I'm really glad I watched your reaction, your knowledge of music and ease of articulation is very fun to hear when it comes to beatboxing content (as well as rap and all other music you cover). One thing I knew but couldn't really find the words for that you explained very accurately and succinctly is that you can reeeeally tell d-low has put in his 10k hours. Among the beatbox community, I feel like someone who is recognized as having put in those hours is Reeps One. There's just something about his beatbox that when you hear it, it FEELS like just well produced music. His skill with beatboxing but also arrangement and adding cool rhythmic and dynamic changes makes it so that it doesn't feel like just one instrument and one musician, it feels like he is altogether just simply a spotify track that's been mixed and mastered and had eq-ing. Always crisp, always resonant, always on beat, and nearly exactly replicated regardless of speed or time signature or pattern or anything else. Top tier in both quality AND quantity AND efficiency. I've been noticing more with d-low's songs recently that he's starting to reach a similar level where when you listen, it doesn't even mentally feel like "beatboxing" anymore. He's breaking bounds of skill to the point where everything he does seems effortless, when in fact it takes so much skill, but he's done it so much over time that ALL the aspects of his beatbox are (practically speaking) flawless regardless the situation. He's been beatboxing for over 15 years strong, and I feel fortunate to see before my eyes what 15 years of dedication combined with skill/talent does. I'm looking forward to his future works because with his mind partially freed from concentration on purely technique, it leaves room for his creative genius to do something magical and begin not only pushing the limits of what CAN be done, but pushing the mental limits of future generations so that somehow, one day, someone won't have to work as long to reach d-low's skill level, and they'll then have the chance to in the future take on the same unending torch and heighten the craft to levels literally considered impossible and literally unheard/unthought of. Seeing people like him makes me eager and excited to put in those 10k hours myself as well. There are already people of age 13 and 14 who after 2 years of practice are able to replicate (better than most in the world) beats and routines that took d-low over a decade to hone. Utter insanity, amazing and inspirational insanity.
@@HamikO1224 Good question. Probably 20 minutes, but that's mostly because I spellchecked and revised. Most of the time went to those rather than actually typing it. And to answer ahead of time why I did all that, I had things I wanted to say and there's no point putting all that effort into writing it if I don't even say what I'm trying to say lol.
@@robin3883 I can do it, thats why i explained it. To do liproll you let a open hole from wich you lower or higher its pitch, to do the hollow one you must do it with the lips closed and breath in while keeping it closed..but yea, you kinda use the throat to do so
I've made my own beatbox track in response to D-Low. It's basically exactly the same as his just nowhere near as well executed. I called it "LanigironU"
LanigirO= OriginaL 😁 thanks for reaction
I'm really glad I watched your reaction, your knowledge of music and ease of articulation is very fun to hear when it comes to beatboxing content (as well as rap and all other music you cover). One thing I knew but couldn't really find the words for that you explained very accurately and succinctly is that you can reeeeally tell d-low has put in his 10k hours.
Among the beatbox community, I feel like someone who is recognized as having put in those hours is Reeps One. There's just something about his beatbox that when you hear it, it FEELS like just well produced music. His skill with beatboxing but also arrangement and adding cool rhythmic and dynamic changes makes it so that it doesn't feel like just one instrument and one musician, it feels like he is altogether just simply a spotify track that's been mixed and mastered and had eq-ing. Always crisp, always resonant, always on beat, and nearly exactly replicated regardless of speed or time signature or pattern or anything else. Top tier in both quality AND quantity AND efficiency. I've been noticing more with d-low's songs recently that he's starting to reach a similar level where when you listen, it doesn't even mentally feel like "beatboxing" anymore. He's breaking bounds of skill to the point where everything he does seems effortless, when in fact it takes so much skill, but he's done it so much over time that ALL the aspects of his beatbox are (practically speaking) flawless regardless the situation.
He's been beatboxing for over 15 years strong, and I feel fortunate to see before my eyes what 15 years of dedication combined with skill/talent does. I'm looking forward to his future works because with his mind partially freed from concentration on purely technique, it leaves room for his creative genius to do something magical and begin not only pushing the limits of what CAN be done, but pushing the mental limits of future generations so that somehow, one day, someone won't have to work as long to reach d-low's skill level, and they'll then have the chance to in the future take on the same unending torch and heighten the craft to levels literally considered impossible and literally unheard/unthought of. Seeing people like him makes me eager and excited to put in those 10k hours myself as well.
There are already people of age 13 and 14 who after 2 years of practice are able to replicate (better than most in the world) beats and routines that took d-low over a decade to hone. Utter insanity, amazing and inspirational insanity.
How long did u take to write this xD
@@HamikO1224 Good question. Probably 20 minutes, but that's mostly because I spellchecked and revised. Most of the time went to those rather than actually typing it.
And to answer ahead of time why I did all that, I had things I wanted to say and there's no point putting all that effort into writing it if I don't even say what I'm trying to say lol.
@@joshuaramirez9088 20 MINUTES, xD, this is a chapter from harry potter
@@HamikO1224 You're not wrong lol
The high pitch sound at 7:38 is a hollow liproll. Is doing a liproll without the air, just preassure ^^
Main thing about hollow liproll is to hollwing the throat, not pressure and air, it can be done by both air and pressure....not sure tho..
@@robin3883 I can do it, thats why i explained it. To do liproll you let a open hole from wich you lower or higher its pitch, to do the hollow one you must do it with the lips closed and breath in while keeping it closed..but yea, you kinda use the throat to do so
❤
D-Low is a beatbox god! Have you seen his performances in tournaments?
$uicideboy$ - Champion of Death
I liked when it picked up at the end but I feel like it took awhile to really grab my attention. Lanigiro is original backwards lol
I felt that too, but I think dlow focused on making the most perfect sound rather than cooler routine.
I've made my own beatbox track in response to D-Low. It's basically exactly the same as his just nowhere near as well executed. I called it "LanigironU"
😂
Now listen to it backwards/reversed... ;-)
How to do it?