Verdi «La Traviata». Part 2 - Olga Peretyatko

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  • Опубликовано: 25 дек 2024

Комментарии • 28

  • @ЗинаидаЗейналова-д5й
    @ЗинаидаЗейналова-д5й 10 месяцев назад +1

    Это моя самая любимая опера! Могу слушать её в любом исполнении бесконечно! Браво великому Верди!

  • @ellie8951
    @ellie8951 3 года назад +5

    Спасибо за возможность видеть такие спектакли

    • @OlgaPeretyatkoOfficial
      @OlgaPeretyatkoOfficial  3 года назад

      Это был нелегкая для меня режиссура

    • @ellie8951
      @ellie8951 3 года назад

      @@OlgaPeretyatkoOfficial 0_0 почему?

  • @ТатьянаБугрова-ь9ш
    @ТатьянаБугрова-ь9ш 3 года назад +1

    Je suis ravie d'entendre une voix aussi sublime, magnifique. BRAVO!!!

  • @luizamsalgado
    @luizamsalgado 6 лет назад +5

  • @이경복-o2r
    @이경복-o2r Год назад

    Wow It's great art. 👏

  • @MrFABY1966
    @MrFABY1966 2 года назад +2

    The confirmation that #OlgaPeretyatko is the new Opera Star of her generation is the repertoire that she is singing in her brilliant career.
    Violeta, perhaps one of the sweetest characters, has a very technically difficult First Act that she sings as if she were singing a lullaby, without any problem. Some will say and where is the High Eb at the end of Semper Libera? My answer is, a High Eb does not make the characterization of a character, it is everything together that defines a character, and wow, Olga gives us one of the brightest Violeta, so feminine, so beautiful, so delicate, passionate, emotional and in the end tears ran down my face.
    Something had broken inside me, it was my heart and my soul, used to listening to other sopranos who are cold, who think that the First Act is saved with a High Eb, who in duet with Giorgio Germont, are as cold as if each singer was on different stages, there is no communication, they turn Violeta into a mechanical doll. Olga convinced me that #VioletaValery is a human being of flesh and blood, that in her life for a moment she lost her way, but with Alfredo's love she redeemed herself, and that in the end, her Addio del Passato and the final minutes your heart aches, because that's where you know the greatness of this woman, when she gives her portrait to Alfredo.
    Technically she is perfect, tenderness in her singing, her singing line is perfect, her breathing technique unwavering, her musical phrases perfectly constructed, her singing is a caress for our ears and for our hearts. Thank you Olga God bless you, she continues with your immense career, take care of #Maya, your husband, your family and loved ones.
    And perhaps the most important creation of #OlgaPeretyatko was the very difficult #MatildeDiShabran available on DVD and BLURAY, there she is impressive, along with Juan Diego Flórez and a great cast.
    Brava Olga, a well deserved victory. Just BRILLIANT. ❤❤❤😍😍😍

  • @Dylonely_9274
    @Dylonely_9274 2 года назад

    What a great singer !

  • @mihailciubotaru7892
    @mihailciubotaru7892 2 года назад

    Moia milaia Oliga,spasibo Vam za eti emoții,davno slusaiu Vas,no segodnea emoții perepolnili moiu dușu i resila Vam napisati,Oceni liubliu operu ,Vas golos,iziasestvo i maniera prepodnesti perejivaniia Violetti bespodobni! Pozdravleaiu! V molodosti pela v teatre v Chisineve ,Nas cem rabotate seicias? Etu muziku budut slusati vecino, Oana nikogda ne sostaritsea! Uspehov Vam i Bolisogo sciastia!!! Zinaida iz Finleandii

  • @OlgaPeretyatkoOfficial
    @OlgaPeretyatkoOfficial  4 года назад +4

    I am happy to see your reactions and comments. 👍 Don't forget to subscribe!
    ruclips.net/user/OlgaPeretyatkoOfficial
    Друзья! Я рада вашей живой реакции! Не забудьте подписаться на мой канал. 😉
    ruclips.net/user/OlgaPeretyatkoOfficial

  • @alvaroblanco3564
    @alvaroblanco3564 4 года назад +3

    Maravillosa en Addio del passato. Tu versión de Baden Baden también increíble. Grandísima Olga

  • @toniperullesrull4916
    @toniperullesrull4916 8 месяцев назад

    Hoy comentaré. Una dramatización excelente! De lo mejor! Indico ya 13:2313:4417:3336:41
    CORO DI MASCHERE
    BACCANALE
    (all'esterno)
    Largo al quadrupede Sir della festa,
    di fiori e pampini cinto la testa
    L’argo al più docile d’ogni cornuto,
    di corni e pifferi abbia il saluto.
    Parigini, date passo al trionfo del Bue grasso.
    L'Asia, nè l'Africa vide il più bello,
    vanto ed orgoglio d’ogni macello
    Allegre maschere, pazzi garzoni,
    tutti plauditelo con canti e suoni!
    Parigini, date passo al trionfo del Bue grasso.
    Largo al quadrupede Sir della festa,
    di fiori e pampini cinto la testa,
    Largo al quadrupede Sir della festa,
    largo, largo, largo.

  • @atilacsengeri7379
    @atilacsengeri7379 Год назад

    Hi, great performance. Does someone know who was acting Alfredo and his father ? Thanks!

  • @willemtates8232
    @willemtates8232 6 лет назад +7

    Bravi 🎼🌷🌷🌷🌷🎼

  • @lyubovkontorovich3225
    @lyubovkontorovich3225 4 года назад +6

    Перетятко замечательный голос.
    Лучше чем Нетребко.

    • @OlgaPeretyatkoOfficial
      @OlgaPeretyatkoOfficial  4 года назад +7

      Зачем сравнения? Пусть цветут все цветы 🌷 💐

  • @fredrickroll06
    @fredrickroll06 4 года назад +4

    SUPERB Peretytako!! Horrible staging, as usual - all this coming and going and pacing around in the background is an annoying, counterproductive distraction!

    • @richardfallon5507
      @richardfallon5507 2 года назад +1

      the entire stage production is dreadful, what an embarrassment.

  • @opricnik
    @opricnik 2 года назад

    Olga, sei brava (molto), bella, intelligente. Ma ti prego: aspetta altri anni prima di cantare di nuovo Violetta, aspetta...

  • @Park-sp9pr
    @Park-sp9pr 2 года назад

    가창력 연기력 무척 훌륭하지만
    서서죽는 비올레타...
    엄청 어색하네요...ㅠㅠ

  • @lyubovkontorovich3225
    @lyubovkontorovich3225 4 года назад +1

    Почему они нарушают предписания? Это же классика. Должны быть костюмы и обстановка Парижа второй половины 29 века.
    Перетятко хороша, но тенор нет. В целом
    по дурацки сделано.

  • @lyubovkontorovich3225
    @lyubovkontorovich3225 4 года назад +1

    Что за идиотская постановка?
    Почему нет традиционной обстановки и костюмов второй половины 19 века?

    • @unkunk5784
      @unkunk5784 2 года назад

      Потому,что совр прочтения режиссеров,на Западе любят такое,вы бы на Руслана и Людмилу,сходили бы в Большой)))

  • @60bui
    @60bui 2 года назад

    Che orrore di 'regia'.....le voci buone, ma la messa in scena è completamente fuori luogo....e siamo a Vienna......