8:42 could be the origin of the opening to Richard Strauss's Don Juan. I have spent my musical life with the German heavy weights of Beethoven, Wagner, Bruckner and Mahler but when I hear music like this a happy-bomb goes off in my mind. The orchestration is so clean and lucid and then amazing melody after melody. Check out Von Suppé's orchestration (Light Cavalry and Poet and Peasant), too. The scores are an object of genuine beauty. Glad we have all these varied worlds in music.
The usual wrong note in the cello/bass part leading into the Tempo di Valse. Due to a misprint somewhere along the line, this is so often played these days as G, B, D, D which should annoy anyone's ear. Go back to the original score (try IMSLP) - it is, of course, G, B, C sharp, D. I've had over forty years of trying to convince my colleagues about this!
But the IMSLP holograph manuscript you refer to clearly shows a D, not a C sharp. And the 1968 revised critical edition by Hans Swarowsky also has D, maintaining in a footnote that it puts the harmony into a 6/4 position, not dominant.
As plausible as this may seem harmonically, the manuscript clearly shows the notes g,b,D,. This is a very intresing topic though, as origional manuscripts dont always show changes made by the composer after the first print run. Do you know where you read about this missprint?
@@klausmuller9699 But the manuscript I am referring to couldn't be clearer (from IMSLP, as I mentioned). I can't seem to upload images to this thread otherwise I'd show the print. Cello part C sharp also. I think it's a misprint inherited from previous runs that just gets repeated without thinking. In this case, surely one's inherent musical sense is jarred. There are many orchestral score/parts misprints that occur this way - the late conductor Norman del Mar wrote a book about them.
@@klausmuller9699 In case the ref would help, it's IMSLP 857350 PMLP 6836 and you need page 17. The Norman del Mar book is called 'Orchestral Variations' but now ridiculously expensive and I'm not sure if this piece features anyway (possibly too low brow!).
so jolly, festive, and amazing in its own right
2:52 literally a beat drop starting right here
You are literally everywhere. By the way I have your photo hanged on the wall of my room mr Khachaturian
0:01
what is a beat drop? (with snobbish classical attitude)
8:42 could be the origin of the opening to Richard Strauss's Don Juan. I have spent my musical life with the German heavy weights of Beethoven, Wagner, Bruckner and Mahler but when I hear music like this a happy-bomb goes off in my mind. The orchestration is so clean and lucid and then amazing melody after melody. Check out Von Suppé's orchestration (Light Cavalry and Poet and Peasant), too. The scores are an object of genuine beauty. Glad we have all these varied worlds in music.
the most beautiful interpretation of this song I have ever heard .
piece
Diese Musik bringt mich irgendwie zum Tanzen
I love Die Fledermaus!
Such a great overture
Ye
Tom and Jerry in the Hollywood Bowl OST
Fantastic piece! I think that I shall have to make it the next violin duet I do...
Supreme elegance. Strauss was occasionally given to vulgarity, but this overture is a paragon of good taste.
lol
6:09 VROOOOOM
Ifj.Johann Strauss:A Denevér-Nyitány Op.362
Bécsi Filharmonikus Zenekar
Vezényel:Herbert von Karajan
So Strauss created Batman about 65 years before the actual comic ;)
That's a piece of classical music that Bugs Bunny should've conduct in Baton Bunny.
this is totally me when i’m sonic the hedgehog and i’m figure skating in 2010
6.09 VROOOOOOOOOMM
5:21 7:53
7:02 tempo di valse 2
7:36 allegro moderato
8:10 piu vivo
"the Bat"
Interesting...
The usual wrong note in the cello/bass part leading into the Tempo di Valse. Due to a misprint somewhere along the line, this is so often played these days as G, B, D, D which should annoy anyone's ear. Go back to the original score (try IMSLP) - it is, of course, G, B, C sharp, D. I've had over forty years of trying to convince my colleagues about this!
Good points!
But the IMSLP holograph manuscript you refer to clearly shows a D, not a C sharp. And the 1968 revised critical edition by Hans Swarowsky also has D, maintaining in a footnote that it puts the harmony into a 6/4 position, not dominant.
As plausible as this may seem harmonically, the manuscript clearly shows the notes g,b,D,. This is a very intresing topic though, as origional manuscripts dont always show changes made by the composer after the first print run. Do you know where you read about this missprint?
@@klausmuller9699 But the manuscript I am referring to couldn't be clearer (from IMSLP, as I mentioned). I can't seem to upload images to this thread otherwise I'd show the print. Cello part C sharp also. I think it's a misprint inherited from previous runs that just gets repeated without thinking. In this case, surely one's inherent musical sense is jarred. There are many orchestral score/parts misprints that occur this way - the late conductor Norman del Mar wrote a book about them.
@@klausmuller9699 In case the ref would help, it's IMSLP 857350 PMLP 6836 and you need page 17. The Norman del Mar book is called 'Orchestral Variations' but now ridiculously expensive and I'm not sure if this piece features anyway (possibly too low brow!).
ah yes, the bat
Why Did I Laughed ?
3:19 🎉
0:01
1:50
2:52
4:10
5:27
San ka punta?
1:41
🎶🙏✌❤👌🌟
5:21
2:53 is my audition excerpt
Nyys?
@@navinormusicyes
@@rane7208good luck
From
Baby Noah
Neptunes Oceans
1:50
🎶🙏✌❤👌🌟
8:09
7:21
2:51
2:53
2:50
7:37
7:01
2:52