Great presentation ! Berio is world famous and his name is in all the books . This piece is a trombone solo so trombonists need it like violinists need Bach's Chaconne .
Wasn’t it Berio who at the end of his life renounced all of his works as a waste of time. Btw I don’t think that’s true. I’m one of the weirdos who is into this stuff. Maybe it was Boulez. It is very hard to fathom the technical control and practice that went into this if you aren’t familiar with the repertoire. It’s like a sound sculpture.
It was Pierre Schaeffer, pioneer of music concrete, who said he wasted his life to find out that nothing is possible beyond Do-Re-Mi, in an Interview with Tim Hodgkinson.
@@karyonemos two different things. Bach's quote was "fa mi et mi fa est totum musicum." "Mi contra fa" was a medieval rule that prohibited two contrapuntal voices from simultaneously singing mi and fa, thus creating a cross relation or harmonic contradiction. However, by the renaissance, composers exploited this effect on purpose to create tension. 20th century music historians called it the English cadence, but it has since been found to have been employed elsewhere, such as in Franco-Flemish music.
@@karyonemos it must be noted that the medieval/renaissance system of solmization used a series of overlapping hexachordal scales of ut re mi fa sol la, begun on C F and G. The rule mi contra fa does not prohibit notes in the same hexachord a semitone apart, but rather notes across hexachords.
Excellent ! Lindberg is one of my main influences for my slide guitar playing , Thank you !
what
@@oliverdiamond6594i think you mean: ‘*wuh?*’ or ‘*why? (bewildered)*’
If this won't become a meme soon, I don't know what will
This was in my nightmares
"is this the afterlife?"
Christian is still alive!
Yes.
Damn shit cuts deep
He looks more like Grock than in some other videos. I like it, great performance
Stellar performance
we need to check out the score to this and see whether the clowning is in there, or if it's his "interpretation."
It's all there
What is existence
Sure is
Great presentation ! Berio is world famous and his name is in all the books . This piece is a trombone solo so trombonists need it like violinists need Bach's Chaconne .
Oh this is far too creepy for 3 am.
It was a tribute for a clown, so yeah.
This guy could be completely making shit up and nobody would know otherwise.
A classical musician making stuff up on the spot? No way!
Yeah everyone is hypocrite here. Go listen Papacito
Or you could like, look at the easily accessible sheet music for this piece.
@@macree01is it?
@@JonathanTheTrombonist Just did a quick google search that showed a free pdf to Berios Sequenza V on scribd as the first result.
what is sound
im-
im worried
Rest in peace ._...
Troppo bello.
Come mai? Me lo sapresti spiegare?
unbelievable
nice
Wasn’t it Berio who at the end of his life renounced all of his works as a waste of time. Btw I don’t think that’s true. I’m one of the weirdos who is into this stuff. Maybe it was Boulez. It is very hard to fathom the technical control and practice that went into this if you aren’t familiar with the repertoire. It’s like a sound sculpture.
It was Pierre Schaeffer, pioneer of music concrete, who said he wasted his life to find out that nothing is possible beyond Do-Re-Mi, in an Interview with Tim Hodgkinson.
@@karyonemos "'Mi-fa' and 'fa-mi' are all of music." - JS Bach
@@taylordiclemente5163 That sounds like the medieval mi contra fa est tota musica.
@@karyonemos two different things. Bach's quote was "fa mi et mi fa est totum musicum." "Mi contra fa" was a medieval rule that prohibited two contrapuntal voices from simultaneously singing mi and fa, thus creating a cross relation or harmonic contradiction. However, by the renaissance, composers exploited this effect on purpose to create tension. 20th century music historians called it the English cadence, but it has since been found to have been employed elsewhere, such as in Franco-Flemish music.
@@karyonemos it must be noted that the medieval/renaissance system of solmization used a series of overlapping hexachordal scales of ut re mi fa sol la, begun on C F and G. The rule mi contra fa does not prohibit notes in the same hexachord a semitone apart, but rather notes across hexachords.
Raaaarrrrr
this is so funny
la burla italiana
Why
Why not
666
I will never criticise pop music again.
what does that mean??
I will never criticize a staple of the solo trombone repertoire again. Any thoughts, Scotia?
Mais que porra foi essa que acabei de assistir?
algo que voçe não entendeu.
y tho
y not
Joker