Keith Jarrett - Amazing Scenes
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- Опубликовано: 27 мар 2019
- Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer.
Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.
In 2003, Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes,and in 2004 he received the Léonie Sonning Music Prize. His album The Köln Concert (1975) became the best-selling piano recording in history.
In 2008, he was inducted into the Down Beat Hall of Fame in the magazine's 73rd Annual Readers' Poll.
No artist in any genre (painting, literature, music, etc.) has touched the most tender parts of my heart like you have, Mr. Jarrett. Thank you for inspiring me to meet myself and the world with love and grace.
So beautifully said, brother!
I really don't think we've seen such accomplishment in the arts to the level of Kieth's contributions. His mastery of piano just within the confines of written music is enough to set him above most. But his ability to spontaneously invent music is unmatched at all levels.
My favorite musician. Thank you.
The best pianist in recording era...
An online youtube piano teacher (sorry can't recall his name) said the same thing; that Keith Jarrett was the best pianist of the recorded era, however Oscar Peterson said that Herbie Hancock was better than either Keith Jarrett or Chic Corea which I don't agree with, Herbie was more of a traditional Jazz pianist and not as innovative as Keith imo. I went to high school with the brother of the famous Canadian Jazz Saxophonist PJ Perry, his name is Nels Guloien (Guloien is PJ's real name) and Nels played drums with Keith Jarrett's brother Scott Jarrett - guitarist and singer (who made a pop album with Keith). Scott said that Keith told him in the early 70's there were pianists who were better than him. After Keith's solo improvised concert in Vancouver at the Commodore Ballroom in spring or summer 1974 (which got rave reviews from the veteran Vancouver Sun reviewer Bob Smith who said it was mind blowing which I also thought) , Keith told Scott he had to leave the building as the warm up act was so bad, which it was. This concert in Italy in the early 70's was very good too... ruclips.net/video/ODwrxpUOmX0/видео.html Also this is an excellent piece which was originally from Keith's album with Gary Burton, also a very good album that Keith plays saxophone on too .... ruclips.net/video/fxvHapje8DI/видео.html
Thanks so much for putting this tribute together. So well done. Been watching and listening to Keith since around 1971!
I might have 60 CDs of Jarrett (actually more...), but your video made me discover new groovy, flying, meditative, amazing moments... Thank you very much for sharing that with us. My first concert was in 88 in Paris, the Paris concert, a present for my 16th anniversary, I saw the master 13 times since then. One of the best moment was in Montreux 2010, something special happened during the second set... I have to dig into the EPFL / Montreux archives... It was Friday Night in SF for those who know (De Lucia,Di Méola, McLaughlin). Too bad that Gary Peackock left us. Some people buy caviar, some other know that listening to Jarrett is much better ! yours
Masterpiece pianist!
Wonderful improvisation! 06:21!!! Wow! Bravo!
There is a better version of that piece on the 1973 Bremen Lausanne triple album but the first time he improvised (composed) that is from an older concert (it was part of a longer improvisation that that piece emerged from) in the early 70's in Europe somewhere (sorry can't recall which concert it was but it's on youtube, it was probably in Scandinavia somewhere).
What’s the name of the song?
>~15:43
最後の一音の後の聴衆の反応がまたいいんですよね
昔離れに籠って大音量でよく聞いてました
レーザーディスクにノイズが入るくらい再生しまくった事を思い出します
Great compilation...!! Thank You.
Thanks for such a sweet remembering!
🙏🏻 Thank you!
Great compilation, thank you thank you.
Honestly one of the best parts of this is Gary feelin the jam around 21:00 :D
❣️❣️❣️❣️
❤❤❤
Excelente!!!!! Muchas gracias!!!!!!!👌👌👌
It is such a loss that Garry Peacock is no more.They above this earth in their play
❣️❤️❣️❤️❣️💜💜❣️❤️❣️💜💜❤️❣️
Whenever Jarrett 'Wishes Upon A Star' - they're humbled in assembly around him like to baby Jesus: The world of music's Jarrett's Oyster! SKIES NO LIMIT!!!
🐐
💛🍎🍀🙂
Have you got the complete vídeo of the Royal Albert Hall ? Thank you very much!
Can you tell me anything about the solo improv at around 9:30 (location, tune title, etc.)? Sounded like Georgia on My Mind, or something very familiar, but it escapes me. Also at 14:00. Thanks...
Thanks for watching!
9:30 Live in Norway 1972
ruclips.net/video/uxiP6K56bHo/видео.html
14:00 Live in MAdrid 24 October 1988 Part2
ruclips.net/video/3rdHO1tPFJg/видео.html
どおむ Thank you very much!
9:30 'The magician in you' (from 'Expectations')
Did you have that amazing recording titled "Jarrett improvisation 1988" on your channel? Why did you remove it - and where can I find this recording?
QUESTION: Which concert is the part which starts at 18:30 from?
That "Georgia On My Mind" footage is presumably
from the trio's concert in Warsaw, Poland. (Oct 27, 1985)
tramonto17 , yes, it is...
2.02 sec Keith is talking to god
isn't he always?
What concert was this in segment at 20:50? This is hot!
It's from the "Standards I" *VIDEO* (it's NOT on the "Standards, Vol. 1" CD) from February 15, 1985; Koseinenkin Hall, Tokyo. It's their extension to Keith's well-known piece "Prism".
What is the piece at the very beginning of the video?
Also the one that begins at 8:48
Thanks for watching!
Beginning Old Man River
- Tokyo Solo 2002
ruclips.net/video/PIUIuCrPGVg/видео.html
8:48 Live in Norway 1972
ruclips.net/video/uxiP6K56bHo/видео.html
What’ the music at 6:25?
I believe it’s the encore from the Last Solo concert.
I just wish he would be silent when he is playing.
Not all of us wish that. I love his vocalizing and even more I'm transfixed watching his movements. It wouldn't be what it is without those aspects. I'm mean seriously they help create the sound. I would say you are listening too much from your head, and most of Jarrett's playing is from the heart. And that makes all the difference. When I'm struggling to understand a certain poem or piece of music and there's no mountain to climb up and clear the head, well, sometimes you just have to break down and get high.
Which concert at 12:30 ?