You are welcome. There is a video on outside playing You might be inteerested in ruclips.net/video/DqXv8vXbK_s/видео.html Let me know if this is something Else find an overview of all the videos here: sorenballegaard.dk/saxophonetopics/ ALl the best - and have a nice practice
00:00 TRITONE SUBSTITUTION - This is how you do it 00:22 Søren is playing a rhythm change in C - using tritone substitution 00:50 In this video 01:19 Why do you need tritone substitution in your playing? 02:14 What is a tritone substitution? 03:12 How do we get to the tritone substitute? 04:18 Comparing the “normal” dominant to the tritone substituted dominant 08:01 How to practice the tritone substitution scales and chords 12:39 Build tritone substitution jazz lines 15:32 Apply jazz lines using tritone substitutions to your playing 17:07 Get more out of the tritone substituted dominant 17:48 Show, play and analyse two jazz licks using tritone substitution - example lick 1 18:43 Example lick 2 19:44 Start practicing the tritone substitution the easy way 20:14 Get into the bebop sound 20:30 Do you like my tutorials - subscribe and like - check my patreon Get more value from the RUclips lessons by supporting me: www.patreon.com/posts/39102946
The scale you are substituting with is right opposite on the circle of fourths/fifths!! The circle has been a mind blowing discovery to me... The relation between scales are so visual, just by twisting the circle left once ( flats on the right, sharps on the left) you get the Lidian mode of the major scales and the Dorian for the minor, and they are both the same set of notes! If you turn it right once you get the Dominant for the major scales but I do not know what it is for the minor, it is a scale that has 1-b2-3-4-5-b6-7 but I do not know it's name... Do you understand what I mean?
I am following you totally here! You open one door to see 10 new door you must open. only 12 tones and so much music to discover! Amazing - and it keeps amazing!
I appreciate how you didn't go straight to the lydian dominant sound for the tritone dominant--sounds very Barry Harris to me :) Lydian dominant sounds good, but sometimes the scale doesn't work as well with all the half step moves--a lydian dominant doesn't behave as "naturally" as a regular dominant. What do you think?
I totally agree. The sound of the lydian dominant is for me something else. Also when talking modes it gets very scale like for me. I really like the functional harmony way of seeing things. But the lydian sound also have amazing things. When thinking in the harmonic functions you often get closer to the key of the tunes. And you can use the standard "licks" in different keys. The lydian is indeed more spaced. Fun to use the differences.
Fantastic job!!
👍🎩👍😀
Thank you so much. :)
good job.
Thank You So Much!
Woww.. clear and crisp!! Thank you
You are welcome.
There is a video on outside playing You might be inteerested in
ruclips.net/video/DqXv8vXbK_s/видео.html
Let me know if this is something
Else find an overview of all the videos here:
sorenballegaard.dk/saxophonetopics/
ALl the best - and have a nice practice
That I think is what Eric was experimenting with.
Triton's round robin in
64 th.s incredible!
Not completely sure what you are saying though?
00:00 TRITONE SUBSTITUTION - This is how you do it
00:22 Søren is playing a rhythm change in C - using tritone substitution
00:50 In this video
01:19 Why do you need tritone substitution in your playing?
02:14 What is a tritone substitution?
03:12 How do we get to the tritone substitute?
04:18 Comparing the “normal” dominant to the tritone substituted dominant
08:01 How to practice the tritone substitution scales and chords
12:39 Build tritone substitution jazz lines
15:32 Apply jazz lines using tritone substitutions to your playing
17:07 Get more out of the tritone substituted dominant
17:48 Show, play and analyse two jazz licks using tritone substitution - example lick 1
18:43 Example lick 2
19:44 Start practicing the tritone substitution the easy way
20:14 Get into the bebop sound
20:30 Do you like my tutorials - subscribe and like - check my patreon
Get more value from the RUclips lessons by supporting me:
www.patreon.com/posts/39102946
The scale you are substituting with is right opposite on the circle of fourths/fifths!!
The circle has been a mind blowing discovery to me... The relation between scales are so visual, just by twisting the circle left once ( flats on the right, sharps on the left) you get the Lidian mode of the major scales and the Dorian for the minor, and they are both the same set of notes!
If you turn it right once you get the Dominant for the major scales but I do not know what it is for the minor, it is a scale that has 1-b2-3-4-5-b6-7 but I do not know it's name... Do you understand what I mean?
I am following you totally here!
You open one door to see 10 new door you must open.
only 12 tones and so much music to discover!
Amazing - and it keeps amazing!
I appreciate how you didn't go straight to the lydian dominant sound for the tritone dominant--sounds very Barry Harris to me :) Lydian dominant sounds good, but sometimes the scale doesn't work as well with all the half step moves--a lydian dominant doesn't behave as "naturally" as a regular dominant. What do you think?
I totally agree. The sound of the lydian dominant is for me something else. Also when talking modes it gets very scale like for me. I really like the functional harmony way of seeing things.
But the lydian sound also have amazing things.
When thinking in the harmonic functions you often get closer to the key of the tunes. And you can use the standard "licks" in different keys.
The lydian is indeed more spaced.
Fun to use the differences.
😂 After that explanation 21 Minutes, is anyone confused? 😱
I hope it did not last