Wunderschöne und lebhafte Interpretation dieses romantischen und fein komponierten Streichquartetts mit seidigen Tönen beider Violinen, mildem Ton der Bratsche und tiefem Ton des Violoncellos. Der dritte Satz klingt besonders schön und echt lyrisch. Im Kontarst klingt der letzte Satz echt lebhaft und auch beweglich. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den vier Virtuosen ist wahrhaft eindrucksvoll. Wunderbar vom Anfang bis zum Ende!
Bir akşam yemeğinde kendimle, benlerime elveda derken. Batmış güneşin son aydınlıĝı havada ve dükkanların ışığında bir telaş insanlarda... Son yudumlarda keyifle karışık kederimsi tat. Birazdan kapkara gecenin korkusu alacak akşamüstü güzelliğini ve sonra tekrar gün doğacak.
The first theme of the opening movement could almost pass off as Baroque music. I never understand why composers are criticized, especially so long after their death, for things such as "not being Russian enough." I understand the politics when they are living playing into such things, but for us whether we are sitting in Canada, Madagascar, or Japan, why does it matter if Rubinstein wasn't "Russian enough" or "enough like the other Russians"?
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Amazing
What a fantastic piece, I must admit I had only heard the piano concerti before. I really must listen to more Rubinstein.
L'andante de ce quatuor est vraiment splendide !
Wunderschöne und lebhafte Interpretation dieses romantischen und fein komponierten Streichquartetts mit seidigen Tönen beider Violinen, mildem Ton der Bratsche und tiefem Ton des Violoncellos. Der dritte Satz klingt besonders schön und echt lyrisch. Im Kontarst klingt der letzte Satz echt lebhaft und auch beweglich. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den vier Virtuosen ist wahrhaft eindrucksvoll. Wunderbar vom Anfang bis zum Ende!
Bir akşam yemeğinde kendimle, benlerime elveda derken. Batmış güneşin son aydınlıĝı havada ve dükkanların ışığında bir telaş insanlarda... Son yudumlarda keyifle karışık kederimsi tat. Birazdan kapkara gecenin korkusu alacak akşamüstü güzelliğini ve sonra tekrar gün doğacak.
The first theme of the opening movement could almost pass off as Baroque music. I never understand why composers are criticized, especially so long after their death, for things such as "not being Russian enough." I understand the politics when they are living playing into such things, but for us whether we are sitting in Canada, Madagascar, or Japan, why does it matter if Rubinstein wasn't "Russian enough" or "enough like the other Russians"?