Béla Bartók - Mikrokosmos, Volume I, 1-17

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  • Опубликовано: 8 ноя 2024

Комментарии • 47

  • @Pookie1-q2w
    @Pookie1-q2w 9 лет назад +64

    I have to cry hearing this, i started this when i was 4 or 5. Now i am conservatory student, i came such a long way...

    • @jorgeluiz1698
      @jorgeluiz1698 7 лет назад +1

      Congratulations I play for about 1 to two years and I actually making a course about piano in a University that is my first exercise quite easy but really beautyful.

    • @wormswithteeth
      @wormswithteeth 6 лет назад +1

      Peiyun Pianist You got this :)

  • @pwtrela
    @pwtrela 7 лет назад +32

    Six Unison Melodies:
    0:00 - 1
    0:20 - 2
    1:03 - 3
    1:36 - 4
    2:01 - 5
    2:31 - 6
    2:57 - 7 Dotted Notes
    3:30 - 8 Repetition (1)
    4:06 - 9 Syncopation (1)
    4:44 - 10 With Alternate Hands
    5:30 - 11 Parallel Motion
    6:00 - 12 Reflection
    6:28 - 13 Change of Position
    7:00 - 14 Question and Answer
    7:40 - 15 Village Song
    8:05 - 16 Parallel Motion with Change of Position
    8:52 - 17 Contrary Motion (1)

  • @jorgeotolio
    @jorgeotolio 12 лет назад +2

    Thanks for sharing this! I bought the 1st volume in an Old Books' flea market in Spain, and it helped me so, so much in understanding music & improving my way of playing! A genius in music not only creates something worth being listened to, but can change our perception of the world. Undoubtedly, Bartók was a big genius.

  • @RichardASalisbury1
    @RichardASalisbury1 10 лет назад +3

    Wonderful pianist, playing music that is, for all its simplicity, beautiful when played by such a pianist.

  • @jazzzz1066
    @jazzzz1066 9 лет назад +13

    Yes. This was written by Bartok for his young son Peter. He has been quoted as saying it had unresolved problems. This is my second listen. Wish I could play it. [trombone player here]

  • @ottawanderer
    @ottawanderer 8 лет назад +7

    Every human approaching a piano keyboard should be handed the first volume of Mikrokosmos. Ocatave/unison is what it all becomes about. The synchronicity of the hands, the fingers. And then, gently, imitation.

  • @robertwalker3087
    @robertwalker3087 8 лет назад +4

    I heard Claude Hellfer perform all three Piano Sonatas of Pierre Boulez in Aspen, Colorado the summer of 1974. He is capable of extraordinary artistry. That he has recorded these pieces should tell you what he sees in them, and what we all should. The name gives it away: the large in the small.

  • @kimsuwus7412
    @kimsuwus7412 5 лет назад +2

    Thank you. This is so beautiful. Specially 15 and 12.

  • @snolar
    @snolar 5 лет назад +3

    Béla Bartók paved the way

    • @raiajamisola4529
      @raiajamisola4529 5 лет назад +1

      LMAO HAHAHHAHAHA HI ARMY,, OUR MUSIC CLASS BROUGHT ME HERE HIHI

    • @snolar
      @snolar 5 лет назад

      @@raiajamisola4529 BVNMSN MFB

  • @viktoriavandermeulen1317
    @viktoriavandermeulen1317 9 лет назад +4

    Wonderful. Thank you. My favourite one is number 15 "Village song".

  • @gidikalchhauser
    @gidikalchhauser 10 лет назад +1

    that's very calming to hear in the background

  • @CaptainBluebear08
    @CaptainBluebear08 13 лет назад +1

    Hah nice, always liked Claude Helffer, and here he's great in Maëstro Bartók.
    Sok köszönet !

  • @maricruzlarios9055
    @maricruzlarios9055 4 года назад

    El mikrokosmos, exelente para iniciarse a aprender a tocar el piano

  • @maestrodanielepasini
    @maestrodanielepasini 7 лет назад +2

    semplicissimo e bellissimo

  • @avrocca20
    @avrocca20 10 лет назад +1

    BÉLÁ BARTÓK - MIKROKOSMOS, Volume I, 1-17
    Mikrokosmos, progressive pieces for piano in 6 volumes, Sz. 107, BB 105 (1926-1939)
    Presentación: Adolfo Vásquez Rocca D.Phil
    Claude Helffer, piano
    Haakon Austbö, second piano

  • @zindrag
    @zindrag 10 лет назад

    Multumim!

  • @garywingrove
    @garywingrove 11 лет назад +1

    It's from book 1 of a series so it's the beginner piece. I suggest you go listen to the stuff from books 4 and 5 and see if you feel the same.

  • @Kuroshiki2023
    @Kuroshiki2023 5 лет назад +3

    Calm

  • @booizan
    @booizan 5 лет назад +2

    💗

  • @AOYIKSED
    @AOYIKSED 13 лет назад +1

    That's right; it's a treasure for students :)

  • @clevelandpianostudio
    @clevelandpianostudio 11 лет назад +2

    Hi, Thanks for posting Mikrokosmos! I went to iTunes to purchase this (complete) but don't see Claude Helffer in list, is this recording not available in US? Time to add much more Bartók to mix - sick to death of method books. :)

    • @pelodelperro
      @pelodelperro  5 лет назад

      www.ebay.com/itm/Bartok-Mikrokosmos-Claude-Helffer-Piano-RARE-Harmonia-Mundi-NM-BOX-/161896758077?_ul=BO

  • @bobbyatopk
    @bobbyatopk 12 лет назад

    I know this is a really beginnerish question! On the first few pieces is it ok that i play them by just following the direction of the melody, rather than specifically reading each note and figuring out where it is on the piano? Aka... Im reading it by following the intervals rather than the specific notes?

  • @NotOrdinaryInGames
    @NotOrdinaryInGames 9 лет назад +3

    Wait... is this something for beginners?

  • @elenacustica
    @elenacustica 10 лет назад +1

    who is the author of the drawning?

  • @nano22mansilla1
    @nano22mansilla1 12 лет назад

    CUando comienza la 13?

  • @pramodvisham9882
    @pramodvisham9882 11 лет назад

    Who is the pianist ?

  • @CookieJustice69
    @CookieJustice69 11 лет назад +1

    Ignorance is the worst enemy of human kind so why dislike his comment its nothing offensive it dose sound a little chilldlish and that dosnt meen its not good

  • @Диванныевойскагруппабыстрогоко

    Что это?Набор нот,одно и тоже играет

  • @bigbeautifullife7329
    @bigbeautifullife7329 5 лет назад

    バルトークのミクロコスモスは、全音音階、対位法的書法に溢れている。アルベルティーバスの上に、メロディーが鳴ると言う形で、左右の手を不均等に使い続ける事も無い。バイエルは、似た形で書き始められるが、シェーンベルクの音列と言う意味では、似た物ばかりに聴こえる。E→D→Cの下降音型ばかりが響いている。作曲家の発想の弱点が露呈され、作曲技術の錬磨に繋がらない。その点、バッハの、インヴェンションとシンフォニアは、素晴らしいと言う他ない。同じ曲だが、フリーでマンの為に写譜された一冊など、15曲で変位記号の少ない曲をぐるっと回るように並んでいる。音列という視点で見ても、作曲家の実力の高さは、別格であり、時代を越えている。残った事自体、地球人の遺産である。ドビュッシーのエチュードは名曲であるが、初級者にとって技術的に難し過ぎる。作曲者の晩年の、気難しさも、問題点である。日本人の作曲家である、三善晃の子供用から、演奏会用に至る作品群である、練習曲は、東洋人の手と音色という問題を、考慮に入れながら書かれた立派な作品である。和声的にはバルトーク以後であるが、独創的である。まだ、弾かれる事が少ない。