Nyíregyházi plays Mazurka No 51 in A minor (à Émile Gaillard) by Chopin

The sumptuous sonority and tender interpretation of Ervin Nyíregyházi (1903, Budapest - 1987, Los Angeles) at his recital in Takasaki (Japan), 31/5/1980.
By now, the story of Nyíregyházi has become so legendary, it scarcely needs repeating: a child-prodigy on the level of Mozart and Saint-Saens, a spectacular Carnegie Hall debut in 1920, a career flameout soon thereafter, ten marriages, and decades of poverty before a short lived rediscovery in the 1970s. Kevin Bazzana released a book about his remarkable life (he had ten wives before his death, one of whom tried to murder him and one of whom was the mother of a previous wife), called "Lost Genius".
-------------------------------------
"Chopin usually grouped his mazurkas into collections of three, four and five, but this A minor effort, from 1841, was composed separately and published in an anthology that same year entitled Album de pianistes polonais. This mazurka is often associated with its predecessor, No. 50, also in the key of A minor and written the previous summer.
The Mazurka No. 51 is marked Allegretto, like its A minor sibling, but is much livelier and brighter. The main theme here is vibrant and more than a bit exotic, containing the flavors of Spain. There is an insouciance to its mood, a playfulness and humor infusing its whole sound world. Rhythms are infectious, too, and colors brilliant, the whole a delightful confection. An alternate theme, in octaves in the right hand, is more typically Chopinesque but maintains the joyful atmosphere. The main theme returns to close this pleasant piece. Chopin's writing throughout is especially brilliant in its exploitation of color. This mazurka lasts about two-and-a-half to three minutes in a typical performance." (Description by Robert Cummings)
"about two-and-a-half to three minutes in a TYPICAL performance..."
-------------------------------------

[@LedaAynedjianOFS]

So lovely to hear it played slowly - all the other versions I heard were way too fast.

[@chriscologne8490]

Absurdly slow - this is a mazurka and not a funeral march.

[@kakoou3362]

What about funeral mazurka ? 😂😂

[@chriscologne8490]

@@kakoou3362 😂👍

[@maddannafizz]

Yes, it is far too slow and ponderous. Yet sometimes pianistsplay it too fast, but this is painfully thumpy at times and slow. It is the weirdest interpretation I've ever heard 😮