Actually to those that dismiss this art, training slow controlled high kicks helps develop strength within flexibility. It is possible to train high kicks with speedy and varied combinations but lacking power to break bones/knockout . Also if the leg is caught they end up not having the power and stability in a fully extended kicking position within their pretty fancy quick kicks to prevent a take down . Which brings me to another feature of this style . It is evident that they prioritize being able to flow and control themselves after a kick into a hand technique over overwhelming with kicking combinations. Having the strength AND flexibility to give a good punch immediately to the face or strike to the throat when your kick is caught is actually a very practical skill... There is much to be said for a system that is simple unfancy and practical that does live training against uncooperative opponents such as Muay Thai and Boxing, but as a martial artist it is also good to train for more athleticism and coordination than you would need. Martial EXERCISES that improve fighter attributes cannot always be equated to effective and practical techniques that you would quote verbatim or do with the same largeness of movement from your form or training in a real fight, besides Cung Le, Anderson Silva, Lyoto Machida, Andy Hug , Saenchai, and even Eddie Bravo within jiujitsu have shown that what is "practical" can vary greatly from fighter to fighter. When UFC started, BJJ dominated and no one thought any MMA fights were going to be won by jumping front kicks, spinning backfists, spinning hook kicks, traditional martial art deflections, or the showtime kick/ jumping roundhouse of the cage wall, but now it is proved if you actually train these techniques hard and you have good distancing and ability to spot openings as a fighter these techniques can be devastating. I believe the problem with SOME schools of traditional martial arts training is the lack of preparing the student be able to improvise and ingrain clean solid martial art techniques to the level of instinct for live/random situations against someone who is uncooperative more than the stylistic content of the art. There is also the barrier of being afraid and inexperience of getting hit that some schools won't address, as well as lack of good live distancing skills, fear hesitation, and moral discomfort in hitting someone
Kinda wondering about the purpose behind the big steps. Samurai also used to make big swooping movements to cut through limbs and shock armored troops.
Also it looks like they try to feel where the falling momentum would be out of their kicks to amplify their next hand strike. The importance of harmonizing strikes with falling power was stressed in a fighting manual by none other than the great Jack Dempsey!
Actually to those that dismiss this art, training slow controlled high kicks helps develop strength within flexibility. It is possible to train high kicks with speedy and varied combinations but lacking power to break bones/knockout . Also if the leg is caught they end up not having the power and stability in a fully extended kicking position within their pretty fancy quick kicks to prevent a take down . Which brings me to another feature of this style . It is evident that they prioritize being able to flow and control themselves after a kick into a hand technique over overwhelming with kicking combinations. Having the strength AND flexibility to give a good punch immediately to the face or strike to the throat when your kick is caught is actually a very practical skill... There is much to be said for a system that is simple unfancy and practical that does live training against uncooperative opponents such as Muay Thai and Boxing, but as a martial artist it is also good to train for more athleticism and coordination than you would need. Martial EXERCISES that improve fighter attributes cannot always be equated to effective and practical techniques that you would quote verbatim or do with the same largeness of movement from your form or training in a real fight, besides Cung Le, Anderson Silva, Lyoto Machida, Andy Hug , Saenchai, and even Eddie Bravo within jiujitsu have shown that what is "practical" can vary greatly from fighter to fighter. When UFC started, BJJ dominated and no one thought any MMA fights were going to be won by jumping front kicks, spinning backfists, spinning hook kicks, traditional martial art deflections, or the showtime kick/ jumping roundhouse of the cage wall, but now it is proved if you actually train these techniques hard and you have good distancing and ability to spot openings as a fighter these techniques can be devastating. I believe the problem with SOME schools of traditional martial arts training is the lack of preparing the student be able to improvise and ingrain clean solid martial art techniques to the level of instinct for live/random situations against someone who is uncooperative more than the stylistic content of the art. There is also the barrier of being afraid and inexperience of getting hit that some schools won't address, as well as lack of good live distancing skills, fear hesitation, and moral discomfort in hitting someone
감사합니다.
Kinda wondering about the purpose behind the big steps. Samurai also used to make big swooping movements to cut through limbs and shock armored troops.
서울본원 멋진 원장님~🤩
Also it looks like they try to feel where the falling momentum would be out of their kicks to amplify their next hand strike. The importance of harmonizing strikes with falling power was stressed in a fighting manual by none other than the great Jack Dempsey!
Kungfu fail
non sense to me..
감사합니다.