Tuve la fortuna de tener la grabación cuadrafónica... Alucinante oirla y sentir el movimiento del sonido brincando de izquierda a derecha y de adelante a atrás. Excelente música.
Die Bearbeitungen von Tomita habe ich ungefähr 1977/78 kennengelernt. Die Klangvielfalt war verblüffend, einfallsreich, teils witzig und immer phantasieanregend. Und wenn ich es mir jetzt anhöre, schmeckt es immer noch. Habe immer wieder meine Freude daran.
The original work was written in the nineteenth century. It seems to be way ahead of its time, suggesting a nocturnal, barbarous, violent, primitive character presaging Stravinsky's Rite of Spring.
Compared to Firebird Suite, I always thought this very poor. But then again I don't like Black Masses, Witches and The Underworld stories. As to why they were popular with 19th century composers and recent English rock stars living in mansions, I don't care, but they're not the full shilling mentally or artistically in my way of seeing things. Was listening to a Melodiya double cd "orchestral pictures" recently and I didn't like it (including this) at all, except Mussorgsky's Dawn on Moscow River from Kovischina (or however it is that one spells such things). Things. Tomita's "Mr Rubber Man Vocals as Bass Lines" are funny, though..."actually" the orchestration isn't so bad here, perhaps, I think it was the version of Debussy's afternoon of a faun that convinced me that this album had a terrible B-side. Maybe that's why I've hesitated in getting the piece of plastic called "The CD" but even those things are hard to come by these days. Days. Not in The Underworld. But with beating hearts telling the brain things...Things. Oh heck...I better get this cd someday. All "I have" is a slightly mangled cassette copy copied on to a minidisc, then copied on to a cd-r...but will a recent cd pressing have the same vibe? The Bermuda Triangle cd has a more bass and compressed sound to the original slightly mangled cassette version I heard first...hmm....decisions, decisions...archaic formats...irrelevance...History...what an exciting existence I do or do not have listening to music (like this?)
![Isao Tomita | Grand Canyon [1982]](http://i.ytimg.com/vi/yb_heSqWmYE/mqdefault.jpg)
![Isao Tomita | Grand Canyon [1982]](/img/tr.png)
Tuve la fortuna de tener la grabación cuadrafónica... Alucinante oirla y sentir el movimiento del sonido brincando de izquierda a derecha y de adelante a atrás. Excelente música.
Thank you for such wonderful music (Isao Tomita 1932 - 2016)
My mom was also born in '32 and Tomita san lost his life the day after my birthday
.....................1976..........................
one UNFORGETTABLE YEAR!!!!!!!!!!!!!!!!!!!
The beginning genuinely invoked terror into me
SPECTACULAR !!!!!!!
Isao tomita I love your music
a personal fav,.......tomita....just awesome!
44 years ago..miss you Tomita san
Esta música es depresiva pero nunca ha dejado de gustar
Sayonara and domo arigato, Tomita sama.......well miss you. Well take it from here
Best piece ever written.
Die Bearbeitungen von Tomita habe ich ungefähr 1977/78 kennengelernt. Die Klangvielfalt war verblüffend, einfallsreich, teils witzig und immer phantasieanregend. Und wenn ich es mir jetzt anhöre, schmeckt es immer noch. Habe immer wieder meine Freude daran.
Firebird el mejor álbum de tomita a mi parecer
初めて聴きました。ありがとうございます。笑いながら聴けました。パピプペオヤジがパポパポ入って居るので可笑しかった＝3:23〜
DILLA BROUGHT ME HERE
❤️ ❤️
immenso!
How did Tomita make this made in 1975!? I wouldn't be the least bit surprised of this track inspired the Gremlins theme.
The original work was written in the nineteenth century. It seems to be way ahead of its time, suggesting a nocturnal, barbarous, violent, primitive character presaging Stravinsky's Rite of Spring.
@@paulbrower3297 that an debussy's work bout the fawn were recorded before Tomita san did his next album pictures At An Exhibition
4:22 dilla dilla beats beats beats
SAUCE
冨田氏は、ドビュッシーやホルストでは、電子音楽の名作として評価しているがラヴェルやバッハは今一つと思う。どうしても滑稽に感じる。ラヴェルには冷たい意思の無い音がいるし、バッハはもっと暖かい音がいる。汚い爆発音もムソルグスキーには必要。感情の入る音はこの作った当時には作れなかったんだろう。AIが作る感情的な音進行を誰か創作しないかなあ。
Compared to Firebird Suite, I always thought this very poor. But then again I don't like Black Masses, Witches and The Underworld stories. As to why they were popular with 19th century composers and recent English rock stars living in mansions, I don't care, but they're not the full shilling mentally or artistically in my way of seeing things. Was listening to a Melodiya double cd "orchestral pictures" recently and I didn't like it (including this) at all, except Mussorgsky's Dawn on Moscow River from Kovischina (or however it is that one spells such things). Things. Tomita's "Mr Rubber Man Vocals as Bass Lines" are funny, though..."actually" the orchestration isn't so bad here, perhaps, I think it was the version of Debussy's afternoon of a faun that convinced me that this album had a terrible B-side. Maybe that's why I've hesitated in getting the piece of plastic called "The CD" but even those things are hard to come by these days. Days. Not in The Underworld. But with beating hearts telling the brain things...Things. Oh heck...I better get this cd someday. All "I have" is a slightly mangled cassette copy copied on to a minidisc, then copied on to a cd-r...but will a recent cd pressing have the same vibe? The Bermuda Triangle cd has a more bass and compressed sound to the original slightly mangled cassette version I heard first...hmm....decisions, decisions...archaic formats...irrelevance...History...what an exciting existence I do or do not have listening to music (like this?)