Verdi «La Traviata». Part 2 - Olga Peretyatko
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- Опубликовано: 14 июл 2018
- Olga Peretyatko as Violetta in Giuseppe Verdi's «La Traviata»
Vienna, live broadcast, 2.10.2017
Part 2
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About soprano Olga Peretyatko:
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Olga Peretyatko, one of the world’s most sought-after sopranos, made her international break-through after winning Plácido Domingo’s prestigious Operalia Competition, since then she has been a regular guest at the world’s most important opera houses and concert halls.
Olga Peretyatko opens the 2018/19 season with concerts at the renowned stages of Grafenegg and Gstaad Festivals, as well as singing songs by Gabriel Fauré with the Basel Symphony Orchestra, celebrating the release of the highly acclaimed new album The Secret Fauré. She then heads to Asia to perform at the Forbidden Concert Hall Beijing and at Guangdong Xinghai, as well as singing Carl Orff’s Carmina Burana with NHK Symphony orchestra in Tokyo, with Paavo Järvi conducting. China is also the place for bringing her highly acclaimed portrayal of the role of Leila in in Wim Wender’s production of Les Pecheurs des Perles at China National Center for Performing Arts. Besides that, in this operatic season she sings the title role of Anna Bolena at Opera Royal de Wallonie Liège and one of her signature roles, the title role of Lucia di Lammermoor at the Vienna State Opera, where she also performs Donna Anna in Mozart’s Don Giovanni. After the success of her role debut singing all ladies in Les Contes d’Hoffmann in 17/18, she presents it in concert at Festspielhaus Baden-Baden. Olga Peretyatko also takes part in Mozartwoche 2019, the Smetana Festival Litomysl, sings gala concerts at Budapest’s MÜPAand joins stage with Rolando Villazón at Konzerthalle Bamberg.
#OlgaPeretyatko #Verdi #Opera 
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Это моя самая любимая опера! Могу слушать её в любом исполнении бесконечно! Браво великому Верди!
Спасибо за возможность видеть такие спектакли
Это был нелегкая для меня режиссура
@@OlgaPeretyatkoOfficial 0_0 почему?
Je suis ravie d'entendre une voix aussi sublime, magnifique. BRAVO!!!
The confirmation that #OlgaPeretyatko is the new Opera Star of her generation is the repertoire that she is singing in her brilliant career.
Violeta, perhaps one of the sweetest characters, has a very technically difficult First Act that she sings as if she were singing a lullaby, without any problem. Some will say and where is the High Eb at the end of Semper Libera? My answer is, a High Eb does not make the characterization of a character, it is everything together that defines a character, and wow, Olga gives us one of the brightest Violeta, so feminine, so beautiful, so delicate, passionate, emotional and in the end tears ran down my face.
Something had broken inside me, it was my heart and my soul, used to listening to other sopranos who are cold, who think that the First Act is saved with a High Eb, who in duet with Giorgio Germont, are as cold as if each singer was on different stages, there is no communication, they turn Violeta into a mechanical doll. Olga convinced me that #VioletaValery is a human being of flesh and blood, that in her life for a moment she lost her way, but with Alfredo's love she redeemed herself, and that in the end, her Addio del Passato and the final minutes your heart aches, because that's where you know the greatness of this woman, when she gives her portrait to Alfredo.
Technically she is perfect, tenderness in her singing, her singing line is perfect, her breathing technique unwavering, her musical phrases perfectly constructed, her singing is a caress for our ears and for our hearts. Thank you Olga God bless you, she continues with your immense career, take care of #Maya, your husband, your family and loved ones.
And perhaps the most important creation of #OlgaPeretyatko was the very difficult #MatildeDiShabran available on DVD and BLURAY, there she is impressive, along with Juan Diego Flórez and a great cast.
Brava Olga, a well deserved victory. Just BRILLIANT. ❤❤❤😍😍😍
What a great singer !
Wow It's great art. 👏
Moia milaia Oliga,spasibo Vam za eti emoții,davno slusaiu Vas,no segodnea emoții perepolnili moiu dușu i resila Vam napisati,Oceni liubliu operu ,Vas golos,iziasestvo i maniera prepodnesti perejivaniia Violetti bespodobni! Pozdravleaiu! V molodosti pela v teatre v Chisineve ,Nas cem rabotate seicias? Etu muziku budut slusati vecino, Oana nikogda ne sostaritsea! Uspehov Vam i Bolisogo sciastia!!! Zinaida iz Finleandii
Bravi 🎼🌷🌷🌷🌷🎼
Maravillosa en Addio del passato. Tu versión de Baden Baden también increíble. Grandísima Olga
Gracias!!!!
I am happy to see your reactions and comments. 👍 Don't forget to subscribe!
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Друзья! Я рада вашей живой реакции! Не забудьте подписаться на мой канал. 😉
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Hi, great performance. Does someone know who was acting Alfredo and his father ? Thanks!
Hoy comentaré. Una dramatización excelente! De lo mejor! Indico ya 13:23 … 13:44 … 17:33 … 36:41
CORO DI MASCHERE
BACCANALE
(all'esterno)
Largo al quadrupede Sir della festa,
di fiori e pampini cinto la testa
L’argo al più docile d’ogni cornuto,
di corni e pifferi abbia il saluto.
Parigini, date passo al trionfo del Bue grasso.
L'Asia, nè l'Africa vide il più bello,
vanto ed orgoglio d’ogni macello
Allegre maschere, pazzi garzoni,
tutti plauditelo con canti e suoni!
Parigini, date passo al trionfo del Bue grasso.
Largo al quadrupede Sir della festa,
di fiori e pampini cinto la testa,
Largo al quadrupede Sir della festa,
largo, largo, largo.
Перетятко замечательный голос.
Лучше чем Нетребко.
Зачем сравнения? Пусть цветут все цветы 🌷 💐
SUPERB Peretytako!! Horrible staging, as usual - all this coming and going and pacing around in the background is an annoying, counterproductive distraction!
the entire stage production is dreadful, what an embarrassment.
Olga, sei brava (molto), bella, intelligente. Ma ti prego: aspetta altri anni prima di cantare di nuovo Violetta, aspetta...
Infatti! Lo sto facendo già da 5 anni.
가창력 연기력 무척 훌륭하지만
서서죽는 비올레타...
엄청 어색하네요...ㅠㅠ
Что за идиотская постановка?
Почему нет традиционной обстановки и костюмов второй половины 19 века?
Потому,что совр прочтения режиссеров,на Западе любят такое,вы бы на Руслана и Людмилу,сходили бы в Большой)))
Che orrore di 'regia'.....le voci buone, ma la messa in scena è completamente fuori luogo....e siamo a Vienna......
Почему они нарушают предписания? Это же классика. Должны быть костюмы и обстановка Парижа второй половины 29 века.
Перетятко хороша, но тенор нет. В целом
по дурацки сделано.