Who can fathom the depths of a brain that produces such perfection? Only a GENIUS like Mikhail Pletnev can give thought and profound sensitivity to Scriabin’s Preludes as they are heard here. Thank you e Mar. We are thankful for the privilege to hear Mikhail Pletnev play these
I love Pletnev. No matter what score he performs, no matter what composer Pletnev delivers maximum beauty. I do not fully understand Scriabin but these performances draw great emotions from me.
Исполнение Плетневым прелюдий Скрябина - это магия, прорыв в другие миры, сопричастность к Вечному и непостижимому, и присутствие желаемого и ускользающего счастья! БРАВО!!!
Mikhail Pletnev plays these Scriabin Preludes as they were specially written for him. In other words: he plays them better than any pianist I ever heard before. In other words: he is the Master of Scriabin.
These preludes are so scenically descriptive that I can just enjoy them as visualized landscapes of iridescent beauty, that is to say, serene lakes scarcely ruffled by errant gales….blissful transcendence. The nexus (between the subjective and objective) is quite at home in my most intimate reflections. Devoid of such pictorial imageries, nonetheless, the preludes are still very enjoyable, but I think Robert Schumann or Franz Liszt would have baptized them with the most mystical escapades into the unfettered paths of the “otherworldly.” Most interesting is the fact that Skryabin’s preludes cannot be said to be eerily haunting or gloomy, but there is something “Sibylline” about them that can give me the goose-bumps. They have been described as being “Chopinesque” and I can hardly dispute the striking similarities between the two composers, but the latter seems to stray away from the established key as though verging on the fringe of the unknown, darkly and forbidden. The scintillating tones seem to lure us further into twilights, web of dreams, mythical places smacking of fairy tales, elemental forces and spirits as though enlivened by some magical intelligence or influences. It is so true that Skryabin was dabbling into theosophy, gnosticism and mysticism! In earnest he was a colorist! Therefore, it is fair to say that Alexander Skryabin, like Debussy, is the master of colors par excellent, and one ought to define him, first and foremost, as a visual-composer.
Pletnev's capability to listen to the music while playing it is beyond my belief. That's exactly what Scriabin (and the latest Schumann) needs: genius.
Who can fathom the depths of a brain that produces such perfection? Only a GENIUS like Mikhail Pletnev can give thought and profound sensitivity to Scriabin’s Preludes as they are heard here. Thank you e Mar. We are thankful for the privilege to hear Mikhail Pletnev play these
The most underrated pianist.
I don't think he's underrated , just introvert, that makes him hard to sell ( unlike Trifonov for example )
He is a master like back in golden age.❤❤❤❤
Without a doubt, he is at the pinnacle of pianists!
Гениальный музыкант!!!
I love Pletnev. No matter what score he performs, no matter what composer Pletnev delivers maximum beauty.
I do not fully understand Scriabin but these performances draw great emotions from me.
Исполнение Плетневым прелюдий Скрябина - это магия, прорыв в другие миры, сопричастность к Вечному и непостижимому, и присутствие желаемого и ускользающего счастья! БРАВО!!!
Mikhail Pletnev plays these Scriabin Preludes as they were specially written for him. In other words: he plays them better than any pianist I ever heard before. In other words: he is the Master of Scriabin.
It is simple: he is Number One pianist on our planet. His Liszt, for example is something else (and not only Liszt)
These preludes are so scenically descriptive that I can just enjoy them as visualized landscapes of iridescent beauty, that is to say, serene lakes scarcely ruffled by errant gales….blissful transcendence. The nexus (between the subjective and objective) is quite at home in my most intimate reflections.
Devoid of such pictorial imageries, nonetheless, the preludes are still very enjoyable, but I think Robert Schumann or Franz Liszt would have baptized them with the most mystical escapades into the unfettered paths of the “otherworldly.”
Most interesting is the fact that Skryabin’s preludes cannot be said to be eerily haunting or gloomy, but there is something “Sibylline” about them that can give me the goose-bumps.
They have been described as being “Chopinesque” and I can hardly dispute the striking similarities between the two composers, but the latter seems to stray away from the established key as though verging on the fringe of the unknown, darkly and forbidden.
The scintillating tones seem to lure us further into twilights, web of dreams, mythical places smacking of fairy tales, elemental forces and spirits as though enlivened by some magical intelligence or influences.
It is so true that Skryabin was dabbling into theosophy, gnosticism and mysticism! In earnest he was a colorist!
Therefore, it is fair to say that Alexander Skryabin, like Debussy, is the master of colors par excellent, and one ought to define him, first and foremost, as a visual-composer.
Grazie Maestro Pletnev....
Все проникновенно в высшей степени!
Восторг .....
Pletnev's capability to listen to the music while playing it is beyond my belief. That's exactly what Scriabin (and the latest Schumann) needs: genius.
0:01: michail, dai, non fare così che mi viene da piangere... 😥🤧😢
Спасибо!
Preludios mágicos y mágica interpretacion!!! ❤ 👏👏👏
Чтобы неиграл Михаил Плетнев все интересно и профессионально .
Improvises his way out of a total memory slip at 7:33, cool as a cucumber …
12:25 - 12:53 This part must be a dream...I don’t wanna wake up if so..
What the heck happened to No.5? Memory lapse?
❤
he sometimes completely ruins the piece... look at no 8
Just. Put it on 1.5* faster. It’s better😂