Why after scatter chasse to left you do tipple chasse to right? I understand that tipple chasse to right is sqqs qqs, where man goes back on left foot on slow, first then do the tipple chasse section, qqs, then do a forward lock qqs. Since man has right foot free why not do tipple chasse to left group sqqs qqs as man goes forward on slow first then do tipple chasse section qqs, then do back lock qqs? To me tipple chasse to left brings man moving towards line of dance or diagonal center. The way you seem to direct the forward lock step for man, he is travelling diagonal against line of dance. Please explain reason for using variation of tipple chasse to right and not use the true chasse to left instead ? Thank you, I love your videos and have learned greatly from you! Regina
Thanks for the interesting question. Indeed after Scatter Chasse you could continue with Right Foot forward Diagonally to Wall with Tipple Chasse to Left and Back Lock Ending. It's quite good option. But then, finishing the phrase I would be left with Man backing to the Line of Dance. I decided to end the composition with Tipple Chasse to Right, starting from the 2nd step, because in this way we end phrasing (even count of bars or mesures) and I finish with facing Line of Dance or Diagonally to Wall. Natural Spin Turn, Progressive Chasse - 4 bars Step Hops and Scatter Chase to Right - 2 bars Scatter Chase to Left - 2 bars Tipple Chasse to Right from step 2 and Forward Lock Ending - 2 bars Because of your question I came up with one more version which is even better in relation to music (4 bars), but involves more difficult Tipsy movement. Tipple Chasse to Left SQQS Tipsy Q&Q Q&Q Q&Q Forward Lock Ending QQS
At the top level or expert level in Quickstep (usually beyond Gold syllabus, so either Novice, Pre-Champ, or Champ), the scatter chasse in dancesport Quickstep can be a setup for a myriad of quickstep advanced tricks. In Gold syllabus, learning the Tipsy will give you an idea on the syncopated hop actions that will appear in the more advanced Scatter Chasse. 2 examples of such a set up are listed below. Scatter Chasse into the Progressive Side-Close Hops in Closed Hold (Lead Part). 1 step of a Natural Turn (S) on RF into the Scatter Chasse LRLR (Q and Q and) in PP, and then changing hold to Closed Hold, into L side and close-up R to L foot with hop so L is propelled in a way that the L foot is about a few inches above the room and that this L foot is straight and pointed on a diagonal, (QQ), and you repeat the two actions (QQ), which I call "Side-Close Hops". (So, SQ&Q&QQQQ). Scatter Chasse into the Bullet Hops in PP Hold (Lead Part) Another scatter chasse example has the same 1-step of step 1 of Natural Turn on RF (S), and go to PP to Scatter Chasses LRLR (Q and Q and), and then going into PP into step hop forward L, cross RF and at the same time HOP the LF into a straight point slightly off the floor (QQ), and you do the same two actions aforementioned again (QQ). (Same timing here would be SQ&Q&QQQQ)
@@EgilsSmagris Thank you for d explanation. So Step hop with QQ step and hop on 1 , then land on 2? Step hop with "slow&" step and hop on 1.5, land on d remain 0.5?
강사님의 동영상 댄스교본을 거의 빠짐없이 보고있으며 제 홈페이지에 모두 올려서 많은 회원들이 강사님의 좋은 자료를 보고 공부할 수 있도록 하고 있답니다. 레슨 노하우는 단연 최고의 강사님이라는 칭찬을 아끼고 싶지 않습니다. 제가 추구하는 일반인들 누구나 배울 수 있는 대중적 댄스스포츠 레슨으로 가장 좋은 표본이라고 생각을 합니다. 댄스스포츠는 일반인들에겐 사실 어려운 종목이며 평생 배워야 하고 많은 레슨비가 투자되어야 하기에 오랜 세월 흐른다 하여도 대중화되기엔 한계가 있다고 생각을 합니다. 그래서 저는 가장 짧은 기간에 배워 평생 즐길 수 있는 우리나라의 사교댄스(지루박, 부르스,트로트)를 먼저 배우게 한 다음 댄스스포츠를 1종목 , 2종목 차츰 배워 나가도록 하고 있답니다. 아낌없이 댄스 노하우를 인터넷에 공개해 나가시는 강사님의 진정성 있는 마음이나 저의 마음이나 공통점이 있다는 것에 반가움을 느낍니다. 원래 전 댓글을 거의 달지 않는데 처음으로 댓글을 전해 봅니다 제글이 제대로 번역이 되어 뜻이 올바르게 전달이 될지 모르겠습니다 열린마음으로 댄스 노하우를 아낌없이 전파해 주시는 강사님의 앞날에 항상 보람과 행복이 있으시길 기원합니다. 한국에서 대추씨 드림
Why after scatter chasse to left you do tipple chasse to right? I understand that tipple chasse to right is sqqs qqs, where man goes back on left foot on slow, first then do the tipple chasse section, qqs, then do a forward lock qqs. Since man
has right foot free why not do tipple chasse to left group sqqs qqs as
man goes forward on slow first then do
tipple chasse section qqs, then do back
lock qqs? To me tipple chasse to left brings man moving towards line of dance or diagonal center. The way you seem to
direct the forward lock step for man, he is
travelling diagonal against line of dance. Please explain reason for using variation of tipple chasse to right and not use the true chasse to left instead ? Thank you, I love your videos and have learned greatly from you! Regina
Thanks for the interesting question. Indeed after Scatter Chasse you could continue with Right Foot forward Diagonally to Wall with Tipple Chasse to Left and Back Lock Ending. It's quite good option. But then, finishing the phrase I would be left with Man backing to the Line of Dance. I decided to end the composition with Tipple Chasse to Right, starting from the 2nd step, because in this way we end phrasing (even count of bars or mesures) and I finish with facing Line of Dance or Diagonally to Wall.
Natural Spin Turn, Progressive Chasse - 4 bars
Step Hops and Scatter Chase to Right - 2 bars
Scatter Chase to Left - 2 bars
Tipple Chasse to Right from step 2 and Forward Lock Ending - 2 bars
Because of your question I came up with one more version which is even better in relation to music (4 bars), but involves more difficult Tipsy movement.
Tipple Chasse to Left SQQS
Tipsy Q&Q Q&Q Q&Q
Forward Lock Ending QQS
At the top level or expert level in Quickstep (usually beyond Gold syllabus, so either Novice, Pre-Champ, or Champ), the scatter chasse in dancesport Quickstep can be a setup for a myriad of quickstep advanced tricks. In Gold syllabus, learning the Tipsy will give you an idea on the syncopated hop actions that will appear in the more advanced Scatter Chasse.
2 examples of such a set up are listed below.
Scatter Chasse into the Progressive Side-Close Hops in Closed Hold (Lead Part).
1 step of a Natural Turn (S) on RF into the Scatter Chasse LRLR (Q and Q and) in PP, and then changing hold to Closed Hold, into L side and close-up R to L foot with hop so L is propelled in a way that the L foot is about a few inches above the room and that this L foot is straight and pointed on a diagonal, (QQ), and you repeat the two actions (QQ), which I call "Side-Close Hops". (So, SQ&Q&QQQQ).
Scatter Chasse into the Bullet Hops in PP Hold (Lead Part)
Another scatter chasse example has the same 1-step of step 1 of Natural Turn on RF (S), and go to PP to Scatter Chasses LRLR (Q and Q and), and then going into PP into step hop forward L, cross RF and at the same time HOP the LF into a straight point slightly off the floor (QQ), and you do the same two actions aforementioned again (QQ).
(Same timing here would be SQ&Q&QQQQ)
Wow, I can see how Egils and his partner stay so trim! The scatter chasses are hard work after a while it is like skipping on the spot.
Thanks Peter! :)
Rất nhiệt tình và dễ hiểu..cám ơn rất nhiều
Я очень благодарен Вам за ваш большой труд! Успеха Вам и благополучия!
+Виталий, спасибо! Радости Вам в танцах и жизни!
Спасибо!
Step hop. I will incorporate that into my basic. That should be fun.
Wish you to enjoy your new quickstep movements
Hi, Teacher Egils. The aforementioned step hop is done in QQ. What the difference compare to step hop with "Slow&" timing?
Q (quick) corresponds to one beat of music. Slow corresponds to two beats of music.
& steals 1/2 from previous
beat.
QQ - 1.0, 1.0
S& - 1.5, 0.5
@@EgilsSmagris Thank you for d explanation. So Step hop with QQ step and hop on 1 , then land on 2? Step hop with "slow&" step and hop on 1.5, land on d remain 0.5?
Thanks Maestro! Your generosity is much appreciated. By the way, where do you teach which country? Thx
Hi, Jeran, thanks for appreciating my videos. I live and work in Riga, Latvia 🇱🇻
Next time, Egais, can you do a tutorial on how to do the Pepperpot variation in Quickstep?
Love the slow motion segment.
Toujours excellent Egils !
wonderful and simple to follow bravo
Thanks terence roberts, glad you appreciate this video!
Спасибо!
3:00 natural spin
4:21 scattered chases
Learn simple Scatter Chasse Routine in Quickstep
Egils you are most certainly a god
Hi Matthijs, most certainly I am not a god but man. Definitely God’s creature made in His image. And such are you! 😊
강사님의 동영상 댄스교본을 거의 빠짐없이 보고있으며 제 홈페이지에 모두 올려서 많은 회원들이
강사님의 좋은 자료를 보고 공부할 수 있도록 하고 있답니다.
레슨 노하우는 단연 최고의 강사님이라는 칭찬을 아끼고 싶지 않습니다.
제가 추구하는 일반인들 누구나 배울 수 있는 대중적 댄스스포츠 레슨으로 가장 좋은 표본이라고 생각을 합니다.
댄스스포츠는 일반인들에겐 사실 어려운 종목이며 평생 배워야 하고 많은 레슨비가 투자되어야 하기에 오랜 세월 흐른다
하여도 대중화되기엔 한계가 있다고 생각을 합니다.
그래서 저는 가장 짧은 기간에 배워 평생 즐길 수 있는 우리나라의 사교댄스(지루박, 부르스,트로트)를 먼저 배우게 한 다음
댄스스포츠를 1종목 , 2종목 차츰 배워 나가도록 하고 있답니다.
아낌없이 댄스 노하우를 인터넷에 공개해 나가시는 강사님의 진정성 있는 마음이나 저의 마음이나 공통점이 있다는 것에
반가움을 느낍니다.
원래 전 댓글을 거의 달지 않는데 처음으로 댓글을 전해 봅니다
제글이 제대로 번역이 되어 뜻이 올바르게 전달이 될지 모르겠습니다
열린마음으로 댄스 노하우를 아낌없이 전파해 주시는 강사님의 앞날에 항상 보람과 행복이 있으시길 기원합니다.
한국에서 대추씨 드림
댄스 비디오 감상에 감사드립니다. 당신과 당신의 학생들에게 당신의 춤을 배우고 발전 시키길 바랍니다. 안부 인사, Egils
빠른 답장 감사합니다 항상 건강하시길 빕니다.
Lovely 💜💜.
Thanks Taurshi!
+Egils Smagris Thank you 😉
❤️