I love that music can sound more then just happy and sad, this is so derpy and whimsical! I’m mad me don’t play around with other stuff more 🤷♂️. Totally different feelings
Thanks for listening! I feel like this particular love song would lose all of its meaning without the derp factor. Hanging out with someone you love is more often than not supposed to be a pretty fun, playful experience.
Yeah, I've noticed that my happy songs still have a bit of melancholy to them. I think that it is because I tend to write descending melodies. I love those emojis by the way. 😊
Actually has an early 1900s feel to it. I could imagine some composers of the time (Stravinsky, for example) would have loved to experiment like this if only they could have gotten their hands on fully microtone-capable woodwinds and brass, which apart from trombone are mostly not available even today unless you synthesize the sound.
I'm a pretty massive fan of the late Romantic literature. While I am convinced that the "equal tempered" music of the Romantic period did contain a little bit more of a JI inflection than we tend towards now, the more "radical" composers of the day would have been thrilled to have that capacity. For a bit of early microtonality, search up Alois Haba. His string quartets are written in a Second Viennese School/ Late Romantic idiom.
Omg, I love it!
I love that music can sound more then just happy and sad, this is so derpy and whimsical! I’m mad me don’t play around with other stuff more 🤷♂️. Totally different feelings
Thanks for listening! I feel like this particular love song would lose all of its meaning without the derp factor. Hanging out with someone you love is more often than not supposed to be a pretty fun, playful experience.
Classy ^^
♥️
leisurely, a little sad, peaceful , like it!
Yeah, I've noticed that my happy songs still have a bit of melancholy to them. I think that it is because I tend to write descending melodies. I love those emojis by the way. 😊
Actually has an early 1900s feel to it. I could imagine some composers of the time (Stravinsky, for example) would have loved to experiment like this if only they could have gotten their hands on fully microtone-capable woodwinds and brass, which apart from trombone are mostly not available even today unless you synthesize the sound.
I'm a pretty massive fan of the late Romantic literature. While I am convinced that the "equal tempered" music of the Romantic period did contain a little bit more of a JI inflection than we tend towards now, the more "radical" composers of the day would have been thrilled to have that capacity. For a bit of early microtonality, search up Alois Haba. His string quartets are written in a Second Viennese School/ Late Romantic idiom.
Such whimsy, very much enjoyed.
Thank you for your kind words. I am happy that you enjoyed it!