2:49 is that sound edited in? Or is there actually a car screeching on the brakes in the background? If so that would be some coincidence because he is describing a fast car stop at that very moment.
Besides the poster boy glitter thing Evan Dando has a very hardcore connection into Big Songwriting, that does push him till the present. It's getting to the point where it's no matter anymore if he wrote the song himself or is doin' a cover. Maybe you look for his version 'Knowing me knowing you' by Abba and you get what I mean. Maybe not...peace !
I bought Shame About Ray...and the whole vibe. And I suppose I viewed the American music scene as a bit perverse. Grunge happened, and yet, Brit Pop flourished at the same time. That was odd. I've seen Dando perform--in pretty bad shape. At around the same time I saw Joe Jackson with his original line-up performing Look Sharp in its entirety. It made me realize that you can be stripped down and still rock. But Dando was stripped down and high. Something tells me that this is what he is at essence. @@cryon7260
Good stuff has been cranking out since the Baroque Era, I suppose. And the early 90s produced some pretty good music and movements--think Chicago's Indie scene, as an example. And as I've said above already, I was into the Lemonheads and Juliana Hatfield. I bought their albums. Nevertheless, the period seems to have given way to mediocre writers and thinkers in the world of music. A lot of the stuff was just downright disposable, no staying power. Even the big names from the 90s seem to have been forgotten. The singer/songwriter thing kind of fell apart. And now look where we are. Originality and inspired creativity are almost non-existent. Anyway, the Baroque period contained the beginning of the good stuff. From the 90s onward, though, there is a higher tolerance for commercial crap and also under-produced crap. If you really pay attention, you'll note that the rock stations often skip over the 90s. Even Pearl Jam, as big as they were, seem now to be almost irrelevant. And I swear I'd probably rather listen to the Pixies anyway. @@Roman-xk7fk
@@superbug1977 Culture moves fast with the internet nowadays, very hard to have staying power. Even really good stuff is consumed and dropped in a week. Personally, I think there's still a lot of creativity, but that we live in a world that is more hostile to it. I mean hostile in a sense that local music scenes and physical connection is at an all time low, shared cultural truths and community in the post-modern age are at an all time low. At the same time, access to music production is higher than ever. IDK, maybe these limitations should be resulting in truly groundbreaking music we've yet to see. Your comment just got me thinking. Doolittle is one of my favorites of all time btw.
I love seeing Juliana in there. I always loved that era of them.
When Evan Dando was worth watching.
I saw him a couple of years ago, he was good. Stoned outta his mind... but he was in the 90s too so whatever
Juliana added a cool ass tone to their tunes...
sorry - i meant Blind Melon, song is called "No Rain". that was the voice you thought of reminded you.
Did you see the MC get left hanging by Evan Dando at 00:25? Oof. that would still haunt me if I were that dude.
Evan Dando: He's the John Sebastian of our generation!
Hello from Boston, to Boston bands, here.
Love them!
Stove never fails to make me smile ear to ear.
So high
❤❤❤❤
Thanks
Is there a full version of this concert?
2:49 is that sound edited in? Or is there actually a car screeching on the brakes in the background? If so that would be some coincidence because he is describing a fast car stop at that very moment.
I think it's real because he looked his head in that direction
Mallo Cup ❤
Is the full show available?
I only came here for Juliana
J :)
So overrated--the 90s brought us second-rate crap.
Besides the poster boy glitter thing Evan Dando has a very hardcore connection into Big Songwriting, that does push him till the present.
It's getting to the point where it's no matter anymore if he wrote the song himself or is doin' a cover.
Maybe you look for his version
'Knowing me knowing you' by Abba and you get what I mean.
Maybe not...peace !
I bought Shame About Ray...and the whole vibe. And I suppose I viewed the American music scene as a bit perverse. Grunge happened, and yet, Brit Pop flourished at the same time. That was odd. I've seen Dando perform--in pretty bad shape. At around the same time I saw Joe Jackson with his original line-up performing Look Sharp in its entirety. It made me realize that you can be stripped down and still rock. But Dando was stripped down and high. Something tells me that this is what he is at essence. @@cryon7260
Oh yeah when did the good stuff really happen?
Good stuff has been cranking out since the Baroque Era, I suppose. And the early 90s produced some pretty good music and movements--think Chicago's Indie scene, as an example. And as I've said above already, I was into the Lemonheads and Juliana Hatfield. I bought their albums. Nevertheless, the period seems to have given way to mediocre writers and thinkers in the world of music. A lot of the stuff was just downright disposable, no staying power. Even the big names from the 90s seem to have been forgotten. The singer/songwriter thing kind of fell apart. And now look where we are. Originality and inspired creativity are almost non-existent. Anyway, the Baroque period contained the beginning of the good stuff. From the 90s onward, though, there is a higher tolerance for commercial crap and also under-produced crap. If you really pay attention, you'll note that the rock stations often skip over the 90s. Even Pearl Jam, as big as they were, seem now to be almost irrelevant. And I swear I'd probably rather listen to the Pixies anyway. @@Roman-xk7fk
@@superbug1977 Culture moves fast with the internet nowadays, very hard to have staying power. Even really good stuff is consumed and dropped in a week. Personally, I think there's still a lot of creativity, but that we live in a world that is more hostile to it. I mean hostile in a sense that local music scenes and physical connection is at an all time low, shared cultural truths and community in the post-modern age are at an all time low. At the same time, access to music production is higher than ever. IDK, maybe these limitations should be resulting in truly groundbreaking music we've yet to see. Your comment just got me thinking. Doolittle is one of my favorites of all time btw.