@@stephenhall7595 I've also worked on the show and I can also confirm it is CO2 and is dangerous. We had to install co2 meters in our pit and we had to have an evacuation procedure in place for if levels went over a certain threshold
Odd question. But did your light change brightness or was it a edit in the video? Like I’ve seen some theatres that have two brightness settings in their lights. They sometimes go out for a blackout
I am curious why are there live musicians when the whole show seems to be running on click and the whole orchestra is hidden? Why not just use prerecorded tracks?
I’m assuming to keep the live aspect of the show. Like personally, I love hearing the live orchestra/band of the show because it just adds to the whole effect. Plus, you don’t want every performance to be the same. That’s highkey boring. And I also can guess it’s like for technical purposes too. Like in case they stop for whatever reason, they can pick up exactly where they need to.
For that matter why not just make a movie and record all the actors on stage once, cut it together, and show it. :P It’s live theater... you want your band to be live for the same reason everything else is live. It’s live. That’s the point of the whole enterprise. ;) Anyway, there’re sections in the score called vamps, where you need live musicians to play. They play the same bar or two of music over and over again as background fill until the stage/cast are ready to move on, at which point the conductor cues the band to the next section. Most nights, the vamps will all be the same length as they always are (big shows like this are well-oiled machines)... but some nights something happens and you need a second or two more music. Can’t have everything go dead, or worse, move on, until everyone’s ready for the next number.
Mamma Mia is mostly on click, but the ABBA estate forbids any production that has less than 5 musicians live. The regular orchestration is 9 musicians. Live Music is fundamental for Mamma Mia because of the richness that it adds; and the live feeling you can’t get from backing tracks. And besides, the musicians can riff a lot in that show.
This show has a very electronics heavy orchestration. 4 keyboards, 2 guitars, drums, bass, and percussion. The click is super important because there's a lot of vocal samples being triggered that need to be the right tempo.
Having done this show without a click I can tell you that it is not fun. A lot of starting samples only to abandon them midway when the tempo is hopelessly off.
Nothing more charming than a drummer.
I Love how the fog comes crawling into your workspace :-D
I really like your 3 recordings from Mamma Mia. Do you have any more from this show?
Awesome. I love that song
Do you have the recording of the whole show available to view? I am playing this show in a few weeks
Way more entertaining than the actual show.
Looking back at the time we actually had theatre, Had Mamma Mai! January - Febuary, was a cool experience. That fog is dangerous tho...
how is the fog dangerous? *hint* it isn't
@@callumgigliotti5391 Having worked the show I can assure you it is, It’s CO2 Gas,
@@stephenhall7595 I've also worked on the show and I can also confirm it is CO2 and is dangerous. We had to install co2 meters in our pit and we had to have an evacuation procedure in place for if levels went over a certain threshold
@@kieranragan6641 during our 2 week run, we only had one show stop, had a few in the rehearsals, but other than that it was a success
Is that an electric drum?
Which drum computer/controller do you use? It sounds very nice!
Odd question. But did your light change brightness or was it a edit in the video? Like I’ve seen some theatres that have two brightness settings in their lights. They sometimes go out for a blackout
you are such #cool dude x
Need to get those in-ears sorted 😁
I am curious why are there live musicians when the whole show seems to be running on click and the whole orchestra is hidden? Why not just use prerecorded tracks?
I’m assuming to keep the live aspect of the show. Like personally, I love hearing the live orchestra/band of the show because it just adds to the whole effect. Plus, you don’t want every performance to be the same. That’s highkey boring. And I also can guess it’s like for technical purposes too. Like in case they stop for whatever reason, they can pick up exactly where they need to.
For that matter why not just make a movie and record all the actors on stage once, cut it together, and show it. :P It’s live theater... you want your band to be live for the same reason everything else is live. It’s live. That’s the point of the whole enterprise. ;)
Anyway, there’re sections in the score called vamps, where you need live musicians to play. They play the same bar or two of music over and over again as background fill until the stage/cast are ready to move on, at which point the conductor cues the band to the next section. Most nights, the vamps will all be the same length as they always are (big shows like this are well-oiled machines)... but some nights something happens and you need a second or two more music. Can’t have everything go dead, or worse, move on, until everyone’s ready for the next number.
Mamma Mia is mostly on click, but the ABBA estate forbids any production that has less than 5 musicians live. The regular orchestration is 9 musicians. Live Music is fundamental for Mamma Mia because of the richness that it adds; and the live feeling you can’t get from backing tracks.
And besides, the musicians can riff a lot in that show.
This show has a very electronics heavy orchestration. 4 keyboards, 2 guitars, drums, bass, and percussion. The click is super important because there's a lot of vocal samples being triggered that need to be the right tempo.
Having done this show without a click I can tell you that it is not fun. A lot of starting samples only to abandon them midway when the tempo is hopelessly off.