Rafi was too good, first he grabbed Naushad from Mukesh in movie Chandani Raat, then he grabbed SD Burman from Hemant/Kishore in movie Devdas. and last but not the least SJ from Mukesh in movie Boot Polish. OP Nayyar, Madan Mohan didn't care much about other singers at all, except Rafi. Naushad actually gave a final chance to Mukesh in movie Saathi, and Madan Mohan gave a chance to Talat in movie Jehan Ara, but OP Nayyar even then didnt care 😊
Khaym Mukesh jodi started with Phir Subah hogi. One more thing कोई किसी को छोड़ा ऐसा कहना ठिक नहीं। Using a particular voice in a particular situation was determined by keeping an eye on the tune which again depended on character/situation. Composers those days were choosy, fussy. Raj Kapoor and Shammi Kapoor were the only two actors who insisted on a particular singer. None else. OP was the only composer who insisted on Rafi and later Mahendra Kapoor among male voice. Asha and Shamsad were his female voice always. OP did use Mukesh in Sambandh. He had used Talat in Sone ki Chidiya and CH Atma in Dhake ki Malmal.
साल १९४८ में २ फिल्म रिलीज हूवी थी, १ नौशाद की अंदाज और शंकर जयकिशन की बरसात दूसरी । उस वक्त बरसात के गानों ने अंदाज के गाने को पछाड़ दिया था , तब से नौशाद शंकर जयकिशन पर जलते थे, साथ में मुकेश से भी नफरत करते थे ।
Rafi Saheb is versatile singer so Naushad has every right to take Rafi voice than Mukesh Nothing personal against Mukesh from Naushad C Ramchandra has also not utilise Mukesh voice
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Bahut lazavab 🎉🎉🎉🎉🎉🎉
Mukesh ji great insan thy
Mukesh ji ne be her Tarah ke geet gaey Hein janab
Good enough hgc
Mithi Dard bhari awaz mukesh ji ki
मुकेश जी को SJ जी ने जब जब गवाया तो मुकेश जी बुलंदियों पर पहुँचते नजर आये जबकि नौशाद जी मुकेश जी को वो Variaty नही दे पाए जी SJ जी ने मुकेश जी को दिया
Rafi was too good, first he grabbed Naushad from Mukesh in movie Chandani Raat, then he grabbed SD Burman from Hemant/Kishore in movie Devdas. and last but not the least SJ from Mukesh in movie Boot Polish. OP Nayyar, Madan Mohan didn't care much about other singers at all, except Rafi. Naushad actually gave a final chance to Mukesh in movie Saathi, and Madan Mohan gave a chance to Talat in movie Jehan Ara, but OP Nayyar even then didnt care 😊
Khaym Mukesh jodi started with Phir Subah hogi. One more thing कोई किसी को छोड़ा ऐसा कहना ठिक नहीं। Using a particular voice in a particular situation was determined by keeping an eye on the tune which again depended on character/situation. Composers those days were choosy, fussy. Raj Kapoor and Shammi Kapoor were the only two actors who insisted on a particular singer. None else. OP was the only composer who insisted on Rafi and later Mahendra Kapoor among male voice. Asha and Shamsad were his female voice always. OP did use Mukesh in Sambandh. He had used Talat in Sone ki Chidiya and CH Atma in Dhake ki Malmal.
साल १९४८ में २ फिल्म रिलीज हूवी थी, १ नौशाद की अंदाज और शंकर जयकिशन की बरसात दूसरी । उस वक्त बरसात के गानों ने अंदाज के गाने को पछाड़ दिया था , तब से नौशाद शंकर जयकिशन पर जलते थे, साथ में मुकेश से भी नफरत करते थे ।
Rafi Saheb is versatile singer so Naushad has every right to take Rafi voice than Mukesh Nothing personal against Mukesh from Naushad C Ramchandra has also not utilise Mukesh voice
#rafi100years
Mukesh ji se bara koe singer nahi