Kissin is so incredibly skilled, he didn't even have to move at all for the entire duration of the three sonatas to produce masterful performances. Bravo!
Kissin est plus qu'un virtuose ...chacune de ces interprétations est unique... claire...directe...profonde... et intimement reliée à leurs compositeurs par le fil de l'émotion et de la sincérité . Toujours bouleversant. Merci Maestro .
Une vraie tempête.... enfin. Quel interprète, quel génie. Il est le seul à nous faire entendre TOUTES les notes qu'il joue. Quel bonheur. Merci Maestro. Merci.
I’ve listened to Kissin performing many times live, and to many of his recording. He is the finest of them all( his contemporaries) And this recording is also absolutely phenomenal. Firework of his incredible technical prowess and unmatched lyricism Thank you, Maestro!!
The second movement is to be played Adagio Cantabile, 66 bpm, not + - 85. Kissen is an excellent pianist. But, "accurate interpreter?" What's the rush, where's the feeling in this beautiful movement? I could only listen to my favorite part of this Beethoven piece for less than a minute!
@@jeremybeadleslefthand480 Hi Jeremy. Sorry about that, and you don't need to be "sorry" to ask. I was referring to "Pathetique." The 2nd movement is my favorite. When played Adagio Cantabile, for me, the piece is so beautifully romantic and eases stress and transcends me. A faster tempo is actually like nails on a caulk board and creates just the opposite feeling, so much that I turned it off. This not a critique on Kissen's command of the instrument, but just needed to hear this movement at the suggested tempo. For me, the much faster tempo was disturbing and I felt that Kissen was just playing the notes which voided the ease of a romantic movement after ending the 1st with gusto.
Kissin is truly at his best here. No longer a child prodigy, he is so sublime, so refined, so accurate, and so mature in his interpretation. Bravo for a truly maestro-level interpretation of three of the most beautiful pieces ever written. Kudos Evgeny!
Yes. I found his interpretation very smooth, very refined, very powerful while also subtle, and just about enough emotions or showmanship. Among those got recommended to me on RUclips like Lang Lang or Valentina, I found him to be the best. Lang Lang really enjoys showing off his skills, while it's very impressive but I don't enjoy it. While Valentina feels like she's too modest, not enough emotional.
How would you rate Appassionata then. I think its more beautiful than any of these three sonatas. Tempest is my favorite out of these 3 Kissin is playing
Three of Beethoven's best, all performed well, which is an understatement. No amount of hyperbole could properly describe the power and elegance of Kissin's playing.
Mr Kissin is certainly the young master of all he plays. His reading and performance of these sonatas is the best I have ever heard them. I tried to learn them sixty years' ago, but I needed to experience a great deal more of life, living and loss before I could really put anything into them.
Unbelievable. I love Beethoven, and Waldstein is my favorite piece and the only Beethoven sonata I can play from start to finish. I've listened this piece thousands of times (literally), in any possible version you can find. And this performance just shocks me. I'm sweating near the end. When you're so devoted into a piece, every time you listen to a good recording, you feel like you're playing it. When I heard the grunts starting from 51:09, I'm feeling sore in my arms, like I normally would when I play. This is how Beethoven would play it, I just know. But more. So Beethoven, yet so beautiful. And it saddens me knowing even though I'm sure I've spent much longer on this particular piece than Kissin, I'll never be able to play in that tempo like that. But thank you, Beethoven, Kissin and the uploader.
I was on his recital in Moscow where he played Beethoven’s 29th. Although I don’t like it as much as his other sonatas, it was an extraordinary performance, Evgeny is a Master.
C'est tellement beau que j'ai pas pu écouter cette musique si bien interprétée sans verser de larmes. Et ce n'est pas â cause de mon âge bien que j'ai atteint ma 93eme année, mai plutôt parce que c'est tellement bien interprété que je croyais écouter Beethoven lui-même. C'est fantastique, formidable et malheureusement je ne trouve plus les mots pour témoigner mon admiration.
Des personnes se fient au portrait de Beethoven, à sa personnalité un peu misanthrope mais rien avoir avec le vrai Beethoven , qu'une déformation anticipée de sa musique ...
It surely was splendid, but in my personal opinion, the Tempest could use some more “grit.” Less traditional phrasing, and more sforzando. But then again, Kissin is an elite pianist, and he can do whatever he wishes.
Somehow in all this lockdown, distancing, mask-wearing coronavirus disaster, I feel like we have slighted Ludwig van Beethoven. I mean how often does a guy turn 250? The music will remain for us to listen to, play and marvel at for centuries to come. And it’s not exactly like anyone forgot what an absolute musical genius you were. So, please forgive us for looking out for our worldwide health. We will certainly catch you later!
Evgeny is playing some very good Beethoven sonatas. A big test for me is the fugue of the Hammerklavier, it's one way to know right away if someone really understands Beethoven. Kissin has performed the Hammerklavier in it's entirety several times in front on an audience and he's internalizing the work. His opus 111 is worth giving a listen to as well. In time, I hope he does all 32 and records them. He's been on a tear with music these days, new repertoire and some compositions of his own published by Henle. We're in for a treat these coming years. Kissin is going to make excellent music for a long time to come. Evgeny is very inspirational. Besides music Evgeny is helping to keep the Yiddish language alive by reading poetry. A true Renaissance man if there ever was one.
I can hear a lot of crystals and perls, playing in a cold river under a Light of a sunshine, reflecting an AMAZING colours!!!! ❤ BRAVO mister Kissin!!!!!
Quasi tutti i pianisti di scuola russa hanno un approccio molto personalizzato verso il titanico sonatismo beethoveniano, divergente dal classicismo ( o winckelmaniano o hegeliano ) della scuola austro - tedesca. Essi sono piu' attenti al timbro ( in questa versione eccezionale l'equilibrio tra le note alte lucenti e le note basse molto scure) e nelle dinamiche, soprattutto quando porgono il fraseggio lirico in un tempo tra legato/staccato! Comunque, questa versione e' notevolissima ! Vige un controllo della tecnica fuori norma ed una sensibilità del sentire parecchio personalizzata !
Wow thanks a lot for this upload! I was supposed to watch this show live but it got cancelled because of corona. Sadly Evgeny Kissin doesn't do much recording so I wondered if I'd ever get to hear his interpretations. I wish talents like Evgeny Kissin would spent more time recording, he's one of those that stands out even when among giants.
Fantastic! This is by far the best performance of these sonatas that I have ever heard. Sensitive, powerful, and beautifully nuanced. The recording is perfect. While listening to it I lie on the floor between by Bower and Wilkin's speakers, and it feel as if I am under the piano
Hi there, I often wonder about how your text become in your language, , I mean when I text the letters on my phone, I just wish I could see your phone, cause I think it would be amazing. I just love other humans so much, this may sound dumb, I'm innebrieated, but I'm the good guys. Like STARTREK. Why, why do stupid humans take. But I know it's not that simple, when other humans are trying to take and kill for what they want or need, but those times were long ago, haven't we come so far along, that we put life above want?. I wish I was smarter. To help. I'm sick of the bad humans always winning.. I Love You.
Es uno de los misterios que me acompañaran hasta el día que muera: Dónde está el sortilegio,la belleza, el quid de la música en Beethoven. A mí nadie,que yo recuerde,me la acercó ni enseñó, la descubrí de grande. Es como que me produce un estado de amigarme con el mundo entero que ni ahí comprendo ya que me llevo bastante mal con el mundo tal como lo llevamos los humanos. Es de una perfección que escapa a mis entendimiento.
...NINGÚN MISTERIO! . los labradores hablan lenguaje de labranza ... los mecánicos hablan lenguaje de mecánica... los médicos de medicina... El Arte es expresión mediante una técnica ... La música es expresión del alma mediante la técnica del sonido. El espíritu se expresa mediante el lenguaje musical, y nos llega a todos, independiente de nuestro lenguaje de vocabulario... a un nivel mucho más profundo, DESDE un nivel mucho más profundo.... ...y el espíritu no acostumbra hablar de labranza, ni de mecánica... ni de medicina... EL ESPÍRITU HABLA DE AMOR Y EL AMOR ES EL IDIOMA MÁS UNIVERSAL ... por eso no te extrañes que te llegue a lugares de tu alma demasiado íntimos... o que te haga llorar sin que sepas exactamente por qué... Hay espíritus más evolucionados y otros menos.. y los grandes compositores SON DE LOS MÁS EVOLUCIONADOS intelectual y emocionalmente... afectivamente superiores... Beethoven me parece el más inmenso en sentimiento y pensamiento involucrado en su música, que es capaz de mejorar la vida de cualquiera porque produce una evolución interna que progresa en el tiempo y enel proceso de escucharlo más , en más de sus obras... Chopin... insuperable en ternura y profundidad de sentimientos... algunos músicos son mas simples... como Bach ... otros como Lizt, complicadísimos... o como Bartok insoportables... La razón porque te converso, es que comparto el amor y el pensamiento de Beethoven y Chopin a un grado que me permite sentirme tu hermano y amarte en la complicidad de compartir el placer de la música. Espero que recibas mi abrazo y mi pensamiento en la paz que quiero compartir contigo. Un abrazo. Libercapitum
23:43 OMGomgomg this is so fantastic, it's almost unbelievable. Great recording - definitely one of the best of these three sonatas, thX for the upload!
une profonde rfconnaissance du compositeur , pour interprèter si bien son oeuvre. Quelques minutes pour sortir de la compréhension habituelle puis on ne peut qu'adhérer à cette vision et ce dévoilement.
I appreciated his Pathetique; had a hard time paying attention during his Tempest; but I do absolutely love his Waldstein performance. It was just rock solid and consistent as he always is.... no mean feat, as the Waldstein is also the most difficult sonata of the three, especially in its third movement. Kissin sounded absolutely in control the whole time, making that luminous (but very demanding) third movement glow and resonate from within. I don't know how he achieves such a consistently even and burnished tone... it's as if technique is never an obstacle to his phrasing and articulation. In addition to his technique here, I am very jealous of his mastery of dynamics and touch (like most pianists are ;) Thanks for sharing this recording!
Your words "such a consistently even and burnished tone" very aptly describe what went through my mind listening to this recital - one incredible aspect of this phenomenal performance of Mr Kissin's - Beethoven must have had the prescience to foresee that the concert grand would supersede the forte piano !!
The music of Faso is an inexhaustible source of sweetness. It allows us to plunge deep inside ourselves and at the same time resonate with our fellow man, Yé Lassina Coulibaly❤❤❤❤❤❤
Every other rendition of these sonatas is at best merely "interesting" compared to Kissin's conception and their brilliant realization on the keyboard, bringing them alive like no other artist.
Even being one of kissin's greatest fan, I can't find better than Gould's version for Tempest sonata. Overall an amazing performance as always by MASTER Kissin !
I like Kissin. He was still a boy and sounds to me almost like the piano I've grown up and listening: Rubinstein, Arrau, Pollini... Each one of us has this these reference to which compare every new pianist. Lisitsa has the same kind of fitting to my 'internal piano should sounds-like'. Obviously, direct comparison reveals deep differences, that is not the point. I like when a piece sounds as I expect it to do, and it depends both on originals someone has listen once and on the present listening mood. Kissin has been in my hart and mood today.
Yes the man and his works live on and in a thousand years from now they will still speak of him. The words of his funeral oration rings truer than ever :"And you who have followed his escort to this place, hold your sorrow in sway. You have not lost him but won him. No living man enters the halls of immortality. The body must die before the gates are opened. He whom you mourn is now among the greatest men of all time, unassailable forever. Return to your homes, then, distressed but composed. And whenever, during your lives, the power of his works overwhelms you like a coming storm; when your rapture pours out in the midst of a generation yet unborn; then remember this hour and think: we were there when they buried him, and when he died we wept!"
Wilhelm Kempff Emil Gilels more colorful beautiful piano sound for Tempest than Kissin and Gould! Dimitri Bashkirov her teacher Anastasia Virsaladze teach saying to Bashkirov the most important lesson is the love of beautiful colorful piano sound! This was already in 1930s! Really Shocking!!
Tremendous, and the opening of the Tempest is superb. His staccato is a little too pronounced for my taste, but it gives the clarity that is one of the hallmarks of Kissin’s playing. Incredible technique and power; reminds me of Richter’s Beethoven.
Pollini playng the adagio of 23 concert really moved me.He is a great pianist he uses streght and sweetness inthe same time. I really love all playng such great technique and neatness .one of the best
Come on! More colorful beautiful piano sound than Evgeny Kissin=Emil Gilels Wilhelm Kempff Radu Lupu Artur Rubinstein Vladimir Ashkenazy! More powerful louder than Kissin=Mikhail Pletnev( Prokofiev piano concerto no 1 by Pletnev!) The second loudest was Lazar Berman! More genius than Kissin=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Alexei Lubimov Stanislav Igolinsky!!
Kissin is so incredibly skilled, he didn't even have to move at all for the entire duration of the three sonatas to produce masterful performances. Bravo!
I had a much needed laugh over this comment! Thank you!
He's GREAT! Do you hear the difference in phrasing compared to Paul Barton?
^..^~~
000000хэжх000
Hahahahah
He just Hoovers over the Keys and they Do it , so Nice.
WHEN EVGENY KISSIN PLAYS BEETHOVEN, DEFINITELY, I FEEL THE SPIRIT OF BEETHOVEN IN MY HEART....THIS PIANIST IS A GIANT MAESTRO.....!
I agree👍 He is miracle and great👍😀
I also.
One of the greatest...
Sublime
@@pacogomez5821 He is both powerful and suptil.
Kissin est plus qu'un virtuose ...chacune de ces interprétations est unique... claire...directe...profonde... et intimement reliée à leurs compositeurs par le fil de l'émotion et de la sincérité . Toujours bouleversant. Merci Maestro .
Pathetic
Movt 1- 00:00
Movt 2 - 8:35
Movt 3 - 13:17
Tempest
Movt 1- 18:21
Movt 2- 26:57
Movt 3- 34:56
Waldeistein
Movt 1 - 41:53
Movt 2 - 52:08
Movt 3 - 56:36
We need more likes on this comment
One of the greatest pianists ever. Kissin is phenomenal.
Une vraie tempête.... enfin. Quel interprète, quel génie. Il est le seul à nous faire entendre TOUTES les notes qu'il joue. Quel bonheur. Merci Maestro. Merci.
Litterally made my night, he's not a pianist, he's a poet.
tbf he is also a pianist
@@TheRealSamSpedding lol...
Genius
I love this musician. I met him in Peabody Conservatory of Music, Baltimore 1999-2000 by the time my daughter was studying there
Tempest is my favourite. Kissin brought tears into my eyes. Incredibly profound.
I’ve listened to Kissin performing many times live, and to many of his recording. He is the finest of them all( his contemporaries)
And this recording is also absolutely phenomenal. Firework of his incredible technical prowess and unmatched lyricism
Thank you, Maestro!!
My 3 favourite Beethoven Sonatas! Don't need b-day gifts this year.What a gift to us all 💐🤩🤩🤩
I agree👍He is miracle and great👍😀💓
Moonlight sonata is missing ;)
I love Beethoven, he's a profound composer and Kissin is just an extraordinarily accurate interpreter!
The second movement is to be played Adagio Cantabile, 66 bpm, not + - 85. Kissen is an excellent pianist. But, "accurate interpreter?" What's the rush, where's the feeling in this beautiful movement? I could only listen to my favorite part of this Beethoven piece for less than a minute!
@@ronsoni8412 Hi Ron. The 2nd movement of which piece? Sorry to ask, it's just so I can compare the right piece with other examples
@@jeremybeadleslefthand480 Hi Jeremy. Sorry about that, and you don't need to be "sorry" to ask. I was referring to "Pathetique." The 2nd movement is my favorite. When played Adagio Cantabile, for me, the piece is so beautifully romantic and eases stress and transcends me. A faster tempo is actually like nails on a caulk board and creates just the opposite feeling, so much that I turned it off. This not a critique on Kissen's command of the instrument, but just needed to hear this movement at the suggested tempo. For me, the much faster tempo was disturbing and I felt that Kissen was just playing the notes which voided the ease of a romantic movement after ending the 1st with gusto.
So sad that all those beethoven concerts were cancelled in 2020. So many I was looking forward to for his 250th.
Same. Such a shame. Was looking like an incredible year of Beethoven programs wherever in the world you live. Covid sucked the life out of 2020.
Let us also not forget that wonderful essay Wagner wrote for the commemoration in his day! Our age is a stranger to greatness!
Yes the same EXACTLY such a shame
I feel it should be celebrated again imho 💜❤️💜❤️
@@Entertainer114 Totally agree with you
Let's have another celebration year of Beethoven please 💞
Esecuzione stupenda.Stimo moltissimo Kissin e questa interpretazione la trovo appassionante,una delle migliori in assoluto.
아~~행복하다ᆢ피아노 하나 만으로도 이렇게 누군가를 행복하게 해줄수 있다니ᆢ베토벤이 위대하고 키신이 고맙다~~
Люблю Патетическую сонату. Исполнение замечательное. Слушала Женю в Ленинградской филармонии, ему было лет 15...
I am simply moved to tears every time I hear Kissin play these 3 pieces and this performance is heavenly. Absolute perfection! 💙
The most moving renditions of these sonatas I have ever come across!
00:00 Pathétique 1st
08:35 Pathétique 2nd
13:17 Pathétique 3rd
Needs timeline of moonlight
@@鴛鴦奶茶-i4p would've need moonlight?!
Kissin is truly at his best here. No longer a child prodigy, he is so sublime, so refined, so accurate, and so mature in his interpretation. Bravo for a truly maestro-level interpretation of three of the most beautiful pieces ever written. Kudos Evgeny!
Yes. I found his interpretation very smooth, very refined, very powerful while also subtle, and just about enough emotions or showmanship. Among those got recommended to me on RUclips like Lang Lang or Valentina, I found him to be the best. Lang Lang really enjoys showing off his skills, while it's very impressive but I don't enjoy it. While Valentina feels like she's too modest, not enough emotional.
@@themandalorian7352 I love Kissin, he is my favorite pianist. Zimmerman plays this very well too, he is also an amazing pianist!
How would you rate Appassionata then. I think its more beautiful than any of these three sonatas. Tempest is my favorite out of these 3 Kissin is playing
the excessive speed of the waldstein shows everything but maturity, in my opinion
Three of Beethoven's best, all performed well, which is an understatement. No amount of hyperbole could properly describe the power and elegance of Kissin's playing.
Tone color is clear and also left hand sound is amazing!
Super patetique! This is perfect performance .Kissin Kissin Kissin!
Mr Kissin is certainly the young master of all he plays. His reading and performance of these sonatas is the best I have ever heard them. I tried to learn them sixty years' ago, but I needed to experience a great deal more of life, living and loss before I could really put anything into them.
Sixty years ago? Yes, everyday we need try to make something, thus we are living, a we don't just exist. Good luck.
Munich, 20.01, it was astonishing! So glad to have heard Kissin before the lockdown in march..
Madrid 10.02 Superb!
Lucky you!
Pathetique of beethoven sound absolutely out of this planet!! Kissin is so talented!! thanks for this!
Unbelievable.
I love Beethoven, and Waldstein is my favorite piece and the only Beethoven sonata I can play from start to finish. I've listened this piece thousands of times (literally), in any possible version you can find.
And this performance just shocks me. I'm sweating near the end. When you're so devoted into a piece, every time you listen to a good recording, you feel like you're playing it. When I heard the grunts starting from 51:09, I'm feeling sore in my arms, like I normally would when I play.
This is how Beethoven would play it, I just know. But more. So Beethoven, yet so beautiful.
And it saddens me knowing even though I'm sure I've spent much longer on this particular piece than Kissin, I'll never be able to play in that tempo like that.
But thank you, Beethoven, Kissin and the uploader.
Music is a lot like weight lifting. To be at the elite level, you need genetics/talent, but training/practice should get you far!
I was on his recital in Moscow where he played Beethoven’s 29th. Although I don’t like it as much as his other sonatas, it was an extraordinary performance, Evgeny is a Master.
The fugue sounds like nonsense on the first listen
un grand pianiste, un interpréte délicieux, un des meilleurs pianiste de ce siècle. Son Beethoven est doux, plein d'énergie, riche de nuances
C'est tellement beau que j'ai pas pu écouter cette musique si bien interprétée sans verser de larmes. Et ce n'est pas â cause de mon âge bien que j'ai atteint ma 93eme année, mai plutôt parce que c'est tellement bien interprété que je croyais écouter Beethoven lui-même. C'est fantastique, formidable et malheureusement je ne trouve plus les mots pour témoigner mon admiration.
Des personnes se fient au portrait de Beethoven, à sa personnalité un peu misanthrope mais rien avoir avec le vrai Beethoven , qu'une déformation anticipée de sa musique ...
So amazing. Beethoven was one of the best composer ever! And Kissin is a phenomenal pianist, my favorite. Thank you
This performance is Just perfect!!! He paint this composition with so many colours with so much power, with so virtuosity!!!!!
Yes, exactly
It's hard to go wrong with Kissin. He puts so much time and thought into the pieces he performs. It just shines through.
The comfort of Kissin’s piano is an order of magnitude, and beyond compare
In so many ways individual and creative performances . Gritty in a very Beethovenian way.
It surely was splendid, but in my personal opinion, the Tempest could use some more “grit.” Less traditional phrasing, and more sforzando. But then again, Kissin is an elite pianist, and he can do whatever he wishes.
Somehow in all this lockdown, distancing, mask-wearing coronavirus disaster, I feel like we have slighted Ludwig van Beethoven. I mean how often does a guy turn 250?
The music will remain for us to listen to, play and marvel at for centuries to come. And it’s not exactly like anyone forgot what an absolute musical genius you were. So, please forgive us for looking out for our worldwide health. We will certainly catch you later!
好きすぎる3曲をまとめて聴けるなんてこんな幸せあっていいのかしら。しかもキーシンさんの演奏が本当に魅力的で感動の嵐😭ありがとう💓大好きです💓💓💓
Evgeny is playing some very good Beethoven sonatas. A big test for me is the fugue of the Hammerklavier, it's one way to know right away if someone really understands Beethoven. Kissin has performed the Hammerklavier in it's entirety several times in front on an audience and he's internalizing the work. His opus 111 is worth giving a listen to as well. In time, I hope he does all 32 and records them. He's been on a tear with music these days, new repertoire and some compositions of his own published by Henle. We're in for a treat these coming years. Kissin is going to make excellent music for a long time to come. Evgeny is very inspirational. Besides music Evgeny is helping to keep the Yiddish language alive by reading poetry. A true Renaissance man if there ever was one.
I have a hard time even just LISTENING to the hammerklavier fugue, it’s so gnarly and complex
How would u compare Gilels Hammerklavier and 111?
Is it possible to find a video of kissin playing the hammerklavier online
I can hear a lot of crystals and perls, playing in a cold river under a Light of a sunshine, reflecting an AMAZING colours!!!! ❤ BRAVO mister Kissin!!!!!
So beautiful words! You're such a poet!
I feel lyricism in his technique and beautiful song
One of the best executions of these sonatas. Kissin is really amazing!
Thank you. This is a precious gift. Thank you for sharing this beauty. Congratulations and applause
Coming back !! beautiful. Encore.
Wundervolle Klangwelten und Klangfarben!
뭐가 엄청난 변화가 일어난 키신이네요. 어떤 경지를 뛰어 넘어서는게 느껴집니다. 이 무서울 정도로 대단한 대가의 변화가 그저 감동으로 다가올 따름입니다. 같은 시대에 살고 있어서 감사합니다.
Quasi tutti i pianisti di scuola russa hanno un approccio molto personalizzato verso il titanico sonatismo beethoveniano, divergente dal classicismo ( o winckelmaniano o hegeliano ) della scuola austro - tedesca. Essi sono piu' attenti al timbro ( in questa versione eccezionale l'equilibrio tra le note alte lucenti e le note basse molto scure) e nelle dinamiche, soprattutto quando porgono il fraseggio lirico in un tempo tra legato/staccato! Comunque, questa versione e' notevolissima ! Vige un controllo della tecnica fuori norma ed una sensibilità del sentire parecchio personalizzata !
I've heard a lot of interpretations of this piece, but this one is my favorite :)
На перекор всякому горю, Бетховен даёт силы и радость к жизни!
Aбсолютно!
Fantastic! His sounds is so clear. I love it.
The great Kissin, never disappoints, always amazes
베토벤도 천재~♡♡
에프게니 키신도 천재~♡♡
베토벤의 피소는 이렇게 치는 거구나.
감동이다. 특히 21번 발트슈타인이 좋네요.
Wow thanks a lot for this upload! I was supposed to watch this show live but it got cancelled because of corona. Sadly Evgeny Kissin doesn't do much recording so I wondered if I'd ever get to hear his interpretations. I wish talents like Evgeny Kissin would spent more time recording, he's one of those that stands out even when among giants.
I love Kissin and how he feels Beethoven notes
I was at his concert when was playing in Budapest. Now I am hunting for tickets in Austria or Germany :). Is a phenomenal pianist.
Fantastic! This is by far the best performance of these sonatas that I have ever heard. Sensitive, powerful, and beautifully nuanced. The recording is perfect. While listening to it I lie on the floor between by Bower and Wilkin's speakers, and it feel as if I am under the piano
I agree. The best I've heard too.
やった~‼️大好きなワルトシュタインをキーシンの演奏で聴けるなんて、うそみたいに嬉しくて鳥肌たちました🎵🙆💮泣きそうです。配信本当にありがとうごさいました😉👍🎶
Hi there, I often wonder about how your text become in your language, , I mean when I text the letters on my phone, I just wish I could see your phone, cause I think it would be amazing. I just love other humans so much, this may sound dumb, I'm innebrieated, but I'm the good guys. Like STARTREK. Why, why do stupid humans take. But I know it's not that simple, when other humans are trying to take and kill for what they want or need, but those times were long ago, haven't we come so far along, that we put life above want?. I wish I was smarter. To help. I'm sick of the bad humans always winning.. I Love You.
@@tabyrearl1322 Thank you very much😊 But l can't speak English sorry🙏🙏🙏
Tempest Sonata
First movement 18:21
Second movement 27:00
Third movement 34:56
Beautiful performance maestro Kissin.
Thank you for sharing.
Köszönet Beethovennek ès neked is Evgeny nagyon szuper!!😊
Greatest recording of waldstein and pathetique
extraordinarias interpretaciones por el fraseo , el ritmo y la claridad expresiva
Extraordinaire interprétation. Aussi bien que Radu Lupu...On peut l'écouter en boucle !!!
С восторгом и благодарностью! Слушать каждый день. Музыка как сама жизнь,
stothaime
Lindíssimo! Magnífico!
Es uno de los misterios que me acompañaran hasta el día que muera:
Dónde está el sortilegio,la belleza, el quid de la música en Beethoven.
A mí nadie,que yo recuerde,me la acercó ni enseñó, la descubrí de grande.
Es como que me produce un estado de amigarme con el mundo entero que ni ahí comprendo ya que me llevo bastante mal con el mundo tal como lo llevamos los humanos.
Es de una perfección que escapa a mis entendimiento.
...NINGÚN MISTERIO! . los labradores hablan lenguaje de labranza ... los mecánicos hablan lenguaje de mecánica... los médicos de medicina...
El Arte es expresión mediante una técnica ... La música es expresión del alma mediante la técnica del sonido.
El espíritu se expresa mediante el lenguaje musical, y nos llega a todos, independiente de nuestro lenguaje
de vocabulario... a un nivel mucho más profundo, DESDE un nivel mucho más profundo....
...y el espíritu no acostumbra hablar de labranza, ni de mecánica... ni de medicina...
EL ESPÍRITU HABLA DE AMOR Y EL AMOR ES EL IDIOMA MÁS UNIVERSAL ... por eso no te extrañes que te llegue a lugares de tu alma demasiado íntimos... o que te haga llorar sin que sepas exactamente por qué...
Hay espíritus más evolucionados y otros menos.. y los grandes compositores SON DE LOS MÁS EVOLUCIONADOS intelectual y emocionalmente... afectivamente superiores... Beethoven me parece el
más inmenso en sentimiento y pensamiento involucrado en su música, que es capaz de mejorar la vida de cualquiera porque produce una evolución interna que progresa en el tiempo y enel proceso de escucharlo más , en más de sus obras... Chopin... insuperable en ternura y profundidad de sentimientos... algunos músicos
son mas simples... como Bach ... otros como Lizt, complicadísimos... o como Bartok insoportables...
La razón porque te converso, es que comparto el amor y el pensamiento de Beethoven y Chopin a un grado que
me permite sentirme tu hermano y amarte en la complicidad de compartir el placer de la música.
Espero que recibas mi abrazo y mi pensamiento en la paz que quiero compartir contigo.
Un abrazo.
Libercapitum
Kissin plein de nuances . Du vrai Beethoven !
His fingers always seem to move so lightly and elegantly across the keys
내가 좋아하는 베토벤 소나타만 쏙쏙 골라 준 채널과 가장 매력적인 키신의 연주 너무 완벽해 햄볶
23:43 OMGomgomg this is so fantastic, it's almost unbelievable. Great recording - definitely one of the best of these three sonatas, thX for the upload!
une profonde rfconnaissance du compositeur , pour interprèter si bien son oeuvre. Quelques minutes pour sortir de la compréhension habituelle puis on ne peut qu'adhérer à cette vision et ce dévoilement.
Fantastic recording! Like I'm there.
Wonderful!! Please consider more recording, Evgeny!!
Kissin plays with a type of clarify that is unrivaled in my opinion.
I appreciated his Pathetique; had a hard time paying attention during his Tempest; but I do absolutely love his Waldstein performance. It was just rock solid and consistent as he always is.... no mean feat, as the Waldstein is also the most difficult sonata of the three, especially in its third movement. Kissin sounded absolutely in control the whole time, making that luminous (but very demanding) third movement glow and resonate from within. I don't know how he achieves such a consistently even and burnished tone... it's as if technique is never an obstacle to his phrasing and articulation. In addition to his technique here, I am very jealous of his mastery of dynamics and touch (like most pianists are ;) Thanks for sharing this recording!
Your words "such a consistently even and burnished tone" very aptly describe what went through my mind listening to this recital - one incredible aspect of this phenomenal performance of Mr Kissin's - Beethoven must have had the prescience to foresee that the concert grand would supersede the forte piano !!
Брависсимо, Евгений!!
Big classical lover and I just noticed that Lady Gaga used 3:30 on in her intro to "Marry the night" as well :D
Прекрасное исполнение . Евгений Кисин один из самых лучших пиа
The music of Faso is an inexhaustible source of sweetness.
It allows us to plunge deep inside ourselves and at the same time resonate with our fellow man, Yé Lassina Coulibaly❤❤❤❤❤❤
დიდი მადლობა, მაესტრო!!! Thank you, Maestro!!!
I hope he releases it, so we can buy it!
正在练习这首曲子,无疑这个版本很棒!音乐代代传承,精神世世永生。
Every other rendition of these sonatas is at best merely "interesting" compared to Kissin's conception and their brilliant realization on the keyboard, bringing them alive like no other artist.
genius performance
Even being one of kissin's greatest fan, I can't find better than Gould's version for Tempest sonata.
Overall an amazing performance as always by MASTER Kissin !
I like Kissin. He was still a boy and sounds to me almost like the piano I've grown up and listening: Rubinstein, Arrau, Pollini... Each one of us has this these reference to which compare every new pianist. Lisitsa has the same kind of fitting to my 'internal piano should sounds-like'. Obviously, direct comparison reveals deep differences, that is not the point. I like when a piece sounds as I expect it to do, and it depends both on originals someone has listen once and on the present listening mood. Kissin has been in my hart and mood today.
피아노건반을 때려부쉬는구먼!!!!
베토벤곡을 제일 잘표현한 최고의 텃치
Yes the man and his works live on and in a thousand years from now they will still speak of him. The words of his funeral oration rings truer than ever :"And you who have followed his escort to this place, hold your sorrow in sway. You have not lost him but won him. No living man enters the halls of immortality. The body must die before the gates are opened. He whom you mourn is now among the greatest men of all time, unassailable forever. Return to your homes, then, distressed but composed. And whenever, during your lives, the power of his works overwhelms you like a coming storm; when your rapture pours out in the midst of a generation yet unborn; then remember this hour and think: we were there when they buried him, and when he died we wept!"
Quelle magnifique tempête !!!
Wonderful..thanks
I agree👍He is miracle and great🙆🎶
Adoro la Tempesta e Kissin la esegue con grande maestria. Prima di lui solo Glenn Gould ha saputo interpretarla alla grande. ❤
Wilhelm Kempff Emil Gilels more colorful beautiful piano sound for Tempest than Kissin and Gould! Dimitri Bashkirov her teacher Anastasia Virsaladze teach saying to Bashkirov the most important lesson is the love of beautiful colorful piano sound! This was already in 1930s! Really Shocking!!
Splendida esecuzione…🌹
Tremendous, and the opening of the Tempest is superb. His staccato is a little too pronounced for my taste, but it gives the clarity that is one of the hallmarks of Kissin’s playing. Incredible technique and power; reminds me of Richter’s Beethoven.
Kissin ist ein Genie!
Hay quien dice que las 32 sonatas son el nuevo testamento y con razón creo, ritmo, cambio de ritmo, armonía, colorido, expresión y sentimiento.
Молодец Женя, как всегда!!
Я с вами согласен.
Mnogo krasszivij!Very very magnificat!Kissin is number one!
KISSIN VA A OCUPAR UN lugar como Arrau intdrpreta exelente
Pollini playng the adagio of 23 concert really moved me.He is a great pianist he uses streght and sweetness inthe same time. I really love all playng such great technique and neatness .one of the best
We are very judgmental aren’t we. Enjoy Beethoven and Kissin, I know I am.
kissin is the best
Thanks
Zhenya Kissin is even absolutely capable of making a Hammerklavier sound on the concert piano!
intenso e profundo que nos queima a alma
지난 100년 동안에도, 앞으로 100년 동안에도 한명 나올까 말까 하는 피아니스트 !
Come on! More colorful beautiful piano sound than Evgeny Kissin=Emil Gilels Wilhelm Kempff Radu Lupu Artur Rubinstein Vladimir Ashkenazy! More powerful louder than Kissin=Mikhail Pletnev( Prokofiev piano concerto no 1 by Pletnev!) The second loudest was Lazar Berman! More genius than Kissin=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Alexei Lubimov Stanislav Igolinsky!!
8:35 Pathetique mov.2
Спасибо ! 👏👏👏👏👏👏👏Казахстан 🇰🇿
베토벤이 진짜 천재구나를 이 연주를 듣고 새삼 깨달았음