@@kitspapp But he was only doing streams, not the fun little tutorial videos that made me gravitiate towards him in the first place, so to me this is the return
"Time signatures are very simple. It's this many of this kind of note in a bar." But then you realize that that tells you nothing about what song is in what time.
I thought that was going to be too low-level and wanted to look just for the fun of it. But I was wrong: What you say about how to detect the "second number" is quite helpful! So I'm looking forward to the next episode, thanks for making these tutorials!
I missed your tutorials so much. Your snarky humor, me feeling stupid. I really do suck at producing! That's great :D. Learned so much. Maybe I can be the next Skrillex in my 7/4 signature :).
Your videos make me feel like I'm starring in a Nickelodeon comedy show where I'm a student attending a producing class at my elite performing arts high school
I've learned everything I know about music theory from your channel, and I don't know how I feel about it. I am grateful you exist. I don't know who you are, or what your life is like, but know you made an impact on someone.
Thank God someone is putting in the effort to teach these basic concepts. All formally educated musical snarkiness aside, so many aspiring musicians and producers have *no idea* what these concepts are and how to use them to better understand not just music as a whole, but their own creativity. In the same way that language is liberating, as is music. You are more free to explore yourself through music, the better a grasp you have on the foundations of music.
This is the only tutorial i've seen that doesnt just keep repeating definitions of time signature. Instead he explains how to apply what he taught in real life scenario. Awesome stuff man. Keep making more tutorials!
Dude, i love your videos, such a great way of explaining thing so it isn't too dry sounding. I'm working on a new tune watching your tutorials for each step.
This is the only source on the internet that actually explains time signatures rather than just saying "it's this many notes of this kind in a bar durrrrr"
Hi Bob. Most of the internet seems to have vast un-noticed assumptions /taken-for-granteds that they are completely unaware of, and therefore their answers to what is -time signature, beat, bar, tempo etc DO NOT actually answer WHAT the thing IS. You started SO clearly, and I followed you EVERY step. FIRST time I actually got told what the two sides of 4/4 actually ARE. Confession: I SUCK AT BEAT. (Hence why I am trying to learn to master it). Nearly everybody seems to know what beat is, but I just hear different sounds, including silences. As I mention below, when you teach something, you are forced to really pull it apart into small baby pieces you hardly even know you "just know". I am HOPING my case can help you take the last leap to ELIMINATE beat-ignorance at its worst! :-) (There must be more of me out there who form a large population in need!) In that light (note that I am notorious for NOT hearing beat/bar AT ALL) - I got lost at about 9:32. It would be GREAT if you changed your photo of the 'bar' to have blocks where the bottles repeat in a row of shelves, and different numbers of bottles on each block-shelf?.. - When you said "It seems like the emphasis is not on every beat, big X, its on the 1 and the 4, (cue piles of beetroot! in front of bar...ok, so what is repeating in that bar shelf where he has put the beetroots?... hmmm, nothing I can see relates at all), I was LOST... - looking at the beet, and the shelves and bottles, and replaying the sound... "ONE two three FOUR five six"....(I got 4 stuck in my head for a start "-but there are SIX beats... Not divisible for 4 or 8...Que?!... Then I got "oh, the FOUR is the first part of the next counting, so it is really 3 beats per 'segment' between emphases... so 3time? Jig?... Well, at least that is half of six, so THAT makes sense... Then you choose 8 - EIGHT? Not divisible by 3. So where did the 8 come from?... Suddenly, tutorial lets go of my hand and ends. Also - I do not get how if you do NOT want to nod your head (presumably the bits you want to emphasise?/catch your attention?) for every beat, then you INCREASE the number of beats. Why would you increase them if the current lot are as fast as you want to nod?... (irredeemable darkness is probably what you see, like HOW can someone be so dim...?! But another problem I get is not one part attracts my attention more than another. Different notes themselves are attractive, and Silences also are another kind of note. HOW do you pick???!! I know YOU must have beat SOOoooo embedded - so maybe some aspects are still part of you and as a teacher you haven't yet broken them out? Can you help on this? At the next level, the fact there are 6 beats per bar... I'm GUESSING that you subconsciously KNOW you need to take standard musical note-lengths and choose the length that will fit to make six beats happen before the end of the bar. But here again, the LENGTH of time between notes IS NOT fixed (as a standard... right?? -or wrong?). So for me, I still have no idea how to choose what size of note to use as the base. HELP! CAN you see where my darkness is and shed light? Might this light help those of us who are so deep in ignorance as I am? (Careful how you answer, lol!! - but seriously?) And for freedom of musical expression, I am assuming the composer sometimes wants to change the emphasis (my guess is your ONE and FOUR was based on a louder note, or a sudden deeper note that was repeating at a steady interval. But then THAT (the ones you chose) emphasis does Not tally with either 6 or 8... it is based on 3's...? Finally, when there are different length notes in a piece, and I am trying to "keep my time", I would reallly like to hear some click for the fastest notes for instance, then I can count between those to ones that only come every so often, though not necessarily regularly as to make a ONE..FOUR type emphasis, but just for me as a player to look out for in my speed of fingering (guitar as it happens). I have embarked on a tough mission for someone handicapped as I am: to learn to finger-pick Lindsey Buckingham's "Never going back again". Would you listen to it and tell me what you think the time signature is? I think it might make an excellent teaching vehicle (for your work?); I'm told MOST (even really good) guitarists find this piece very challenging to play. You see, there are a LOT of notes, very fast. You may say "Follow the base notes". But the tough interval is the faster high notes. I am sure I end up with slightly different length silences each side of a high note between base beat notes, and think if I could set the click on the metronome to THAT, the big/base notes would take care of themselves. But I cannot figure how to get the metronome set. (it is "soundbrenner"). NOT having the fastest beat as my guide, I have to GUESS in that silence between beats, WHEN I should sound my quick high notes. It is (at my stage) too hit and miss. I need to 'get in time' with something before my fingers can begin to habituate to the right speed for those 'in-betweeny short notes'. My goal at minimum is to know how I can set my Metronome (yes, I bought one of those things I KNEW I would NEVER want to use!...) so that I can at least get those fast high notes at the right intervals. That song surely does NOT sound right (in my rendering of it at present)- or even recognisable to my ear, despite having ALL the notes right, and beginning to approach the right speed. Fair to say I have always resisted beat as I find it monotonous. But Lindsey's piece is anything but, especially at the speed he plays it! NOW I NEED accurate beat! Would your answers to my questions ADD VALUE to your Number 1 tutorial?... and gather in us really handicapped types! Very BEST wishes to you, your tutorial is ALREADY a light year ahead of anything else I've found. 🙂 Here is a delightful version for your reference, especially with Mick Fleetwood's joy/delight in PLAYING DRUMS TO THIS!: -FLEETWOOD MAC. NEVER GOING BACK AGAIN. RUclips ·evie1942 ·21 Oct 2010
This is actually very informative. The way you explained the concept made me understand it better than most videos I’ve seen about time signatures. The practice you’ve made is actually very practical. Thank you!
The examples combined with snarky humor and quirky edits really kept me engaged in the content. I can't believe I understood what was taught. Thank you Sir!
what a terrific explanation...it had the right info done with humor and made me feel less afraid to tackle those time signatures. Please please make more videos!!!
I Guess I Suck-Less at Drums Now🙃🤷🏾♂️ I think this was the Less-SuckieEST video Explaining Music Timing. Absolutely Great Video UnderBelly‼️I hate it ABSOLUTELY Super-Duper Less
I discover your channel just few days ago and it's a real pleasure !!! I never went to music lessons. I learn empirically and your videos are perfect for bringing me the theoretical part that I miss! And it's thanks to your hands-on approach :)
Arriving here in 2024, a 50s something moving my drum learning from Guitar Hero to playing in a real band. Thank you, who knew learning music theory could be fun!
To teach how something is a sign of someone knowledgeable. To teach why something is a sign of wisdom. This guy wisdoms. Also thank god i chocked on grilled cheese and not tea next to me when you hit us w “wowzers this is the best beat i ever heard on metronome” 😂
![How to Identify Time Signatures by Ear [EXPLAINED]](/img/1.gif)
When the world needed him most… 🙌🏼
He never left my guy.
@@kitspapp But he was only doing streams, not the fun little tutorial videos that made me gravitiate towards him in the first place, so to me this is the return
For real I needed this content
some people are just born teachers...
You forget to to add natural
the dopest gringo in the whole of the united states of america has returned.
You can clearly see that he truly enjoys making this tutorials. They're so good and funny
You're the only one who managed to explain what the second number actually means, it was driving me mad! Thank you so much :)
"Time signatures are very simple. It's this many of this kind of note in a bar." But then you realize that that tells you nothing about what song is in what time.
@@junfour if second number of time signature tells how faster will be the beat, then what is the tempo
I thought that was going to be too low-level and wanted to look just for the fun of it. But I was wrong: What you say about how to detect the "second number" is quite helpful! So I'm looking forward to the next episode, thanks for making these tutorials!
I missed your tutorials so much. Your snarky humor, me feeling stupid. I really do suck at producing! That's great :D. Learned so much. Maybe I can be the next Skrillex in my 7/4 signature :).
I know money by floyd is 7/8. For that most famous of bass lines in the verses. Then it switches to 4/4 for the solos.
Skrill that ex!
Producing for over 7 years and no one explained these concepts better.
You making me feel like a little kid in the best possible way.
like a little boy being hugged by a priest?
Uncle Joe will be happy to hear this!
as a president of your fan club from Russia (which includes 2 members) i need to say, that you are a very good human, sir.
3 members
Your videos make me feel like I'm starring in a Nickelodeon comedy show where I'm a student attending a producing class at my elite performing arts high school
I've learned everything I know about music theory from your channel, and I don't know how I feel about it. I am grateful you exist. I don't know who you are, or what your life is like, but know you made an impact on someone.
Amazing!!! Great teachers know it's not about what they know but how they share it with others. Thank you!!! Wish I had found this looooong ago!
This is the best explanation i have found yet for the witchcraft reffered to as time signatures.
Thank God someone is putting in the effort to teach these basic concepts.
All formally educated musical snarkiness aside, so many aspiring musicians and producers have *no idea* what these concepts are and how to use them to better understand not just music as a whole, but their own creativity.
In the same way that language is liberating, as is music.
You are more free to explore yourself through music, the better a grasp you have on the foundations of music.
I love your style of teaching. Making a grown man smile and chuckle while learning. Thank you for the wonderful lesson.
You earned my sub brother, I'm impressed at how you break down sophisticated stuff into understandable segments
This is the kind of spoon fed speak to me like I’m an idiot content I need! Great stuff
This is the only tutorial i've seen that doesnt just keep repeating definitions of time signature. Instead he explains how to apply what he taught in real life scenario. Awesome stuff man. Keep making more tutorials!
I’ve taken guitar class and you explained time signatures 100x faster, so glad I’ve got a dope ass music teacher 🙌🏻
Really enjoyed this one! Huge! 👏
Not sure how I got here, but this is one of the best videos I've ever watched. You make learning fun and cynical, which is my stylem. subbed
Needed this god bless you 🙏🏾
Starting that time signature playlist with hey ya is the meanest thing I've ever seen
tried it....im scared im right hoping im wrong lmao but im guessing 11/8 ???
Dude, i love your videos, such a great way of explaining thing so it isn't too dry sounding. I'm working on a new tune watching your tutorials for each step.
Excited for the rest of this series, even if it means having to endure more unison midi chord pack advertisements
Lmao those are so annoying
wowzers i exactly said to myself i needed to learn about this thing and here it is, delivered on a silver plate. Thanks yo !
I recommend pressing the key "3" repeatedly. Gets funnier the more you do it.
the head nodding part slayed me. 😭
Like my older brother trying to show me something, love it!
Dude, that is the best explanation I've heard on the subject and I can finally make sense of it
Finally this single video made me how to identify time signatures...tons of thanks to you buddy... more love ❤️
wanted to learn this for more than an year into production, and you taught me in 10 mins damn bro you the best
This is the only source on the internet that actually explains time signatures rather than just saying "it's this many notes of this kind in a bar durrrrr"
Dude is amazing how you simplify things in order for us dummies to understand it. Fantastic, Thank you!
we listen to you religiously because you are a mega super teacher of LIVE 12.. thank you again
My process is to like first, then watch the video. Never disappointed.
I absolutely love this. Super helpful, explained in a simple and very understandable way. Great video!
Amazing explanation, thanks for the help 👍
Waw, i never managed to understand that. You are the first one to explain it so clearly!!!!
You have a gift for teaching
Hi Bob. Most of the internet seems to have vast un-noticed assumptions /taken-for-granteds that they are completely unaware of, and therefore their answers to what is -time signature, beat, bar, tempo etc DO NOT actually answer WHAT the thing IS.
You started SO clearly, and I followed you EVERY step. FIRST time I actually got told what the two sides of 4/4 actually ARE.
Confession: I SUCK AT BEAT. (Hence why I am trying to learn to master it). Nearly everybody seems to know what beat is, but I just hear different sounds, including silences.
As I mention below, when you teach something, you are forced to really pull it apart into small baby pieces you hardly even know you "just know".
I am HOPING my case can help you take the last leap to ELIMINATE beat-ignorance at its worst! :-) (There must be more of me out there who form a large population in need!)
In that light (note that I am notorious for NOT hearing beat/bar AT ALL) - I got lost at about 9:32. It would be GREAT if you changed your photo of the 'bar' to have blocks where the bottles repeat in a row of shelves, and different numbers of bottles on each block-shelf?.. - When you said "It seems like the emphasis is not on every beat, big X, its on the 1 and the 4, (cue piles of beetroot! in front of bar...ok, so what is repeating in that bar shelf where he has put the beetroots?... hmmm, nothing I can see relates at all), I was LOST... - looking at the beet, and the shelves and bottles, and replaying the sound... "ONE two three FOUR five six"....(I got 4 stuck in my head for a start "-but there are SIX beats... Not divisible for 4 or 8...Que?!... Then I got "oh, the FOUR is the first part of the next counting, so it is really 3 beats per 'segment' between emphases... so 3time? Jig?... Well, at least that is half of six, so THAT makes sense...
Then you choose 8 - EIGHT?
Not divisible by 3. So where did the 8 come from?... Suddenly, tutorial lets go of my hand and ends.
Also - I do not get how if you do NOT want to nod your head (presumably the bits you want to emphasise?/catch your attention?) for every beat, then you INCREASE the number of beats. Why would you increase them if the current lot are as fast as you want to nod?... (irredeemable darkness is probably what you see, like HOW can someone be so dim...?! But another problem I get is not one part attracts my attention more than another. Different notes themselves are attractive, and Silences also are another kind of note. HOW do you pick???!!
I know YOU must have beat SOOoooo embedded - so maybe some aspects are still part of you and as a teacher you haven't yet broken them out? Can you help on this?
At the next level, the fact there are 6 beats per bar... I'm GUESSING that you subconsciously KNOW you need to take standard musical note-lengths and choose the length that will fit to make six beats happen before the end of the bar. But here again, the LENGTH of time between notes IS NOT fixed (as a standard... right?? -or wrong?). So for me, I still have no idea how to choose what size of note to use as the base.
HELP! CAN you see where my darkness is and shed light? Might this light help those of us who are so deep in ignorance as I am? (Careful how you answer, lol!! - but seriously?)
And for freedom of musical expression, I am assuming the composer sometimes wants to change the emphasis (my guess is your ONE and FOUR was based on a louder note, or a sudden deeper note that was repeating at a steady interval. But then THAT (the ones you chose) emphasis does Not tally with either 6 or 8... it is based on 3's...?
Finally, when there are different length notes in a piece, and I am trying to "keep my time", I would reallly like to hear some click for the fastest notes for instance, then I can count between those to ones that only come every so often, though not necessarily regularly as to make a ONE..FOUR type emphasis, but just for me as a player to look out for in my speed of fingering (guitar as it happens).
I have embarked on a tough mission for someone handicapped as I am: to learn to finger-pick Lindsey Buckingham's "Never going back again".
Would you listen to it and tell me what you think the time signature is? I think it might make an excellent teaching vehicle (for your work?); I'm told MOST (even really good) guitarists find this piece very challenging to play.
You see, there are a LOT of notes, very fast. You may say "Follow the base notes". But the tough interval is the faster high notes. I am sure I end up with slightly different length silences each side of a high note between base beat notes, and think if I could set the click on the metronome to THAT, the big/base notes would take care of themselves. But I cannot figure how to get the metronome set. (it is "soundbrenner"). NOT having the fastest beat as my guide, I have to GUESS in that silence between beats, WHEN I should sound my quick high notes. It is (at my stage) too hit and miss. I need to 'get in time' with something before my fingers can begin to habituate to the right speed for those 'in-betweeny short notes'.
My goal at minimum is to know how I can set my Metronome (yes, I bought one of those things I KNEW I would NEVER want to use!...) so that I can at least get those fast high notes at the right intervals.
That song surely does NOT sound right (in my rendering of it at present)- or even recognisable to my ear, despite having ALL the notes right, and beginning to approach the right speed.
Fair to say I have always resisted beat as I find it monotonous. But Lindsey's piece is anything but, especially at the speed he plays it! NOW I NEED accurate beat!
Would your answers to my questions ADD VALUE to your Number 1 tutorial?... and gather in us really handicapped types!
Very BEST wishes to you, your tutorial is ALREADY a light year ahead of anything else I've found. 🙂
Here is a delightful version for your reference, especially with Mick Fleetwood's joy/delight in PLAYING DRUMS TO THIS!:
-FLEETWOOD MAC. NEVER GOING BACK AGAIN. RUclips ·evie1942 ·21 Oct 2010
Best clear asf demonstration ever .. Much appreciated🤗
Omg Thank You!! i needed this!
you're an angel from producer heaven
Yo I have watched a few videos on time signatures and did not really grasp the concept but this has been by far the most helpful
I Really appreciate you as a teacher and a comedian.
This is actually very informative. The way you explained the concept made me understand it better than most videos I’ve seen about time signatures. The practice you’ve made is actually very practical. Thank you!
The examples combined with snarky humor and quirky edits really kept me engaged in the content. I can't believe I understood what was taught. Thank you Sir!
That nodding of the head is the best tip ever. You have it down bravva.
You’re the man
Love all your tutorials bro
Thank ypu
Thanks man. I appreciate the use of humor here to break up the information. Well digested in this format.
The Way you explain this makes me and I bet many other go "aaaaah...so thats how..."
This guy deserves the world
every time you say 'wowzers' my life expectacy increases
I suck at producing. Your insight is indispensable to me and delivered in a clever way that keeps me engaged.
thank you very mutch this will help me alot
Ohh the content I was waiting for so loooong
Precious knowledge explain in funny way =best link ever 🙏🏿🙏🏿✨✨
SO HAPPY YOUR BACK WITH TUTORIALSS!!!!!
Thanks for great demonstration, you explained it very well.
what a terrific explanation...it had the right info done with humor and made me feel less afraid to tackle those time signatures. Please please make more videos!!!
great video, we've been missing you!!
The hero returns
Thank you for posting again, father. I have learned many a lesson on this day.
Wonderbelly: What time signature would this be?
Filename: 6/8.wav
Me: No idea
You could get away with calling it 12/8
could be a 3/2
That's the first time I understand time signature !! WOWZER. Who needs a boring teacher when you can watch this youtube channel for free :D
probably the best video that i have seen.. instead of those 123 123 12 clap videos.. this one actually makes sense.
dude I needed this video bad, thank you sir
Bless you man. Was trying to break down some tango
the "one two three four five six" really represents me trying to understand hahaha your videos mean serotonin for me thank u ♡
I Guess I Suck-Less at Drums Now🙃🤷🏾♂️ I think this was the Less-SuckieEST video Explaining Music Timing. Absolutely Great Video UnderBelly‼️I hate it ABSOLUTELY Super-Duper Less
Man, you talk at the perfect speed for my ADHD
your words hurt me in the best way
so glad you are back!
I discover your channel just few days ago and it's a real pleasure !!! I never went to music lessons. I learn empirically and your videos are perfect for bringing me the theoretical part that I miss! And it's thanks to your hands-on approach :)
The correct use of the word bar refers only to the vertical line itself, while the word measure refers to the beats contained between bars.
wow i need this! Uncle Joe usually only lets me use Impulse- and makes me overuse saturation. but i sat on his lap and he bought me a Drumbrute!
OMG ! Like this video a lot..The explaination along with the fun is awesome.. You nailed it !
Awesome tutorial. Thank you!
I'm Beating it hard and fast now... thanks to you!
I love the way you teach. Very good, engaging and fun (cuckoo nodding its head is the funniest:) ) Thank you for sharing your knowledge!
Damn ! As usual you’re so fun and good at teaching !!! Thanks
Arriving here in 2024, a 50s something moving my drum learning from Guitar Hero to playing in a real band. Thank you, who knew learning music theory could be fun!
Thank u for making theseee ive watched other tutorials but this one was surely the most enjoyable out of all of them :)
You are amazing!! Every time I wath your videos I go "Wowzers!"
I dont think i suck at drums but. Watching this as if i dont will help me iron out more of my kinks and finetune my drumming further.
This was incredibly helpful! ...and funny haha! Thank you!!
This was not only amusing but very helpful! Thanks for the laughs and the lesson! This is one of the best ways I've seen this explained
This video helped me beat harder and faster. Thank you
To teach how something is a sign of someone knowledgeable. To teach why something is a sign of wisdom. This guy wisdoms. Also thank god i chocked on grilled cheese and not tea next to me when you hit us w “wowzers this is the best beat i ever heard on metronome” 😂
Thank you for the knowledge!
Wow,u are the best❤❤
As someone who uses a Tracker to make music, this is like an alien language to me.
This was well done. Great job!
This was wonderfully explained.
Thanks dude, now I can beat off in rhythm to the new eprom track
New YSAP video lets goooooooooooooooooooooooooooooooooooooooooooooooooooooo
6/8 time explained--how great is that!
Great tutorial! Love your style. Great info. Clear instruction with a great sense of humor. Subbed.