1 #. the canon got exploded. English lit => Lit. in Eng. 2 # .the democratization of literature, the rise of ethnic lit. 3 # . the dominance of theory in the 80s in all spheres of HSS in gen. KNOWLEDGE stand exploded. 4 # .theory set focus on margins (women). decentralize. dis-elite. rewriting classic. 5 #. the merging of boundaries (History and literature as a historical novelist) earlier demarcated by particular functional classification. but now, Lit assimilates, is merged with all HSS subjects be it politics( Rushdie, Ghosh, Khuswant Singh ), psychology, sociology because of theory. science fiction, other intellectual in their own rights are writing a specialized version of lit. 6 #. dissolution of distinct literary language (diction, style) into all sort of other forms journalistic, scientific languages etc. 7 #. media lucidly amalgamates the taste of reader from the contemporary base of spiritual, psychological, science, social science, technology etc. 8 #. forms, genres along with an explosion of knowledge into formlessness inorganic experimental super personalized unique in mixing form, narrative and talk about anything. cosmic vision, space-time stretch into literature via science fiction. FREEDOM. 9 #. patchworking remaking redefining. constructed literature. now no genius involved, it's just like a culture product nothing vision. 10 #. demystified the myth, liberation from the tyranny of custom n ritual as there is nothing supernatural about them. 11 #. competition of a pop language with other regional languages, breaking barriers of nations, globalized, technology, English empire spread in the 15th century, appeal to the certain section readership global base. MARKET. 12 #. literature is lucidly changing incorporating HSS subjects, science, technology but literature primary goal is to humanizing, work through emotion not pure mind. 13 #. popular literature dominated in all spheres of culture films, magazine, books, SHERLOCK over SHAKESPEARE. ( classical). 14 #. translation between regional language to pop language for wide appeal, market, reach. TRANSLATION holds strong roles.
I have been following Mr. Dahiya's lecture for NTA NET. All the lectures are very impressive and full of information although in this particular lecture sir is talking more about literary traits than writes and their work.
During the early 20th century we see the litterateurs responded Ezra Pound's call 'Make it new' and also got inspired by John Barth's article 'The Literature of Exhaustion'. As a result they ran after experimental literature. Doing so they did get isolated from the readers excepting some specialists. The people could no longer enjoy literature as they did earlier in 19th century, though superb literary pieces came out through Eliot, Lawrence, Verginia Woolf, James Joyce and many others. But how many people could understand The Waste Land or A Room of One's Own... or Ulysses? What's the outcome of good literature, if they don't get readers?
Excellent Contribution. Thanks for such an informative knowledge about literature in English. Please upload a lecture on the Gothic area of literature.
Twenty first century literature is a mixture of registers,philosophy and history can not be separated from literature: Aristotle(the real purpose) as the meanings of name symbolise. Post modernism can not be separated from classical literature.Really a literary lecture.
1 #. the canon got exploded. English lit => Lit. in Eng.
2 # .the democratization of literature, the rise of ethnic lit.
3 # . the dominance of theory in the 80s in all spheres of HSS in gen. KNOWLEDGE stand exploded.
4 # .theory set focus on margins (women). decentralize. dis-elite. rewriting classic.
5 #. the merging of boundaries (History and literature as a historical novelist) earlier demarcated by particular functional
classification. but now, Lit assimilates, is merged with all HSS subjects be it politics( Rushdie, Ghosh, Khuswant Singh ), psychology, sociology because of theory.
science fiction, other intellectual in their own rights are writing a specialized version of lit.
6 #. dissolution of distinct literary language (diction, style) into all sort of other forms journalistic, scientific languages etc.
7 #. media lucidly amalgamates the taste of reader from the contemporary base of spiritual, psychological, science, social science, technology etc.
8 #. forms, genres along with an explosion of knowledge into formlessness inorganic experimental super personalized unique in mixing form, narrative and talk about anything. cosmic vision, space-time stretch into literature via science fiction. FREEDOM.
9 #. patchworking remaking redefining. constructed literature. now no genius involved, it's just like a culture product nothing vision.
10 #. demystified the myth, liberation from the tyranny of custom n ritual as there is nothing supernatural about them.
11 #. competition of a pop language with other regional languages, breaking barriers of nations, globalized, technology, English empire spread in the 15th century, appeal to the certain section readership global base. MARKET.
12 #. literature is lucidly changing incorporating HSS subjects, science, technology but literature primary goal is to humanizing, work through emotion not pure mind.
13 #. popular literature dominated in all spheres of culture films, magazine, books, SHERLOCK over SHAKESPEARE. ( classical).
14 #. translation between regional language to pop language for wide appeal, market, reach. TRANSLATION holds strong roles.
It's like a summary at the end of the lesson. Very brief n concise summary. What are u doing now? Just curious.
THANKS, for this brief summary
I have been following Mr. Dahiya's lecture for NTA NET. All the lectures are very impressive and full of information although in this particular lecture sir is talking more about literary traits than writes and their work.
Thanks to this man. He is a gem for English literature students
thank u so much for bringing such an eminent professor to our door....
It is a good guideline sir. To pass the meg exam.
thank you... very much useful for students and teachers of literature
During the early 20th century we see the litterateurs responded Ezra Pound's call 'Make it new' and also got inspired by John Barth's article 'The Literature of Exhaustion'. As a result they ran after experimental literature. Doing so they did get isolated from the readers excepting some specialists. The people could no longer enjoy literature as they did earlier in 19th century, though superb literary pieces came out through Eliot, Lawrence, Verginia Woolf, James Joyce and many others. But how many people could understand The Waste Land or A Room of One's Own... or Ulysses?
What's the outcome of good literature, if they don't get readers?
Excellent Contribution. Thanks for such an informative knowledge about literature in English. Please upload a lecture on the Gothic area of literature.
An excellent programme
Thank you very much for such a helpful lectures
You are amazing sir. 🙏
outstanding
❤❤❤❤
I feel u should review THE KINGS GRAMMAR
Thanks a million.
👍👍👍
cec ugc.. thank u so much...
excellent
Please upload a lecture on the answer writing in literature paper.
Really l appreciate you
Twenty first century literature is a mixture of registers,philosophy and history can not be separated from literature: Aristotle(the real purpose) as the meanings of name symbolise. Post modernism can not be separated from classical literature.Really a literary lecture.
A whole load of victimhood bull.... Decentering.... Yawn. Please just tell us about the elite writers