Thomas Dolby Live - "Evil Twin Brother" @ Largo, 2012
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- Опубликовано: 7 фев 2025
- This is one of a series of songs recorded live (and low-tech!) during Thomas Dolby's Spring 2012 Time Capsule Tour.
Comments from Thomas Dolby (vocal, keyboards):
love singing this song live, because the storytelling really takes on a new dimension. I'm aware that many in the audience have never heard the song, so I have make sure I really draw them into the story with my delivery of the lyrics. How often thse days are lyrics of a pop song something worth listening to? Yet I know people are paying attention-when I say 'yeah, right...!' at 3'05, I always hear a ripple of laughter going around the room. I have to cover for the vocal asides that were sung by the astonishing Jason Paige on the album-wish I had his amazing range and chops! I found Jason by Googling 'Michael Jackson soundalike.'
In the verses I'm playing a lush sort of cello-led orchestra sound, mostly simple triad chords, and opening the filter with the mod wheel. I trigger samples of NY police sirens, an East European waitress called Yelena (played by Regina Spektor!) and some lovely disco string lines played by Ethel. The bridges are just a trancey loop I made, and I open up the filter using a MIDI knob. In this context the Euro-trash disco groove in the chorus makes perfect sense, and is great to solo over. The solo is a saw setting on a MiniMoog plug-in.
Comments from Kevin Armstrong (guitar):
Wah Wah yeah! I like to channel Frank Zappa during this. And I love just playing the percussive damped rhythm that starts at 0:32. With my left hand blocking all the strings so the guitar does that 1970s disco Shaft/Barry White kind of thing.
I love TD's synth solo at 4:25 and I'm gearing up for the guitar solo at the end. I don't prepare these bits and they really vary in quality from the sublime to the ordinary depending on how I'm feeling. I like to leave a bit of danger in the air as the song is about taking a leap into the unknown I try and do the same. It's a tense moment for me as I have an ambivalent attitude towards guitar solos. It's really about letting go. The minute I start thinking too hard I choke.
Comments from Mat Hector (drums):
Another one of my favorite tracks from the set!!! This track is really about two distinct grooves for me, and the use of dynamics. The first is the verse groove. A great groove to play, the verse lets me add lots of small ghost notes on the snare, as well as adding flicks on the splashes throughout as well, a really nice textual thing for me. I have to be careful not to over play on this. You can hear that during the intro I use the splashes and hi-hat snatches a lot, but as soon as the vocals come in I drop down dynamically and simplify the groove - giving the vocal space and setting the scene for the verse. At 1:05 the verse breaks - at this point I can open up a little again, giving the rhythm part shape, and edging up in support of the guitar break. At
1:45 the second verse starts and once again, to give shape and build dynamics, I include a hi-hat snatch in this verse - giving this verse a little more movement than the first verse as I try to build the track rhythmically - it's all about building the part dynamically as well as in volume. Always serve the song!
The second groove on this track is the four on the floor dance groove in the chorus. A great thumping groove, I use a sampled snare from my 2box drum brain, which I trigger via my spd-30 sample pad, and a keyboard synth hit, again triggered in the same way. My favorite part of playing this groove is where I get to bring in the acoustic snare at the guitar solo - at 4:49 - with a nice aggressive fill!!! Love it!!! The addition of the acoustic snare really lifts the groove for the guitar solo, giving Kevin a good foundation to let rip over!
Kevin Armstrong one of my all time favourite guitarists! Even the simplest licks are just great!
Hooked to this song.
Mr. Dolby, thank you for your comments on this song. My late brother would have been 50 years old yesterday, and I was coming home from a bar awash in post Christmas melancholy at 1:30 AM on his birthday when this song came on the radio. WNKU. I feel that it was him speaking to me in his somewhat dark humor that was so entertaining. In many ways he was my evil twin brother, although one year older.
We lost him to AIDS in '96 on our wedding anniversary (That was Eric!) and he was a big big Thomas Dolby fan.
Congratulations on continuing to provide your innovative and humorous music, and having great talent surrounding you. Please keep moving, never stop.
I Love Dolby
that's just the sickest jam of the eve.....wow.
Kevin, there's a certain clenched-jaw way you and Mat have of singing "... mustabinnnn mahh ..." that is very reminiscent of M.J. -- we of the Poison River Delta love it, you guys really rock the house on this one!
Absolute genius and I can't believe this is six years old as I type this!
It's still amazing now...in 2024!
Love the compact and excellent musicianship everyone. This song kicks Thomas! Great licks all around guys. Yes the 'danger of the moment' re: soloing absolutely Kevin understood but it really worked tremendously. You are "evil triplets" you lot! :) Must work on getting a rig like you've got Thomas for doing some live performance. I have been itching like hell to get out and do some performing. This song really gave me courage to start work on some live presentations of my songs. Cheers guys. RMB
Wowie! Love the keyboard solo that then leads into Kevin's great guitar solo :)
Sublime throughout!
Fabulous. Thanks for sharing :-) Especially liking the musicians' comments and techniques. Inspirational.
this is SO great, thanks!!
We work on our jaw-clenching on the tour bus...x
And exactly how do you do that?