🕘 Timestamps 0:00 Intro 0:45 Exercise Tip 1 1:25 Exercise Tip 2 1:46 Exercise Tip 3 2:18 Exercise Tip 5 2:25 Exercise Tip 6 2:37 Recommended Book 4:30 Exercise Tip 34 4:50 Exercise Tip 35 5:00 Practice Strategies 5:46 Recommended Jazer Course
I've got the Schmitt Exercises on MusScore. I put it into different keys and concentrate on my sightreading skills, as well as playing in the different keys. The higher numbers have exercises where one finger (or more) stay down. It is important to keep the hands and arms relaxed. Tension free is the way to success. Merci Jazer.
Excellent advice Jazer! I am in my sisties and have been playing since I was six. Coordination has been an issue lately so back to basics it is. Thank you!
I have been playing this piece for DECADES, but I learned something at 3:15 that never occurred to me before and I can't stop laughing: the use of the left hand to play that high note. I've always been able to do it with just the right, but this technique makes so much sense and is SO much easier. Well, see, it proves that no how far along I am, I can still learn something from 'beginner' videos. Excellent and thank you!
Jazier, your the best Piano channel on RUclips. You’ve cornered the market, your videos are excellent. Onwards to 1M subscribers, then 2M, 5M … keep going
Thank you Jazer, I've just received my copy and can't believe the amount of exercises there are. Thanks for your advice as always, and for the recommendation! Jane 😊
The only difference between the first and second is the coordination. And the memory of the notes, the speed of the playing, the accuracy, the pressure of each note, the expressiveness, the complexity of the sight reading, and the fact that one needs a year or two of playing and the other at least 10-15. But yeah, coordination.😉 Thanks for the book recommendation though Jazer.
Schmitt vs Hanon: Schmitt - ex 1 - 33: 5-finger patterns span a 5th and stays in one place ex 34 - 118 require holding one or more notes while playing others - excellent for strength and independence ("close touch") these may be some of the most useful exercises in Schmitt (minimally covered in Hanon) ex 170 and 171 are the same as Hanon ex 1 ex 172 - 213 include patterns that are identical to Hanon but instructions say to *play the full length of the keyboard* - not just one octave p. 17 - 19 are scale and arpeggio prep - thumb crossings, etc. p. 20 - end are a useful appendix of fingerings for scales (diatonic, thirds, sixths, chromatic), chords and arpeggios (triad, seventh) Schmitt is a useful resource -- does not say play through entire book every day Hanon - ex 1 - 20 5-finger patterns span a 6th moves diatonically by step upward and downward one octave. 21 - 31 "transcendent" exercises which combine 4-note patterns into 8-note patterns; 32 - 37 involve thumb crossings; 38 is a scale prep; 39 is simply all the major and harmonic and melodic minor scales in parallel octaves; 40 is chromatic scales - parallel octaves, minor 3rds, minor and major 6ths; contrary beginning on the octave, minor, and major 3rd 41 is triad arpeggios -- all major and minor 42 is full diminished 7th arpeggios 43 is dominant 7th arpeggios (major dominant 7ths beginning on white notes, and C major major 7th) 44 repeated notes groups of 3 45 repeated notes groups of 2 46 trills 47 repeated notes groups of 4 48 wrist exercises - double 3rds and 6ths 49 stretches of a 6th between fingers 1 -4 and 2 - 5 50 legato double 3rds, scales in 3rds 51 octaves (double - in each hand) 52 common scales in double 3rds 53 scales in double octaves - major and harmonic minor 54 trills in double 3rds 55 "threefold" trills in 1st inversion triads - double 4ths (RH) with single trill in bass (LH) 56 scales in broken octaves - major and harmonic minor 57 broken arpeggios in double octaves - major and minor triads 58 double octaves held while playing inner notes of triads 59 trills in double 6ths 60 tremolo Hanon is a useful resource -- says play through entire book every day - both are available on IMSLP - both provide similar pattern sequences. - both can be done in various combinations of rhythms, accents and articulations (legato, staccato) - both can be done in other major and minor keys Intelligent application of either Schmitt or Hanon -- or any technical study -- is to identify the areas which you wish to make improvement and select related, appropriate exercises to focus on for a specific amount of time. For example: Monday - 5-finger diatonic exercises Tuesday - major and relative minor scales in 3 or more sharps Wednesday - major and relative minor triad arpeggios in 3 or more sharps Thursday - major and relative minor scales in 3 or more flats Friday - major and relative minor triad arpeggios in 3 or more flats Saturday - 5-finger double thirds
Thanks for the analysis! Out of interest, are there exercises where each hand is doing something different from the other? That's where I can struggle...
Hey Jazer, I totally agree with your last statement, proper hand coordination is the key to almost everything on the piano. I consider myself at the beginner-to-intermediate stage and at the very beginning made the (common) mistake of not paying enough attention to practising basic hand coordination. Question: Is there a fundamental difference between Schmitt and Hanon exercises? I use the latter and have the impression they may be better as they go over several octaves.
Hello! Would you please consider doing some videos on things like piano accessories. In particular I’m interested in finding out more about the metronome watch thing, and also some info about how to get sheet music on iPad and use those blue tooth pedal to flip the page. I know it’s not your usual content though.
My warmup! Thanks for encouraging me to insist. BTW: first I do legato, then staccato. Sometime I change rhythm, like … lombard? Is that the definition?
I've played guitar for about 60 years and have a good grasp on theory. While I am reasonably proficient on guitar, I can do little more than improvise with my right hand on keyboards. I can watch all the voicing tutorials on RUclips and while I understand them and can apply them in right hand chord voicings, a handy enough skill with modern DAWs, I want to be able to play stand alone music on keys. Hence I think technique is my goal. I think the difference between 2 handed co-ordination on guitar vs Keyboard is that on guitar the two hands are producing one note whereas on keyboards they are producing different notes in different timings. As I understand it, having downloaded the exercises, the most fundamental thing is to play as slow as I can to avoid mistakes. Thereby reinforcing correct technique. I think for me it is all about building new neural pathways. Ones I have never needed before. Should keep my aging brain busy. That is to say the issues are in my brain rather than my fingers.
Thank you Jazer, would you say the ultimate entrance for the beginner would be nailing the chords and scales app exercises ? prior to any real piece learning ?
Hello sir, what's your take on the Hanon Exercises? I think i read somewhre that it was supposedly meant for organ? But idk, it's become more popular among us pianists. I think that also teaches coordination in some way. But i tjink i like the exercises you demonstrated more.
This is very nice content. I would like to know why you think these exercises work, rather than just practicing a piece of music that requires coordination? I was having a hard time with "Eine Kline Nachtmusik" due to coordination in one part in particular; if exercises let me play pieces like that up at tempo that would be great.
Practicing exercises allows you to use a relatively simple, repeating pattern in both hands so that focus can be more on execution, resulting in development of coordination of the hands which then transfers into playing pieces -- as opposed to practicing a piece which will eventually develop the coordination needed for that piece, but which has more complex musical material to learn, and which may not transfer as generically into other pieces.
@@mayharmon6948 You're most welcome! There are trade-off's of course. At the beginning of studies, practicing technic provides a shorter path towards gaining a solid base of melodic (scales) and harmonic (triads, chords, arpeggios) proficiency which are the basis of a wide range of music, as well as acquiring familiarity with the different major and minor keys. As one becomes more advanced, less time is needed to maintain the established foundational technic and more time may be spent on technical needs required for specific passages in the repertoire. So while there may be some aspects of technical exercises which may help with much of "Eine Kline Nachtmusik", yet pieces typically have some hard spots which require extra specific focus and time. It takes both - c'est la vie (at least for musicians... 🙂 )
Do you have tips to get better coordination as a bloody beginner? My brain still breaks the second I use both hands at the same time... thanks so much for your videos!
*SUPER SLOW practice* ! Works for concert pianists -- works pretty good for beginners too! Requires patience with self. Try playing scales and exercises repeating each note 2 times. Then try playing repeating each note 2 times in one hand while playing and holding the other hand only one time. That is -- play eighth notes in the left hand and quarter notes in the right hand. Then switch hands -- play eighth notes in the right hand and quarter notes in the left hand. Just try this using 5 notes at first -- then try with scales.
Jaser thanks for the video, how would you compare Hanon vs. Schmidt? Also, world you recommend to use hands-mirror or original version? Can’t support you more on importance of exercises. When I’m short in time, I do only them, leaving completely all the pieces.
I noticed how you place your fingers in constant contact with the keys,would you recommend the 5 fingers constantly sticking to the piano keys and then play as required or keep them a little away from the keys (not touching) and strike the note as needed for best practises?
What is it called when you learn to flow across 8 keys (1,2,3,4,5,6,7,1 full octave) instead of 5 keys (1,2,3,4,5)? I am at the phase of learning how to do that with left and right hand together. Not sure if there's a tip to help out!
I am working through the Hannon exercises regularly and inching my way along. What is the difference? Hannon reinforces hand coordination too while making us focus intently on fingering.
@@staples6 Intelligent application of either Schmitt or Hanon -- or any technical study -- is to identify the areas which you wish to make improvement and select related, appropriate exercises to focus on for a specific amount of time. Not necessarily -- as stated in Hanon -- to spend the time to play through the entire book every day.
There is something more difficult about hands coordination: play notes of different duration. It looks like there are tons of exercises where notes are always played synchronized, but not so many for the rhythmic coordination.
While there's considerable overlap between Schmitt and Hanon, there are different areas of emphasis in each. Schmitt goes into more depth with exercises involving holding down keys while playing other fingers. This is especially useful in developing finger independence and strength and the "close touch" (Leschetizky), and is, to some degree the opposite of Hanon who develops a more fingery technic. Both Schmitt and Hanon include a comprehensive selection of standard scales, chords, and arpeggios. Intelligent application of either Schmitt or Hanon -- or any technical study -- is to identify the areas which you wish to make improvement and select related, appropriate exercises to focus on for a specific amount of time.
It really puzzles me how anyone can follow two sets of notes? I must have limited cognitive ability because I just can't do it. To me its like you have to have two brains (left/right) to follow all the notes on the two clefs. I can play by ear and I guess that will be it for me.
Just keep practicing and enjoying your craft. I get it but it can get better if trust and continue the process. Maybe find other methods to help as well if feel to
Playing by ear is fine (Erroll Garner would fully agree) -- and many people do. I can play easily by ear and have difficulty reading -- that seems to be a common pattern. Conversely, many people who can read well can barely play the melody of "happy birthday" without the music. Learning to read takes intentional practice, and the frustrating thing is that you can play pieces by ear so much better than you can read, so reading is a bummer -- I know, been there. But if you want to improve your reading (it can be done) you'll have to grit your teeth, set the metronome (hopefully you're ok with rhythm -- if not, that can be a problem you'll need to fix as well) and get started. There are several sight-reading books available as well as online (check out the Sight Reading Factory).
How disappointing. I was hoping this video would touch upon the coordination challenges of the Chopin piece, where each hand plays a different rhythm. That portion kicked my butt!
@@Geomon888 I think we can pinpoint when everything went south on Planet Earth to the when everybody started calling eachother Brother like Hulk Hogan
🕘 Timestamps
0:00 Intro
0:45 Exercise Tip 1
1:25 Exercise Tip 2
1:46 Exercise Tip 3
2:18 Exercise Tip 5
2:25 Exercise Tip 6
2:37 Recommended Book
4:30 Exercise Tip 34
4:50 Exercise Tip 35
5:00 Practice Strategies
5:46 Recommended Jazer Course
Pls can you give give a tutorial on how to find a key of a song on the piano when heard for beginners
You are an absolute gent giving your time and experience for free. Thank you
Couldn't have said it better. Thanks a lot Jazer.
He earns money with it through ads. But he deserves any dollar!❤ I would watch much more ads for him 😂
I've got the Schmitt Exercises on MusScore. I put it into different keys and concentrate on my sightreading skills, as well as playing in the different keys.
The higher numbers have exercises where one finger (or more) stay down. It is important to keep the hands and arms relaxed. Tension free is the way to success.
Merci Jazer.
ABSOLUTELY tension free! The Schmitt volume is also available on IMSLP
Excellent advice Jazer! I am in my sisties and have been playing since I was six. Coordination has been an issue lately so back to basics it is. Thank you!
I have been playing this piece for DECADES, but I learned something at 3:15 that never occurred to me before and I can't stop laughing: the use of the left hand to play that high note. I've always been able to do it with just the right, but this technique makes so much sense and is SO much easier. Well, see, it proves that no how far along I am, I can still learn something from 'beginner' videos. Excellent and thank you!
I need this!! I’ve struggled playing piano all my (long) life. I’m a string player and my left hand is clumsy!
Hi Jazer, I teach very young beginner piano, and your recommendations so helpful! Thank you very much!
Thanks , I downloaded Schmitt. My LH needs work and it’s good for my piano students!
Thx a lot! That’s exactly what I needed
Jazier, your the best Piano channel on RUclips. You’ve cornered the market, your videos are excellent. Onwards to 1M subscribers, then 2M, 5M … keep going
This was a nice tutorial to follow, today. Thanks :D
Thanks for this magnificent video you are amazing.
Thank you so much for your kindness in sharing your skills❤
Awesome! I have been looking for something like this for a while now. THANK YOU 😊
thanks man, this helps alot
Thank you so much for everything, including the downloads.
Thank you Jazer, I've just received my copy and can't believe the amount of exercises there are. Thanks for your advice as always, and for the recommendation! Jane 😊
Thanks!!!! Starting today. Love your channel
The only difference between the first and second is the coordination.
And the memory of the notes, the speed of the playing, the accuracy, the pressure of each note, the expressiveness, the complexity of the sight reading, and the fact that one needs a year or two of playing and the other at least 10-15.
But yeah, coordination.😉
Thanks for the book recommendation though Jazer.
Schmitt vs Hanon:
Schmitt - ex 1 - 33: 5-finger patterns span a 5th and stays in one place
ex 34 - 118 require holding one or more notes while playing others - excellent for strength and independence
("close touch") these may be some of the most useful exercises in Schmitt (minimally covered in Hanon)
ex 170 and 171 are the same as Hanon ex 1
ex 172 - 213 include patterns that are identical to Hanon but instructions say to
*play the full length of the keyboard* - not just one octave
p. 17 - 19 are scale and arpeggio prep - thumb crossings, etc.
p. 20 - end are a useful appendix of fingerings for scales (diatonic, thirds, sixths, chromatic), chords
and arpeggios (triad, seventh)
Schmitt is a useful resource -- does not say play through entire book every day
Hanon - ex 1 - 20 5-finger patterns span a 6th moves diatonically by step upward and downward one octave.
21 - 31 "transcendent" exercises which combine 4-note patterns into 8-note patterns;
32 - 37 involve thumb crossings;
38 is a scale prep;
39 is simply all the major and harmonic and melodic minor scales in parallel octaves;
40 is chromatic scales - parallel octaves, minor 3rds, minor and major 6ths; contrary beginning on the
octave, minor, and major 3rd
41 is triad arpeggios -- all major and minor
42 is full diminished 7th arpeggios
43 is dominant 7th arpeggios (major dominant 7ths beginning on white notes, and C major major 7th)
44 repeated notes groups of 3
45 repeated notes groups of 2
46 trills
47 repeated notes groups of 4
48 wrist exercises - double 3rds and 6ths
49 stretches of a 6th between fingers 1 -4 and 2 - 5
50 legato double 3rds, scales in 3rds
51 octaves (double - in each hand)
52 common scales in double 3rds
53 scales in double octaves - major and harmonic minor
54 trills in double 3rds
55 "threefold" trills in 1st inversion triads - double 4ths (RH) with single trill in bass (LH)
56 scales in broken octaves - major and harmonic minor
57 broken arpeggios in double octaves - major and minor triads
58 double octaves held while playing inner notes of triads
59 trills in double 6ths
60 tremolo
Hanon is a useful resource -- says play through entire book every day
- both are available on IMSLP
- both provide similar pattern sequences.
- both can be done in various combinations of rhythms, accents and articulations (legato, staccato)
- both can be done in other major and minor keys
Intelligent application of either Schmitt or Hanon -- or any technical study -- is to identify the areas which you wish to make improvement and select related, appropriate exercises to focus on for a specific amount of time. For example:
Monday - 5-finger diatonic exercises
Tuesday - major and relative minor scales in 3 or more sharps
Wednesday - major and relative minor triad arpeggios in 3 or more sharps
Thursday - major and relative minor scales in 3 or more flats
Friday - major and relative minor triad arpeggios in 3 or more flats
Saturday - 5-finger double thirds
Thank you!
Great analysis
That’s what I was looking for, thanks man!
Thanks for the analysis!
Out of interest, are there exercises where each hand is doing something different from the other? That's where I can struggle...
@@Oakeybloke I'm not alone!
Hey Jazer, I totally agree with your last statement, proper hand coordination is the key to almost everything on the piano. I consider myself at the beginner-to-intermediate stage and at the very beginning made the (common) mistake of not paying enough attention to practising basic hand coordination.
Question: Is there a fundamental difference between Schmitt and Hanon exercises? I use the latter and have the impression they may be better as they go over several octaves.
Hey jazer....!!❤🎉 You are amazing, can you please make a video on that piece which comes in the outro..!!
Thank you
Thank you!
Thanks for the lesson…what’s the difference between Schmidt and Hanon exercises?
@ShiraLoustaunau - see my reply above
Hello! Would you please consider doing some videos on things like piano accessories. In particular I’m interested in finding out more about the metronome watch thing, and also some info about how to get sheet music on iPad and use those blue tooth pedal to flip the page. I know it’s not your usual content though.
Thank you!!
Thanks. I just downloaded it. Do have anything on preparing for recitals?
My warmup! Thanks for encouraging me to insist. BTW: first I do legato, then staccato. Sometime I change rhythm, like … lombard? Is that the definition?
Muchas gracias
👍Jazer Lee👍
I've played guitar for about 60 years and have a good grasp on theory. While I am reasonably proficient on guitar, I can do little more than improvise with my right hand on keyboards. I can watch all the voicing tutorials on RUclips and while I understand them and can apply them in right hand chord voicings, a handy enough skill with modern DAWs, I want to be able to play stand alone music on keys. Hence I think technique is my goal. I think the difference between 2 handed co-ordination on guitar vs Keyboard is that on guitar the two hands are producing one note whereas on keyboards they are producing different notes in different timings. As I understand it, having downloaded the exercises, the most fundamental thing is to play as slow as I can to avoid mistakes. Thereby reinforcing correct technique. I think for me it is all about building new neural pathways. Ones I have never needed before. Should keep my aging brain busy. That is to say the issues are in my brain rather than my fingers.
Thank you Jazer, would you say the ultimate entrance for the beginner would be nailing the chords and scales app exercises ? prior to any real piece learning ?
Is it a bit like playing hanon? Thanks for this vid!
Hello sir, what's your take on the Hanon Exercises? I think i read somewhre that it was supposedly meant for organ? But idk, it's become more popular among us pianists.
I think that also teaches coordination in some way. But i tjink i like the exercises you demonstrated more.
What are your thoughts on the Berklee books? I've used the guitar books and I'm interested on the piano books.
Good morning jazer lee ❤
This is very nice content. I would like to know why you think these exercises work, rather than just practicing a piece of music that requires coordination? I was having a hard time with "Eine Kline Nachtmusik" due to coordination in one part in particular; if exercises let me play pieces like that up at tempo that would be great.
Practicing exercises allows you to use a relatively simple, repeating pattern in both hands so that focus can be more on execution, resulting in development of coordination of the hands which then transfers into playing pieces -- as opposed to practicing a piece which will eventually develop the coordination needed for that piece, but which has more complex musical material to learn, and which may not transfer as generically into other pieces.
@@aBachwardsfellow Thanks very much for that answer. Makes a lot of sense.
@@mayharmon6948 You're most welcome! There are trade-off's of course. At the beginning of studies, practicing technic provides a shorter path towards gaining a solid base of melodic (scales) and harmonic (triads, chords, arpeggios) proficiency which are the basis of a wide range of music, as well as acquiring familiarity with the different major and minor keys. As one becomes more advanced, less time is needed to maintain the established foundational technic and more time may be spent on technical needs required for specific passages in the repertoire.
So while there may be some aspects of technical exercises which may help with much of "Eine Kline Nachtmusik", yet pieces typically have some hard spots which require extra specific focus and time. It takes both - c'est la vie (at least for musicians... 🙂 )
Do you have tips to get better coordination as a bloody beginner? My brain still breaks the second I use both hands at the same time... thanks so much for your videos!
*SUPER SLOW practice* ! Works for concert pianists -- works pretty good for beginners too! Requires patience with self. Try playing scales and exercises repeating each note 2 times. Then try playing repeating each note 2 times in one hand while playing and holding the other hand only one time. That is -- play eighth notes in the left hand and quarter notes in the right hand. Then switch hands -- play eighth notes in the right hand and quarter notes in the left hand. Just try this using 5 notes at first -- then try with scales.
I agree, coordination is key, but I suck at it and have no patience, soooooo, gotta train this together with my patience.
Jaser thanks for the video, how would you compare Hanon vs. Schmidt? Also, world you recommend to use hands-mirror or original version? Can’t support you more on importance of exercises. When I’m short in time, I do only them, leaving completely all the pieces.
@WorstSanta - see my reply above for comparison of Hanon vs. Schmidt
I noticed how you place your fingers in constant contact with the keys,would you recommend the 5 fingers constantly sticking to the piano keys and then play as required or keep them a little away from the keys (not touching) and strike the note as needed for best practises?
Holding your hand or fingers up will just cause unnecessary tension
Are the exercises on this video from the schmidt book that you mentioned?
What is it called when you learn to flow across 8 keys (1,2,3,4,5,6,7,1 full octave) instead of 5 keys (1,2,3,4,5)? I am at the phase of learning how to do that with left and right hand together. Not sure if there's a tip to help out!
P.S. I can do them on each hand individually, but the pivot happening at different moments is where I lose it.
What is the difference between Schmitt with Hanon & Czerny excercises?
Is the Schmidt method better than Hannon for coordination exercise warm ups?
I am working through the Hannon exercises regularly and inching my way along. What is the difference? Hannon reinforces hand coordination too while making us focus intently on fingering.
Both are similar and have a lot of overlap. See my reply above for comparison of Hanon vs. Schmidt.
Schmitt or Hanon?
Yes. lol do both. Why choose?
@@staples6 Intelligent application of either Schmitt or Hanon -- or any technical study -- is to identify the areas which you wish to make improvement and select related, appropriate exercises to focus on for a specific amount of time. Not necessarily -- as stated in Hanon -- to spend the time to play through the entire book every day.
There is something more difficult about hands coordination: play notes of different duration. It looks like there are tons of exercises where notes are always played synchronized, but not so many for the rhythmic coordination.
No worries…just saw comment below to answer my question. 😊
Just turn the left palm up down and fingers will be the same.
LOL
Is there anyway to practice this without looking any notations.
yes - memorize the patterns you want to practice.
Are these better than hanon?
While there's considerable overlap between Schmitt and Hanon, there are different areas of emphasis in each. Schmitt goes into more depth with exercises involving holding down keys while playing other fingers. This is especially useful in developing finger independence and strength and the "close touch" (Leschetizky), and is, to some degree the opposite of Hanon who develops a more fingery technic. Both Schmitt and Hanon include a comprehensive selection of standard scales, chords, and arpeggios. Intelligent application of either Schmitt or Hanon -- or any technical study -- is to identify the areas which you wish to make improvement and select related, appropriate exercises to focus on for a specific amount of time.
oh that's the title of that song, Ode of Joy, Don't remember where I've heard it before though 🤣
Symphony N9 by Beethoven. 3rd movement I think
ex1-33 about 10min
is that significant? Did you play each one 10 - 20 times and through every key as suggested?
It really puzzles me how anyone can follow two sets of notes? I must have limited cognitive ability because I just can't do it. To me its like you have to have two brains (left/right) to follow all the notes on the two clefs. I can play by ear and I guess that will be it for me.
Just keep practicing and enjoying your craft. I get it but it can get better if trust and continue the process. Maybe find other methods to help as well if feel to
Playing by ear is fine (Erroll Garner would fully agree) -- and many people do. I can play easily by ear and have difficulty reading -- that seems to be a common pattern. Conversely, many people who can read well can barely play the melody of "happy birthday" without the music. Learning to read takes intentional practice, and the frustrating thing is that you can play pieces by ear so much better than you can read, so reading is a bummer -- I know, been there. But if you want to improve your reading (it can be done) you'll have to grit your teeth, set the metronome (hopefully you're ok with rhythm -- if not, that can be a problem you'll need to fix as well) and get started. There are several sight-reading books available as well as online (check out the Sight Reading Factory).
Where to begin ….
one hand, one finger at a time - 🙂
How disappointing. I was hoping this video would touch upon the coordination challenges of the Chopin piece, where each hand plays a different rhythm. That portion kicked my butt!
I think that portion kicks just about everybody's but at some point .. 🙂
Why is everyone awake so early? Why am I awake?
Some of us are in Europe!
To Play piano!
It was your turn to make the coffee. 😂
Not everyone is in the same place as u brother....
@@Geomon888 I think we can pinpoint when everything went south on Planet Earth to the when everybody started calling eachother Brother like Hulk Hogan
First
Good for u mate
🎉🥇🏆🎹
👍Jazer Lee👍