Masterclass: Ernest Bloch's "Prayer" - Musings with Inbal Segev
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- Опубликовано: 17 окт 2024
- From its quiet and intimate opening measures to the outcry later on, "Prayer" from Ernest Bloch's From Jewish Life evokes the sounds of the past. Today on Musings with Inbal we'll work on making the shifts expressive, but not too over-the-top, using “air” in the bow to create different colors, and more.
Please let me know if you have any comments and/or questions, I would love to hear from you. Thank you for watching!!
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Wonderful demonstrations and musicality. Brava!
I’m learning this piece and have been having a hard time getting the character right. Your video is super helpful and has wonderful suggestions about shifting and color. Your suggestion to play the scale at the end of the Poco piu mosso on the G string is brilliant. Thanks so much!
Thank you for amazing Masterclass Video! I am playing Theremin, it would be big help to me!
Thank You Inbal, I will try to apply these tips except on Double Bass
Thank you!!
Without your help with a sheet, I think that I cannot deal with this beautiful piece. Thank very much that you shared it.
Very helpful. You’re wonderful. תודה
Beautiful piece. :)
I have your recording of this piece. Haunting!
Do you recommend any specific etudes or exercises to play in this style better? I would also like to discover more pieces that sound similar to this one. Thank you!
Caro L hi, the best way to learn and understand the style of Jewish inspired works is to listen to Jewish music and to play them. Other pieces include Kol Nidrei by Max Bruch, the other two pieces in Jewish Life are great. I have a whole CD of works in this style, ranging from Williams’ Schindler’s List to Stutchewski, who was a Polish/Israeli cellist composer. www.amazon.com/Nigun-Celebration-Inbal-Segev-cello/dp/B0001XAORA
Thank you! I'm so grateful that you take time to help.
Listen also to Bloch's Scheloma for Cello and Orchestra.
awesome! I haven't been able to find a masterclass on this piece before. Truly a masterpiece
Why does everyone play the triplets as a quaver - two semiquaver rhythm?
These lines are meant to sound improvised and spontaneous so they should have certain irregularities to them. We should not play the rhythms metronomically as a result.