That is what i call pure talent. Just amazing ! unbelievable cover. This is by far my best Rush song and it is so underrated. I am so glad you did that cover. It just shows how good Neil Peart's talent was and how good you are at rendering this cover. Keep on drumming!
Sterling simply an outstanding job of a simple sounding yet amazingly complex rhythm! Neil would hate this, But God bless Neil Peart and his family! I miss his articulate craft more than you will ever know! Thank you sterling! Doc David SA Tex
I think Neil overlapped 2 recordings on the studio version, because you can hear the main hi-hat pat under that concert tom pattern. So, he probably couldn’t play both at the same time. That was probably why he didn’t play it.
@@nickavenoso7851 yes. live Neil plays the tom part, and plays quarter notes with the hi hat pedal on the '&' of the beats to get a little bit of the hi hat action back in there
@@shallex5744Yes. As a drummer when I practice this song I play the hi-hat part because I can’t do both at the same time. I also meant to say overdubbed not overlapped.
Very good. Really. That intro is my favorite drum riff for any genre of music. However, agreed on the toms as pointed out by others and there is a lack of mad dog intensity that you always see with Neil. No quite enough heart there. Body language shows.
@@kisterdrums Neil triggers them with a pad live I believe. And, yes he couldn’t possibly play those two parts over each other. You are correct. It’s an overdub.
Shit, that was really good. You never realize how complicated some of these drum parts til you watch them.
Just incredible. Never could visualize the drum patterns very well on this song till now. Thanks.
That is what i call pure talent. Just amazing ! unbelievable cover. This is by far my best Rush song and it is so underrated. I am so glad you did that cover. It just shows how good Neil Peart's talent was and how good you are at rendering this cover. Keep on drumming!
Outstanding playing and equally impressive memorization of complex tracks. Sheds light on Peart's talent.
Sterling simply an outstanding job of a simple sounding yet amazingly complex rhythm! Neil would hate this, But God bless Neil Peart and his family! I miss his articulate craft more than you will ever know! Thank you sterling! Doc David SA Tex
Great work on Rushes' forgotten masterpiece.
In my Top 5 Neil tracks-all are so creative and recognizable.
That was incredible! Pure talent refined.
this guy is so good at breaking it down
Amazing!!
Great duplication, shows us how great Peart really was writing all these complicated percussion arrangements
Awsome my guy!
Excellent.
in different circles we keep spinning round and round and ,.......................................
Perfect
was really hoping to see you play the bongo/tom part at the beginning. great job though.
Me too that's my favorite part. It's when the song really kicks in.
I think Neil overlapped 2 recordings on the studio version, because you can hear the main hi-hat pat under that concert tom pattern. So, he probably couldn’t play both at the same time. That was probably why he didn’t play it.
@@nickavenoso7851 yes. live Neil plays the tom part, and plays quarter notes with the hi hat pedal on the '&' of the beats to get a little bit of the hi hat action back in there
@@shallex5744Yes. As a drummer when I practice this song I play the hi-hat part because I can’t do both at the same time. I also meant to say overdubbed not overlapped.
Nice fadeout
Amazing ... u have something solid going on?
Awesome Cover Sterling, what are the electronic sounds your using for this cover?
Beastly
I was just gonna ask some info on the kit Micheal beat me to it lets have a gear run down video great work as always
Nice.. Is that a left foot trigger on the snare effect in The chorus?
Espera aí, na música foi gravado uma segunda bateria em cima?
What brand of cymbals and drums do you use?
He said the cymbals are A custom
Zildjian A Custom cymbals and I’m pretty a TAMA Artstar Cordia kit.
Very good. Really. That intro is my favorite drum riff for any genre of music. However, agreed on the toms as pointed out by others and there is a lack of mad dog intensity that you always see with Neil. No quite enough heart there. Body language shows.
You missed a lot of tom work in the beginning nice job on the rest
The bongo part is an overdub and he couldn’t have played them both at the same time. I’m pretty sure Neil used triggers for it live.
missing the toms between 1:05 and 1:27
Those are bongos/congas lol. They’re layered over the drums anyways
@@kisterdrums Neil triggers them with a pad live I believe. And, yes he couldn’t possibly play those two parts over each other. You are correct. It’s an overdub.
that's like half of what he's playing;.
Please post the link to your attempt.
Actually, it’s a lot more than half of what he’s playing.
besides the parts Neil overdubbed, this is basically exactly what he is playing