Excellent lesson, Chase. This explanation (a minor third up and moving to resolve to two notes) makes total sense (Barry Harris lives!). Since i have been exploring all the diminished chords, it fit everything together for me. Thank you!
C minor 6 and A minor 7 flat 5 are the same chords. I always treat them the same for soling sounds and hope they sound good. Since getting into Gypsy Jazz, I have found playing scales will NOT cut it. I have found if I use them on the ins and outs of combined arpeggios and target notes, I can use them as minor building blocks, but just scales, it doesn't work. They use so many motifs/enclosures to frame their lines. So when you talk about minor/major thirds, etc, THIS is VERY useful to think about in Gypsy Jazz. Great video.
This is a great video. It reminds me a lot of Barry Harris's Family of Dominants and "playing with family" as he says. But I really like how you showed the connection of the minor third with the hidden 2-5s. It makes a lot of sense now. Thanks.
I have been exploring this concept for some time now, finaly I see someone talking about it, on top of those you mention, there are also another 4 "secret ii Vs" who can resolve to the 1, if you think in the resolution from Idim7 to IMaj7 you can substitute Idim7 for VII7, and you can put a ii behind it, because all share the same diminish chord you also get VII7, II7, IV7, bVI7, all resolve to the one, some examples are in themes like wave, punjab, i remember you, very early and even the rock blues
That’s a good point for me to clarify, and maybe I should’ve used a different word than resolution. All of the B notes would give a tension that want to resolve up to C. I’m emphasizing the B note to highlight how two of the ii-V’s use the E/B grouping and the other two ii-V’s use the C/G grouping.
It’s an Ibanez AG85. Check this video out if you’re interested in any of the other gear I use. The BEST Guitar Gear I've Used for 15+ Years ruclips.net/video/4rRJ8a4uJmw/видео.html
Great video! Took me a lot of time to go trough it, taking notes and understanding, but this is excellent!! Now, time to practice 🙂
Thank you! It’s a lot to go through. Let me know how it goes 🤘
Excellent lesson, Chase. This explanation (a minor third up and moving to resolve to two notes) makes total sense (Barry Harris lives!). Since i have been exploring all the diminished chords, it fit everything together for me. Thank you!
Thanks Robert! I appreciate the comment 🤘
Yup thought I was watching another Barry Harris lecture
Really good stuff. To the point digestible and usable. Thank You.
Thanks Glenn, I appreciate the feedback 🙏
C minor 6 and A minor 7 flat 5 are the same chords. I always treat them the same for soling sounds and hope they sound good. Since getting into Gypsy Jazz, I have found playing scales will NOT cut it. I have found if I use them on the ins and outs of combined arpeggios and target notes, I can use them as minor building blocks, but just scales, it doesn't work. They use so many motifs/enclosures to frame their lines. So when you talk about minor/major thirds, etc, THIS is VERY useful to think about in Gypsy Jazz. Great video.
Exactly! Thanks Lorne 🤘
This is a great video. It reminds me a lot of Barry Harris's Family of Dominants and "playing with family" as he says. But I really like how you showed the connection of the minor third with the hidden 2-5s. It makes a lot of sense now. Thanks.
Thank you! 🙏🙏
Wow. What a fantastic lesson, thank you!
Thank you Gastón! Glad you found it valuable 🙏
Really appreciate another great lesson
Thanks David! 🤘
Good stuff man
Thanks Justin! 🤘
I have been exploring this concept for some time now, finaly I see someone talking about it, on top of those you mention, there are also another 4 "secret ii Vs" who can resolve to the 1, if you think in the resolution from Idim7 to IMaj7 you can substitute Idim7 for VII7, and you can put a ii behind it, because all share the same diminish chord you also get VII7, II7, IV7, bVI7, all resolve to the one, some examples are in themes like wave, punjab, i remember you, very early and even the rock blues
Great comment! Thanks for sharing your thoughts on this 🙏
Even though you're landing on the "B" it's not really a Resolution as it is a tension. The "C" is , in my opinion, the resolving tone.
That’s a good point for me to clarify, and maybe I should’ve used a different word than resolution. All of the B notes would give a tension that want to resolve up to C. I’m emphasizing the B note to highlight how two of the ii-V’s use the E/B grouping and the other two ii-V’s use the C/G grouping.
We all say (especially me ) we are resolving to the lead tone but it's just a way of speaking even though it's technically incorrect.
Hope you turn up your volume a little bit. It's a bit soft on my end. Anyway, always good lesson!
Really? Any louder and it’s peaking the mic on my end.
What kind of guitar is that?
It’s an Ibanez AG85. Check this video out if you’re interested in any of the other gear I use. The BEST Guitar Gear I've Used for 15+ Years
ruclips.net/video/4rRJ8a4uJmw/видео.html
@@ChaseMaddox thanks!
I missed this the first time around. Some mission critical info "hear".
Thanks for checking it out Jim 🤘
🙏🏽❤️🇦🇺