@@CanadianDivergent Of course. Maurice Andre was the master of stealing from baroque concerti for many instruments, especially oboe. Thanks for your interest in my channel. 🙂
Love the video! Thanks for posting more picc content! Is there anything in particular you consciously do (with your jaw, tongue, etc) to create the "bounce" beyond hearing it that way in your head?
Hi Jeff, The quick answer is: it is all breath skill. I practice getting the musical character by singing it until it sounds right. Then I work on transferring those vocal skills to the trumpet. It sounds easy but for most players it is not 😉. I know what I am doing but have trained those skills into the body so I don't have to think about it, just to aim at the musical target.
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Beautiful playing - and a wonderful sound from a piccolo.
Thanks for listening! If you are a fellow trumpet slave then I hope you are getting some fuel for your fire.
this is what I love!!
Me too! Too bad trumpet players don't have more great music to play but it is a very limiting instrument. Thanks for commenting.
@@stevenemerytrumpet4095 we could draw from other instruments. for example, studies on flute/cello/violin/ etc. all have potential :)
@@CanadianDivergent Of course. Maurice Andre was the master of stealing from baroque concerti for many instruments, especially oboe. Thanks for your interest in my channel. 🙂
Love the video! Thanks for posting more picc content!
Is there anything in particular you consciously do (with your jaw, tongue, etc) to create the "bounce" beyond hearing it that way in your head?
Hi Jeff, The quick answer is: it is all breath skill. I practice getting the musical character by singing it until it sounds right. Then I work on transferring those vocal skills to the trumpet. It sounds easy but for most players it is not 😉. I know what I am doing but have trained those skills into the body so I don't have to think about it, just to aim at the musical target.