I've had a Mobius for a few years now and I think it greatly expands the possibilities for any synth you send through it. I've recently really enjoyed using the Formant machine which can sometimes impart a unique phaser type of quality ro just wacky robo-speak. The Mobius can also transform a mono synth into a stereo synth in so many ways.
The Mobius effects are very well done, each algo imo is the equivalent of a dedicated pedal. It's one of the main reasons I ended up selling the excellent Zelzah.
The logical answer to which is usually the biggest, most complex things you can imagine. OTOH I think I'd nominate two bits of gear I sold: The Norand Mono just because of its incredible range, and the Zen delay because it can sound like a delay, reverb or drive. Now I wouldn't be so stupid to buy the Zen delay a third time, surely. Your choices?
@@RichardDeHove (Silly youtube didn't show a reply. Sorry for the delay!) Hmm... Curently with what I own, I would pick the Uno Pro X and for an fx... maybe the Mercury 7. If any synth in the world, probably the Deckard's Dream and the Zoia for fx ;). Hmmm... now I'm thinking I should just sell everything and get those two. >.
Get a Behringer poly. Cheap (relative to something) and sound good. Or just figure things out yourself so you don't sound like everyone else, or are at least trying to not sound like anyone else. Which is one of the the beauties of electronic music, I think.
Clearly you need 8 Salinas so you have individual outs for eight parallel effect chains entry perhaps some sort of tube summing mixer. This should be clearly obvious 😊😊
I feel similarly. Regarding cost, you can get a very decent setup for 1000-1200 or if you buy used then way under 1000. A big poly will always cost more and your argument about using the Fx with other setups of course is also valid. Unless we are talking „not necessarily analog poly“. I personaly own a minilogue xd which for me is the perfect balance between „comfort of presets-small enough but big enough keys(for a small synth- great sound-relatively enough voices-cost“. I will personally (don`t shoot me) never buy a Behringer again. Not making a political statement really though Loved the „Prodigy- Hyperspace“ synth at 3min
Thanks for the thoughtful comment. I briefly had a Behringer MonoPoly but it just didn't have the feel of the OG Mono/Poly I had back in the day. The Solina is a one-trick pony so I rather like its simplicity.
The solina sounds so versatile, thanx for sharing your experience! Greetings and have good start into this week 🖖👽
The sounds speak to your point, great work. I'm not sure I would spend 3 k on an expensive poly synth anyhow.
I still have a Rev2 and although it's an excellent machine it never seems to get much love.
I've had a Mobius for a few years now and I think it greatly expands the possibilities for any synth you send through it. I've recently really enjoyed using the Formant machine which can sometimes impart a unique phaser type of quality ro just wacky robo-speak. The Mobius can also transform a mono synth into a stereo synth in so many ways.
The Mobius effects are very well done, each algo imo is the equivalent of a dedicated pedal. It's one of the main reasons I ended up selling the excellent Zelzah.
sounded pretty juicy to me in the last 30seconds, nothing like jarre, well done
The Astronaut on reverb with the Acidbox filter was the probably best combination
Oh… I hate doing this but this vid made me think: what 1 synth & what 1 fx pedal would be your deserted island choices? 🏝️
The logical answer to which is usually the biggest, most complex things you can imagine. OTOH I think I'd nominate two bits of gear I sold: The Norand Mono just because of its incredible range, and the Zen delay because it can sound like a delay, reverb or drive. Now I wouldn't be so stupid to buy the Zen delay a third time, surely. Your choices?
@@RichardDeHove (Silly youtube didn't show a reply. Sorry for the delay!) Hmm... Curently with what I own, I would pick the Uno Pro X and for an fx... maybe the Mercury 7. If any synth in the world, probably the Deckard's Dream and the Zoia for fx ;). Hmmm... now I'm thinking I should just sell everything and get those two. >.
@@LAZ-org Careful, you might embark on the most dangerous (and expensive) of all quests, the "ultimate setup quest".
Get a Behringer poly. Cheap (relative to something) and sound good. Or just figure things out yourself so you don't sound like everyone else, or are at least trying to not sound like anyone else. Which is one of the the beauties of electronic music, I think.
This is a Behringer
Clearly you need 8 Salinas so you have individual outs for eight parallel effect chains entry perhaps some sort of tube summing mixer. This should be clearly obvious 😊😊
Just the eight ? :D
I feel similarly. Regarding cost, you can get a very decent setup for 1000-1200 or if you buy used then way under 1000.
A big poly will always cost more and your argument about using the Fx with other setups of course is also valid.
Unless we are talking „not necessarily analog poly“. I personaly own a minilogue xd which for me is the perfect balance between
„comfort of presets-small enough but big enough keys(for a small synth- great sound-relatively enough voices-cost“.
I will personally (don`t shoot me) never buy a Behringer again. Not making a political statement really though
Loved the „Prodigy- Hyperspace“ synth at 3min
Thanks for the thoughtful comment. I briefly had a Behringer MonoPoly but it just didn't have the feel of the OG Mono/Poly I had back in the day. The Solina is a one-trick pony so I rather like its simplicity.
Der säureveredelte Drone ist gar sehr hübsch. Auch Metal schmeichelt meine Ohren. Eigentlich ist alles uniquement. 🙂
Der Polivoks-Filter genoss es, auf der Solina zu kauen