My dad had this as a vinyl in the 1980s and I would fall asleep as a child listening to it. Imagine my disappointment when I hear other versions! This one is the best by far! Thank god they re-record it and made a CD because I lost that vinyl! :(
For me, it is well and exellently played for l i s t e n i n g , but a bit too slowly for d a n c i n g 😅. It needs to, how shall I say it?, flip somehow to make it really an interpretation to dance to! It would be right, if your knees, your feet, your Body have no choice bit dance and move Boy themselves!
magic. this music is magic and the people playing it are magicians and there are no illusions in this magic. we are also magicians if we go and look for music in the world and in people. magic.
I guess you're sure to like this version... (this is the choir my granddaughter sings with, proud grandpa... :-)) ruclips.net/video/JwgfYA7ATY8/видео.html
@@Impeccabilistic What more authentic way to enjoy authentic Renaissance music! Ale for breakfast, lunch, and dinner, and then to the ale house. Water was literally poison.
MICHAEL PRAETORIUS ( Creuzburg 1571-1621 Wolfenbuttel ) DANCES FROM TERPSICHORE Quelle musique une pure merveille qui nous emportes sur une autre terre merci.
I love these pieces to the nth degree. I have a vinyl recording of the same performance, and haven't t heard it for years. It's all delightfully realised and played. :-)
Ich liebe auch die Musik von Praetorius. Er wurde ganz in meiner Nähe in Creuzburg/Thüringen geboren. Seine Musik wurde weltbekannt und beliebt, sie ist wunderschön.
Music that breathes silence and a grandeur that modern times no longer recognize, times without sources, without truth, without hierarchy, without future !
www.heinrichshofen.de, they have a book by Gertrud Keller, published in 1992, named terpsichore, with subtitle Die Tänze der barockzeit, meant for soprano and alto recorder, in partiture form
Tielman Susato, een Vlaming.....( ik ben vlakbij geboren, net over de grens in Halsteren Nrd-Brabant), nooit van hem gehoord en ook niet van zijn muziek, maar wat klinkt het heerlijk.
Ecouter Praetorius, c'est abolir le déferlement de bruits et d'images du quotidien pour entrouvrir l'espace d'un ailleurs où la contingence et la représentation cèdent la place à l'immatérialité du sensible. Une fois refermée la porte sur l'agitation du monde, un silence sous-jacent s'installe, une lenteur saisit, préludes à une dilatation de la perception et de la conscience. Le pouvoir expressif de l'architecture sonore rompt avec toute forme de transcription du réel pour s'attacher à l'expression d'un univers fabuleux où la couleur et le rythme constituent une expiration qui donne voix à l'exaltation !!
Beautiful of course...but who I wonder are always the few, and I mean few who are the MEAN few that give something wonderful a thumbs down. Maybe they're Umpah Lumpahs!
These songs are the same CDs as CD cover displayed on video. However, CD of this cover may not already be sold. The information on CD of the same contents as the explanation column was written.
Love those Krummhorns ... Anyone remember Bob Kerr on CBC? One of his themes (70s?) was a bransle from Terpsichore but I am having trouble finding it....
Please can you tell me if these songs are from the same CD cover as it's displayed on the video? because there are many Praetorius cds but i like this songs better and i would buy this cd if i knew it is the same!!!!
i prefer Bruno Maderna,Berg,Jonathan Harvey,Missy Mazzoli,Carl Vine,Hector Parra but it must be good to hear such coherent unified compositions since even serialsm,set theory Markov chains can be traced back to the constraints and games (canons,palindromes,retrograde manipulaions etc.of this period! Reading 2 dissertations on Ockgehem in Krenek and Heinrich for Webern tells me I need to look at these early scores and study them as I would Xenakis!
The vibrato used is not excessive, not at all like later uses of it. And just how do you know that there was no vibrato used? Leopold Mozart (admittedly a later period) wrote about vibrato, not altogether approvingly, but thus showing it was used, at least in the second half of the 18th century. I am sure that there were endless variations in musical practices all over Europe in the early 17th century. While certainly not used in a late 19th/20th century sense, I have seen no evidence that proves vibrato was not used at all. I would be careful, having not been there at the time, and having no recordings to go by, in being so certain.
well this collection of tunes is from the early 17th century, a while before the calssical period and mozart. But on the other hand, judging from mozarts comment complaining about excessive vibrato, you can conclude that vibrato might have been used earlier on
If you simply listen to the music, with no "learned" (indoctrinated) preconceptions of what is "proper" for it, it sounds truly wonderful and a million miles away from "ruined".
It doesn't take much musical history knowledge at all to know that this is renaissance music, and this was customary of the time period. Tchaikovsky was a whole other time period, a whole other world, and it is impossible to compare the two musical styles and say that one is more tasteful than the other.
This recording came out in 1976, and my guess is the recorder players had been listening to famous Collegium Terpsichore recording of the same music from the previous decade. Vibrato on recorders was more common then. BTW, Tchaikovsky would have not have recognized the big, continuous vibrato that became part of string technique after WW I.
Видеоклипы
My dad had this as a vinyl in the 1980s and I would fall asleep as a child listening to it. Imagine my disappointment when I hear other versions! This one is the best by far! Thank god they re-record it and made a CD because I lost that vinyl! :(
Yes, the CD is one of a kind - a prized possession and listening experience!
Schön gespielt mit vielen Verzierungen, borten ,Ornamenten! Eine wundervolle Sache
One of the greatest renaissance works performed with a such of joy and color!
Praetorius, genius and his Bourrée is one the most earthy and joyous pieces in the whole human music.
One of the most brilliant, and colourful interpretations of Terpischore ever.... It is always a thrill to listen to it.....What more can be said?
Robert Searle
One of the best interpretations I agree!
Excellent comment, sir!
For me, it is well and exellently played for l i s t e n i n g , but a bit too slowly for d a n c i n g 😅. It needs to, how shall I say it?, flip somehow to make it really an interpretation to dance to! It would be right, if your knees, your feet, your Body have no choice bit dance and move Boy themselves!
In our family we often use the Terpischore Dances as an excellent Entrè to our Taffel Dinner...so delightful !
Makes your heart jump in joy,..a true salute to life !
Sensational version of the Bourree starts at 12:21. Spirit of the dance.
zephyr, Thanks!
Ding-dong the witch is dead...I LOVE this.
Verdade
Beautiful prized possesion to refresh the soul
This recorder here is giving me everything I need.
magic. this music is magic and the people playing it are magicians and there are no illusions in this magic. we are also magicians if we go and look for music in the world and in people. magic.
Quelle delicieuse musique !!! Encore un de ces compositeurs qui vaut la peine d etre connu et aime...
man the first song i love so much. im just going through youtube drunkenly listening to all versions available of it. so great
LOL. Make sure to check out Voices of Music's version if you hadn't already: ruclips.net/video/4JWYIY3icUg/видео.html
I guess you're sure to like this version... (this is the choir my granddaughter sings with, proud grandpa... :-)) ruclips.net/video/JwgfYA7ATY8/видео.html
Drunkenly?
@@CameronK665 Thank you thank thank you for leading me to Voices of Music's channel. Divine!!!!
@@Impeccabilistic What more authentic way to enjoy authentic Renaissance music! Ale for breakfast, lunch, and dinner, and then to the ale house. Water was literally poison.
This is clearly the true spirit of Renaissence. I can imagine people dancing on the streets, and soldiers whatching...
Wonderfully performed! Love the sound of those ancient instruments. I'm glad there are skilled musicians who have mastered them.
MICHAEL PRAETORIUS
( Creuzburg 1571-1621 Wolfenbuttel )
DANCES FROM TERPSICHORE Quelle musique une pure merveille qui nous emportes sur une autre terre merci.
I love these pieces to the nth degree. I have a vinyl recording of the same performance, and haven't t heard it for years. It's all delightfully realised and played. :-)
Radieux, magnifique, Bravo, merci!
Beautiful ancient music. Brilliant interpretation of the dances of Terpschore. I love the music of Praetorious.
Ich liebe auch die Musik von Praetorius. Er wurde ganz in meiner Nähe in Creuzburg/Thüringen geboren. Seine Musik wurde weltbekannt und beliebt, sie ist wunderschön.
Music that breathes silence and a grandeur that modern times no longer recognize, times without sources, without truth, without hierarchy, without future !
A very few have cracked the code and live with truth
WONDERFUL ! ! ! Thank you for posting !
La pintura de fondo se llama la kermese obra de pieters Brueghel el Joven , pintor flamenco uno de los influenciados por su padre y El Bosco.
Beautiful ! Thank you for uploading :)
So beautiful!! Thanks a lot 😊
Merveilleuse.musique.fin.renaissance.je.l.ecoute.toujours.avec.joir
8:24 the most delightful piece.
I can hear a lot of this in Mike Oldfield's music. Nice to find the root.
Ah, of course! That's why i like his music so much!
I just bought this book so I can play with some other grandmothers, ) It's lovely that you posted it and I also like the "Dutch) painting
where did you buy the book? what instrument is it for can i have the website
cody Tomlingson its for Alto recorder and the book I bought it in a music store
"Otto Heinrich Noetzel Verlag Wilhelmshaven" no website in it
The music is beautiful. It's a Flemish painting by Breughel.
Breughel is my favourite painter :)
www.heinrichshofen.de, they have a book by Gertrud Keller, published in 1992, named terpsichore, with subtitle Die Tänze der barockzeit, meant for soprano and alto recorder, in partiture form
Bellissime musiche!
Tielman Susato, een Vlaming.....( ik ben vlakbij geboren, net over de grens in Halsteren Nrd-Brabant), nooit van hem gehoord en ook niet van zijn muziek, maar wat klinkt het heerlijk.
Marvellous!
Fabuloso!
I've heard music from this album many times before and the opening part of the first track is possibly as the dance couples come onto the scene.
Thank you for sharing my works!..
Que beleza, sobretudo a primeira música.
GREAT!!!!! Bravo!!!
Thank you.
Eu tenho esse Disco.
O adoro! ❤
Building on the foundations laid by Karl Dolmetch and the much missed David Munrow.
Great exquisite Music.
Ecouter Praetorius, c'est abolir le déferlement de bruits et d'images du quotidien pour entrouvrir l'espace d'un ailleurs où la contingence et la représentation cèdent la place à l'immatérialité du sensible. Une fois refermée la porte sur l'agitation du monde, un silence sous-jacent s'installe, une lenteur saisit, préludes à une dilatation de la perception et de la conscience. Le pouvoir expressif de l'architecture sonore rompt avec toute forme de transcription du réel pour s'attacher à l'expression d'un univers fabuleux où la couleur et le rythme constituent une expiration qui donne voix à l'exaltation !!
Beautiful of course...but who I wonder are always the few, and I mean few who are the MEAN few that give something wonderful a thumbs down. Maybe they're Umpah Lumpahs!
They are the ones who live under the bridges
These songs are the same CDs as CD cover displayed on video.
However, CD of this cover may not already be sold.
The information on CD of the same contents as the explanation column was written.
Splendid.
En hommage à Jean-Paul Belmondo
Show de Bola
Adoro o Bourrée 😁
Danke aus Deutschland.
Gostei !
Dat Bass!
Exquisite
Refresch the soul.
Hermoso.
Hat hier irgendjemand, außer mir, dieses Wundervolle Musikkunstwerk durch das Hörspiel "Hilfe die Herdmanns kommen" kennengelernt :) ?
Gemeinsamduhmm2
Jaaa!
Hehe, das war mal was! Tolle Kindheitserinnerung.
Ja de eerste dans ken ik als kerstlied, Herman van Veen heeft dat vertolkt. Maar ik ben de titel kwijt....iets van "Komt herders......🤔😌
Love those Krummhorns ...
Anyone remember Bob Kerr on CBC? One of his themes (70s?) was a bransle from Terpsichore but I am having trouble finding it....
Found it, it's a bourré not a bransle, ruclips.net/video/zFgwOIq2ZWg/видео.html 3:36
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I want to know which movements are used in this song!!
Is that a Regal or Crummhorns that start at 7:03?
? 07:04-08:18; thanks. I'd like to know too. See if you ever get a response, cause it's a unique duet.
Please can you tell me if these songs are from the same CD cover as it's displayed on the video? because there are many Praetorius cds but i like this songs better and i would buy this cd if i knew it is the same!!!!
Prog rock
Does anyone have the titles of the recording?
Joie
5:27 and 6:33. Its sounds like an seventh in the bassline, I dont like it. Or am I wrong?
Was some of this music used in The Devils?
Yes, la Bouree in particular.
i prefer Bruno Maderna,Berg,Jonathan Harvey,Missy Mazzoli,Carl Vine,Hector Parra but it must be good to hear such coherent unified compositions since even serialsm,set theory Markov chains can be traced back to the constraints and games (canons,palindromes,retrograde manipulaions etc.of this period! Reading 2 dissertations on Ockgehem in Krenek and Heinrich for Webern tells me I need to look at these early scores and study them as I would Xenakis!
Sorry ik zit op het verkeerde kanaal met mn commentaar
Hausmann
久石譲？
What's with all this vibrato on the recorder? Been listening to Tchaikovsky? Completely ruined by this very non-period nonsense.
The vibrato used is not excessive, not at all like later uses of it. And just how do you know that there was no vibrato used? Leopold Mozart (admittedly a later period) wrote about vibrato, not altogether approvingly, but thus showing it was used, at least in the second half of the 18th century. I am sure that there were endless variations in musical practices all over Europe in the early 17th century. While certainly not used in a late 19th/20th century sense, I have seen no evidence that proves vibrato was not used at all. I would be careful, having not been there at the time, and having no recordings to go by, in being so certain.
well this collection of tunes is from the early 17th century, a while before the calssical period and mozart. But on the other hand, judging from mozarts comment complaining about excessive vibrato, you can conclude that vibrato might have been used earlier on
If you simply listen to the music, with no "learned" (indoctrinated) preconceptions of what is "proper" for it, it sounds truly wonderful and a million miles away from "ruined".
It doesn't take much musical history knowledge at all to know that this is renaissance music, and this was customary of the time period. Tchaikovsky was a whole other time period, a whole other world, and it is impossible to compare the two musical styles and say that one is more tasteful than the other.
This recording came out in 1976, and my guess is the recorder players had been listening to famous Collegium Terpsichore recording of the same music from the previous decade. Vibrato on recorders was more common then. BTW, Tchaikovsky would have not have recognized the big, continuous vibrato that became part of string technique after WW I.