I couldn't be more impressed! There's a wealth of information in this video and you've done a great job of presenting it. Your videos are very concise and I always learn something new! Thank you for all your effort! I can't wait to see what you come up with next! I know it will be great!
Amazing Job, Walk That Bass, I feel that I love you!!! I'm from Colombia and I have been learning a little about jazz and with your channel I've can learning a lot of things, thanks for everything friend.
I looked at chord progression jazz fake book and it did not show any melody line, rather just a load of what appeared to be slanted rest marks about 4 per bar. What do they represent and why would they not show a melody line, particularly if you did not know the tune?
I apologize for my earlier review. It's still a bit fast but now that I know more, I understand it. I was dumber before. Good info but you could still slow down a touch. What's the hurry?
It almost sounds like the takeaway from this lesson is that "rhythm changes", in the broadest sense, can be thought of as virtually any 4-bar cycle-inspired progression. Is that close?
This is a great lesson! I have a question about bebop lines...Can "tonicize" any of the chords in the changes? Meaning, can I play a dominant going to the chord (regardless of function). For an example, could we play C7 before F7?
Hey this is great ! Can I get a PDF copy of this presentation ? There is a lot of information that I have to work on ! I'm a bass player and I have to work all of this on my base ! Thank you so much
Check out the writeup on my website: www.thejazzpianosite.com/jazz-piano-lessons/jazz-chord-progressions/rhythm-changes/ You can just copy paste or print screen from there.
Hello sir chris here I remember the inquiry about this information thanks a lot now to the practice room lol. your an amazing teacher you should right a book of your knowledge about this art form definitely informing and inspring I feel I can truly attack these standards from an intellectual standpoint thanks man.
+WTP WTP Hey Chris. Glad you liked the lesson. I also remember you asked about how to start learning how improvise on Jazz standards and I promised you a lesson on chord-mapping. I still plan to do this, and it will come eventually. Just got a few other things I'm working on at the moment, but it's definitely something I'm still planning to do. Haha, and thanks for the suggestion about the book. Maybe in a few years. That would be quite a big undertaking. But thanks for the compliment.
Hi there! Thanks for this! I have a question, yes (perhaps stupid, but it breaks my brain). Which is the relation between the chord progression in the B section and the A section? I Mean, the first chord (Grade I) of the A section, is Bb. The first chord of the B section is D7 (whcih, in relation with the Ist grade of the A section (Bb), would be a III7. OK. Now, when I see this picture (in Wikipedia) en.wikipedia.org/wiki/Rhythm_changes#/media/File:Rhythm_changes_complete_in_B-flat_Spitzer.png I get confused. I get confused because when it goes to the B section, it kind of says (at least to me) that we go to the key of G and we play the V7 of the G key (that's it: D7). But, relating this D7 to the 1st grade of the A section, that was a III7... Am I getting confused just because I want? Thanks in advance for the answer.
Great info but way too fast and much too advanced for a beginner to understand. Slow down your presentation. You talk like you're in a hurry to catch a train.
Honestly dude, i'm grateful, you're a great teacher. Thanks for all your hard work. I truly hope this comes back to you.
Thanks, Justin. You're too kind.
This is the best explanation on RUclips that I’ve seen and I’ve been watching rhythm changes videos for a few days now. Thanks a lot!
I couldn't be more impressed! There's a wealth of information in this video and you've done a great job of presenting it. Your videos are very concise and I always learn something new! Thank you for all your effort!
I can't wait to see what you come up with next! I know it will be great!
+Bass Player Thanks, Bass Player.
OMG I have a major crush on your channel now. *Exactly* the combination of basic-intro and how-to-fiddle-around that I was looking for.
You explain this so well, thank you 😀
The material in the picture in picture is SO useful, had to print it out, thanks!!!
Encyclopedic amount of information in a single lesson. Thank you!!!
Amazing Job, Walk That Bass, I feel that I love you!!! I'm from Colombia and I have been learning a little about jazz and with your channel I've can learning a lot of things, thanks for everything friend.
Fantastic demonstration of how to use chord substitutions. I'm going to watch this again and make notes..
Very informative.
Tune your piano!!!!!!!
I looked at chord progression jazz fake book and it did not show any melody line, rather just a load of what appeared to be slanted rest marks about 4 per bar. What do they represent and why would they not show a melody line, particularly if you did not know the tune?
Priceless information again and very very well explained. Thank you for all your valueable video´s.
No worries, mozeskriebel.
I think another rhythm changes example would be Thelonious Monk's Reflections, though I've not heard it identified as such anywhere.
I apologize for my earlier review. It's still a bit fast but now that I know more, I understand it. I was dumber before. Good info but you could still slow down a touch. What's the hurry?
Great explanation
Super helpful. Thank you!
It almost sounds like the takeaway from this lesson is that "rhythm changes", in the broadest sense, can be thought of as virtually any 4-bar cycle-inspired progression. Is that close?
This is a great lesson! I have a question about bebop lines...Can "tonicize" any of the chords in the changes? Meaning, can I play a dominant going to the chord (regardless of function). For an example, could we play C7 before F7?
Is it a separate lesson on subs? Some subs are unclear, why we could apply them. It demands closer look, but may be this is off-topic a bit here.
Wow, great lesson
the I-VI-V-II progression also sounds like ' la mer from charles trenet'
sounds like lots of songs
This video clarified a lot for me, thank you very much.
Really excellent tutorial, really well structured.
it should really be iv minor 6- the tritone generates the instability that resolves to I
Wonderful video! Thanks so much!!
Hey this is great ! Can I get a PDF copy of this presentation ? There is a lot of information that I have to work on ! I'm a bass player and I have to work all of this on my base ! Thank you so much
Check out the writeup on my website: www.thejazzpianosite.com/jazz-piano-lessons/jazz-chord-progressions/rhythm-changes/
You can just copy paste or print screen from there.
Thanks
Hello sir chris here I remember the inquiry about this information thanks a lot now to the practice room lol. your an amazing teacher you should right a book of your knowledge about this art form definitely informing and inspring I feel I can truly attack these standards from an intellectual standpoint thanks man.
+WTP WTP Hey Chris. Glad you liked the lesson. I also remember you asked about how to start learning how improvise on Jazz standards and I promised you a lesson on chord-mapping. I still plan to do this, and it will come eventually. Just got a few other things I'm working on at the moment, but it's definitely something I'm still planning to do.
Haha, and thanks for the suggestion about the book. Maybe in a few years. That would be quite a big undertaking. But thanks for the compliment.
Awesome video, thank you lot. I wish I could play all those chords that easy like you do. :)
Just keep at it
4:55
This is a great breakdown! Love the video!
I now have better understanding of this information nicely done
Thanks for the video! You explained this pretty well!
+SeparatedChicken Thanks SeparatedChicken.
Hi there! Thanks for this! I have a question, yes (perhaps stupid, but it breaks my brain). Which is the relation between the chord progression in the B section and the A section? I Mean, the first chord (Grade I) of the A section, is Bb. The first chord of the B section is D7 (whcih, in relation with the Ist grade of the A section (Bb), would be a III7. OK.
Now, when I see this picture (in Wikipedia) en.wikipedia.org/wiki/Rhythm_changes#/media/File:Rhythm_changes_complete_in_B-flat_Spitzer.png I get confused. I get confused because when it goes to the B section, it kind of says (at least to me) that we go to the key of G and we play the V7 of the G key (that's it: D7). But, relating this D7 to the 1st grade of the A section, that was a III7...
Am I getting confused just because I want? Thanks in advance for the answer.
section B key is fmajor. the chords come from desending circle of fiths chords wanting to just finally resolve to F
Very happy to be a subscriber and receive this in my e mail. Fantastic.
+Sfhgss Ohgf Glad to hear it, Sfhgss Ohgf. Thanks for the comment.
Amazing video
Great video, thanks
Great video 😎
Great video, thank you!
Very clear, thanks!
+Frank Paavo No worries, Frank.
Thanx a lot! Very good explenation!
Great job here, thank you.
How about Meet the Flintstones?
very well explained :) great job, thank you
outstanding work, thank you :)
Great! Thanks for the the info.!!
so deep, thanks!
No worries :)
Thank you very much, this was such a good class :)
No worries, Kevin. My Pleasure.
GOt it!Super lesson!!!!!!!
Thanks Anton :)
Thankkkkkkkkkkkkk uuuuuuuuuuuuu ！！，！，！，！love u
The feeling is mutual :)
It has always been a I VI II V ... you didn't add that, dude! It was already there!
Great info but way too fast and much too advanced for a beginner to understand. Slow down your presentation. You talk like you're in a hurry to catch a train.
Very clearly explained and helpful. Thanks, mate!
No worries :)
3:53