qui va être content.
A bonus at last .....the organ has been cleaned, still has the Cavaille-Coll growl.
Будем надеяться, что Собор откроют, и больше он не сгорит, особенно по чьей-то халатности...
Парижане, радуйтесь! Привет вам из России🇷🇺🇫🇷
merci j'espère que vous allez bien , je vous souhaite un bon mercredi , comme on fit en France pas de nouvelle , bonne nouvelle
Vielen Dank, ich hoffe, es geht Ihnen gut. Ich wünsche Ihnen einen schönen Mittwoch, wie man in Frankreich sagt. Keine Neuigkeiten, nur gute Nachrichten
j'aimerais bien entendre à quoi ressemble le son de "unda maris"
At 0:35 - When I heard that first note, I thought he was going to play Phantom of the Opera (or Pink Floyd, Relics 🤔).
I wouldn’t have been able to resist but then I’m childish and irreverent.
Nada es para siempre.
Nul ne sort Indifférent d'un grand concert d'orgue a ND de Paris, même le pire des mécréants..
C'est l'harmonisation qui va durer 6 mois, je crois... L'accord a été fait à l'atelier.
It is surely a miracle that the organ survived and I am sure the restoration of the pipework and internal workings was done to exacting standards. But with the entire cathedral restoration being carried out with meticulous care and detail, it is astonishing that a Cavaillé-Coll style console was not made for this most illustrious instrument instead of this space-age creation with what looks like plastic knobs and couplers. Disappointing.
It was there before the fire so I guess it would be an unnecessary expense to replace a relatively new console.
@@SirReginaldBlomfield1234 Evidently. But that cheesy thing is probably half way though its lifespan already. Let's say a Cavaille-Coll replica console would cost $100,000. that's about .013% of the roughly 760 Million dollar restoration. That organ is certainly worth it.
@@BG-sl9lv Actually they were supposed to build a replica of the Cavaille-Coll console in the 2012-2014 restauration but turned out that fitting all the 114 drawstops (originally the CC organ only had 86 stops) into it would have made some pretty much impossible to reach for an organist since it would have been so huge. The current console's rear side is actually the exact copy of the original so at least it looks the same to people viewing it from the nave. Personally, I don't understand why they went with the lighter wood on the organist's side since it doesn't match either Cochereau's pedal board they kept or the organ buffet.
Christian Lutz the Best 👍👍👍
O MARIE Conçue sans péché, priez pour nous qui avons recours à Vous, pour tous ceux qui n' ont pas recours à Vous et surtout pour les ennemis de Notre Sainte Mère l' Église. ( Saint Maximilien Kolbe )
Pourquoi les casques de PROTECTION ?
Diane Bish has to come now to test it.
Les coupables de l’incendie de Notre-Dame sont-ils enfin en prison ?
Le Grand Orgue de Notre-Dame de Paris 🌹🇻🇦💒🇨🇵🌹!!!???....le Plus bel ORGUE🌿🎶💡🍒🪢 qui soit au Monde !!!( Maître PIERRE COCHEREAU 1924-1984💐🇻🇦✝️🇨🇵💛🕊🥰💡🍒🪢🌿💐✒📃📚💐🎨🙋♂️)
✝️💙✝️💙✝️💙✝️💙✝️💙✝️💙✝️💙✝️💙✝️💙
✝️✝️VIVE LA TRÈS SAINTE VIERGE MARIE ;
VIVE LE SEIGNEUR JÉSUS ;
VIVE NOTRE-DAME. ✝️✝️
✝️💙✝️💙✝️💙✝️💙✝️💙✝️💙✝️💙✝️💙✝️💙
Prochaine étape les cloches :3
Notre Dame a été profanée , incendiée mais certains esprits creux et soumis ont déjà tout oublié et tout prêts à se réjouir sur commande .
Good for everybody to get the organ back.
Est-ce la première fois dans l’histoire qu’un organiste doit porter un casque de sécurité pour jouer de l’orgue ?
Une si belle Cathédrale pour une ville qui est devenue le tiers monde
English please.
Est il accordé à 429.62hz ?
pourquoi le serait-il ?
@@MrSUPERDUCON parce que cevdiapason a une base scientifique contrairement aux autres diapason qui ke sont que des conventions
@@ernestdelere3260 Ah, un adepte dé zondes et de la mes moires dé l'ô 🤣🤣🤣
@@MrSUPERDUCONfaudrait t’informer un peu avant de te marrer, ça n’a rien à voir… La note LA du diapason est effectivement accordée par convention sur 440Hz, c’est la fréquence qu’on retrouve dans tous les orchestres, les pianos… Bref. En revanche, dans certaines églises, l’orgue est accordé différemment, le LA n’est pas sur 440Hz. Par exemple lorsqu’on recherche la Toccata et Fugue en Ré Mineur de Bach (BWV565) sur RUclips, on retrouve plusieurs versions qui sonnent différemment. Il y a notamment cette version : ruclips.net/video/w-QLSPmzMZo/видео.htmlsi=8SRyp6o5pFxxvTX5 qui sonne plus aiguë que la version classique, tout simplement parce que cet orgue n’est pas accordé à 440Hz, sans doute une question d’histoire, ou de sonorité… Voilà…
@@LeTof_fr Merci de tes précisions, et enchanté d'apprendre que 429Hz sonne plus aigu que 440 🥰