Very good job! But....Noooo i wanted you to get this right so badly!! Excuse my nerdiness but you left out the 2 most important things for me xD At first at 0:29. You correctly start with B Major, but you go up to C# major, which is actually no the case in the original. The original is so beautiful, it instead goes to a B major sus2 Chord, still with the B in the bass. I love that so much, while your version isnt wrong musically at all dont get me wrong but its the standard way of playing that movement, which dokkan nicely evaded. Secondly at 0:33. You begin with a G# minor, which is almost correct. The composers used a G# minor7, for that spicy F Note in the right hand chord (the seventh=minor 7 chord!). Then the most important, maybe even the key chord for this track for me is the exact next one after this at 0:34. You are playing a C# Chord over B Minor in the bass i think, but the incredible composers from dokkan went crazy. They are actually playing a E# diminished 7 Chord with a D in the bass which is just gorgeous! That chord catches me off guard so hard and its so vital to this track its awesome, especially when the chromatic downward movement follows it up. Damn. Man i love dokkan osts and i hope youll never stop doing your Piano covers!
I can't even thank you enough for telling me Evan, you definitely have a better ear for this sort of thing. I just uploaded this so I could easily fix those things and upload it again lol, is there any other part where I should fix something?
With how your comment... I would've loved to see you do a Dokkan OST analysis on it Evan... 😭🤧 Beautiful cover still though! Keep up the good work you two!!
WE BREAKING DIMENSIONS WITH THIS ONE 🗣️🔥🔥🔥🔥🔥🔥🔥
Very good job! But....Noooo i wanted you to get this right so badly!! Excuse my nerdiness but you left out the 2 most important things for me xD At first at 0:29. You correctly start with B Major, but you go up to C# major, which is actually no the case in the original. The original is so beautiful, it instead goes to a B major sus2 Chord, still with the B in the bass. I love that so much, while your version isnt wrong musically at all dont get me wrong but its the standard way of playing that movement, which dokkan nicely evaded. Secondly at 0:33. You begin with a G# minor, which is almost correct. The composers used a G# minor7, for that spicy F Note in the right hand chord (the seventh=minor 7 chord!). Then the most important, maybe even the key chord for this track for me is the exact next one after this at 0:34. You are playing a C# Chord over B Minor in the bass i think, but the incredible composers from dokkan went crazy. They are actually playing a E# diminished 7 Chord with a D in the bass which is just gorgeous! That chord catches me off guard so hard and its so vital to this track its awesome, especially when the chromatic downward movement follows it up. Damn. Man i love dokkan osts and i hope youll never stop doing your Piano covers!
I can't even thank you enough for telling me Evan, you definitely have a better ear for this sort of thing. I just uploaded this so I could easily fix those things and upload it again lol, is there any other part where I should fix something?
With how your comment... I would've loved to see you do a Dokkan OST analysis on it Evan... 😭🤧
Beautiful cover still though!
Keep up the good work you two!!
Homie always comes in with the passion and heat. Favorite one by far god damn💙😤🔥
COOOOOOOOK!!!!!!