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Erik Satie - Le Fils des Étoiles (1892)
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- Опубликовано: 22 май 2013
- Trois préludes du Fils des Étoiles, wagnérie kaldéenne du Sâr Péladan.
Trois tableaux de Pierre Cécile Puvis de Chavannes.
Piano : Didier da Silva (live, 2007)
Amazing piece, so modern and ahead of his time.
No.
Time will never catch up.
Avant-Garde
this is like seeing new colors that never existed before
Way ahead of everyone in terms of modernism...
As I first set ears upon this, it gave me an electric euphoria.
I'll never forget the first time I heard this. It happened about a year before youtube took down copyrighted music (so around 2012), during which the upload disappeared. This wonderful piece has since been re-uploaded several times, and in its entirety even.
Proud owner of a individually rendered limited edition (of 75). The piece is to be played, "calmly, motionless, weightless, white, with all the characteristics a star might have. As expressions of motionless and weightless in space"
I love this indication, may I know who wrote it?
Who else is here from Adam neelys video
Me. But I already love me some Erik Satie
@@artmeatj6620 absolutely
yep
Aiy
bruh
Talk about thinking outside the box. Here we are miles from the nearest box. Amazing stuff!
Love the first chords of act 2 so much. So deep, dark, beautiful. Hitting my heart deep down. Beautiful paintings & view of them, thank you!
My favorite piece from Satie.
Comfort of Satie’s music is my luxury tranqulizer
the start kinda sounds like true lab theme from undertale (Here We Are)
Apparently that's thanks to "Parallel Harmony". Here's a neat article about it in that context (It namedrops this song.) www.videogamemusicacademy.com/5-unsettling-lessons-undertales-amalgam/
Man hört eine Ähnlichkeit mit manchen Klavierstücken von Olivier Messiaen. Es ist vielleicht kein Zufall. Hat Satie Messiaen beeinflusst? Jedenfalls ist diese Musik erstaunlich modern. On perçoit une similitude avec certaines pièces pour piano d'Olivier Messiaen. Ce n'est peut-être pas le fruit du hasard. Messiaen a pu être inspiré par Satie. En tous cas, cette musique est trrès moderne.
A mes oreilles au moins, oui, je suis complètement d’accord - les deux se ressemblent beaucoup, particulièrement au plan harmonique. Et c’est sûr que Messaien a connu cette la musique de Satie. En effet je pense que sans Satie, Messaien n’aurait pas pu éxister de la même façon.
Thank you very much!
Is it convenient to provide some comment on picture (video) in description?
Sehr mega
Quelle violence mes amis
Not a million miles away from being the key to nirvana.
sound like early Messiaen
Yep i think it sounds a lot like his Prelude: Cloches d'angoisses et larmes d'adieu
Does anyone know these paintings?
those are works of Puvis de Chavannes
sandalda ikindi
Il n'est pas sa meilleure piece.
Piano is out of tune and the player can't read the rhythm right...
Don't cry on my opinion... If opinion is not like yours we should have to shut up?!?... NOPE. Thanks for your tolerance ;)
Huh... you know why I came here? I respect your deep insights in others motivations ;)
then you shouldn"t know what's the style of Eric Satie invented in terms in contemporary music.
12 TET is out of of tune from pure harmonic point of view.
Satie really liked "out of tune" piano. So to play on a non perfectly 12 TET tuned piano is no disgrace.
For information Debussy was always joking with Satie about how "out of tune" his piano was and Satie replied that he liked it like that.