How to White Balance your footage like a PRO!

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  • Опубликовано: 13 окт 2024
  • Get the Vision 6 Luts Here- bit.ly/41Q2VzI
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    In this detailed tutorial, I'll explain the importance of white balancing, introduce you to the various scopes available in DaVinci Resolve, and walk you through step-by-step instructions on how to analyze your footage and make precise white balance adjustments using the waveform monitor and vectorscope. Whether you're a beginner looking to learn the basics of color correction or an experienced filmmaker aiming to enhance your color grading skills, this video is for you.
    Instagram @EbbFriday
    Email- Motionkingstudios@gmail.com
    #whitebalance #colorgrading #davinciresolve

Комментарии • 41

  • @ebbfriday
    @ebbfriday  7 месяцев назад +2

    Share your thoughts. How do you like to White Balance?

    • @YoungMasterpiece
      @YoungMasterpiece 7 месяцев назад +2

      Very well explained, I love your way, very subtle, you are not chasing your tail and talking at the speed of sound like most of the people here, which really made me subscribe immediately. About WB, it can be troublesome, but when you see the final image after getting yourself into it, it's worth it. I am working on a music video, and I'm at the color grading moment in the process and had some tough footage. I have experience, but even so, this video helped me, because times are changing, as well as the way we see colors online or broadcasted on TV or cinema, so one must always train the eye. Thank you, and greetings from Montenegro, Europe.

    • @ebbfriday
      @ebbfriday  7 месяцев назад

      Glad to help you out, and thank you for Subscribing! Good luck on your music video!@@YoungMasterpiece

  • @XINFILMS0505
    @XINFILMS0505 7 месяцев назад +2

    U earned urself a new subscriber ! Love ur explanation! Hope u can do more on colour grading! For newbie like us to learn!

    • @ebbfriday
      @ebbfriday  7 месяцев назад

      Thank you! Will do!

  • @BrunoVilelaIS
    @BrunoVilelaIS 7 месяцев назад +2

    Thank you very much! This is really scary to those who are new to video editing! People usually create billions of nodes to show "simple workflows" to color grade and etc. You made it simple/direct!

    • @ebbfriday
      @ebbfriday  7 месяцев назад +2

      Haha I hate when they do that

  • @JacobGagoOfficial
    @JacobGagoOfficial Месяц назад

    Thank you

  • @brandonwatsonmedia
    @brandonwatsonmedia 3 месяца назад +1

    Really well done video. Thank you!

  • @chezchezchezchez
    @chezchezchezchez 3 месяца назад

    I just do a quicker by fixing the White balance on the iPhone before I start recording. Then it comes out perfect. Saves me a lot of time.

  • @LivingInArizona-Sadberry
    @LivingInArizona-Sadberry Месяц назад +1

    Well done, sir

  • @manuelfigueroa894
    @manuelfigueroa894 7 месяцев назад +2

    Thanks you just what I needed!!!!!!

    • @ebbfriday
      @ebbfriday  7 месяцев назад

      You're welcome!

  • @jankyyii
    @jankyyii 5 месяцев назад +1

    bro this changed the game for me

  • @tls.coaching
    @tls.coaching 7 месяцев назад +3

    I have 2 questions: why is everyone placing CST LUT on second or last nodes. why not on a first one? and second Q what is PIVOT (next to contrast - i still dont get this slider) Thank you very much

    • @lombardy3274
      @lombardy3274 7 месяцев назад +4

      Because the LUT converts to a Rec.709 output color space and you want to grade beneath that conversion, in the larger log color space, to maximise post processing latitude. Pivot shifts the contrast curve, down to target tones below middle grey and up to target tones above middle grey.

    • @ebbfriday
      @ebbfriday  7 месяцев назад +1

      Took the words right out of my mouth, thank you

    • @lem.visions
      @lem.visions 7 месяцев назад

      All image adjustments must occur before transforming it into REC709, this way you work with the greatest amount of information that the LOG curve provides.
      The PIVOT adjustment follows the contrast adjustment, making it more or less dense, but it only "works" when you add or subtract contrast.

  • @DFD1
    @DFD1 3 месяца назад

    Thank U.

  • @silenziobrudi
    @silenziobrudi 7 месяцев назад +1

    Very good :) i think this is very essential and one of the first things you should do with your footage. However I see a lot that especially young filmmakers tend to like the "style" of the ungraded white balance often more because it gives their footage a "mood". But i think it's a very wrong approach to get mood into your scence by tinting areas that should be neutral/white. I believe a better way to achieve that is actually chaning the environment. Like in the Villneuve movie ENEMY, everything has a beige/yellow tint, which is rather achieved by set design instead of unbalanced whites.

    • @ebbfriday
      @ebbfriday  7 месяцев назад

      Yes! Good point. Makes alot of sense. I guess its all about what feel you're looking for. But, Set design, lighting is always the best way to achieve mood, or feel.

    • @pdas25762
      @pdas25762 5 дней назад

      the best cinematographers literally use lights with different colour temperatures to what the camera is set at. An example is shooting 4300k for interior night shots with tungsten lights. You still get the warmth of the light but it's not as intense as if you shot it at 5600k OR as white if you shot it at 3200K. just look at Roger deakin's movies for an example of this.

  • @abhishekbamne8022
    @abhishekbamne8022 7 месяцев назад +1

    i do same for white balance.

  • @WoolyJumper5
    @WoolyJumper5 7 месяцев назад +1

    So good..

  • @paintedbylights
    @paintedbylights 7 месяцев назад

    random question: how do you put the tools in hte middle to the left

  • @mustafakamal8608
    @mustafakamal8608 7 месяцев назад

    I get the neutral concept in white balance. But I still dont grasp what is neutral in contrast correction ?
    Is it IRE range?
    So then the clip can be more flexible when you creating look.

    • @ebbfriday
      @ebbfriday  7 месяцев назад

      Well you want to add contrast to get the correct IRE values, and saturation levels

  • @d.vishal7526
    @d.vishal7526 7 месяцев назад +1

    can you make a full course on davinci resolve

  • @momoshort6364
    @momoshort6364 7 месяцев назад +1

    Hey how I creat mobile footage little bit Yellowstone

    • @ebbfriday
      @ebbfriday  7 месяцев назад +1

      If youd like to Change your footage a little bit Yellowish you would either warm up your Temp slider, or go to the color bars section in Resolve Offset, and pull down the Blue Slider. I have a tutroial on getting the bladerunner look on my channel, that may help!

    • @momoshort6364
      @momoshort6364 7 месяцев назад

      @@ebbfriday Ohh great...🤝

  • @krystiankrysti1396
    @krystiankrysti1396 7 месяцев назад +3

    dood, your "bad" example is ok when its moody piece

  • @SFLfights
    @SFLfights 4 месяца назад

    Pros tell to white balance with offset, not temp/tint

  • @craigshields8806
    @craigshields8806 7 месяцев назад

    But these audio levels are mad low. I'm having to crank the volume to hear you.

    • @ebbfriday
      @ebbfriday  7 месяцев назад

      Thanks for letting me know. I will work on that