It's ALL About The MIXDOWN!
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- Опубликовано: 11 июл 2024
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please more vlogs like these !
This is such a welcome down-to-earth approach.
So many nowadays seem to focus on limiters and stuff just... to make it louder.
While in fact, it's about conscious decisions to be made.
To put emphasis on those elements, you as the producer want to make stand out!
The secret to a great production, is a great song.
The secret to a great mixdown, is a great production.
The secret to a great master, is a great mixdown.
What is difference between producing and mixing? lol
@@brianm2022mixing is the levels and clarity. Very low creativity. The production is the actual arrangement and making of the track.
Man wish I had this blog back in the day to visual what the first 50 pages of the LBL Forum was talking about. I feel like the first hundred pages of the Forum kept addressing this topic but as a newbie I could never in-vision it. This really gives you a visual on those pages. By the way who the hell is BLVD?
Great tips for house music and etc… people need to understand an EDM mixdown is very genre specific.
Yes. I see a lot of mixing tutorials from engineers that work with rock or pop, and their advice just doesn't work for a lot of electronic music. They tend to focus on tones of instruments or voice, and the final mix is much lower in LUFS and higher dynamic range.
Randomly just what I was looking for today. Love these tutorials key up the good work.
This tutorial is so simple but HUUUUUGE in my arsenal from now on, wow!
I was watching this, pausing, and going back to some of my tracks and hearing what I need to fix, and keep in mind in the future for my productions. Now that I have a framework to work around.
Thank you so much, Luke!
Thanks Luke keep em coming
Ik weet niet hoe het met de rest van je kijkers zit maar ik heb deze vlogs het liefst! Soort 2.0 versie van je forum. Heb daar altijd veel tips en tricks uit kunnen halen. Tof in ieder geval om te zien dat je nog steeds bezig bent. WE CAN NOT GET ENOUGH! ❤️
Thank you so much for doing this! You helped me a lot in many situations
Thank you sir.
More vlogs like these needed! (I also like the traveling-to-a-gig vlogs those are fun). Guys you think he does all this vlogging and editing himself? IM SO LAZY
Yes, he does the vlogging and editing himself. He has been doing it himself since the beginning.
@@HarshKapadia how do u know? It seemed like it from his comments and from some clips he showed. He seems like the techie type
@@mrsleepyshow I've been watching him for some time now and he has mentioned it a few times.
Very simple instructions, thanks!
I love when a dj and producer this famous like you makes video like this this. Thank you.❤
Amazing im gonna use this every mix you have helped me so much over the years thanks so much
Epic video Luke. Thanks for the knowledge!
Amazing tips! Love these types of tutorials. Your new track gives me some Jewelz and Scott Sparks vibes!
Jewelz and Sparks*
This is GOLD!!!!
Amazing stuff, thank you!
Love it!
Excellent!
Thanks, Luke!
One of my best teachers! 🙌
Thanks
Great video 💪🏻
dank je, goeie uitleg!
Really great video
More studio tips please! :)
it's actually funny how usefull this was, I can use limiters, clippers, compressors, fancy stereo enhancers, mid-side dynamic eq 'n shit, but what really makes me sweat is still the balancing. People see it as so self evident that they usually don't make any tutorials on it.
I'm sure you already have Friday's vid already made. But would love to hear about how Kong became a thing on Revealed with Carta, and where it all started. Awesome to see you back on Revealed!
Damn the track is really good, also thank you for those tips!
🔥🔥🔥dope info!
I must say his new track is fireeee, I played it with my sub and got blown away. Imagine playing it in a big system 🔊🔊🔊
Cielo is f KING 🕺
Cielo is insane
True
Why do you go for the sharp slope over the rounded one while clipping?
Sharp slope (hard clipping) cuts off the tops. Rounded slope (soft clipping) cuts of and rounds the edges. This affects the way each one sounds.
Fr though, mixdowns just kill me especially when u get into really heavy complex genres
kick and sub need to be fighting with each other or kick and mid bass' ?
I think by 'fighting' he means one is winning...... like the kick is taking down the bass. But they shouldn't clash together tho either you heavily sidechain the bass or shorten the kick and smoothly sidechain the bass (imo)
i see lots of videos of people mixing so close to 0db but im confused because i thought you’re supposed to leave around -6db of headroom before mastering?
You can pull down the master Fader to -6DB until and unless the elements are not clipping in the mixer ;)
HI LAIDBACK LUKE THANKS FOR THE DJ TIPS ON YOUR NEXT DJ BLOG CAN U TALK ABOUT GAIN CAUSE WE ALL WANNA KNOW HOW LOUD ARE GAINS NEED TO BE WHEN MIXING A TRACK SO OT WONT B TOO LOUD THANKS
I struggle a lot with this. Thanks for the Video Luke! Love the new Cielo track!
They say Here I Come by Barrington Levy is the first time a dancehall style ‘mixdown’ was used on a record! Can someone explain this to me please 😅🙏🏾
2:18 Love is in the air
Rather disappointed m/s saturation and harmonic distortion wasn't shown in some examples except on the clipper part. I know it is more an artistic choice like poking some elements in the mix. the content itself is awesome thumbs up - would like to hear some reference to hardwell too. I guess the main thing is focusing on the kick and leveling everything around. And with volume shaping / lfo tool this is finished of really quick (even the kick isn't right, it will still poke and sound good).
The clip is mainly teasing some techniques but showing the real important and driving ones.
LETS HAVE A GAIN VLOG DJ TIP FOR NEXT EPISODE BUDDY 😄😄🎧🎧🎧
#Cielo :) :)
Interesting that you have 2 forms of the kick on alternate beats.
Came here for this... any idea why? Never seen that before
GAIN Dj tip next Vlog
Anyone here going to the Saturday/tomorrow show in Jersey (Luke's in town)?
Everyone want to be like The Prodigy😂😂😂. Ok. I use Distressor in the master channel and Limiter. Always compare with mix . This volume fit or not. Using balance in the mast channel not good idea,cuz you not hear, which sound high ,loud,or not. Actually, Different genres want different production level. This one is what you're doing. , but take some points from professionals Thx L.L Good Luck for everyone✌️💻🎛️
KSHMR is everywhere 😅
Mention time
So putting a Limiter on every track to tame the peaks? 🤔
I would suggest doing it on every bus/group in combination with a clipper
Por favor , cómo producir reggaeton?
Primero
I cannot take him seriously when he mixes his songs with Beats LOL 😂
I one case it is actually smart. Most ppl listning to your music are also using beats or air pods etc. So no need to mix your music on the highest grade IEM or speakers when ppl will not be listning with that to hear and apreciate all the small things you master.
@@omarw007 no that's how you get a mix that only sounds good on one thing I reckon. Testing on something like beats makes sense to me but doing a majority of the mix on them I wouldn't do myself
I cannot take you seriously when you haven't seen his "Which headphone should I use"-video. There he explains which plug in he uses to be able to mix on a bunch of headphone, despite them not being high end for it.
@@jan_777 Interesting
@@jan_777 what this guy said.
Gain DJ TIPS please
Come to Israel
Not much knowledge in here. Just showing a track.
He talks about rough mix. no advance trick here. ne details about inserts. or maybe i m too advance for this vid.
Inserts/send/bus they're the same