When balancing with Temp/Tint its important to know that it adjusts the footage with the blackpoint locked - so unless you've already fixed your black point, anything you do afterwards is gonna have wonky black hues. Offset (printer lights) adjust the entire spectrum evenly at a 1.1 ratio - including the blacks. This keeps color retention in check so for extreme pushes (like the "mexico" warm look), use the offset and push in the warm direction so you don't loose the color contrast and blacks are maintained. Just learned this the other day and it blew my mind.
Good Day!! Im’ Jose, I have a situation, I have 2 camcorders a Sony and a Canon, I loaded them up on Davinci Resolve, create a Multicam Clip, and then create a Timeline, and then create a video switching between those 2 cameras, but this is my problem, both cameras have a different look in terms of brightness, color and sharpness (off course are different camcorders), but I can’t find the way to adjust the brightness, color, and sharpness of those 2 cameras individually in order to make them look as close as possible. All the Davinci video that I found on youtube teach this but using one video clip and one simple timeline, but not on a multicam environment. Do you have a video already on youtube that teach this technique, if not, you don’t mind to create one and upload it. Thanks. Have a great day!!!!
@@stephanelarocque77 We can always qualify the skin and adjust it after. The main goal in this tuts is to show how to white balance using the scopes every footage will yield different results and imperfections that we can color grade later.
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When balancing with Temp/Tint its important to know that it adjusts the footage with the blackpoint locked - so unless you've already fixed your black point, anything you do afterwards is gonna have wonky black hues. Offset (printer lights) adjust the entire spectrum evenly at a 1.1 ratio - including the blacks. This keeps color retention in check so for extreme pushes (like the "mexico" warm look), use the offset and push in the warm direction so you don't loose the color contrast and blacks are maintained. Just learned this the other day and it blew my mind.
Dude, literally the best most straight to the point video on this. Thank you
incredible, learned how to white balance in two seconds from this, phenomenal!!!
This video was super helpful, thank you so much!
Great job, a nice, straight to the point tutorial
in google picture edit their is a option reduce black point how do same with video edit in video editor.
Thanks for the video but I really need something that fixes a shot that is really really bad.
Good Day!! Im’ Jose, I have a situation, I have 2 camcorders a Sony and a Canon, I loaded them up on Davinci Resolve, create a Multicam Clip, and then create a Timeline, and then create a video switching between those 2 cameras, but this is my problem, both cameras have a different look in terms of brightness, color and sharpness (off course are different camcorders), but I can’t find the way to adjust the brightness, color, and sharpness of those 2 cameras individually in order to make them look as close as possible. All the Davinci video that I found on youtube teach this but using one video clip and one simple timeline, but not on a multicam environment.
Do you have a video already on youtube that teach this technique, if not, you don’t mind to create one and upload it. Thanks. Have a great day!!!!
thanks
Awesome
Your work is very good and we will like you to collaborate with us as an editor for our music label
Thank you I will send you my Freelance link!
The skin is horribly red
Do you think white balacing the shot had something to do with the red skin?
@@adamchraibi5277 Not 100% but in part.
@@stephanelarocque77 We can always qualify the skin and adjust it after. The main goal in this tuts is to show how to white balance using the scopes every footage will yield different results and imperfections that we can color grade later.