Piotr Anderszewski: The complete Piano Concerto no. 17 in G major K. 453 (Mozart)
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- Опубликовано: 12 сен 2024
- Piano Concerto no. 17 in G major (K. 453):
I. Allegro 00:44
II. Andante 12:38
III. Allegretto 24:32
Mozart, Wolfgang Amadeus (1756-91) -composer
Piotr anderszewski -piano, conductor
Orkiestra Sinfonia Varsovia
Score: javanese.imslp....
After Mozart settled in Vienna in 1781 he became for all intents and purposes (even if not wholly intentionally) a freelancer, almost entirely dependent on teaching and his skill as a keyboard player for his income. The G Major concerto is one of the few not originally composed for Mozart himself to play (although he would undoubtedly have used it subsequently); it was intended for one of his pupils, Barbara von Ployer, for whom he also wrote the Piano Concerto No.14 in E flat, K. 449, and who apparently paid him well. In a letter dated April 10, 1784, Mozart told his father Leopold that he had finished the concerto that day. Two days later it became one of the first works to be entered in his new thematic catalog. Barbara's father Gottfried Ignaz von Ployer, a Viennese agent of the Salzburg court, hired an orchestra for the first performance, which took place at his summer residence in the Viennese suburb of Döbling on June 13. In the audience was the Italian opera composer Paisiello, to whom Mozart wanted to show off his pupil. In addition to the concerto, Mozart and von Ployer also played the demanding Sonata for Two Pianos, K. 448.
The orchestral accompaniment is scored for flute, strings, and pairs of oboes, bassoons, and horns, and the concerto is cast in the usual three movements, with an opening Allegro followed by an Andante and an Allegretto. The last movement with its bourée-like theme has become noted for a charming incident in which Mozart taught the melody to his pet starling, although it apparently persisted in always getting one note wrong.
The G Major concerto was one of the few Mozart piano concertos published during his lifetime -- by Bössler of Speyer. The event that produced a rare contemporary review of his music. While praising the elegance of the Andante and "exceptionally beautiful modulations" of the Allegretto, the writer also noted the difficulties of that movement. The caveat presaged the decline of Mozart's popularity among his Viennese public, which increasingly found his music too dense and difficult to understand. Indeed its structure has provided theorists with two centuries' worth of problems to chew on, containing as it does elements of sonata, rondo, and variation forms. The opening movement is dense with sheer melody, introducing half a dozen tunes before the piano even makes its entrance and giving each its part to play in the ensuing dialogue.
Source: www.allmusic.co...
Piotr Anderszewski : a great interpreter of Mozart's piano concertos !
Grający, dyrygujący - i śpiewający! Maestro-triumwirat, brawo!
Beautifully elegant pino performance and excellent balance between orchestra and piano.. Doskonale, Maestro!!!!
ABSOLUTELY WONDERFUL PERFORMANCE! PIOTR IS REMARKABLE!
FANTASTIC PIANIST AND CONDUCTOR!
I CANNOT SAY ENOUGH!!! XOXOX
Невероятные обаяние, тонкость и музыкальность!!! Наверно только с такими качествами может получится настоящий Моцарт!!!
For me, he really seems to be Mozart himself. So vibrant and full of musical enchantment!
Bravo - for me this intensely musical performance achieves just the right balance of poise and energy. Anderszewski moves very naturally back-and-forth from the role of director to that of soloist, and in the process ensures unity of conception.
Peter, dearest, I wish you could read this comment! I am not a musician, I am an English teacher - your English wonderful; in general, I have heard you speak other languages - perfect. As far as music is concerned, I love the way you perform perfectly by dillydallying on the piano! I am 77 years old and I am in
love with you!!!!!!!!!!!!!
And Mister Anderszewski loves Mozart. He said Mozart is the only composer that gives him the feeling, that it is a privileg to be alive. Or that he never got over the fact, that Amadeus died so young. Yes, he loves him and we can hear it here!
I like his conducting! This is meaty, macho Mozart - thrilling and beautiful. His performance is a pleasure to watch. Thanks very much.
Awesome, as always, with Piotr A. What a great conductor he is too.
I saw Piotr for the first time three weeks ago and was just blown away by this awesome and mesmerising performer. He and his piano seem to be one and seeing his fingers just fly over the keys is thrilling. I love the way he connects with the orchestra even if he's not actually conducting. I will be seeing him play in The Barbican, London next Thursday, 15 March 2018 and it will be such a privilege to see this very special pianist perform again.
Hope you'll be hearing as well as seeing!😊🎼🎶
Saw him at Emory in Atlanta play the d minor, truly great.
I believe that is piotr's sister playing first violin, what a talented family
The best ever
The master! And so underrated!
Słychać mruczenie dyrygenta. Wykonanie piękne, ale to mruczenie przeszkadza. Podziwiam talent Pana Anderszewskiego.
this is amazing! Enjoyed it!
Formidable 👏🌷
awesome! ty!
what year is this from? piotr looks quite young here (and freanking cute, heheh)
+qweuio 2002, and indeed he is a very handsome man:)
Creepy video editing. As if by magic? Please show us how he -- as pianist and conductor -- gets from the podium to the piano in only ONE second 2:49 to 2:50.
Très bonne interprétation tout à fait mozartienne...!
Doskonale!
28'35""...
Is that his violinist sister?