Thanks. Btw, Bitwig should definitely show change in tempo when modulator affects it. For me it makes no sense that tempo oscillates, as a result of applied modulator, but Bitwig still shows the same tempo.
Nice. I always wondered how to do this, I even thought it was not possible in Bitwig, but maybe only in Logic Pro X. I also wondered this, because in some piano songs at least, the last parts of a song could be slower than the rest of the song. Like a train that slows down at the end of the journey. The same could be the intro that starts slower than the bpm of a song (the training is speeding up).
That was one of the first things that came to my mind too. But so far I could not find a solution for it. Would also be interesting to sync to e.g. a live drummer. The main problem is how to set the tempo, since it can "only" be modulated but not set to a value.
would that not be done by your hardware? in my case if i want direct monitoring I use RME Totalmix to set this up on my interface, then turn off monitoring on that channel in the DAW.
@@funkytransport this is how I do it now. In Cubase there is the option to direct monitor on the channel of the daw. This was the only way I knew and thought it would be the standard way to do it. When I saw the option not available in bitwig I got frustrated because I didn't think about direct monitoring the signal outside of the daw. After I thought about it I started to use my interfaces mixer software for direct monitoring. The Cubase way is more convenient but the creative possibilities of bitwig make me stick to it.
There a several tutorial videos on the download site as well as a nice manual which explains everything in detail. If this does not help, please phrase a clear question what's your problem.
Solsbury Hill is actually in 7/4, not 5/4. (But still I second the underlying point) For 5/4 examples in pop, Dave Bennett is your man: ruclips.net/video/KQ76-WiFTlo/видео.html . But you also can find quite some of it in known film scores: ruclips.net/video/KXVtpOHQqvY/видео.html
Thanks.
Btw, Bitwig should definitely show change in tempo when modulator affects it.
For me it makes no sense that tempo oscillates, as a result of applied modulator, but Bitwig still shows the same tempo.
Nice. I always wondered how to do this, I even thought it was not possible in Bitwig, but maybe only in Logic Pro X. I also wondered this, because in some piano songs at least, the last parts of a song could be slower than the rest of the song. Like a train that slows down at the end of the journey. The same could be the intro that starts slower than the bpm of a song (the training is speeding up).
Yes, absolutely! I once did an intro for my rock band which build up from 80 bpm up 130 bpm over 5 minutes where finally the band kicked in.
I want to sync bitwig to a click track, must be doable right? maybe in the grid? Then bitwig can be synced to a tapemachine :)
That was one of the first things that came to my mind too. But so far I could not find a solution for it. Would also be interesting to sync to e.g. a live drummer. The main problem is how to set the tempo, since it can "only" be modulated but not set to a value.
One issue I have found in Bitwig is there is no direct monitoring option. Is there any workaround to that?
Not sure what you mean by "direct". Monitoring can be activated for each track even indepentdent from rec arm state.
would that not be done by your hardware? in my case if i want direct monitoring I use RME Totalmix to set this up on my interface, then turn off monitoring on that channel in the DAW.
@@funkytransport this is how I do it now. In Cubase there is the option to direct monitor on the channel of the daw. This was the only way I knew and thought it would be the standard way to do it. When I saw the option not available in bitwig I got frustrated because I didn't think about direct monitoring the signal outside of the daw. After I thought about it I started to use my interfaces mixer software for direct monitoring. The Cubase way is more convenient but the creative possibilities of bitwig make me stick to it.
Ich brauche Hilfe, um meinen launchkeyboard mk3 mit 88 keys einzustellen bei bitwig😂
There a several tutorial videos on the download site as well as a nice manual which explains everything in detail. If this does not help, please phrase a clear question what's your problem.
Solsbury Hill is actually in 7/4, not 5/4. (But still I second the underlying point)
For 5/4 examples in pop, Dave Bennett is your man: ruclips.net/video/KQ76-WiFTlo/видео.html . But you also can find quite some of it in known film scores: ruclips.net/video/KXVtpOHQqvY/видео.html
I was pretty sure that I was wrong 🤣
I like how Jürgen imagines THE REAL drummer. 😅
P.S. With this tempo tricks it's a track-hell for the DJ's.
And that is a good thing! 😁