A Saxophone Lesson in Harlem - Jason Marshall on Baritone Sax
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- Опубликовано: 8 июл 2024
- #bettersax #saxophone #jasonmarshall
Jay Metcalf interviews baritone saxophonist Jason Marshall.
Visit jasonmarshalljazz.com for Jason's recordings and performance updates.
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I love the advice of starting off playing too loud as a bari player in big band contexts... a loud bari adds sooooo much swank to the sound!
I messed up and accidentally made the lowest jazz band at my school out of FOUR freshman year. I had low skill on bari but high confidence and you know what that means...
Yessirrr
@@dncovjsbeicj woah it's the VGM man
Oven Reese VGM?
This is why my band director wanted to move me to bari at first I wanted tenor but then I’ve grown to love the bari as my favorite instrument however some of our altos transferred schools I had to stay on alto
It's so refreshing to listen to someone who knows what they are talking about. I can listen to Jason all day.
Little things like the interviewer shutting up and listening, the lighting, the shading breaks, staging, editing are so good. A nice discussion on vintage instruments. Jason Marshall was terrific. Love this video.
Thanks for noticing the small things.
Couldn't have said it better
Just bought a bari. This video couldn’t have come at a better time
Apollo360XD I just bought a Mendini by Cecilio for around 1700 (including shipping and taxes) it’s great! I’ve been playing sax for 20 years and despite it’s lower price it plays very well.
I really like the fact that he said there’s no reason to play a vintage saxophone. I’ve felt this way for a long time and agree whole heartedly. I also really like that he mentions the importance of Leo Parker!
Love seeing this! Jason and I used to play in the Afro Latin Jazz Orchestra together and I used to play in Jason’s big band at Smoke Jazz Club NYC on Monday nights several years back. He’s one of the first saxophonists I got to connect with after I moved to NYC and I’ve always been really grateful that I got to learn so much from playing next to him.
Jason has seriously matured over the years!
Interesting story!
Jason is one of, if not the best low sax players I've ever heard, and he is the only one I've heard giving the best advice for bari players.
I love what he said about his mom singing to him for 18 years. I understand that your sound on the sax is like 90% what you hear in your head, and i had a theory that part of my sound comes the fact that my mom sang to me as a baby, and that it was engrained in my memory and comes out through my horn somewhat.
Wide opening and 4 reeds. My God. No wonder he says we don't put enough air through it. Doubt I would get a sound out of it. LoL.
Great player! Great advice!
After he discussed air and extra articulation, I immediately realized why certain bari players sound "right" to me.
Have played with Jason off and on in a big band for years , and he has grown exponentially since I first met him. A really good man and musician.......
Ya know, Jay, you are a great interviewer. You listen, you absorb, understand, and say just enough. Beautiful. Thank you for another great video.
much appreciated.
I really enjoyed the interview with Jason Marshall. He is a great contemporary baritone player and he can articulate his deep understanding of the bari. Leo Parker is a legend and we don't hear his name often enough. Thanks Jay
Jason really made the ideas of all of his sound inspirations/reference points very clear. He really dropped a ton of knowledge in a short amount of time.
Like if you're part of Bari gang BOI
Ya BOI!
Yessir
REEEEEEEE
Gang gang
When he started talking about the altissimo range and he said you can overblow a Bb to be F# and B natural to be a G kinda blew my mind. lmao this is what I get for not learning overtones.
it's very hard IMO at least on my tenor but if you have a high F# key, you can use it to make vent and the altissimo F# and G will be super easy with Bb/B, just add the high F#.
I can definitely hear the loud tip opening with the hard reed. Very focused sound that projects in a very good way.
I like what he said that his mother sang to him everyday! That’s awesome man! Great interview!
Bro Jason Marshall has been one of my favorite sax players for the longest time HOW HAVE I NOT SEEN THIS
Still the best bari sax video on RUclips
Great interview. I'm not a Bari player, but very very valuable info. My take aways: 1. Listen, 2. develop your musical "diet", 3. no custom mpcs, 4. I need to check out modern horns. I play vintage Selmers, 5. Jason Marshall is a badass player and really good guy. Thanks Jay and thanks Jason
I played bari for three years in college and didn't much like it. I wish we had youtube back then so I could have known more about how to play it better. It's not just a matter of switching from alto to bari, there's a lot of technique that I needed to be taught.
He listed off a lot of great players. I'll add in Denis Diblasio, whose albums used to be very hard to find, but I just noticed they're available on Spotify now. Also, the band Morphine with Dana Colley on bari. Great rock band where the bari sax is more or less substituting the guitar if it were a normal rock band situation. The album "Cure for Pain" has a lot of good bari riffs.
Many years ago when I was first hired as a staff musician in a dinner theatre sax section (2nd tenor, but it applies to all saxes in the section) with a full big band, the lead alto came over to welcome me, and he said the following "play up to me, but don't play over me". That's what I did, and I became a regular in the section! Needless to say, I also followed his phrasing, etc. just like Jason is talking about here.
Loved this. So comprehensively explained. I’m a former professional bass trombonist and started playing bari a little over 3 years ago xx
Leo Parker - yes, yes and yes. He was one of the first jazz bari players I listened to and while he may not have been one of the "giants," it's nice to see Marshall recognize Parker's presence on the horn.
Awesome! Thank you so much!! I've been playing Bari sine 1980. Everything he said is so true. I swam, so I had big lungs. My best friend was our Alto play and I always listened to him for direction.
Such a great interview. Thank you again!
Bruce Williams played his interview with you at jazzhouse kids.
He's a super cool dude.
Probably the best interview to date! Thanks you guys! :)
More cowbell? NO! We want more bari sax!
This was fantastic Jay...I could listen to Jason for hours. I play Alto and Tenor but learned a ton from this short conversation...bring Jason back
When I first played Bari in high school, I attended a university clinic where the Bari guy told me "if you can double your lung capacity, it still won't be good enough to master this horn...but you have to try." He gave me breathing and chest expansion exercises and told me to always have cardiovascular fitness to keep enough air in my brain to finger the horn while most of the air went to the horn.
I started on alto and play a little soprano as well but I can't get over how good the Bari is when you can get steady air going through it at the bottom of the horn...right at the bass of the bell. You blow air towards THAT part, not the top. I found from practice that air is the key for keeping the horn warm and in tune...if you can't get air through it, it'll never warm up.
I will be watching this video about 10x and taking extensive notes. Jason Marshall is a master among us.
Great sound, he is not afraid to play!
As a bari player i am
always disappointed by others’ airy light sound in any notes aside from Bb or low A
I loooooooooove Jason's stance on vintage instruments. As a college student in the '80s I was subject to coveting instruments from the '50s and '60s. I love my MK VI tenor, but it's an unsustainable mindset. With CNC machinery, there is tremendous consistency throughout a levels of instruments. Don't play anything you can't replace!!! Also, so good to have someone else talk about NOT having a reed ritual. Hear! Hear!
Whooo!! I love this interview. Wow!! Jason Marshall is deep. Truth be told I didn't know anything about Jason. I am now a huge fan and look forward to following him.
Excellent! Saw Jason with Arturo O'Ferrill in NYC in 2012 and his sound powered the whole sax section-huge!Absolutely agree most sax players don;t use enough air,including myself.Playing bari made me use more air...
Great Video .. I went to jazz camp . Nick Brignola was one of our teachers !!
BEEN WAITING FOR BARI SAX CONTENT!! THANK YOU!!
2:14 I fully agree as a bari player, support the section, and especially the lead alto.
This is exactly what I wanted😎 thank you for bari Sax content. I vote for bari Sax Saturday’s. Also finally some clear straightforward bari Sax altissimo fingerings
I play bari sax in jazz band and marching band and this video helped me and I love bari sax content.
This is so awesome! Jason is the best! 😁
So cool, man! So glad to see Jason.
Yes sir Brother Marshall!
Love these lessons !! Jason is THE MAN!
@Steve Kortyka Yours will be the next one!
Better Sax awesome!! 💯🎷
I really enjoyed that, and what a character!! And some really good advice!
Great interview. Very informative. Love Jason’s playing.
Excellent interview and lots of great information!!! ❤🙏🏽
Love the bari content. Been a bari-only player for a year and a half, but I just bought a tenor today. It’s amazing, but I suspect bari will always be my first love.
Maestro Jason is the man, one of the great heroes. Thanks Jay for the interview!!
Enjoyed your vid w/Jason Marshall. I’m sure I’ll be watching this one again. There was a lot of info for all sax players to digest. Thanks for another great session!
“Sax players are good looking ones” LOL. Thanks Jay, awesome interview!
Really great insights! Learned a lot!
Amazing interview. Thanks.
Very good video. Such a beautiful and resonant sound
Now this is what I call a collaboration!!!
Wow! What an incredible breadth of insights!
This was a great interview🎷🙏🏽
i see a video about the bari i CLICK
especially because i miss playing it, great video :)
A lot of helpful observations from Jason . Thanks M
I completely agree with his point of view on vintage instruments.
As a (beginning) upright bass player his insight into "bass cleft" instruments was really exciting. Thanks!!!
love your vids!
Like a few others you've done, I appreciate the thoughts on musicianship, and the role of the particular instrument in service of the music.
What an impressive range!
this is a great lesson. Thank you.
Great conversation. Bari is my favorite.
Very Informative interview with awesome tips to play by.
That was great!!!!
I thoroughly enjoyed this interview. Great information. You have a relaxed interview style that allowed the guest to really open up and share his insights. Just purchased a baritone a couple of weeks ago this information will help in my journey. Bravo!
Thank you so much for this video! Without it I would have never listened to Leo Parker. His sound on the bari is so beautiful and big, it makes me want to leave work right now an go practice and study hard all day long!
Great decision to speak with Jason. Incredible virtuosity and loved his playing with Roy Hargrove big band on Jason's composition, Ms. Garvey, Ms. Garvey. Bought his chart. Great writing great playing. First note on his solo sounds like an alto it's a crisp clear double high D! Great interview. This is hip.
Jay and Jason !! I have a Bari on order. My first Bari ! Haven't played one since High Skool ! (been playing Alto and Tenor since then) -->> Thank you Jay - You are my new Saxophone Instructor. (haven't had one since 1986) . . . and You, Jason - "You have to have percussion in the attack, ..." That is, thus far (only at 5:02 in the vid yet) one of the best dialogues on this topic. Thanks for keeping that forefront. I swear that has worked for me on playing the B-flat Tenor lower register to jam with upper guitar, and as duly noted, also our also beloved Alto Sax ! So - I do stick with the drummer when doing the lower on Tenor "low lines" because my guitar players love to jam to that (My typical quip to befriend new Drummers: "Hey - Are we the only ones doing any physical labor here ? . . . we are sweating are chops off - they are all chilling - no need to barely breathe with all that electrical stuff ? :)
Thank you!
Definitely gonna try putting my ligature farther down on the reed to help my low notes
Wow, Amazing
I have to watch this more times to absorb this wisdom! Bari is a dream to me. I run a Yamaha series 62 alto from the mid ‘80s I got new. I played it all over Europe on tour and, here. I dig vintage horns. Probably because many are in my price range to try out. I played the Selmers. Love them but, my YAS-62 won out on the trials back then. The Selmer Super Action 80 was the new deal at the time comparably. I tried it. Liked it but, the feel and, sound wasn’t what I was going for. It’s really all personal opinion at the time you are in. I might feel differently at my age and, taste now.
Great to hear his input on playing bari in a section. My concept as always been "lead from the bottom"
I love the advice about putting more air into the saxophone. I will remember that the next time I buy a new saxophone.
My first saxophone was an old Martin alto in a Conn alto case. My brother bought it from a pawn shop. It was a pretty straight forward easy horn to play, considering I was a beginner. I had no idea how old it was but it held up and played well. I found out years later that it had been lacquered. It was originally a silver horn. I sold it for $45.00. It deprecated quite a bit.
I love Bari! This man whales! So cool! Thanks for sharing.
That painting though 🎨👌
4:48 so true. Good description of the "why".
Yeah, Jason!
Cool ! Most of these subjects interest me even though I don’t play much Bari (or anything else for that matter) !
Fantastic
A really great video and interview! Thanks a lot!
Glad you enjoyed it!
@@bettersax Thank you for your kind reply. By the way, are you ever planning on doing anything about the ii-V-I changes? I see learning licks for those changes as my next step in my praticing routine (I'm working on arpeggiating through maj7, dom7, min7 and half-diminished7 now in all keys to have all chordtones present in my fingers when I see a chord) and I really don't know where to start. Get a book and memorize and play around with the licks presented there or transcribe solos - or both (gee, If you're a family dad like me, when? Where's the spare time?)? Since you are a pro player, I am sure you did this as well and could share your experience (please!!)...
In my formative years in the 80’s I spent 1.5 years getting comfortable with a Rico Royal 5 on a 70’s Brillhart Level Aire 9*. The first few months were darn tough and I kept going back to a 5* but ultimately was worth it. Even back then the Yamaha 52 I saved up for was so much more enjoyable to play then the old Conn (lady engraving on bell) I learned on.
8:42 I would pay to see Jason and Matt Stohrer (pro vintage horn repair tech) discuss vintage vs modern horns, bc both of them are incredibly persuasive--and probably both correct in the specifics of their opinions.
Jason is great !!! Would love to see a lesson with Leo P.
The studio I went to way back was all Conn and King. I miss my Conn Alto. Am planning on going back to it, God willing.
Man this guy is the boss.
Great video! I wish he would have slowed down on the altissimo fingerings or shown a diagram, haha! I had to back up 8 times to write it down. I have a growing collection of different baritone player's favorite altissimo fingerings and I like to try them out to see which I like best on my horn. What a great interview! Thank you for having him.
A good place to start is with alto altissimo fingerings, I use the same more or less on bari.
@Ross May ooh, I'll check it out. Thank you!
@@bettersax Thanks, that'll be helpful! I more or less have what works, but I was taught by my father who is a tenor player so there have always been a few that I needed to tweak here and there.
I started with alto fingerings as well & modified what I use to end up pretty close to his examples. Had to add a key or remove a key here & there as the altissimo resonance & intonation is completely different from alto to bari. These notes above the break can be played VERY loud. Love the points about air, playing loud, & locking into the bass trombone. In classical concert bands in my view you should lock into the tuba & sometimes euphonium (which is a tenor tuba). Great interview with great insights!
Right on so true everything he said !!!!
What a sound!!!!
Find your best match, then go down 1 and a half so you can play sick. Fantastic experience advise.
Awesome video keep it up!!
Thanks!
beautiful
A Mark VI baritone is the sound, man. Modern horns can sound outstanding, and it's what I play (Yani). If I could afford a Mark VI, no question, it's what I would have. I'll admit, they're somewhat more likely to have intonation issues, but not only have I played one adjusted to within an inch of its life and know how easy they can feel, but I've listened blind half a dozen times to different players each testing different horns in one sitting, I can almost always pick out the Mark. P. Mauriat horns acoustically are fairly even, with a decent tone quality, but it's a little spread, and they're gonna go out of adjustment about every 3 months; Taiwanese horns get better every day, but there are still some corners cut.
I'll love to see soon a chat between James Carter and Jay
Me too!
Great!