Gil yaron. If you want something vintage inspired gil yaron. He cloned a 59 burst he did a refret on which involved removing the entire fret board from the neck. Broad caster and other stuff too. Or eastman les paul copies. Coming from someone who could go get for free an actual 1950s les paul black beauty and has handled 3 actual 58 through 60s bursts. Former neighbor is Elvis costellos guitsr tech and other former neighbor was a sound engineer and recording professional for decades. Anything vintage inspired go to gil.
I love that you were so open to something that isn't your normal or preferred guitar. Made your review more "genuine" if that makes sense? Pickups can be easily swapped out, but having the neck, body, and play ability exactly were you want it goes a long way, and is most of the battle. Very well done Andre. Thanks.
Couple points, the Novo does not transmit attack the same way the Gibson does, you dont play it hard because there is no reward. The middle position irreparably sucks because the controls do not give you the ability to blend the pups to taste. Too, if your Pups are wound opposite they will be relatively noise free in the center position, and with the Gibson controls you can get all the tones you need in the middle if necessary... almost like Gibson actually did know what they were doing?
Okay. I just gotta say: You're content is terrific! I mean, I watched your entire video all the way through, beginning to the complete end, no skips or fast forwarding as I do most other creators, enjoying it all. And just let me say, you are a great reviewer as well. Subbed. Done. 🤙🎸
Whenever I see a video with Rhett playing his Novo, that tone blows my mind… even through RUclips and computer speakers. And it’s one of the few instances where LOUD sounds good. This video of yours is excellent, and I love your open-mindedness and unexpected adoration of this guitar. I hope you continue to be pleasantly surprised by some more vintage-style guitars. I look forward to it!
Wow. This video totally makes Rhett Shull's videos completely validated. I just got a Novo, and yes, it really is THAT good....As far as comparison to vintage: YES, it does compare very well against any vintage Gibson or Fender. This is very much like a vintage guitar. Buy a Novo, and DON'T buy the budget version. Get the one you want!
@@andrefludd I could give a course on vintage guitar differences--I have played so many over the years. The 1950s Fender guitars are truly high quality. It is amazing that there is almost nothing like a guitar from the 1950s that can be beat. Compare nearly any 1950s Fender guitar to a modern one and the 50s is better. Can you say that for a car? A refridgerator? Even soap? That is what is most amazing about 1950s and 1960s quality guitars. They did it right. But if like the Serus J, you would absolutely love a 1950s Jazzmaster. No doubt about it.
@@JTHeidrick do you mean a 1959 or 60’s Jazzmaster? The first production year of the Jazzmaster was 1959 although it was introduced at the 1958 NAMM show.
@@rstats2127 when people say 50s vs 60s in guitar talk they usually mean the late 50s vs late 60s, for the case of the jazz master the 50s are probably better labeled as 58-61 and progressively turns into the 60s style the later it gets on the decade
I ordered a Select (3 months wait) Novo, after a friend brought his round, here in Australia, and I couldn't stop thinking about it, so I went ahead and mine arrived early January. Like Andre, I have never played so much guitar since I got it, it's just so damn playable and did he mention the weight? made of pine and so light. I'm not 6 foot tall as I'm a woman, yet this is the most comfortable and easy to play guitar I have ( I have a few )
Great video. I just transitioned to the American 2 strat with 7.25 radius. That might be a little extreme for you, but I always played flat radius, thin neck guitars thinking they were right for me. I play so much better with a fatter neck and 7.25 radius. I highly recommend people try it. They can be a little harder to get dialed in, but when they are, Holy cow is it comfy.
I agree. I have a custom tele with a beautiful fat neck, although still 9.5 radius, but I've played a genuine 60's JazzMaster with 7.25, and now I'm interested in the American vintage 2strats
Very insightful I’ve been kicking around the idea of a new (to me) Jaguar due to the short scale length (24 vs 25.5 inches), and obviously a Jaguar isn’t in the same class as a Novo, it was good to hear the vibrato stays in tune acceptably For me, if I buy another guitar it has to be different enough to warrant the purchase, and not just ‘oh this has humbuckers’ or whatever- and I think a 24 scale length is much different than a fender 25.5
@@andrefluddAVRI series, because the cost is within same as this Novo, amd it's also super high quality. Discontinued now, but better than the new series is by landslides. I returned only one fender in my 41 years on earth, it was a new American Vintage Jaguar. It was completely unplayable. Why? Classic bridge. Has multiple saddle groove per saddle, an exceptional uninformed boner for Leo Fender in terms of design(we all get one mistake right?) Anyways, the solve was to place a Mustang bridge in the Jaguar, because it's go one Grove and is far better at being at usable height with the floating bridge system. Funny how the top of the line models, both had to seek help from the bottom of the line model to work properly, eh? Using a Mustang bridge actually is better than a Mastery(I know it sounds crazy but hear me out) as the master has sharp as flip designs to those unsightly saddles. If you FloyRose cray with it, the strings will hit and get damaged by those sharp corners. Also, the Mustang bridge 1:1 is exactly the same in terms of what the smooth action feels like, and the saddle grooves are exactly in line with the original intended middles grooves lining up correctly to the nut and all. Anyways, hope this helps, from a Fender Fanboy who owns all makes(including the bases) amd all transition models from any era of Fender. Im a collector that has a Trogley passion for literally having a museums amount of hands on guitar history. This is my suggestion, contrary to Mike Pluisheen, the new models are superior. They simply do what the true Vintage never did.
I KNEW IT! I knew you were gonna love that guitar. I absolutely fell in love with one in about 20 minutes in a music store. I hated the color and somehow that made me love it even more. I completely understand what your trying to convey about the neck as well. It feels ultra rigid and stable, plays effortlessly, and has the charm of an old hand carved walking stick thats been used and loved for years! Its connected to majic from the past.
@@andrefludd The one that i played was a tomato soup'ish kind of color. Im no fan of red in general, especially not that shade, but i cant stop thinking about it ever since!
Brilliant twist on the relic theme.....I have never been a fan of them but your video did show the value in a guitar not depreciating with cosmetic flaws..makes sense....I like my guitar scars to have personal stories behind them...my own journey
I have a Novo Serus J. (You can opt for noiseless p90s when you order. ) Rock solid staying in tune. So comfortable to play. It’s so light. For me, the body is too big, I’m only 5’6 with small hands. So it looks funny on me I think. But man, so buttery to play. Glad you are enjoying yours.
See, I figured a smaller person might have a different view about the size and what not. Very interesting that they went with such a large body. That guitar is addictive. Now it has me looking at the Miris, I’m a sucker for an F hole and I don’t have any semi hollows…
I have the feeling we are following the same path as guitarist. I'm from your generation 91' guy here. In my early years I was just like you always on Ibanez super slick guitar, almost always looking for the perfect, neet, unchangeable guitar... and as I went through and tested so many guitars along the years I got surprised to quite like and even love traditionnal guitars, like those last few years, I ended LOVING a Mini Squier Stratocaster for .... so many and unexplicable reasons. Bodyn neck, size, colors, price. I laways though I would end with some kind of high end Music Man or Ibanez or some kind of Vigier shredding like crazy and... here I am with this mini pink strat Squier no more than 200$ and customozed and modded in every possible way. Nice content, just found out your channel today and I'm surfing throughout your content. Sol glad to see someone so obssessed with ergonomy and design.
Loved the humor and “I didn’t mean it to sound that way” looks. Great review! Really cool you found a guitar that keeps you up at night playing (I’ve seen your daily schedule regimen” video and that really must be a special guitar. Sell me the Night Fly to defray the cost (lol). Thanks again, Andre.
It’s really hard to describe certain guitar features without sounding that way haha. Thank you! Yes, I am actually considering selling a few. I have a good 5 more weeks to decide if i want to keep it.
Not gonna lie, I'm a bit envious of your Parker Fly collection. I wanted one so bad in the late '90s. I saw David Bowie in '98 on the Earthling tour. His guitarist was using a carbon fiber fly. Such a good show, I never understood why those guitars never really took off.
Extremely expensive for a brand new instrument. Several makers do this, like RKS. Totally unbelievable instruments, yet their price tag was enormous for the era(Parker fly MOJO was 4k in 99'... that's half way to custom shop from the big 2, or exactly enough to get a handful of great American Fenders or a couple Gibson then. That's likely why, because in terms of a guitar that shreds and does it all, a Parker was indeed an amazing guitar. I had a friend in high school who had one. I was jealous, but he was jealous of my vintage 69 Red Competition Mustang, which was the real deal.
Great review. You did a great job at being honest and upfront while reviewing a guitar that is generally outside of your regular comfort zone, and in turn finding something new.
Great video! Been in my recommended section for a few days and finally gave it a watch. I’ve played a few novos and everyone has been amazing. I was so impressed by them that when I could afford a slightly cheaper custom guitar (a Jennings navigator), we went with a super thin finish on a roasted pine body, and a roasted maple neck, and the mastery trem to go along with it. Despite any “flaws” they might have, the vibe and just overall craftsmanship of the novos is incredible. I hope to get one someday, and now that the select series is available, It may be sooner than I hoped!
Very interesting video. I love how you zoom in on the details. I have never heard of Novo before but now this is definitely on my wish list. I like vintage guitars and have an old Fender Jaguar but I would love to have something more… “perfect” as well. Perfect when it comes to playability, stability and details but also has charm, personality and “soul”.
By far the best review on youtube in my opinion! Since no one has ever done a proper deep dive into what makes their guitars great or better than most vintage styled or vintage inspired modern guitars out there. Your review just reinforced my interest in getting one eventually. More power to your channel! Thank you for doing this review!
I used to be very OCD about noise, I would replace single coil pickups with stacked humbuckers, P90's with stacked humbuckers. Now 30 years later, I've restored everything to it's original state, because I realised that nothing sounds as good as the original single coils and P90's. I just turn off the volume between playing parts. Some artists are very good at this. In a band mix, noise is hardly noticeable enough to worry about.
WE dream of modern perfect guitars. Thank you for the video, Sir. Expertly made. 7:48 Smart, there is definitely too much playing. To my brain, 10 sec max or I just zone out. 10:16 Philip Sayce is bae 19:54 😂 31:20 oooooooooooh, it's always a mystery with your videos. Love it.
And I would love to see you go the other route a cheap version of something you always wanted.. I love the harley benton build guality is pretty good and honestly a lot better than you would expect at there prices.
If you liked the attention to detail on this guitar, the next vintage-style guitar you should try is the MacMull Stinger. It feels vintage although it’s a new form. It’s also extremely lightweight. I’m sure you’ll love it
Loved the review. You mention many of the same points that drew me to the Thorn SoCal R/S. Ron Thorn is now the principal master builder at Fender, but has been building his own guitars for years... and has an attention to detail beyond anything I've ever seen. He pioneered the inlayed fret (no exposed fret ends even on a one-piece neck), mine has a contoured heel and the neck pocket is key shaped so when the neck is bolted on with machine screws, it cannot twist or shift in the pocket. The MannMade bridge and block are cut from one big solid block. The contour around the saddles (Mann co-designed the PRS tremolo) has more meat on the bass side for your hand to rest against. Even floating, it's stable and returns to pitch. Mine was lightly aged in the factory, and even when I sweat on it during long outside gigs, if some paint flakes off, or I ding it on stage... it's like your favorite pair of worn in jeans with the hole in the knee! ☮❤🎶
Learning about your hate of noise was interesting.... I've played 4 Novos and owned a very early Fano also made by Dennis Fano before he sold that company.....Novo absolutely know what they are doing. They build tremendous guitars. They kill it with necks.......the secondary/used market got crazy for them for a while, but prices are starting to come back down a bit..... as far as relicing...... when I got my first Fano JM6 in 2008..... it was relic'd... I wasn't sure if I'd like it... but it felt so good, so broken in... and looked super cool.... I'm fine buying perfect new or relic'd now...... but now when my perfect guitar gets bumped or scratched I don't care at all....... that model new would be about 3300 now....... and wait times are about a year now.
Fret edges may develop due to wood shrinkage... I have a guitar that has fret sprout, and I actually love it -- they tell me where I am, to be able to feel the fret edges....
I’m like you on the perfection thing but I just got into offsets with that style of vibrato which has helped me ease up off that. I still can’t do a heavy relic like Rhett’s Novo but I could do that one. Don’t know if I’m ready for that price point so I’ve been waiting for the Pro 2 Jazzmasters to show up in stores, but in the meantime I got a Squier 40th anniversary vintage edition Jazzmaster. I’m gonna swap out the electronics and probably put a Mastery bridge/vibrato, or just the vibrato, but I love the feel of it. The neck feels flatter than Fenders C shape and it’s not too thick or too thin. The vintage tuners are growing on me so I may not get locking ones. And the placement and subtlety of the vibrato arm is perfect for keeping it in my hand the entire time I’m playing.
@@Airhead348 true but you do have to put a couple of winds on them. I know it’s not much but I just want to get back to playing as quick as possible lol
So your pickup question: your pickups are not noise cancelling in the middle position either which is either because: they are not reverse wound reverse polarity or they are wired out of phase. Judging by the quacky wah like sound I am guessing those pickups are wired out of phase. I have a mustang with on-off-on that you can change the phase and the quacky cocked wah EQ is exactly what you're hearing. Fralin P90s can be had without hum canceling as well so I may be wrong but its my best guess.
Excellent review. I'm in the "vintage spec with modern playability" camp. I don't like noiseless pickups and only play single coils. I put in a slightly low but fair offer on a mint Novo Serus J back in August thinking it wouldn't be accepted... it was, and I cannot imagine a more perfect guitar for me. It instantly became my #1. I set my amp slightly dirty and use the volume knob to clean it up - the first guitar I've ever owned that I can truly do that without losing too much high end. I don't use any pedals at all except for a Strymon Flint because I can't live without reverb. The Fralin p90s are fantastic and aside from the vibrato tip not being stock when I got it (I ordered an anodized tip directly from Mastery) I am not touching it. The nut, bridge and vibrato are flawless and it stays in tune better than my Telecaster. I can't say enough about how light, resonant, playable, and well-built it is. You're bang on about the fretwork - it's flawless. I wish it had stainless frets and I've lightened up my touch a bit because the thought of some schmuck refretting it keeps me up at night. These things retail for about what a Custom Shop Tele goes for, yet are built by a handful of folks one at a time and you get so much more. I am extremely grateful for owning one of these and my search for the perfect guitar for me is over. I'm selling everything else. It does everything I want it to do. Love that color combo by the way!
@@andrefludd I wouldn't say I got a "deal" but just about everything is marked up to the stratosphere these days and it was more than a fair price. I will never part with that guitar. Ever. Look forward to checking out more of your content. Well done
2:07 bro I hear you RE the Unwanted string noise!! It’s annoying AF when you are in studio settings. Instead of tape, I use a frett wrap (for behind the nut) and cut up sponge 🧽 for the bridge / trem gap and springs in the back cavity. Compress the 🧽 when your setting it in and it will give you a bit of tolerance for any movement from temperature change etc
I know I've asked before but I'm guessing others may be curious, what 8s do you use? Not a ton of options. I play 9s cause they're plentiful with many options. But I can see the benefits to 8s. I used to put electric strings in my acoustics as a kid cause I couldn't get used to stiff strings that I couldn't bend😂 people are asking 2000$+ for nf's now. Even more for certain models like the stealth or southern
Ernie ball extra slinky are my go to because they are the cheapest. When I’m working on a lot of big bends and more extensive trem stuff, Ernie ball extra slinky reinforced. They are only like 1-2$ more, but the unwound strings never break at the ball end. When I was going through a bb king phase, I broke an e string every other day until I found those. I also like daddario nyxl a lot, but they can be pricey.
One word about new "relic" guitars. By offering the instrument with a light relic finish the guitar can sail through the final QC inspection. For a manufacturer to painstakingly build 100s to 1000s of guitar flawlessly there is bound to be much rework that is normally worked into the hours needed for the build. Offer the same instrument in a light relic finish and many fewer hours (on average) will be spent building said guitar/instrument.
This is my second video of yours that I’ve seen. I really like your idiosyncratic approach to guitar. The fact that you experience things that are not in your wheelhouse without hesitation and without diminishing other people’s style, opinions and outright weirdness. These are reviews that I can digest and form opinions of my own. I’m going to call my guitar shop guy and see if he can get one of these for me to try out. He did that with a G&L Asat recently.
The photo of the Ventures playing Stratocasters inspired me to start playing guitar. I wonder if the same thing would have happened if they were dressed like Fred Flintstone playing Novo guitars.
Have watched many of Your videos, but not until You said You have 8's on that Guitar, did I feel compelled to Subscribe, You're My New Guitar Fraternity Brother.
Check out Xotic guitars! Very same vibe as Novo, nitrocellulose lacquer, stainless or nickel frets, aged however you want it, roasted flame maple necks, gotoh hardware etc. They are insane!
@@andrefludd Yeah! Their pedals are incredible too, I have the BB pre, it's EXCEPTIONAL, but their guitars are something else too! I am biased because I'm their builder but truly, they are great guitars. I'm partial towards the XTC, the tele shape. I'm not a tele guy but the pickups XOTIC designed for its tele are undoubtedly some of the best. No noise cancelling but the neck pickup is just mind bendingly good
Great video once again, I recently got to play a couple Novos for the first time and they are remarkable guitars, the big yet lightweight pine bodies are so comfortable, and the different pickup/bridge combinations they offer provide for an excellent palette of vintage yet modern tones. I'm sure you'll be able to find a quieter, more articulate set of P90s to swap in if you desire. I'm really glad that this guitar could give you a whole new perspective on your instrument as a whole, we often box ourselves in and don't take risks, but sometimes an new style of instrument will speak to you. As for other vintage-style instruments to check out, I would suggest looking for Jerry Jones or even some of the modern reissue Danelectros, they can be set up to play very well and offer a really unique tone and feel. I recently acquired a Jerry Jones Guitarlin (31 frets!) and it plays very smoothly across its extended range, with a great slim neck. I'd gladly loan it to you if you'd like 😊 Your perspective on relics is one I've not considered before, and is a very good point, I've also considered that it's a logical decision for smaller builders to make, that way small blemishes or dings that a guitar might accumulate during production don't relegate a new instrument to costly corrective repairs before it even leaves the shop.
Hey Chris, your Jerry Jones Guitarlin sounds awesome. If you are still interested feel free to shoot me an email, Andre fludd music at gmail. Thanks for the offer!
Just discovered your channel and really like your approach and format for guitar reviews. I prefer more traditional guitars and after watching other players positive comments about Novo guitars, including Rhett Schull’s, I am seriously considering purchasing one. Thanks for your observations and thoughts. Regarding your epiphany on relic guitars, if you ever scratch one of yours and decide to sell it you can list it as lightly relic-ed and ask for top dollar.
Cool video. Interesting how opinions can change. You may want to take a look at BilT guitars (in Des Moines). They make similar guitars as novo, but different, more original in my opinion. And they are completely custom, with a 6 month-ish wait.
The trem system is noisy, but I've seen a video and done myself on my cheap Squier jazzmaster trem. Just sanded off rough edges off the pivoting metal plate inside the trem. And paying extra for relic does not make sense, the relic jobs are usually don't look natural, just weird. Regarding the trem arm, if you don't like the angle, just use some tools like pliers and hammer, to bend it to the angle you like.
I'm usually more of a Strat style guy, but I got a cheap mustang copy guitar that has a similar vibrato unit as this guitar here and it also stays in tune really well and is really comfortable to use. As far as vintage style vibrato units go, this style might be the best. You can obviously set Strat style vibratos to be floating, and they do work better that way, but I find it takes longer to set up properly. I think you're right about relic guitars as well, never thought about it like that before but it makes sense
You have to try a Kauer guitar. I have a 2020 Starliner Express and it's the best guitar I've ever played. I plan on getting a Kauer Banshee in the near future. My advice if you go this route is to go from 2020 to now models. Everything is pleked from that era and they do it better than anyone. It's the cleanest, fastest boutique vintage guitar you can get.
Great respect for how you review in both your details and justifications, as in “that’s how crazy I am.” Funny that my first view of your channel (today) was your Rock Beato signature model, and the second is about Rhett’s guitar. As I’ve learned to do my own set ups and repairs (humbly, still learning on low-risk beaters), I’m soaking-in your depth like a sponge. IFF you read this… dare I pop for sending out my 1988 Strat Plus for a SS refret and Plek job for a reasonable $275.00? Seems like a great idea bc I’m not quite ready to do myself.
You should check out a Suhr JM Pro with noiseless P90s. Offset body, I prefer the TOM bridge for tuning stability, stainless frets, locking tuners. It’s amazing and based on your feedback in the video I think you would love it.
Andre, thank you for being such an unflinchingly honest gear reviewer. to the point of owning your own bias. this is so helpful to those of us without your experience and expertise. cutting through the mountains of bs out there is impossible without this sort of info. thank you as well for your precise and comfortable great playing. something else to aspire to... steve
Most factory relic guitars are nitrocellulose finished meaning that if you so desired you can reshoot the nitro and the old and new nitro will blend not that anyone would do this but you could with a nitro finish way easier than a poly etc... Also while nitro wears off easier than poly you don’t get big chucks chipping off so the wear is more “stylish”
Instead of changing pickups because of the noise factor, would you consider using an Electro-Harmonix Hum DeBugger or some other brand of hum eliminator? I'm having some noise issues with the pair of Lollar P-90's in my Forshage Orion when using just one pickup. I absolutely love the tones of these P-90's, it's one of the reasons I chose the guitar over another Orion with humbuckers. So.. seriously considering the EHX pedal. Best regards, Glenn
Ya, the Jazzmaster trem and mastery bridge is the best out there in my opinion. I don't play metal, so no need for a Floyd rose, plus I think they look tacky. I can go crazy on my Jazzmasters trem system and it stays in tune so well. The ergonomics are also amazing. You should give a nice Jazzmaster a try. The body may be a little smaller, but is very similar. Also Jazzmaster pickups are my favorite. Shout out to Sunday handwound pickups. I put his "iola" Jazzmaster set in my guitar and they're amazing.
As a guitar tech, you can just swap in a Mustang Bridge, and then you're there in terms of smooth action and playability. Pops in as same dimensions, and it's perfect for that Fender trem. I have both the Mastery and Mustang bridges on my examples. I had an itch and got a mastery to find that it was unnecessary, the Mustang bridge did the job without anything else needed. Exact same stability, actually. I'm sure and aftermarket Mustang bridge would be cheaper still, and as long as it's quality, would again be cheaper and worth it, imo, over the Mastery. I think too many people are fans of Sonic Youth, who swore by them, but had no idea of the Mustang swap and its same results. Spend less on bridges, spend more on effects to sound shoegaze with my method.
Also, a Jazmmaster in sont smaller, the Novo is. It's similar to a Reverend Jetstream, actually, which is the same width as a Strat but looks bigger due to its shape. It's actually not really bigger. Thicker yes, but not a larger silhouette.
@@caiusmadison2996 I put a mastery on my first Jazzmaster and it was all around fantastic. I built a parts Jazzmaster a few years later and tried the mustang bridge. It worked fine, but because the guitar had a compound radius, I missed having the ability to adjust the individual height of each saddle. I ended up swapping to a mastery on the parts build to test out and I noticed the tuning stability was better than it was with the mustang bridge on both guitars. That's just my experience and I don't think there's any issue with using a mustang bridge on jags and Jazzmasters. The biggest downside to mastery is the price, but the quality is top notch. I haven't tried staytrem, but I know people love those too. I ended up getting a mastery bridge for the parts build later and haven't looked back.
Awesome guitar, it sounds like that be could be wired “out of phase” in the middle position , like the peter green les paul was wired Love that you can appreciate a guitar so out from your comfort zone
Excellent review! I really enjoyed this video. It is also awesome to hear the insights of a person of color when “guitars” are so often seen as a White male passion. Thank you!
Maybe try a Rickenbacker, so long as you find a neck you like, they are beautifully built & great sounding guitars that even when new feel vintage as the designs basically haven’t changed for over 50 years.
I play mostly the blues. And rhythm in my church. I’m far from a guitar expert or tone chaser. But I am all about playability and cool looks. Very simplistic. But I do collect guitars. Recently got a fender Japanese aerodyne strat and a schechter cali classic. Maybe not blues guitars but they almost play themselves. So I’m not the guy that buys vintage style stuff usually. But I think based on this video I’m gonna buy a novo. These are unreal videos!
Not surprised you're bonding well with that type of vibrato. If you like quiet pickups and you don't mind going along the "put it together yourself" route - if you can find some, perhaps consider the Hofner 513 blade pickups from the 1970s. They're the quietest most hi-fi sounding pickups I have. Interesting you are a flat wound guy. I've had two guitars where the strings were so squeaky that flatwounds were the solution. Yet on others, the exact same strings don't squeak. Both the guitars I had that problem with had microphonic pickups. I ended up selling one of them on. Still have the other and it still has flats.
Regarding the both pickups together position - It sounds like the pickups are wired out-of-phase. Should be easy to reverse that and have them in-phase.
Those pickups are RW/RP from each other for hum canceling when in the middle position. It's possible that might be contributing to the sound you don't care for in the middle position (although I couldn't hear it). Maybe a traditionally wound set would suit you better
@@andrefludd I take it back. After watching more of your videos a Phoenix may not work because trem options would be limited. They're also expensive unless you can find one built during the PBG era (mine is this and cost 1750 used). Music Man / Sterling guitars might be a good place to look. I have a JP6 w/piezo, which I love, but is very modern and the neck would be too thin for you. They have other things like the Albert Lee and the Mariposa that are more vintage-vibey but still nontraditional. I recommend them because their trem systems are great in my experience.
I had a similar experience when I bought my Yamaha Revstar. I bought it mainly for the p90 pickups. But that thing plays so freaking well! I'm still trying to figure out what it is, but I'm just faster on it. And it's so cheap. Feel like I stole it :D
Over the past 54 years I've owned at least14 very nice Electric guitars. I've had most of the major brands higher priced models and some of their more affordable ones. What I learned was no matter what guitar model you'd like to have, there are very few that will fit your hands and body. Due to size of the neck, fretboard, body and the weight. It has to satisfy your sense of comfort. No matter how great it may look or or sound if it doesn't play and feel comfortable you won't really enjoy playing it for long.
I’m curious as to what you think of the PSR Vela? If you haven’t already reviewed it, I think it might be right up your alley. It’s PRS’s only offset that I know of. Vernon Reid plays one. Perfect marriage of vintage inspired style and tone with PRS’s renowned construction and reliability.
Like this channel as you're the perfectionist I am. Try inserting foam in the pickup cavities of humbuckers, it will fatten up tone as Satriani and Vai do. The best cheap guitar I have in terms of fit and finish, one piece body, highly resonant is the PRS S2 satin. I have the double cut model and I did have to change 3 things as the korean parts are the problem, not the wood or fit and finish which are USA done. Changed pickups, the saddles with titanium ones and the capacitor as the .33 prs comes with makes them dark, jazzy sounding. A .22 paper and oil did the job. PS: I tested 12 types of capacitor materials before landing on this one. Sounds just like old Gibsons melody makers. I did change the tuners with schallers but they made everything sounding very dark, moved back to the originals.
Bro, you got me on that one. I’m a big guy 6’4’’ 250lbs and small body are great but they don’t look good on me. I understand why Hetfield and Mustaine play V and explorer they are 6 and higher. The neck too my Les Paul Tranditional got a baseball bat and I love it.
I love how the "Relics are always in mint condition" is a revelation :) This is I think the 3rd review I've watched. Interesting takes. Constant contradictions.
There made from materials very close to old fender teles from the fifties pine bodies and quarter sawn maple all roasted and then hand picked for weight . They definitely ring loud and resonate against the body . Massive head stock more mass more sustaine
Sweet. My number 1 was a Parker Fly throughout the 1990s.... I no longer have it which is a bummer and now my number 1 is a prs cu24... It kinda blows my mind that you have 8s on that.
Hi Andre. A very good and thorough review. I personally like slightly smaller and slimmer necks with at least a 10" profile - (I've owned a few Parker Fly Deluxe models and Steinbergers) - and based on your review I don't think the guitar would be for me, but it's always nice to see someone who knows what they're talking about going "in-depth" with guitars I haven't had the opportunity to play or even see living in Ireland..
Great review! Very curious about your thoughts on Rivolta compared to Novo. Been debating on getting multiple cheaper guitars or just getting another Novo. Also still waiting on that Mayones update, is that still happening?
I'm glad I got my Serus J before Novo really took off. Oh, they were on their way, but I paid nowhere near 5k and that was with blocks, binding, sweet metallic ice blue, mastery and Lollar minis HBs. She's one of my favorites for sure. Oh, and rock-solid tuning stability too.
Kinman Zero Hum pickups, J. Mascis has changed all his Fender guitars including his Custom shop Jazzmaster’s to Kinman zero hum pickups. I have Kinman’s in most of my strats. Cheers
You're right about relic and nitro finish guitars. I guess this should have been obvious, but maybe it isn't if you're not a regular guitar dealer or whatever. The relic and nitro finish guitars really are better investments in many cases if scratches, dings, and road wear aren't going to hurt their value. Anybody who has seriously played a guitar for any length of time realizes that it's almost impossible to keep it in pristine condition to retain its resale value. The Novo seems like a killer guitar, but then again, it better be for what it cost!
I love your openess and enthusiasm on this video. Will subscribe and will check out your courses too. Nb I just experienced a Novo Solus F2. It blew me away!
I guess it's worth to someone if that's their dream guitar. Some people think my modulus graphite quantum five at 2600 bucks was too much. It wasn't too much for me. I thought it was worth every penny.
![Megan Thee Stallion - Neva Play (feat. RM) [Official Video]](http://i.ytimg.com/vi/TpYTyAaTRts/mqdefault.jpg)
Here’s an update!:
ruclips.net/video/wl1y_7v96_I/видео.html
Gil yaron. If you want something vintage inspired gil yaron. He cloned a 59 burst he did a refret on which involved removing the entire fret board from the neck.
Broad caster and other stuff too.
Or eastman les paul copies. Coming from someone who could go get for free an actual 1950s les paul black beauty and has handled 3 actual 58 through 60s bursts. Former neighbor is Elvis costellos guitsr tech and other former neighbor was a sound engineer and recording professional for decades.
Anything vintage inspired go to gil.
I love that you were so open to something that isn't your normal or preferred guitar. Made your review more "genuine" if that makes sense? Pickups can be easily swapped out, but having the neck, body, and play ability exactly were you want it goes a long way, and is most of the battle.
Very well done Andre. Thanks.
Thanks for your comment!
Couple points, the Novo does not transmit attack the same way the Gibson does, you dont play it hard because there is no reward. The middle position irreparably sucks because the controls do not give you the ability to blend the pups to taste. Too, if your Pups are wound opposite they will be relatively noise free in the center position, and with the Gibson controls you can get all the tones you need in the middle if necessary... almost like Gibson actually did know what they were doing?
Bruh the best part of having a relic/beat up guitar is that you can play it, travel with it and just enjoy it and not stress if it gets scratches etc.
Okay. I just gotta say: You're content is terrific!
I mean, I watched your entire video all the way through, beginning to the complete end, no skips or fast forwarding as I do most other creators, enjoying it all.
And just let me say, you are a great reviewer as well.
Subbed. Done. 🤙🎸
Wow, thanks! I appreciate it!
Whenever I see a video with Rhett playing his Novo, that tone blows my mind… even through RUclips and computer speakers. And it’s one of the few instances where LOUD sounds good. This video of yours is excellent, and I love your open-mindedness and unexpected adoration of this guitar. I hope you continue to be pleasantly surprised by some more vintage-style guitars. I look forward to it!
Thank you :)!
And it's Rhett's HEAVIEST guitar weighing about 9 pounds, even more than his Les Paul - but still his favorite guitar!
Wow. This video totally makes Rhett Shull's videos completely validated. I just got a Novo, and yes, it really is THAT good....As far as comparison to vintage: YES, it does compare very well against any vintage Gibson or Fender. This is very much like a vintage guitar. Buy a Novo, and DON'T buy the budget version. Get the one you want!
Do you currently own other vintage guitars? I’d love to hear a bit more in terms of what you like about each?
@@andrefludd I could give a course on vintage guitar differences--I have played so many over the years. The 1950s Fender guitars are truly high quality. It is amazing that there is almost nothing like a guitar from the 1950s that can be beat. Compare nearly any 1950s Fender guitar to a modern one and the 50s is better. Can you say that for a car? A refridgerator? Even soap? That is what is most amazing about 1950s and 1960s quality guitars. They did it right. But if like the Serus J, you would absolutely love a 1950s Jazzmaster. No doubt about it.
@@JTHeidrick do you mean a 1959 or 60’s Jazzmaster? The first production year of the Jazzmaster was 1959 although it was introduced at the 1958 NAMM show.
@@rstats2127 when people say 50s vs 60s in guitar talk they usually mean the late 50s vs late 60s, for the case of the jazz master the 50s are probably better labeled as 58-61 and progressively turns into the 60s style the later it gets on the decade
What is this ? Hideous guitar club?
I ordered a Select (3 months wait) Novo, after a friend brought his round, here in Australia, and I couldn't stop thinking about it, so I went ahead and mine arrived early January. Like Andre, I have never played so much guitar since I got it, it's just so damn playable and did he mention the weight? made of pine and so light. I'm not 6 foot tall as I'm a woman, yet this is the most comfortable and easy to play guitar I have ( I have a few )
Great video. I just transitioned to the American 2 strat with 7.25 radius. That might be a little extreme for you, but I always played flat radius, thin neck guitars thinking they were right for me. I play so much better with a fatter neck and 7.25 radius. I highly recommend people try it. They can be a little harder to get dialed in, but when they are, Holy cow is it comfy.
Sounds awesome!
I agree. I have a custom tele with a beautiful fat neck, although still 9.5 radius, but I've played a genuine 60's JazzMaster with 7.25, and now I'm interested in the American vintage 2strats
Very insightful
I’ve been kicking around the idea of a new (to me) Jaguar due to the short scale length (24 vs 25.5 inches), and obviously a Jaguar isn’t in the same class as a Novo, it was good to hear the vibrato stays in tune acceptably
For me, if I buy another guitar it has to be different enough to warrant the purchase, and not just ‘oh this has humbuckers’ or whatever- and I think a 24 scale length is much different than a fender 25.5
as I go down this new rabbit hole, I’m pretty sure a jaguar style guitar with the scale length is coming.
@@andrefluddAVRI series, because the cost is within same as this Novo, amd it's also super high quality. Discontinued now, but better than the new series is by landslides. I returned only one fender in my 41 years on earth, it was a new American Vintage Jaguar. It was completely unplayable. Why? Classic bridge. Has multiple saddle groove per saddle, an exceptional uninformed boner for Leo Fender in terms of design(we all get one mistake right?) Anyways, the solve was to place a Mustang bridge in the Jaguar, because it's go one Grove and is far better at being at usable height with the floating bridge system. Funny how the top of the line models, both had to seek help from the bottom of the line model to work properly, eh? Using a Mustang bridge actually is better than a Mastery(I know it sounds crazy but hear me out) as the master has sharp as flip designs to those unsightly saddles. If you FloyRose cray with it, the strings will hit and get damaged by those sharp corners. Also, the Mustang bridge 1:1 is exactly the same in terms of what the smooth action feels like, and the saddle grooves are exactly in line with the original intended middles grooves lining up correctly to the nut and all. Anyways, hope this helps, from a Fender Fanboy who owns all makes(including the bases) amd all transition models from any era of Fender. Im a collector that has a Trogley passion for literally having a museums amount of hands on guitar history. This is my suggestion, contrary to Mike Pluisheen, the new models are superior. They simply do what the true Vintage never did.
I KNEW IT! I knew you were gonna love that guitar. I absolutely fell in love with one in about 20 minutes in a music store. I hated the color and somehow that made me love it even more. I completely understand what your trying to convey about the neck as well. It feels ultra rigid and stable, plays effortlessly, and has the charm of an old hand carved walking stick thats been used and loved for years! Its connected to majic from the past.
You were right, Steven! I also don’t like this aged Olympic white color. But idc haha
@@andrefludd The one that i played was a tomato soup'ish kind of color. Im no fan of red in general, especially not that shade, but i cant stop thinking about it ever since!
Brilliant twist on the relic theme.....I have never been a fan of them but your video did show the value in a guitar not depreciating with cosmetic flaws..makes sense....I like my guitar scars to have personal stories behind them...my own journey
I do too! I think it’s good to at least have a couple guitars you don’t plan on ever selling. Like owning Vs leasing a car.
I have a Novo Serus J. (You can opt for noiseless p90s when you order. ) Rock solid staying in tune. So comfortable to play. It’s so light. For me, the body is too big, I’m only 5’6 with small hands. So it looks funny on me I think. But man, so buttery to play. Glad you are enjoying yours.
See, I figured a smaller person might have a different view about the size and what not. Very interesting that they went with such a large body. That guitar is addictive. Now it has me looking at the Miris, I’m a sucker for an F hole and I don’t have any semi hollows…
I have the feeling we are following the same path as guitarist. I'm from your generation 91' guy here.
In my early years I was just like you always on Ibanez super slick guitar, almost always looking for the perfect, neet, unchangeable guitar... and as I went through and tested so many guitars along the years I got surprised to quite like and even love traditionnal guitars, like those last few years, I ended LOVING a Mini Squier Stratocaster for .... so many and unexplicable reasons. Bodyn neck, size, colors, price.
I laways though I would end with some kind of high end Music Man or Ibanez or some kind of Vigier shredding like crazy and... here I am with this mini pink strat Squier no more than 200$ and customozed and modded in every possible way.
Nice content, just found out your channel today and I'm surfing throughout your content. Sol glad to see someone so obssessed with ergonomy and design.
Your review reveals how much thought and craftsmanship went into the guitar, well done.
Loved the humor and “I didn’t mean it to sound that way” looks. Great review! Really cool you found a guitar that keeps you up at night playing (I’ve seen your daily schedule regimen” video and that really must be a special guitar. Sell me the Night Fly to defray the cost (lol). Thanks again, Andre.
It’s really hard to describe certain guitar features without sounding that way haha. Thank you! Yes, I am actually considering selling a few. I have a good 5 more weeks to decide if i want to keep it.
@@andrefludd nice to know you have time to decide. But it’s great you have a guitar keeping you up at night.
Not gonna lie, I'm a bit envious of your Parker Fly collection. I wanted one so bad in the late '90s. I saw David Bowie in '98 on the Earthling tour. His guitarist was using a carbon fiber fly. Such a good show, I never understood why those guitars never really took off.
Extremely expensive for a brand new instrument. Several makers do this, like RKS. Totally unbelievable instruments, yet their price tag was enormous for the era(Parker fly MOJO was 4k in 99'... that's half way to custom shop from the big 2, or exactly enough to get a handful of great American Fenders or a couple Gibson then. That's likely why, because in terms of a guitar that shreds and does it all, a Parker was indeed an amazing guitar. I had a friend in high school who had one. I was jealous, but he was jealous of my vintage 69 Red Competition Mustang, which was the real deal.
I'm not a musician but I do like the idea of modern, well thought out, instruments.. Guitars that stay in tune.. well.
Me too!
Great review. You did a great job at being honest and upfront while reviewing a guitar that is generally outside of your regular comfort zone, and in turn finding something new.
Thank you!
Talk about a fantastic, in-depth review of this instrument without any of the sales speak you hear from some reviewers.
Thank you. The only thing I want you to buy is my courses at andrefludd.com/courses ;)
Great video! Been in my recommended section for a few days and finally gave it a watch. I’ve played a few novos and everyone has been amazing. I was so impressed by them that when I could afford a slightly cheaper custom guitar (a Jennings navigator), we went with a super thin finish on a roasted pine body, and a roasted maple neck, and the mastery trem to go along with it. Despite any “flaws” they might have, the vibe and just overall craftsmanship of the novos is incredible. I hope to get one someday, and now that the select series is available, It may be sooner than I hoped!
Thanks for the support!
Very interesting video. I love how you zoom in on the details. I have never heard of Novo before but now this is definitely on my wish list. I like vintage guitars and have an old Fender Jaguar but I would love to have something more… “perfect” as well. Perfect when it comes to playability, stability and details but also has charm, personality and “soul”.
By far the best review on youtube in my opinion! Since no one has ever done a proper deep dive into what makes their guitars great or better than most vintage styled or vintage inspired modern guitars out there. Your review just reinforced my interest in getting one eventually. More power to your channel! Thank you for doing this review!
Thank you!
I used to be very OCD about noise, I would replace single coil pickups with stacked humbuckers, P90's with stacked humbuckers. Now 30 years later, I've restored everything to it's original state, because I realised that nothing sounds as good as the original single coils and P90's. I just turn off the volume between playing parts. Some artists are very good at this. In a band mix, noise is hardly noticeable enough to worry about.
That’s true. In the context of a band these noises aren’t an issue usually but since I play mostly solo it’s really annoying
WE dream of modern perfect guitars. Thank you for the video, Sir. Expertly made.
7:48 Smart, there is definitely too much playing. To my brain, 10 sec max or I just zone out.
10:16 Philip Sayce is bae
19:54 😂
31:20 oooooooooooh, it's always a mystery with your videos. Love it.
Thanks, Joe! I appreciate the support! I’ll keep them coming haha.
Loved the chef's kiss for the nut cut. This is so important and it's often overlooked. Almost no manufacturer gives you a nut that is perfectly done.
This, equipped with Filtertrons is my dream guitar. I've only ever played one, and that was years before I ever heard of Novo.
And I would love to see you go the other route a cheap version of something you always wanted.. I love the harley benton build guality is pretty good and honestly a lot better than you would expect at there prices.
Well I have a less expensive version of the Novo, the Rivolta I’ll be showing Friday!
If you liked the attention to detail on this guitar, the next vintage-style guitar you should try is the MacMull Stinger. It feels vintage although it’s a new form. It’s also extremely lightweight. I’m sure you’ll love it
I’ll give it a look! Thanks!
I love your sense of humor and attention to detail.
Thank you :)
I actually though about the guitar preserving its value due to the relic, but the fact you mentioned it made me more aware of it. Good point!
Thank you!
Loved the review. You mention many of the same points that drew me to the Thorn SoCal R/S. Ron Thorn is now the principal master builder at Fender, but has been building his own guitars for years... and has an attention to detail beyond anything I've ever seen. He pioneered the inlayed fret (no exposed fret ends even on a one-piece neck), mine has a contoured heel and the neck pocket is key shaped so when the neck is bolted on with machine screws, it cannot twist or shift in the pocket. The MannMade bridge and block are cut from one big solid block. The contour around the saddles (Mann co-designed the PRS tremolo) has more meat on the bass side for your hand to rest against. Even floating, it's stable and returns to pitch. Mine was lightly aged in the factory, and even when I sweat on it during long outside gigs, if some paint flakes off, or I ding it on stage... it's like your favorite pair of worn in jeans with the hole in the knee! ☮❤🎶
Love learning! I’m going to look into Ron Thorn. I love people who are good at their job. Thank you!
Doc, I totally enjoy your videos! Love the comprehensive specificity and attention to detail you have on everything you review.
Thank you, Bill!
Learning about your hate of noise was interesting.... I've played 4 Novos and owned a very early Fano also made by Dennis Fano before he sold that company.....Novo absolutely know what they are doing. They build tremendous guitars. They kill it with necks.......the secondary/used market got crazy for them for a while, but prices are starting to come back down a bit..... as far as relicing...... when I got my first Fano JM6 in 2008..... it was relic'd... I wasn't sure if I'd like it... but it felt so good, so broken in... and looked super cool.... I'm fine buying perfect new or relic'd now...... but now when my perfect guitar gets bumped or scratched I don't care at all....... that model new would be about 3300 now....... and wait times are about a year now.
I miss someone like you. In my town. It could be so great to hear stories like this one from such a crazy perfectionist! 😅 Thank you ❤
I’ll continue to share this stories on RUclips :)
Fret edges may develop due to wood shrinkage... I have a guitar that has fret sprout, and I actually love it -- they tell me where I am, to be able to feel the fret edges....
I’m like you on the perfection thing but I just got into offsets with that style of vibrato which has helped me ease up off that. I still can’t do a heavy relic like Rhett’s Novo but I could do that one. Don’t know if I’m ready for that price point so I’ve been waiting for the Pro 2 Jazzmasters to show up in stores, but in the meantime I got a Squier 40th anniversary vintage edition Jazzmaster. I’m gonna swap out the electronics and probably put a Mastery bridge/vibrato, or just the vibrato, but I love the feel of it. The neck feels flatter than Fenders C shape and it’s not too thick or too thin. The vintage tuners are growing on me so I may not get locking ones. And the placement and subtlety of the vibrato arm is perfect for keeping it in my hand the entire time I’m playing.
Yea the fender offsets I’ve tried were def respectable for the price. You might not even need to swap the bridge.
Vintage tuners are already locking tuners. They're the best
@@Airhead348 true but you do have to put a couple of winds on them. I know it’s not much but I just want to get back to playing as quick as possible lol
@@andrefludd true. It seems to be better than the stories I heard about it before I bought it.
A good friend of mine is acquainted with Dennis Fano.. if you can get one built by Dennis, they're killer.. great video 👍
Thank you! Yea this guitar is something special.
So your pickup question: your pickups are not noise cancelling in the middle position either which is either because: they are not reverse wound reverse polarity or they are wired out of phase.
Judging by the quacky wah like sound I am guessing those pickups are wired out of phase. I have a mustang with on-off-on that you can change the phase and the quacky cocked wah EQ is exactly what you're hearing.
Fralin P90s can be had without hum canceling as well so I may be wrong but its my best guess.
Thanks, Greg!
16:20 It depends who's owned it. A scratched guitar played/owned by a notable player is actually more valuable because there's a story to it.
interested in your take on "Iconic" guitars like what Joshua de la Victoria plays especially with their vintage style guitars with modern necks
Excellent review. I'm in the "vintage spec with modern playability" camp. I don't like noiseless pickups and only play single coils. I put in a slightly low but fair offer on a mint Novo Serus J back in August thinking it wouldn't be accepted... it was, and I cannot imagine a more perfect guitar for me. It instantly became my #1. I set my amp slightly dirty and use the volume knob to clean it up - the first guitar I've ever owned that I can truly do that without losing too much high end. I don't use any pedals at all except for a Strymon Flint because I can't live without reverb. The Fralin p90s are fantastic and aside from the vibrato tip not being stock when I got it (I ordered an anodized tip directly from Mastery) I am not touching it. The nut, bridge and vibrato are flawless and it stays in tune better than my Telecaster. I can't say enough about how light, resonant, playable, and well-built it is. You're bang on about the fretwork - it's flawless. I wish it had stainless frets and I've lightened up my touch a bit because the thought of some schmuck refretting it keeps me up at night. These things retail for about what a Custom Shop Tele goes for, yet are built by a handful of folks one at a time and you get so much more. I am extremely grateful for owning one of these and my search for the perfect guitar for me is over. I'm selling everything else. It does everything I want it to do. Love that color combo by the way!
Yep. These are special guitars. No other way to put it! I'm glad you got a nice deal on yours!
@@andrefludd I wouldn't say I got a "deal" but just about everything is marked up to the stratosphere these days and it was more than a fair price. I will never part with that guitar. Ever. Look forward to checking out more of your content. Well done
2:07 bro I hear you RE the Unwanted string noise!! It’s annoying AF when you are in studio settings. Instead of tape, I use a frett wrap (for behind the nut) and cut up sponge 🧽 for the bridge / trem gap and springs in the back cavity. Compress the 🧽 when your setting it in and it will give you a bit of tolerance for any movement from temperature change etc
I know I've asked before but I'm guessing others may be curious, what 8s do you use? Not a ton of options. I play 9s cause they're plentiful with many options. But I can see the benefits to 8s. I used to put electric strings in my acoustics as a kid cause I couldn't get used to stiff strings that I couldn't bend😂 people are asking 2000$+ for nf's now. Even more for certain models like the stealth or southern
Ernie ball extra slinky are my go to because they are the cheapest. When I’m working on a lot of big bends and more extensive trem stuff, Ernie ball extra slinky reinforced. They are only like 1-2$ more, but the unwound strings never break at the ball end. When I was going through a bb king phase, I broke an e string every other day until I found those. I also like daddario nyxl a lot, but they can be pricey.
One word about new "relic" guitars.
By offering the instrument with a light relic finish the guitar can sail through the final QC inspection.
For a manufacturer to painstakingly build 100s to 1000s of guitar flawlessly there is bound to be much rework that is normally worked into the hours needed for the build.
Offer the same instrument in a light relic finish and many fewer hours (on average) will be spent building said guitar/instrument.
Another great point!
This is my second video of yours that I’ve seen. I really like your idiosyncratic approach to guitar. The fact that you experience things that are not in your wheelhouse without hesitation and without diminishing other people’s style, opinions and outright weirdness. These are reviews that I can digest and form opinions of my own. I’m going to call my guitar shop guy and see if he can get one of these for me to try out. He did that with a G&L Asat recently.
The photo of the Ventures playing Stratocasters inspired me to start playing guitar. I wonder if the same thing would have happened if they were dressed like Fred Flintstone playing Novo guitars.
Have watched many of Your videos, but not until You said You have 8's on that Guitar, did I feel compelled to Subscribe, You're My New Guitar Fraternity Brother.
While I'm still not on board with reliced guitars, this is the first time I've heard a good argument for it. Great analysis as always!
Nice, I like the way you review guitars.. its extensive but in a good way
Thank you!
I have to say, your attention to detail gives me a run for my money, and I'm just not used to that! Never gets old, I love this review!!!
Check out Xotic guitars! Very same vibe as Novo, nitrocellulose lacquer, stainless or nickel frets, aged however you want it, roasted flame maple necks, gotoh hardware etc. They are insane!
Hmmm is it the same guys who make the pedals?
@@andrefludd Yeah! Their pedals are incredible too, I have the BB pre, it's EXCEPTIONAL, but their guitars are something else too! I am biased because I'm their builder but truly, they are great guitars. I'm partial towards the XTC, the tele shape. I'm not a tele guy but the pickups XOTIC designed for its tele are undoubtedly some of the best. No noise cancelling but the neck pickup is just mind bendingly good
This channel should blow up, great review.
Share the videos so we can both see it happen :)!
Great video once again, I recently got to play a couple Novos for the first time and they are remarkable guitars, the big yet lightweight pine bodies are so comfortable, and the different pickup/bridge combinations they offer provide for an excellent palette of vintage yet modern tones. I'm sure you'll be able to find a quieter, more articulate set of P90s to swap in if you desire. I'm really glad that this guitar could give you a whole new perspective on your instrument as a whole, we often box ourselves in and don't take risks, but sometimes an new style of instrument will speak to you. As for other vintage-style instruments to check out, I would suggest looking for Jerry Jones or even some of the modern reissue Danelectros, they can be set up to play very well and offer a really unique tone and feel. I recently acquired a Jerry Jones Guitarlin (31 frets!) and it plays very smoothly across its extended range, with a great slim neck. I'd gladly loan it to you if you'd like 😊
Your perspective on relics is one I've not considered before, and is a very good point, I've also considered that it's a logical decision for smaller builders to make, that way small blemishes or dings that a guitar might accumulate during production don't relegate a new instrument to costly corrective repairs before it even leaves the shop.
Hey Chris, your Jerry Jones Guitarlin sounds awesome. If you are still interested feel free to shoot me an email, Andre fludd music at gmail. Thanks for the offer!
Just discovered your channel and really like your approach and format for guitar reviews. I prefer more traditional guitars and after watching other players positive comments about Novo guitars, including Rhett Schull’s, I am seriously considering purchasing one. Thanks for your observations and thoughts. Regarding your epiphany on relic guitars, if you ever scratch one of yours and decide to sell it you can list it as lightly relic-ed and ask for top dollar.
Cool video. Interesting how opinions can change. You may want to take a look at BilT guitars (in Des Moines). They make similar guitars as novo, but different, more original in my opinion. And they are completely custom, with a 6 month-ish wait.
I was looking a Bilt last night actually! Very interesting looking guitars.
@@andrefludd I got a custom SS Zaftig last year. It’s a special guitar. I just got a matching BilT amp too :)
Second this! I want a Volare a lot
I put surgical tubing in my trem springs and it silences them perfectly. Outer diameter 5mm. You can get a few metres of it for a few quid
Thanks for the idea!
@@andrefludd new subscriber, thank you for your content!
I really appreciate your view point and reviews. I’m a non-modern guitar guy, so your perspective really means something.
Thank you!
I just got a Serus J and my mind is outside of my head!!!! These guitars are so damn nice it should be illegal!!!
The trem system is noisy, but I've seen a video and done myself on my cheap Squier jazzmaster trem. Just sanded off rough edges off the pivoting metal plate inside the trem. And paying extra for relic does not make sense, the relic jobs are usually don't look natural, just weird. Regarding the trem arm, if you don't like the angle, just use some tools like pliers and hammer, to bend it to the angle you like.
Thanks for the tips!
I'm usually more of a Strat style guy, but I got a cheap mustang copy guitar that has a similar vibrato unit as this guitar here and it also stays in tune really well and is really comfortable to use. As far as vintage style vibrato units go, this style might be the best. You can obviously set Strat style vibratos to be floating, and they do work better that way, but I find it takes longer to set up properly.
I think you're right about relic guitars as well, never thought about it like that before but it makes sense
I'm still figuring out which I like more. I'm going to do an update eventually.
Late, but if you want a less sensitive tremolo system, you can usually add more springs which will increase the force you need to use
No I like it super sensitive haha.
You have to try a Kauer guitar. I have a 2020 Starliner Express and it's the best guitar I've ever played. I plan on getting a Kauer Banshee in the near future. My advice if you go this route is to go from 2020 to now models. Everything is pleked from that era and they do it better than anyone. It's the cleanest, fastest boutique vintage guitar you can get.
I’m check it out thanks!
Great respect for how you review in both your details and justifications, as in “that’s how crazy I am.” Funny that my first view of your channel (today) was your Rock Beato signature model, and the second is about Rhett’s guitar. As I’ve learned to do my own set ups and repairs (humbly, still learning on low-risk beaters), I’m soaking-in your depth like a sponge. IFF you read this… dare I pop for sending out my 1988 Strat Plus for a SS refret and Plek job for a reasonable $275.00? Seems like a great idea bc I’m not quite ready to do myself.
this is really selling me on saving up for a novo. wow. all of the positive things you said are the things that are important to me. wow.
You should check out a Suhr JM Pro with noiseless P90s. Offset body, I prefer the TOM bridge for tuning stability, stainless frets, locking tuners. It’s amazing and based on your feedback in the video I think you would love it.
Andre, thank you for being such an unflinchingly honest gear reviewer. to the point of owning your own bias. this is so helpful to those of us without your experience and expertise. cutting through the mountains of bs out there is impossible without this sort of info. thank you as well for your precise and comfortable great playing. something else to aspire to... steve
I would love to hear your thoughts on an Eastman electric, especially one of the Juliets. I feel like it’s a great modern-vintage guitar.
I also want to try them
Most factory relic guitars are nitrocellulose finished meaning that if you so desired you can reshoot the nitro and the old and new nitro will blend not that anyone would do this but you could with a nitro finish way easier than a poly etc... Also while nitro wears off easier than poly you don’t get big chucks chipping off so the wear is more “stylish”
Thanks for the info!
Instead of changing pickups because of the noise factor, would you consider using an Electro-Harmonix Hum DeBugger or some other brand of hum eliminator? I'm having some noise issues with the pair of Lollar P-90's in my Forshage Orion when using just one pickup. I absolutely love the tones of these P-90's, it's one of the reasons I chose the guitar over another Orion with humbuckers. So.. seriously considering the EHX pedal. Best regards, Glenn
I vibed the eff out of this one! I'm glad you were pleasantly surprised!
Ya, the Jazzmaster trem and mastery bridge is the best out there in my opinion. I don't play metal, so no need for a Floyd rose, plus I think they look tacky. I can go crazy on my Jazzmasters trem system and it stays in tune so well. The ergonomics are also amazing. You should give a nice Jazzmaster a try. The body may be a little smaller, but is very similar. Also Jazzmaster pickups are my favorite. Shout out to Sunday handwound pickups. I put his "iola" Jazzmaster set in my guitar and they're amazing.
As a guitar tech, you can just swap in a Mustang Bridge, and then you're there in terms of smooth action and playability. Pops in as same dimensions, and it's perfect for that Fender trem. I have both the Mastery and Mustang bridges on my examples. I had an itch and got a mastery to find that it was unnecessary, the Mustang bridge did the job without anything else needed. Exact same stability, actually. I'm sure and aftermarket Mustang bridge would be cheaper still, and as long as it's quality, would again be cheaper and worth it, imo, over the Mastery. I think too many people are fans of Sonic Youth, who swore by them, but had no idea of the Mustang swap and its same results. Spend less on bridges, spend more on effects to sound shoegaze with my method.
Also, a Jazmmaster in sont smaller, the Novo is. It's similar to a Reverend Jetstream, actually, which is the same width as a Strat but looks bigger due to its shape. It's actually not really bigger. Thicker yes, but not a larger silhouette.
@@caiusmadison2996 I put a mastery on my first Jazzmaster and it was all around fantastic. I built a parts Jazzmaster a few years later and tried the mustang bridge. It worked fine, but because the guitar had a compound radius, I missed having the ability to adjust the individual height of each saddle. I ended up swapping to a mastery on the parts build to test out and I noticed the tuning stability was better than it was with the mustang bridge on both guitars. That's just my experience and I don't think there's any issue with using a mustang bridge on jags and Jazzmasters. The biggest downside to mastery is the price, but the quality is top notch. I haven't tried staytrem, but I know people love those too.
I ended up getting a mastery bridge for the parts build later and haven't looked back.
Awesome guitar,
it sounds like that be could be wired “out of phase” in the middle position , like the peter green les paul was wired
Love that you can appreciate a guitar so out from your comfort zone
Cool, thanks!
Excellent review! I really enjoyed this video. It is also awesome to hear the insights of a person of color when “guitars” are so often seen as a White male passion. Thank you!
As per usual, your detail and analysis is so entertaining man.
Thank you!
Maybe try a Rickenbacker, so long as you find a neck you like, they are beautifully built & great sounding guitars that even when new feel vintage as the designs basically haven’t changed for over 50 years.
I'd love to try one in 2023!
I play mostly the blues. And rhythm in my church. I’m far from a guitar expert or tone chaser. But I am all about playability and cool looks. Very simplistic. But I do collect guitars. Recently got a fender Japanese aerodyne strat and a schechter cali classic. Maybe not blues guitars but they almost play themselves. So I’m not the guy that buys vintage style stuff usually. But I think based on this video I’m gonna buy a novo. These are unreal videos!
Not surprised you're bonding well with that type of vibrato.
If you like quiet pickups and you don't mind going along the "put it together yourself" route - if you can find some, perhaps consider the Hofner 513 blade pickups from the 1970s. They're the quietest most hi-fi sounding pickups I have.
Interesting you are a flat wound guy. I've had two guitars where the strings were so squeaky that flatwounds were the solution. Yet on others, the exact same strings don't squeak. Both the guitars I had that problem with had microphonic pickups. I ended up selling one of them on. Still have the other and it still has flats.
Very interesting. Never heard of those pickups. I’ll have to do some research. Thanks!
why is your trem spring mounting plate crooked? It shouldnt be that way.
Regarding the both pickups together position - It sounds like the pickups are wired out-of-phase. Should be easy to reverse that and have them in-phase.
That was my thought as well.
Those pickups are RW/RP from each other for hum canceling when in the middle position. It's possible that might be contributing to the sound you don't care for in the middle position (although I couldn't hear it). Maybe a traditionally wound set would suit you better
Thanks for that!
In terms of vintagey but modern, I'd say check out a B3 Phoenix. I have one and LOVE it. Good heel joint, great craftsmanship, excellent vibe.
Thanks for the tips!
@@andrefludd I take it back. After watching more of your videos a Phoenix may not work because trem options would be limited. They're also expensive unless you can find one built during the PBG era (mine is this and cost 1750 used).
Music Man / Sterling guitars might be a good place to look. I have a JP6 w/piezo, which I love, but is very modern and the neck would be too thin for you. They have other things like the Albert Lee and the Mariposa that are more vintage-vibey but still nontraditional. I recommend them because their trem systems are great in my experience.
I had a similar experience when I bought my Yamaha Revstar. I bought it mainly for the p90 pickups. But that thing plays so freaking well! I'm still trying to figure out what it is, but I'm just faster on it. And it's so cheap. Feel like I stole it :D
Your Revstar as good as this 5K-piece if not better. Well choice. Boutique is a hoax.
I'd be interested in a review of Lucky Dog Guitars from you. They seem like this but more specifically fender style.
Over the past 54 years I've owned at least14 very nice Electric guitars. I've had most of the major brands higher priced models and some of their more affordable ones. What I learned was no matter what guitar model you'd like to have, there are very few that will fit your hands and body. Due to size of the neck, fretboard, body and the weight. It has to satisfy your sense of comfort. No matter how great it may look or or sound if it doesn't play and feel comfortable you won't really enjoy playing it for long.
That is very true. I’ve had guitars with nice necks and the body just ruined the feel for me.
I’m curious as to what you think of the PSR Vela? If you haven’t already reviewed it, I think it might be right up your alley. It’s PRS’s only offset that I know of. Vernon Reid plays one. Perfect marriage of vintage inspired style and tone with PRS’s renowned construction and reliability.
I didn’t know they had on offset! Thanks I’ll check it out.
Like this channel as you're the perfectionist I am. Try inserting foam in the pickup cavities of humbuckers, it will fatten up tone as Satriani and Vai do. The best cheap guitar I have in terms of fit and finish, one piece body, highly resonant is the PRS S2 satin. I have the double cut model and I did have to change 3 things as the korean parts are the problem, not the wood or fit and finish which are USA done. Changed pickups, the saddles with titanium ones and the capacitor as the .33 prs comes with makes them dark, jazzy sounding. A .22 paper and oil did the job. PS: I tested 12 types of capacitor materials before landing on this one. Sounds just like old Gibsons melody makers. I did change the tuners with schallers but they made everything sounding very dark, moved back to the originals.
Thanks for the tips and support!
24:42 I had a similar issue on my Firebird... try adjusting the pickup heights (perhaps lowering the bridge) and that might clear it up.
Thanks!
Bro, you got me on that one. I’m a big guy 6’4’’ 250lbs and small body are great but they don’t look good on me. I understand why Hetfield and Mustaine play V and explorer they are 6 and higher. The neck too my Les Paul Tranditional got a baseball bat and I love it.
I love how the "Relics are always in mint condition" is a revelation :) This is I think the 3rd review I've watched. Interesting takes. Constant contradictions.
Thank you :).
There made from materials very close to old fender teles from the fifties pine bodies and quarter sawn maple all roasted and then hand picked for weight . They definitely ring loud and resonate against the body . Massive head stock more mass more sustaine
Tons of sustain and resonance that is for sure!
Sweet. My number 1 was a Parker Fly throughout the 1990s.... I no longer have it which is a bummer and now my number 1 is a prs cu24... It kinda blows my mind that you have 8s on that.
Yep. 8's on everything solid body. I will throw a 45 and 35 on the E and A sometimes though.
Hi Andre. A very good and thorough review. I personally like slightly smaller and slimmer necks with at least a 10" profile - (I've owned a few Parker Fly Deluxe models and Steinbergers) - and based on your review I don't think the guitar would be for me, but it's always nice to see someone who knows what they're talking about going "in-depth" with guitars I haven't had the opportunity to play or even see living in Ireland..
I’m glad I could help!
Great review! Very curious about your thoughts on Rivolta compared to Novo. Been debating on getting multiple cheaper guitars or just getting another Novo. Also still waiting on that Mayones update, is that still happening?
Yep, they still have to mail it back. They are changing tuners, nut, mild fret work, plek, and a refinish.
@@andrefludd Woah! That is some customer service right there. GGs to Mayones.
Yep, that’s the point of a relic … Ideal if you are going to take it on the road.
I'm glad I got my Serus J before Novo really took off. Oh, they were on their way, but I paid nowhere near 5k and that was with blocks, binding, sweet metallic ice blue, mastery and Lollar minis HBs. She's one of my favorites for sure. Oh, and rock-solid tuning stability too.
Kinman Zero Hum pickups, J. Mascis has changed all his Fender guitars including his Custom shop Jazzmaster’s to Kinman zero hum pickups. I have Kinman’s in most of my strats. Cheers
I have a pair of Kinman pickups as well! A strat set, but I’m not really into strats so I’m selling them.
You're right about relic and nitro finish guitars. I guess this should have been obvious, but maybe it isn't if you're not a regular guitar dealer or whatever. The relic and nitro finish guitars really are better investments in many cases if scratches, dings, and road wear aren't going to hurt their value. Anybody who has seriously played a guitar for any length of time realizes that it's almost impossible to keep it in pristine condition to retain its resale value. The Novo seems like a killer guitar, but then again, it better be for what it cost!
I love your openess and enthusiasm on this video. Will subscribe and will check out your courses too. Nb I just experienced a Novo Solus F2. It blew me away!
They are beautiful instruments. Was just looking at a miris I really want…
I guess it's worth to someone if that's their dream guitar. Some people think my modulus graphite quantum five at 2600 bucks was too much. It wasn't too much for me. I thought it was worth every penny.
Fair point!