Joscho's solo is a fantastic cocktail of Django, Joe Pass, own signature licks, and traces of Eric Clapton's pentatonic blues licks - all delivered to maximum listener satisfaction!
it's so nice to hear/see Joscho with someone who plays simply, earnestly but still very well. So used to seeing everyone pulling out every dumb flashy trick they know just to compete with Joscho. Of course I don't blame them, the spirit of competition is a fun part of this style of playing, but, ya know... whatever... this is good. I like this.
The level of understanding by many commenters is very good. Subtle is not necessarily going to be the most accurate descriptive term for this arrangement. Joscho has influences that post date all of Django’s era and much of Birellis. Not the fault of anyone. This explains some of the flash currently being at the forefront. Sometimes to a traditionalist this will be intrusive, while simultaneously more appealing to younger listeners. There is no right or wrong. I try to watch what each artist does when they are charged with supporting the lead. These guys do that at such a high level that it is impossible not to enjoy every minute. If you were to ask them what rhythm accompaniment means to the performance, it might change your opinion of what you hear. The next time they play together they would change things almost completely. They are that good. What a pleasure.
My, my, my,.... how easy they make it look. Think of how many tens of thousands of hours of practicing in a room alone did it take to get so damn good!
It is a very good version and to say it is the best version or You Tube is a matter of taste. Music is so subjective. Check this one, I do not say is better or not. It simply has its charm. ruclips.net/video/9hjMisX997Y/видео.html
Why is always the part where it says "Oh, je voudrais tant que tu te souviennes, des jours heureux où nous étions amis En ce temps-là, la vie était plus belle et le soleil plus brûlant qu'aujourd'hui. Les feuilles mortes se ramassent à la pelle, tu vois, je n'ai pas oublié, les feuilles mortes se ramassent à la pelle, les souvenirs et les regrets aussi. Et le vent du Nord les emporte, dans la nuit froide de l'oubli. Tu vois, je n'ai pas oublié, la chanson que tu me chantais,..." systematically skipped? I don´t get it because what you are playing (and 99% do) is the ANSWER to that part, and you simply ignore it as if you never even heard the song. Strange. It´s as if you would make an instrumental version of Yesterday but you skip the first part.. why would you do that?
Hallo @AIexOut-A-Magic-x6w, I think you are totally right and I would love to record it that way. Usually Jazz musicians tend to play only the chorus and not the verse. It' might be also different from an instrumentalists point of view. Usually if I play "Les feuilles mortes" (Autumn leaves) alone I do play the tune with the first part included. I've heard it from Yves Montand and I Ioved it the way he interpreted the song!
@@HeumannKai OK, I see you know the song! (-: To me, it´s always strange to hear the musical answer to a musical question that is not played. Thank you for your answer and good luck. P.S. Please let me know if you record the complete song, I would love to hear it!! (-:
I use a DPA 4099 G and Joscho, I believe, an Audiotechnica Clip MIC on the Inside of the Guitar. But you have to cutout some frequencies with an EQ. In Addition we both use Carlo Pickups on our Signature Kingsize Nylonstring Guitars (Modelo Joscho Stephan and Modelo Kai Heumann) from which we blend in. On his Steelstring I think he uses an Highlander Pickup. Have a nice day, Kai
If you work it out by percent, those moments are probably well in the minority. This criticism only ever seems to be levelled at guitarists, too. Funny that.
I have to agree to some extent. He is an amazing player and each time I hear him I am very impressed by his technique but it sometimes comes off as if he is practicing or playing memorized patterns. More about that then the song? Who knows. Even the accompaniment left little space for the other guitarist solo. That being said it could be what the audience wanted to hear.
LACROIX Philippe Joscho is known for his hard driving gypsy style. If you don’t like his style, just listen to Django, pretty simple. Lots of people like both, including me.
Moreover, Django played bebop at the end of his life. He probably was the only french musician of his generation who understood what the future would sound like.
man is a genius. the waking bass line when Kai is soloing is just sublime
Thank you RUclips, I never heard of Joscho until last week. I have become a fan.
Joscho's solo is a fantastic cocktail of Django, Joe Pass, own signature licks, and traces of Eric Clapton's pentatonic blues licks - all delivered to maximum listener satisfaction!
and wes
Great to see equal range in chords, baselines and not just single note soloing. Truly mastering the guitar.
it's so nice to hear/see Joscho with someone who plays simply, earnestly but still very well. So used to seeing everyone pulling out every dumb flashy trick they know just to compete with Joscho. Of course I don't blame them, the spirit of competition is a fun part of this style of playing, but, ya know... whatever... this is good. I like this.
Joscho has devastating technique , but such smooth transition between soloing styles and absolutely nothing but love and dedication .
GOD BLESS
God has given us such wonderful delicacies as this to richly enjoy.
Amazing Joscho !
Mr. Joscho Stephan, Respect and appreciation. Such feeling and tone.
The level of understanding by many commenters is very good. Subtle is not necessarily going to be the most accurate descriptive term for this arrangement. Joscho has influences that post date all of Django’s era and much of Birellis. Not the fault of anyone. This explains some of the flash currently being at the forefront. Sometimes to a traditionalist this will be intrusive, while simultaneously more appealing to younger listeners. There is no right or wrong. I try to watch what each artist does when they are charged with supporting the lead. These guys do that at such a high level that it is impossible not to enjoy every minute. If you were to ask them what rhythm accompaniment means to the performance, it might change your opinion of what you hear. The next time they play together they would change things almost completely. They are that good. What a pleasure.
I didn't see that Pink Panther quote coming around 3:30 - fantastic
Something Bireli also likes to do from time to time.
My, my, my,.... how easy they make it look. Think of how many tens of thousands of hours of practicing in a room alone did it take to get so damn good!
To get that good you should leave your room and meet other musician, you'll learn much more
These guys are really good, but look at this Video: ruclips.net/video/HxGT5z6d-GA/видео.html
So good... both of you! Thank you for making my day! 👌🙂
Just love this. Joscho, always top of his game. "Swoon"
Wow😮
Awesome!!
👍🎩👍
O próprio Kai Heumann fica de caraaaaa!!! o quanto Joscho Stephan toca.... isso ai num é natural não..... esse cara é fora do comum.......
Oi tecnica exuberante com tempero espanhol muito bom
Like it so much!!! Thank you 👍🏼😉
Joscho Stephan & Kai Heumann are exceptionally masters of the guitar I was surprised to see this video are on another planet, congratulations teachers
Bravo zulu wonderful strings masters
bravo ,beau travail de virtuose !
4:18 didn't know that Joscho was influenced by 8-bit Nintendo sound :D
¡¡¡Barrilete cósmico, de qué planeta viniste!!! 💓💓💓
This song lends itself to jazz interpretation. Two consumate players. Could have left out the Pink Panther phrase but still magnificent.
tenacious D playing super mario over autumn leaves :D , great job !!!
Wow.. just wow.. La pompe on a concert acoustic with the hands! That's something!
Excellent!
Amazing.. amazing..
Joscho Stephan-The Best!!!
Best autumn leaves on the RUclips, their impro has its story
It is a very good version and to say it is the best version or You Tube is a matter of taste. Music is so subjective. Check this one, I do not say is better or not. It simply has its charm. ruclips.net/video/9hjMisX997Y/видео.html
Awesome, so great
I must learn to play like this, the legacies must continue.
Two great guitarists! Bravo! Very enjoyable improvisations! 😉
Excelente casi orgásmico!
Très beau magnifique impro sur le thème!!
Astounding ...
geile Sch... , Joscho hat genau das Feeling, das ich so mag
Sehr Gut...🙏
josho Stephan : limitless talent
Kai Heuman : tip...tap...tip...
Beautiful line at 2: 26 I love it
I like ur smile Kai
Tenacious Djazz
Best comment!! Haha.
COMENTE ANTES DE VER TODO EL VIDEO Y RETIRO LO DICHO!!!! ES BUENISIIIIIIIIISIMO JAJAJAJAJAJJAJAJ EXCELENTE!!!!!!!!!!!
Изумительно!!! Большущее спасибо!
Q Q ISSSOOOO MEO DEULSSSS!!!!!
BOM D MAIS DA CONTA!!!!!!!!
Amazing
these cats NAILED IT !
Tremendo Kai! Felicitaciones!!! Hermoso estilo. Sutileza, ingenio y claridad en el fraseo. Extraordinario.
A steel string cutout body verses a nylon string traditional body style; I am digging those riffs!
holy shmokes , these guys ripped it up !
excelente!!!!!!
2:50 my brain exploded.
3:32 pink panther
a pure perfectionist
(in disguise).
Oh, what about that fill just after 0:38 ?
Yeah, that was sweet and not too much, like a lot of the other stuff
3:34 some pink panther!!
admirable aussi..tout ce q on aime
Kai Heumann looked so lost at the end : "so... this must be the last bar ? Nope, he's still playing."
genial.
Magic !
Thank you .... József Kozma was Hungarian :-)
As much as Franz Liszt was - geniuses belong to the whole human comunity
Unreal and inspirational.
Duo perfekt!
Very good .......yer...
so deep story!
Die 2 passen super zusammen!
Why your rythem is so great
Instantly thought this was Tenacious D.
Hahahahahah same here ✋
Спасибо огромное!!!!
To me, he's the best EVER
Why is always the part where it says "Oh, je voudrais tant que tu te souviennes, des jours heureux où nous étions amis
En ce temps-là, la vie était plus belle et le soleil plus brûlant qu'aujourd'hui. Les feuilles mortes se ramassent à la pelle, tu vois, je n'ai pas oublié, les feuilles mortes se ramassent à la pelle, les souvenirs et les regrets aussi. Et le vent du Nord les emporte, dans la nuit froide de l'oubli. Tu vois, je n'ai pas oublié, la chanson que tu me chantais,..." systematically skipped?
I don´t get it because what you are playing (and 99% do) is the ANSWER to that part, and you simply ignore it as if you never even heard the song. Strange. It´s as if you would make an instrumental version of Yesterday but you skip the first part.. why would you do that?
Hallo @AIexOut-A-Magic-x6w, I think you are totally right and I would love to record it that way. Usually Jazz musicians tend to play only the chorus and not the verse. It' might be also different from an instrumentalists point of view. Usually if I play "Les feuilles mortes" (Autumn leaves) alone I do play the tune with the first part included.
I've heard it from Yves Montand and I Ioved it the way he interpreted the song!
@@HeumannKai OK, I see you know the song! (-: To me, it´s always strange to hear the musical answer to a musical question that is not played. Thank you for your answer and good luck.
P.S. Please let me know if you record the complete song, I would love to hear it!! (-:
@@AIexOut-A-Magic-x6w I´ll let you know. Merci et a bientot!
Wonderful playing! Can you tell me the brand/model of the clip-on microphones you and JS are using?
I use a DPA 4099 G and Joscho, I believe, an Audiotechnica Clip MIC on the Inside of the Guitar. But you have to cutout some frequencies with an EQ. In Addition we both use Carlo Pickups on our Signature Kingsize Nylonstring Guitars (Modelo Joscho Stephan and Modelo Kai Heumann) from which we blend in. On his Steelstring I think he uses an Highlander Pickup. Have a nice day, Kai
holy cow
I don’t know who is the World’s Best Guitarist, but it’s hard to argue that Joscho isn’t.
What pickup is Joscho using, it sounds natural.
Nigel Thomas a Piezo Pickup i think
If that's a piezo, it's unlike any piezo I've ever heard in my life, and I need it.
Suspect it's more than 1 microphone, but I don't know
WoW
Did Kai's string break or is that a part of the act! :)
that's the wire from the mic
Great stuff. Btw, Kai looks alot like Mel Smith!
Kn hell ripped it 👍👍👍
That was a little much for autumn leaves
Paris Foster it's a damn windy autumn
와우~~~!
Grandad Brown from Mrs. Brown's boys plays a mean guitar. haha
Nobody touches stephon
Amazing stuff, but a bit of an assault on the senses!
Guauuuuu
who disliked this O_o?
なんだ😲メガネの人!
枯れ葉だな
Coughing in the audience during a performance? Fine... But blowing your nose?!
An absurd player this Joscho guy - is there such a thing as too good? - saying that he's not as good as Sylvain Luc.
No doubt, Joscho is a top player, but Sylvain Luc and Bireli Lagrene are musically miles ahead.
@@singsang9460 lol
膜拜大神
@@Jukainari 我也不
A melody line (or a solo for that matter) is not mere calisthenics. Most of this was a "Look at me; I'm FAST" exercise.
Let me guess you can't play fast?
If you work it out by percent, those moments are probably well in the minority. This criticism only ever seems to be levelled at guitarists, too. Funny that.
I don't think Joscho played fast, are you ears slow?
I have to agree to some extent. He is an amazing player and each time I hear him I am very impressed by his technique but it sometimes comes off as if he is practicing or playing memorized patterns. More about that then the song? Who knows. Even the accompaniment left little space for the other guitarist solo. That being said it could be what the audience wanted to hear.
That's a pity that this style most of the time becomes pure virtuosity and guitarism. It begins very well...it ends up in demonstration...
LACROIX Philippe then you don’t like gypsy guitar.
LACROIX Philippe Joscho is known for his hard driving gypsy style. If you don’t like his style, just listen to Django, pretty simple. Lots of people like both, including me.
@@TheCobraman45 You are right. I listen to Django, and each time I feel how the "sons" buried the "father"...
Moreover, Django played bebop at the end of his life. He probably was the only french musician of his generation who understood what the future would sound like.
Gypsy guitar wears virtuosity on its sleeve.
joscho come ti odio musicalmente ciao tony
Too busy. Ruins the melody of this beautiful song.