@@SweetOrangeGirl Exactly. "Hot" also has sexual undertones. Something the Sultan might not appreciate having his daughter be called by a stranger. Whereas "a sight lovely to see" has romantic undertones and gives the Sultan the impression that they respect Jasmine and appreciate her beauty.
THAT WAS REAL?!!! I THOUGHT THAT WAS A MEME THIS WHOLE TIME!!!! ... Oh yeah, it wasn't until I was typing this and finished up the video that I remembered it. Ick.
One crutial aspect of the animated scene that doesn't reflect on the live remake, is that Aladdin is delighted to be "that prince", like the one he insulted in the beginning. He loves being greeted by the folks who hunted him when he was stealing, he loves the attention of the young ladies, he loves being rich. THAT is the big turn off for Jasmine, and that's why she only opens up when he becomes his true self again (right before "A whole new world"). In the live action remake, Aladdin is just akward on his elephant, and that strips away his character growth, because we can't see why he delays freeing the Genie later.
It's because Disney is too afraid to make their main characters flawed in any way. God forbid Aladin, who lived his entire life as a nobody in the gutter, have a moment of selfishness and enjoy being ogled and praised by the people who mocked him.
@Dont_Tell_Anyone_Its_Me Exactly! I get that no one noticed cause that's not how the movie goes or because he has to exaggerate for the camera. But coooome ooon. Prince Ali? More like Prince Awkwardly
Genie going through the crowd is one of the main gags of the song. when he comes out as a women it's the climax of his changing and the music goes with it. since in the live action he doesn't change at all apart from the women, it just boils down to "haha man in a dress"
I feel like they still could’ve done it well enough if they tried. Just have extras dress up similar to Genie and lip sync the lines; then add the sparkles for the changes and Will Smith doing voices in post. You could even have an extra tall woman mugging for the camera in the aforementioned scene. Would it be as good as the original? Probably not, as this whole song is one of the most bombastic pieces of animation in Disney’s history. However, it would have fit the song a lot better.
@CyberDrewan it could've even been funny (and probably creepy) if they just slapped Smith's face on a kid and the rest of the crowd. Or just commit to the bad disguises
Genie by Will Smith also spends most of his time in the center of attention, like he is prince Ali himself. The original Genie was busy with all sorts of hyping shenanigans in the crowd. Most songs in Disney remakes look embarrassing alongside the original of course.
In the original this song also does so much to build character relationships. Genie just got Aladdin's promise to free him and he's going above and beyond to make him happy. He didn't need to do a quarter of this to make him seem legit but he is because he cares about Aladdin now. Not to mention building hype by transforming and talking with the citizens of Agraba. This endeares us to Genie more and Aladdin as well which serves the story in lots of ways, like making their fight more emotional. Additionally, we know Jafar won't like Aladdin because he's getting in the way of his evil plot, but showing how he slowly gets more upset with Ali builds our anxiety. Him glaring at Iago and seething behind the door show that this is quickly becoming personal and we already know that he is a capable villain so as the song crescendos dramatically our anxiety builds because we hope it won't end, because it's an awesome musical number, because if it ends Jafar can interrogate Aladdin and figure him out. The new one has none of this not so subtle subtext and suffers all the more for it.
I disagree with this one, "six" is a very sharp word whereas "slaves" and "ten" are both smoother and given that the syllable is emphasized I think it wouldn't flow well if it were changed to six.
"Who needs audio balancing?" That right there sums up the lazy attitude Disney has taken with these movies and why they fail so hard. The people making it just assumed it would be a success and they didn't have to try to make it so.
@@admechskitarii6967 You can only keep people drawn in on the curiosity of it for so long. At some point, you have to produce quality, or people move on.
Also in the original Aladdin is confident, smiling, playing along and clearly having fun. He's always wanted this and is enjoying it. In the new one he's bashfully grinning, awkward and embarrassed. He does not want to be here. He almost feels forced into it. Like the audience both in and out of the movie.
@@rickofawesome135 I know. The point of the Sultan was that he's basically the opposite of King Triton. He's weak-willed and immature, but pleasant to be around and has a healthy relationship with his daughter. That makes hims a good foil to both Jafar and Jasmine. I get that the remake wanted the Sultan to be less of a man-child and more regal, but they forget that the reason the Sultan's immaturity worked in the original is because it was consistent with the movie's light-hearted tone. If the movie had a more serious tone like Pocahontas or The Lion King, they obviously would have given the Sultan a different characterization.
@@vetarlittorf1807 not to mention since the sultan is less of a man child and over trusting and weak willed it ruins how Jafar was able to trick him even without his staff
@@vetarlittorf1807speaking of King Triton, I've never been more disappointed in a remake character than Javier Bardem's version. Was the man sleeping the whole time??
The thing is, Will is not fully known for singing. Vocalist or not, his strength is in his word play and rhythm. Both have been neutered because they want to "modernize" the writing but pander to the fans who are die hard to the original.
May I draw your attention to the fact that Smith was a successful *rapper* and generally the closest thing he did to singing on his songs was the sort of singsong half singing like “party in the city where the heat is on” from Miami where it was mostly one note and occasionally changed to a second note.
The biggest reason why I prefer the animated one over the live action is how the genie refers to Jasmine in each. In the animated one, he calls her a "sight to behold" whereas the live action calls her hot. The first feels like the genie respects her and appreciates her beauty. In contrast, the live action feels like he's commoditization and sexualizing her and rendering her little more that a pretty bauble. But I also agree with basically everything else you said in the video. I did like a couple things in the live action, but overall it didn't work as well as the animated version. I feel like the live action one could have potentially worked better if Will had just done a hip hop version (which is supposedly the music genre he does) rather than trying to play around with the more Broadway-like version.
Exactly. Also, the term "hot" has sexual undertones. Something the Sultan might not appreciate having a stranger call his daughter. While "lovely" merely has romantic undertones.
@@vetarlittorf1807 I mean, "hot" is a recent term, so he'd be more confused than anything. Which just raises the question why they made the genie said that. Isn't he trying to act like a normal person?
I couldn't figure out what it was about the Prince Ali song that bothered me, lyrically wise, but this nails it down. Genie in the original was appreciating Jasmine's beauty while being respectful, but remake Genie does the opposite, making him sound shallow.
It sounds like the kind of thing Jazz would say three seconds before Uncle Phil throws him out of the house. Actually, a lot of Will’s performance in this movie feels like he’s trying to revisit his _Fresh Prince_ character - even though he was 50 years old during filming.
This movie, like a lot of animated Disney movies, just has too much magic and movement to switch to live action. It just doesn’t work. Will Smith doesn’t look like an ancient magical being with a fun personality- he looks like a guy with a hat so large that he’ll fall over if his head tilts a little too far.
@@5Demona5 But that's what's so exasperating - it's not live action. It's like 70% CGI. They could absolutely have done more to heighten the reality of the number - and if it ends up looking different from the rest of the movie, that's fine! It's literally a song ABOUT the Genie heightening reality to make Aladdin look spectacular! I get that there are some restrictions created by basing all the human performances on live action, but even within those restrictions they made boring choices. Nothing stopped them having mocap Will Smith appear and disappear within the crowd in different guises.
I thought they wanted to make their movie 'Less offensive' Not saying that if you call a girl hot that's offensive, but if you're saying it at someone who ISNT your wife or girlfriend like Will did.. dear God.
The funny thing about you mentioning how rude it was to just burst through the door with the elephant. The Sultan was more than ready to open the door, by himself no less, and it was Jafar who tried to close it. Really, it was Jafar being rude and not welcoming Prince Ali
come to think of it that scene also emphasizes how much control jafar has over the sultan. when he shuts the door, the sultan just stands there like "oh ok" bc he trusts jafar completely
The biggest problem with ALL of the Genie's numbers is Disney's painful inability to commit. They hire Will Smith for his unique film presence and bright personality (I suppose). Yet, they do not allow him to fully express himself musically and acting wise forcing the guy into a mold crafted by a comedian with totally different brand of humor and charisma. No one can replicate Robin Williams. And it looks like Disney knew it. So they took the steps to reinvent the character but were to cowardly or lazy to see things through. The credits have another musical number by Smith and I think it looks and sounds awesome! Hip hop elements there feel very organic cause the whole song is stylised.
Well, to be fair, Robin Williams was also just playing himself. The genie role was literally written for him. In my opinion, Will Smith attempting to imitate Robin Williams probably would have been worse.
@@QuintonCenter Howard Ashman said that Cab Calloway was a big inspiration for Genie's character, which decreased a bit when Robin Williams was casted. I wonder if it would be easier to emulate Calloway than Williams????
@@orangeslash1667 The Calloway influence is definitely a bit more emphasized in the Broadway show if you listen to/watch Friend Like Me and compare it to Ashman's Demo take on the song (recorded before the movie was far enough along to cast the Genie or imposed the imprisoned/3 wishes version). That said, I think the processing/autotune and flat direction would hurt a lot more going for a Cab Calloway style compared to mimicking the more showtune style of Williams's iteration.
Will Smith covered the song in a style that fits him more (in the credits). I preferred this version, as it was a spin on the original. That's just me tho😅 EDIT: I meant the friend like me version, I got the songs confused 😅😭
I thought it was very kind of Scar's voice actor to beep himself instead of cussing out the irreparable choices that led to the making of this film, I'm sure the editors appreciated it.
@@KairuHakubiIrons could hit the notes - the song was tailored to his rather limited range. The problem was that he lost his voice after yelling “YOU WON’T GET A SNIFF WITHOUT ME!”, so Jim Cummings stepped in to finish the song in the amount of studio time they’d scheduled.
So this is basically the exact same problem YMS pointed out about the soundtrack of Lion King remake, the audio cues are still there but the action on screen doesn't reflect what is on the track anymore unlike in the cartoon. And those clowns get 300mil to make a movie, amazing.
When you showed me the intro of the live action, the first thing I thought when I heard the Genie was that there was a lack of pronounciation when he 'sings'. This weirdly makes the entire things feel more like he is just speaking rather than singing. Like if you digitally removed the instrumentation, I swear you could make a case for him just being in casual conversation there. I know Will Smith is has a background in hip hop and I don't know enough about that genre to say that this is a common thing there but it kinda kills the scale of the song. When the animated Genie sang the fictional praises of 'Prince Ali' he made sure to focus the pronounciation on those impossible feats, as if even he is impressed by them. This helps making it even more impressive to us as the audience, since if those words were just spoken, we wouldn't understand if those things are impressive or not, but by having him focus on those while speaking, the reverence comes across better. Edit: The further I watch the video the more I notice other dumb things. The scene where there are 'waiting' for the Sultans aproval also goes against the storybeat. At this point in the story Aladdin and Genie are supposed to be the loudest most show-offest people in the world. Where despite being rude they charm everyone with their sheer spectacle alone. Which is empthazied by them even breaking through the door to continue the song. Waiting for the doors to open, is that a pesant like Aladdin would do, not the walking deity that they are trying to make Prince Ali out to be. Next, in the animated scene the Genie transforms into different people of all ages, sexes and sizes. Now I understand that in a live preformance that would be impossible to completely copy. But this is a highly edited film, with a budget large enough to run a small city on. Just use different actors and color code them to be wearing the Genies signature blue colors, while Will Smith does a simple voice imitation. It would be much more impressive as a visual and get the point better across, rather than having him show up in drag, so well covered that without context you wouldnt know this is suppossed to be a magical creature. I feel like many of the text changes to the song were in an attempt to make the song more 'PC' and less objectifying. Like when they replaced 'sight lovely to see' and 'dolled up'. But again context matters. Aladdin and Genie are going for a frat boy persona. Them going for those debatably ruder word choices matter. Another change that imacts the storytelling. In the original Aladdin was absolutely into the fake appearance. Afterall he thought he finally had it all. Wealth, fame, handsomeness and a magical genie that would all help him get the girl. Not realizing that she sees those things as a massive turn off. If I had to guess they removed many of those moments where Aladdin joins into the sharade, because they rewrote it as him feeling bad about the lie, I wouldnt know, never saw the live aciton, or they came to the conclusion that having him jump around on a live elefant wasnt the best idea. So all he could do was just sit there akwardly, waiting for the song to be over. Now if that change was made because they didn't want him to be unlikeable or because they were concerned about the actors safety will be up for debate. But point being that it makes the moment less imposing. In a scene all about being imposing
@@SorowFame A “sight lovely to see” is very impersonal and also gives off a faux personality vibe. While “is hot where is she” feels more crude and as if he is entitled to her presence. Maybe this line was changed because they wanted Will Smith to soubrette more black?
You know, it's an interesting thing. Aladdin doesn't really have a "villain song" comparable with Poor Unfortunate Souls or Be Prepared, probably because it focuses less on Aladdin vs. Jafar and more on Aladdin's struggles with his own personal flaws. In that sense it's more like Beauty and the Beast. ...And I actually think that "Prince Ali" serves the function of the villain song in Aladdin in much the same way that "Gaston" is basically the villain song in Beauty and the Beast. The music here is really bombastic and intimidating, and both the lyrics and visuals reflect all the worst aspects of Aladdin's character which he eventually has to confront and overcome: greed, egotism, insincerity and insecurity. The whole thing is just one prolonged boast, like "Gaston", and it impresses everybody except the one person it was supposed to impress, again suggesting Gaston's ability to charm everyone in the village except Belle. The cartoonish visuals are essential to making this impression. Aladdin in the form of Prince Ali needs to engage in outlandish stunts like bringing giant balloons and parade floats full of peacocks with him when he travels because that's what establishes him as a shallow blowhard who cares more about show than substance. Jasmine can see right through all that, which is why it's also important to show her getting fed up with the spectacle and leaving. It's foreshadowing for the scene where Aladdin tries to impress her in person and strikes out horrendously. The live-action version looks way more like the kind of everyday parade you'd see in...well, Disney World. It's not elaborate enough to convey Aladdin's arrogance or the magnitude of the genie's powers. These animators and writers just don't get the _attitude_ behind the original scenes at all.
This is a really interesting take to think about, and one I hadn't considered in all the years I'd watched the original Aladdin. It certainly brings a new perspective to the use of a Prince Ali reprise in lieu of a "traditional" villain song for Jafar to sing.
Aladdin really is his own worst enemy in this movie. Diamond in the rough indeed, but he's the one who needs to learn that it's better to be valuable on the inside and look crummy outside than vice versa. And while he's his own enemy, he gets the best possible new friend. It's poetry. Jafar is basically just a guy whose plans got interrupted and went completely awry. He didn't really do anything dumb until the very end.
For what it’s worth, Menken and Ashman did try writing a couple of different songs for Jafar, but eventually realized that his motivation and goals were already so clear that he didn’t really need one. The “Prince Ali” reprise works perfectly, since Jafar is mocking Aladdin’s insecurities and his attempt to be someone he’s not (and it let Broadway veteran Jonathan Freeman show off his awesome singing voice at least a little).
@@gelchert Tangential but it was still a sweet detail seeing Freeman as Jafar again for the first runs of the Broadway show. The new songs were a mixed bag in terms of musical theater additions and don't have Ashman's Lyrical prowess, but there is an irony to me that Freeman was the most Musically/Broadway versed of the original cast but had the least musical contribution until this take on the story.
As a kid, the scene with the Abu elephant bursting through the palace door was SO FUNNY to me 😭😭😭!!! Everything was PERFECT! The sultan being excited to welcome them in but Jafar keeping his hand over the door like "ah ah ahhh!!" The "prince aaaaaLI ROYAL IS HE ALI ABABWAAA" as they burst through Abu's goofy face The door swinging back to reveal Jafar smushed in to the wall with an angry scowl on his face! Everything was just perfect, i would rewind my vhs over and over again to see just that part 😂
I can get why. One thing is that it's just kind of talking in a broad stroke like a kid recounting a story he heard from someone else (which makes sense since the Animated version is like Genie spreading a rumor/story in the crowd). Might have been served better by the Demo/Broadway version of the verse. "He once slew 70 Turks Mustaches, sabers, real jerks! Who gave those bad guys the works? Why Prince Ali!" The second line sounds like someone who saw the Turks in question, which makes more sense if it's sung by a guy in the parade.
I know the context is "royalty" visiting a "fellow" royal so the more officially-appropriate salam (short for "salam aleikhum", meaning peace or "peace be upon you") is correct to use here, but do you think Disney is aware the more casual (and, at least in my area, more default?) greeting "ahalan" exists? Which, by the way, "brush up your smile and salam" keeps the rhythm without making the stupid mistake of implying all these people are in the marketplace on a Friday noon which is bonkers why is the market even open today if that's the case, did everyone finish the noon prayer and rush to the market for funsies?
Your line "Brush up your smile and salam" genuinely seems like the perfect updated version of the original. It even keeps the alliteration with smile and salam!
I haven't watched the film but where is it implied that it's noon? Jumuah doesnt last that long, it's not impossible to return from salah and go to the market or go to the market and later attend salah
I think the formality of Salam (aside from obviously flowing better as alliterative lyrics) suits the context, given the line is Genie telling the townsfolk to basically make themselves look good and greet this Big Shot, at least from a western outsider perspective.
Man i miss Howard Ashman. There will never be a lyricist like him (in regards to Disney, at least). It just is horrible to me how modern disney ruins everything he makes by modernising it, not realising that Howards amazing talent is what made the songs so timeless and unforgettable
This has nothing to do with the actual song and is a very blink-and-you-miss-it moment, but I noticed that when Aladdin scoops up the gold in the live-action version to throw at the crowd, in the next shot it looks like he’s not throwing anything? Like the gold disappeared. Did they forget to add it in?? 😭😭
Will just sounds so uncomfortable singing in this film. It would have been so much better if they stopped trying to make him Robin Williams (who is a league of his own and can't be copied) and let Will Smith be Will Smith, with his own style and such. It would have been different from the original but much better than what this live action became.
That's literally the only way this movie could have worked I think. So much of the original animated one was just ad-libed by Robin Williams, that basically noone else could have done it. The only thing that could have worked was pick a comedian and let them "redo" the movie in their own comedic style, especially if they could also sing. I never had an issue with the casting of Will Smith as genie for this reason, and why I really wanted to like the live action, but they really butchered their opportunity.
@@nightengalenorth6881I don't think they could pull off a live action Genie at all. What made original Genie work was not just Robin's ad lib, but the fact that he was so bombastic and energetic. The only one who could pull that off in live action is Jim Carrey, who played a similar role in The Mask.
I love what you said about live action not being able to keep up with animation! It's so true all of the Disney live action movies look so stiff and wooden. And it's not just movies it's their new shows too
for anyone who can’t hear them, here’s the backing vocals from the women in that one moment: there’s no question, this ali’s alluring never ordinary, never boring everything about the man just plain impresses he’s a winner, he’s a wiz, a wonder he’s about to put my heart asunder and i absolutely love the way he dresses
12:36 I think you hit the nail in the head with the remake having missing alliteration. Directly after what you mention here, the original says "dolled up and dropped by" which is two "d" sounds, plus the "p" in "up" and "dropped". By changing it to "all cute and dropped by" they lose all of that.
One thing i miss from the visual part, is where in the original, when the Genie disguises himself as a woman, the next shot shows Alladin kinda smiling at the Genies antics (a bit of an exasperated but amused eyebrow raise and smirk). This shows to me that Alladin thinks the Genie is fun, or at least that he enjoys the antics of the Genie to an extent. The live action completely misses this small interaction, making the relationship between them more, boring? The OG just had a lot of small interactions between the 2 in this song which the remake just completely deletes
It's one of my favorite parts of the song because, not only does it show his budding friendship with Genie, but it also fits in that he's smiling up at the girls because, and correct me if I'm wrong, but doesn't he flex after that? He gets into the part while and has a bit of fun
The original genie felt like he was trying to get the people to like Ali and amazed and one of a kind while the genie played by will smith felt like he was hyping Ali up and when he said “definitely” it sounded like he was lying to make Ali sound better than they actually are in my opinion and i don’t know why the girl next to Jasmine trying to silently telling her that hey he has mon-ey even though Jasmine is the princess and doesn’t need money and the girl is friends with Jasmine and is allowed to be near her why is she impressed by “golden camels” it makes her look shallow and makes you question why Jasmine of all people has her as a friend
Also, Jasmine having a friend at all undermines her burdens. In the original, one of the reasons she ran away was so that she could experience friendship. It made us sympathize with her and see that being a princess of Agrabah is a lonely life.
@@vetarlittorf1807 yea and to simulate a sheltered life in the palace and i completely forgot her until i seen this video again lol that’s not a good thing
@@kingagrabowska9366yea but it fails because there is already a 2 comedy relief the Genie and the parrot with Jafar but they also add to the story what does the “friend” do? He is just there so they can say they did something different they don’t add anything
Not only do they show ostriches when they sing about mammals, in the friend like me number, when they sing about column A and column B, will smith makes a row of clothes and a row of treasures
You know what could've really fixed all of this? If Disney hired Bollywood directors and had them do this scene. I haven't watched any actual bollywood movies myself but I've seen plenty of "this movie is so bonkers crazy" type videos of clips from them. Idk if it's something in the water but man does India have insane ideas for action scenes and that's a compliment lol Bollywood movies have this over the top cartoony vibe and it would've added so much more energy and punctuation to the song. Plus in universe it makes "prince Ali" stand out more amongst the other suitors as they just came in the proper way. The sultan could've been actually entertained and greet them without second thought cuz wow that was bonker yo But apparently Disney just want the nostalgia, not the effort as to why the nostalgia worked
No, but seriously. Bollywood would hit this out of the park. I've seen some of their musical moments. xD ruclips.net/video/l_MyUGq7pgs/видео.html&ab_channel=ErosNowMusic This is the energy Prince Ali song should have had. xD
Oh my god, you're so right. Bollywood would make it as magical as the animated movie like it was nothing. They have luxurious sets, hundreds of extras, most colorful pallettes out there, we would accept any flying carpet and shape shifting genie too without looking twice on the animation's budget
Guy Ritchie is the last guy who should be directing a Disney remake, ESPECIALLY a musical. I’m glad he went back to his roots after this one and made _The Gentlemen._
Look all I'm saying is the Jojo's Bizarre Adventure fan-made version of "Prince Ali" featuring the villains from Part 3 WASHES the live-action version.
I also think the Zoo line reflects something else. Where the original alludes "Its Not a (common) Zoo its a World class meagerie, the remake just basically goes: hes got a Zoo and i'm telling you it be big
I love the broadway version and I'm baffled they didn't bother to use that as a template. Prince Ali is longer in the bw version, there's your extra running time, Disney. Abu isn't in the bw version, saved you unnecessary CGI. They're so obsessed with trying to do shot for shot remakes of the animation we get this where they clearly couldn't and as you wondefully showed, it's bland and boring. I'm glad the bw version exists as it props up many lost songs that Ashman was proud of. I hate that this live action exists to seemingly drown out both the bw and the original, because that stuff is for nerds or something.
The most obvious thing i immediately picked up on in the live action version is alladin dont seem confident while the original he's confident af he even flexed
I get removing the slaves live, but if they wanted to keep the alliteration how about: He's got serfs, he's got servants and flunkeys. Then you get alliteration AND assonance.
Gah I love your videos so much. Whenever I'm talking with a friend about any live action remake and I say that I don't like how they redid a song, it's hard to articulate *why* it sounds so much worse than the original. But you put out the why in a clear and concise way that allows your audience to actually hear the differences both overt and subtle between the original and remake.
I hate “heard your princess was hot where is she” with a passion. The whole point of the song is to butter everyone up to Ali, calling Jasmine “hot” instead of something a more respectful like “lovely” isn’t gonna endear the Sultan. It’s the Disney equivalent showing up to the house of a girl you have a crush on and calling her a sexy piece of ass to her dad.
It's actually baffling to me that they took out the genie transforming into regular townsfolk but kept in him doing drag, which was the only part that could be considered offensive (because the joke is he is a guy dressed like a girl and he looks weird and it's funny). And not only did they keep it, they made it even more exaggerated and had him call Aladdin yummy and put on an over the top high voice. Very strange for a company that's been trying to sanitize their old works.
They also kind of miss the point of that bit outside the drag because the punchline becomes "the women notice the Genie's a Man" rather than "the admirers faint swooning over Ali." Plus, all things considered, Animated Genie could pass for a (cartoonishly large) woman given the original's style (for example, compare him to the two tall/large women in "One Jump Ahead"), while for Will Smith they just kind of put some make-up on (which isn't the same as doing up a convincing Drag look) and a wrap over his chin to hide the beard. I'd get it if the joke was "they are so enamored they don't notice the Genie" but given the punchline that clearly isn't what they were going for.
In the original, Genie is appealing to the commoners AS a commoner, a much different pitch than appealing to them as (as far as they know) a high ranking official in Ababwa’s court. That stays consistent with the theme in the movie than Aladdin and Genie are both much closer to being commoners than royalty (genie is trapped in a lamp and a slave to whoever rubs it, he’s proletariat.) and relate better to them as well as endearing Ababwa to the people as the peoples prince.
also "all cute and dropped by" loses even more alliteration, i feel like when editing lyrics, they thought the only thing that mattered was keeping rhymes in tact, rather than consistent syllable count or alliteration, like lyrics arent just rhymes with some stuff before them, the stuff is important lol
"Your princess is HOT, where is she?" Sounds even bloody WORSE since in this version she didn't leave! Like, if she did leave, then the people around her could have glanced around and realized that - maybe have Jafar use that against her nearer the end of the movie. But because she stayed, thr proper reaction to that line is "She's right here, are you daft?" 😂
Oh my gosh, thank you so much for talking about how they ruined the music in this awful live action version!! I have been upset about how they ruined One Jump since I saw this movie (they made it SO SLOW), and you've articulated really well why I hate it so much (even tho it's a different song, but they ruined all of them so..)
The thing is, it’s not impossible to create an "animated" and fun atmosphere in live action. It just takes effort. There is no reason the genie had to stand in the same location for the entire song. They absolutely could have had him interact with the crowd. They also could have kept some of the transformations, it just would have been very difficult to pull off.
I will go to my grave believing Will Smith was absolutely the wrong choice for the genie. If the live action Aladdin had to be made (ugh), we needed someone with a totally different style of humor from Robin Williams. Yes, Will isn't quite the same as Robin, but he still leans on the broad style comedy- especially when the film forces him to essentially imitate Robin (since many of the genie's lyrics and dialogue only work because of what Robin did in the first place). Thus, Will's performance never gets a chance to stand on its own, because it's constantly under Robin's shadow. For my money, Patrick Warburton would've been a fun option for the genie. His style is so different, and still funny. We could've gotten a hilarious genie, but in a different direction, and it would have less baggage to fight through. Comparison would still happen, sure, but I think less so. If not Warburton, then someone with a similar wry and dry sense of humor. It's all just proof that these new remakes don't understand what made the originals such memorable works of art in the first place. Live action does not equal better.
A big problem I have with this interpretation of the song is that I feel like they wanted to look like the original but still make it newer and "cool-er", except they half-ass it in both directions so it ends up feeling like a bad and bland interpretation of a fan-favorite song: neither good enough to be a good hommage to the original nor creatively interesting enough to be interesting in its own right. The worst thing though is that it could have been great if they decided to fully embrace that they were in a new medium with different rules and do something completely new. As bad as this song is, there are some decent ideas: holding a note until the sultan gives the signal was a good way to involve him in the song if you can't make the procession enter the palace, showing Jasmine's maidservant jamming to the song was a good characterization moment to show Jasmine's idealism versus someone who is more practical and "cynical", Aladdin being awkward could have also been interesting if they decided to embrace this characterization during the rest of the movie. It feels like they could have done so much more but couldn't let go of the idea that they needed to bring "nostalgia"
idc I think they should’ve kept the “he’s got slaves, he’s got servants and flunkies” as it was. Bc after that is “proud to work for him, bow to his whim, love serving him, we’re just lousy w/ loyalty to Ali”, showing that even ali’s slaves rlly love and want to serve him bc he treats them so well. I think that does more to sell him as an awesome guy even if “but slavery bad”-I know but I think changing that part kinda misses its point
I commented this elsewhere, but that line also kind of reflects on Genie, who is friends with Aladdin but technically enslaved to him during the story. Someone proposed the interpretation that this number is sort of like Gaston, which was a villain song, because it's hyping Ali up and bringing Aladdin's negative traits/ego to the front. That would play into the "fake/show" nature of the parade since even that line would be undercut when Aladdin hesitates to free Genie.
"Heard your princess was hot, where is she?" sounds like something a dull high-schooler would say to a girl's dad (and make him unhappy.) "Heard your princess was a sight lovely to see" actually sounds romantic, or at least poetic.
I also didn't like that they made it very Indian instead of Arabian like the original, their reasoning for that was to make it more "inclusive" because the story is both Indian and Chinese, but it's like taking the Cinderella fairytale which is both French, German plus Greek and smooshing those cultures together in the live-action, but they didn't, because Asian cultures are the same to them.
When you sent this to me I cannot stress enough how horrifying it was to realize they had rewritten the song in an attempt to be more sensitive but then instead of "a sight lovely they see" they just straight up call Jasmine hot 😭 I really like Lindsey Ellis' "Woke Disney" video - she predicts this is going to be a trend long before a lot of people realized it. But now we're straight up in the thick of it. I didn't realize just how much was missing though - Jasmine being fed up, Genie trying to be over the top because he hasn't gotten to use his magic to do anything "fun" in a while and he also has to make Aladdin's plan succeed to get what he wants, The Sultan being giddy. The Jasmine stuff is especially weird because her friend has these expressions as if Jasmine is being unreasonable... which is more "sexist" compared to the original movie where she was just fed up? Like this idea that Jasmine is frustrated but her friend is like "nah you're wrong, give him a chance" immediately invalidates her experience? Why, god why, did they do this LOL
That's a great point there at the end, about animation being able to do stuff that's either impossible or very hard to do in live action. There's one more thing: animation inspires creativity and allows to do literally anything, which allows for greater scenes, sequences and cool effects / transitions, whereas if filiming a live action adaptation, instead of thinking about what would be cool or clever, they're more concerned with what's gonna be easier and cheaper to film. And I simply fail to understand WHY they go for live action and ultra-realism for adapting what's essentially a broadway musical at its core. Same thing happened with the movie adaptation of "Les Miserables" and "Cats" - they tried to film extremely realistic movies on the basis of something that's supposed to be incredibly stylized, epic and imaginative. You just can't combine people singing into each other faces and historical realism without it looking jarring and frankly insane. But they keep doing it.
Y'know, as much as I want a Hunchback live-action remake (because Hunchback is one of few animated movies good in live action), seeing this makes me feel so thankful that they shelved it lmao
@@gecfes if they make it like the stage musicals, 'A Guy Like You' would be replaced by a different (fairly better) song lol. but i'm pretty sure one of the reasons they even shelved the remake was because they didn't want to remove/ruin Hellfire.
I really hope they NEVER do it. They'd change so much. Like I dunno.. FROLLOS ENTIRE CHARACTER. Gypsies is a slur yes, but that's the point. Frollo hates gypsies. Also, I'd doubt they'd make Esmerelda and Phoebus a couple in the live action. Disney should listen to their millions of fans and just stop.
@@yoshikatsu_kiraIt's better to just cut the song entirely. Having Frollo burn Paris as the Latin chorus sings about mercy in the background doesn't mesh well with a sudden jovial comical song about a crush. The gargoyles were a mistake.
Maybe it's just me, but in the original Prince Ali, Robin Williams almost gave off the impression that he was actually moving with the same energy of the Genie. Like when Genie's up with the other girls on the balcony, I can almost picture Robin Williams in the recording booth dancing just like the Genie.
Can confirm that singing the song like by myself or on a Karaoke night, you have to actively fight the urge to pose in time with certain lines or musical beats (like pointing to a "crowd" at "has he got a zoo, I'm tellin you!") You can hear it in Ashman's and Menken's work, these songs are written as Musical pieces so that they lend themselves to certain inflections and motions when played out. For another example, try singing songs like "Be Our Guest" or "Under the Sea" without doing an impression of the accents, and they feel a lot stiffer for it. You'll end up naturally slipping into them because the songs were written for those characters and the accent is part of the performance.
Ashman's lyrics are so dense/complex and the vocabulary is so uncommon that there's a lot of mandela effect when it comes to them. I think a lot of people think it *is* brand new star. Poor Unfortunate Souls often changes "importance of Body Language" to "POWER of Body Language" for whatever reason (the live action avoids this by not even including the line). There's other examples, but I'm blanking on them. I don't actually SUPER dislike the Will Smith-y changes to this, they were obviously done to cater more to his performance style and I think that's fair. (As much as this live action remake in general is fair) It also means it is something *new* and not just a recreation. But it's definitely worse.
I also think the song is lesser because live action aladin just looks like he feels awkward. Like he doesnt want to be there. Animated aladin is playing along showing off and working with what geine says as he says it.
I still think Speechless was worse, at least this one tried, at some level, however ineffectively, to keep some of the magic of the original. Speechless just stopped the story entirely for a couple minutes to drop a completely unrelated Oscar-bait song that didn't really add anything to the story or the characters. The one saving grace is that it did suit Jasmine's character and fit in with her character arc. I don't know if they were contractually obligated to give Naomi Scott a scene-stealing song or if they genuinely thought it would improve the original story, but either way to her credit she did a good job of singing it.
I can't help but think if Ashmen was still alive, he'd never this to happen. Hell, it was him putting his foot down that saved Part of Your World from being cut.
Aladdin just awkwardly smiling on top of that elephant, like he's the birthday boy in a restaurant and desperately wishes the staff would stop singing the birthday song to him.
I had the best intentions going into the cinema to watch this film. I was all "I'm just going to enjoy this by not taking anything seriously". I mostly managed, but by the end of this song where they say how Prince Ali has all those llamas and fakirs and bakers and singing birds and... we see NOTHING from that, when the animation did an exceptional job showing it all one by one, I was like "Yup y'all are just lazy". Like. They've changed enough lyrics. Either change those last lyrics with something relevant happening on screen, or show all those glorious things Ali has. If not... why are you doing a musical?
The point you made about the unbearably loud music reminds me of YMS' complaint about The Lion King remake from the same year, where it's so much louder than the original presumably to try and overshadow notable issues with the new one.
Utterly adore how your able to put the feelings I have towards these remade songs into words, I can never seem to explain what it is about them that makes them so off putting. Awesome analysis, thank you for the video!
Your content is so thoughtful, intelligent and enlightening I just can't- And I'm saying it as a person who's not that interested in music and lyrics theory(?)
I love how they wanted to change it to be more "sensitive", but in the end they drop that Jasmine is HOT WHERE IS SHE?!
💀
That change grossed me out, what were they thinking 😭
“Heard your princess was a sight lovely to see!” is immensely better than whatever that line is.
Honestly so objectifying to women, with Genie dancing around grinning like a kid in a candy store. It’s not funny, it’s DEHUMANIZING.
@@SweetOrangeGirl Exactly. "Hot" also has sexual undertones. Something the Sultan might not appreciate having his daughter be called by a stranger. Whereas "a sight lovely to see" has romantic undertones and gives the Sultan the impression that they respect Jasmine and appreciate her beauty.
THAT WAS REAL?!!! I THOUGHT THAT WAS A MEME THIS WHOLE TIME!!!!
...
Oh yeah, it wasn't until I was typing this and finished up the video that I remembered it. Ick.
One crutial aspect of the animated scene that doesn't reflect on the live remake, is that Aladdin is delighted to be "that prince", like the one he insulted in the beginning. He loves being greeted by the folks who hunted him when he was stealing, he loves the attention of the young ladies, he loves being rich. THAT is the big turn off for Jasmine, and that's why she only opens up when he becomes his true self again (right before "A whole new world"). In the live action remake, Aladdin is just akward on his elephant, and that strips away his character growth, because we can't see why he delays freeing the Genie later.
And come on, if you're pretending to be a prince, and you're being watched by hundreds of people, and you don't act like a prince, it looks weird.
It's because Disney is too afraid to make their main characters flawed in any way. God forbid Aladin, who lived his entire life as a nobody in the gutter, have a moment of selfishness and enjoy being ogled and praised by the people who mocked him.
@@5Demona5 That's right ! If you're not committed to play the part, why make the wish in the first place ?
@@joshuaking3731 Yes, protagonists are not good because of the sole fact that they are protagonists, but because they overcome their flaws
@Dont_Tell_Anyone_Its_Me Exactly! I get that no one noticed cause that's not how the movie goes or because he has to exaggerate for the camera. But coooome ooon. Prince Ali? More like Prince Awkwardly
Genie going through the crowd is one of the main gags of the song. when he comes out as a women it's the climax of his changing and the music goes with it. since in the live action he doesn't change at all apart from the women, it just boils down to "haha man in a dress"
I feel like they still could’ve done it well enough if they tried. Just have extras dress up similar to Genie and lip sync the lines; then add the sparkles for the changes and Will Smith doing voices in post. You could even have an extra tall woman mugging for the camera in the aforementioned scene.
Would it be as good as the original? Probably not, as this whole song is one of the most bombastic pieces of animation in Disney’s history. However, it would have fit the song a lot better.
@CyberDrewan it could've even been funny (and probably creepy) if they just slapped Smith's face on a kid and the rest of the crowd. Or just commit to the bad disguises
Genie by Will Smith also spends most of his time in the center of attention, like he is prince Ali himself. The original Genie was busy with all sorts of hyping shenanigans in the crowd.
Most songs in Disney remakes look embarrassing alongside the original of course.
@@Miraihi excellent point
In the original this song also does so much to build character relationships. Genie just got Aladdin's promise to free him and he's going above and beyond to make him happy. He didn't need to do a quarter of this to make him seem legit but he is because he cares about Aladdin now. Not to mention building hype by transforming and talking with the citizens of Agraba. This endeares us to Genie more and Aladdin as well which serves the story in lots of ways, like making their fight more emotional.
Additionally, we know Jafar won't like Aladdin because he's getting in the way of his evil plot, but showing how he slowly gets more upset with Ali builds our anxiety. Him glaring at Iago and seething behind the door show that this is quickly becoming personal and we already know that he is a capable villain so as the song crescendos dramatically our anxiety builds because we hope it won't end, because it's an awesome musical number, because if it ends Jafar can interrogate Aladdin and figure him out.
The new one has none of this not so subtle subtext and suffers all the more for it.
SO true. Well said
He's got slaves, he's got servants vs he's got ten thousand servants, couldn't they have changed it to "six thousand" to keep the alliteration?
was literally thinking the same thing lol, when rewritong the lyrics if they literally thought abt it for 5 more seconds theyd couldve fixed it
I disagree with this one, "six" is a very sharp word whereas "slaves" and "ten" are both smoother and given that the syllable is emphasized I think it wouldn't flow well if it were changed to six.
This is the only change I actually agree fully with because people may have bad connotations with the word “slaves”
Or just "thousands of"
@bradleybrown8428 ok but Aladdin isn't a historical drama they're not exactly being realistic
something about those hyper realistic ostriches running towards the camera really scares me
Panicked and running ostriches are indeed quite scary. If they decide to choose violence, they can tear you open with a single kick.
It's because it looks like that one shot from Jurassic Park.
Yeeeeeeaaaaah...
I mean that's fair. humans once went to war against emus and lost and it was not all that long ago either
Or Jumanji...ostriches in charge are freaky
"Who needs audio balancing?"
That right there sums up the lazy attitude Disney has taken with these movies and why they fail so hard. The people making it just assumed it would be a success and they didn't have to try to make it so.
Unfortunately, commercially speaking, it was. I'm just glad people are catching up to the laziness of these
@@admechskitarii6967 You can only keep people drawn in on the curiosity of it for so long. At some point, you have to produce quality, or people move on.
These budgets aren't small, where does it all go?
To be fair, this is an attitude that existed long before the Disney remakes. Hollywood has just forgotten how to make musicals.
Also in the original Aladdin is confident, smiling, playing along and clearly having fun. He's always wanted this and is enjoying it. In the new one he's bashfully grinning, awkward and embarrassed. He does not want to be here. He almost feels forced into it. Like the audience both in and out of the movie.
I can't believe they got rid of Genie dancing with the Sultan.
The Sultan was so dull and not as fun or as clueless as the original and do you really want them to ruin that part of the song?
@@rickofawesome135 I know. The point of the Sultan was that he's basically the opposite of King Triton. He's weak-willed and immature, but pleasant to be around and has a healthy relationship with his daughter. That makes hims a good foil to both Jafar and Jasmine. I get that the remake wanted the Sultan to be less of a man-child and more regal, but they forget that the reason the Sultan's immaturity worked in the original is because it was consistent with the movie's light-hearted tone. If the movie had a more serious tone like Pocahontas or The Lion King, they obviously would have given the Sultan a different characterization.
@@vetarlittorf1807 not to mention since the sultan is less of a man child and over trusting and weak willed it ruins how Jafar was able to trick him even without his staff
@@vetarlittorf1807speaking of King Triton, I've never been more disappointed in a remake character than Javier Bardem's version. Was the man sleeping the whole time??
and they got rid of Iago!
I like how Will Smith, the professional musician and vocalist, was flat and monotone for practically the entire song
He’s legitimately the worst part. The dancers are doing their best, but ultimately they couldn’t make up for everyone else’s choices.
He probably couldn't see his vocal cords through those lazy eyes
Especially after friend like me where I’d say he was pretty good there
The thing is, Will is not fully known for singing. Vocalist or not, his strength is in his word play and rhythm. Both have been neutered because they want to "modernize" the writing but pander to the fans who are die hard to the original.
May I draw your attention to the fact that Smith was a successful *rapper* and generally the closest thing he did to singing on his songs was the sort of singsong half singing like “party in the city where the heat is on” from Miami where it was mostly one note and occasionally changed to a second note.
The biggest reason why I prefer the animated one over the live action is how the genie refers to Jasmine in each. In the animated one, he calls her a "sight to behold" whereas the live action calls her hot. The first feels like the genie respects her and appreciates her beauty. In contrast, the live action feels like he's commoditization and sexualizing her and rendering her little more that a pretty bauble.
But I also agree with basically everything else you said in the video. I did like a couple things in the live action, but overall it didn't work as well as the animated version. I feel like the live action one could have potentially worked better if Will had just done a hip hop version (which is supposedly the music genre he does) rather than trying to play around with the more Broadway-like version.
Exactly. Also, the term "hot" has sexual undertones. Something the Sultan might not appreciate having a stranger call his daughter. While "lovely" merely has romantic undertones.
@@vetarlittorf1807 I mean, "hot" is a recent term, so he'd be more confused than anything.
Which just raises the question why they made the genie said that. Isn't he trying to act like a normal person?
@@vetarlittorf1807Especially since Jasmine is 16 and the genie is a middle-aged man
Yeah, for a remake that's trying to be progressive they keep being so NOT progressive. It's like two steps forward, yet they literally took two back.
I couldn't figure out what it was about the Prince Ali song that bothered me, lyrically wise, but this nails it down. Genie in the original was appreciating Jasmine's beauty while being respectful, but remake Genie does the opposite, making him sound shallow.
Admiration: "Your princess was a sight lovely to see"
Harassment: "Your princess is HOT, where is she?"
Spot the difference.
It sounds like the kind of thing Jazz would say three seconds before Uncle Phil throws him out of the house. Actually, a lot of Will’s performance in this movie feels like he’s trying to revisit his _Fresh Prince_ character - even though he was 50 years old during filming.
Charming British prince vs pot-bellied mildly drunk uncle LMAO
This movie, like a lot of animated Disney movies, just has too much magic and movement to switch to live action. It just doesn’t work. Will Smith doesn’t look like an ancient magical being with a fun personality- he looks like a guy with a hat so large that he’ll fall over if his head tilts a little too far.
Animated magic cannot translate well into live action
And he's unfunny.
@@5Demona5 But that's what's so exasperating - it's not live action. It's like 70% CGI. They could absolutely have done more to heighten the reality of the number - and if it ends up looking different from the rest of the movie, that's fine! It's literally a song ABOUT the Genie heightening reality to make Aladdin look spectacular!
I get that there are some restrictions created by basing all the human performances on live action, but even within those restrictions they made boring choices. Nothing stopped them having mocap Will Smith appear and disappear within the crowd in different guises.
That hat is VERY aggressive. o_o
@@johnnye87 This. Like...how can we call the Lion King remake a live action...when its all cgi. -_-
"Heard your princess was HOT" when I tell you that the visceral hatred that I felt in that moment could have burned the theater down... 😡😤
They ruined a sweet and nice line ''Heard your princess was a sight lovely to see.'' just for the stupid meme!
It’s the Disney equivalent of going to your crush’s house and calling her a sexy piece of ass to her dad
I thought they wanted to make their movie 'Less offensive'
Not saying that if you call a girl hot that's offensive, but if you're saying it at someone who ISNT your wife or girlfriend like Will did.. dear God.
The funny thing about you mentioning how rude it was to just burst through the door with the elephant. The Sultan was more than ready to open the door, by himself no less, and it was Jafar who tried to close it. Really, it was Jafar being rude and not welcoming Prince Ali
come to think of it that scene also emphasizes how much control jafar has over the sultan. when he shuts the door, the sultan just stands there like "oh ok" bc he trusts jafar completely
that's why he's a bad guy!
Everyone genuflect to Howard Ashman
RIP to a real one.
OH ALSO, you can tell they knew their boring version of jafar would butcher the prince ali reprise
@@brainless_mastermind Oh, hell yeah.
Show some respect
Show some respect, down on one knee! 😁
"It makes one of Disney's best musical sequences look boring and that's the worst thing any form of art can be."
The biggest problem with ALL of the Genie's numbers is Disney's painful inability to commit. They hire Will Smith for his unique film presence and bright personality (I suppose). Yet, they do not allow him to fully express himself musically and acting wise forcing the guy into a mold crafted by a comedian with totally different brand of humor and charisma. No one can replicate Robin Williams. And it looks like Disney knew it. So they took the steps to reinvent the character but were to cowardly or lazy to see things through.
The credits have another musical number by Smith and I think it looks and sounds awesome! Hip hop elements there feel very organic cause the whole song is stylised.
Unfortunate how it feels like Will Smith is just playing himself rather than the Genie.
Well, to be fair, Robin Williams was also just playing himself. The genie role was literally written for him. In my opinion, Will Smith attempting to imitate Robin Williams probably would have been worse.
@@QuintonCenter Howard Ashman said that Cab Calloway was a big inspiration for Genie's character, which decreased a bit when Robin Williams was casted. I wonder if it would be easier to emulate Calloway than Williams????
@@orangeslash1667 The Calloway influence is definitely a bit more emphasized in the Broadway show if you listen to/watch Friend Like Me and compare it to Ashman's Demo take on the song (recorded before the movie was far enough along to cast the Genie or imposed the imprisoned/3 wishes version). That said, I think the processing/autotune and flat direction would hurt a lot more going for a Cab Calloway style compared to mimicking the more showtune style of Williams's iteration.
@@papershadow Ok then
Will Smith covered the song in a style that fits him more (in the credits). I preferred this version, as it was a spin on the original. That's just me tho😅
EDIT: I meant the friend like me version, I got the songs confused 😅😭
Live action genie gave me "uncle forced into Disney karaoke for his only neice" vibes.
I’ve never watched the live action Aladdin, but the new version of Prince Ali sounds so “How Do You Do, Fellow Kids”.
I hope you tackle Be Prepared 2019 one day! Or as it sounds like, Beep Repaired
I mean I think it would be generous to call that a song
I thought it was very kind of Scar's voice actor to beep himself instead of cussing out the irreparable choices that led to the making of this film, I'm sure the editors appreciated it.
If nothing else it would be fun to point out how the original features an uncredited Jim Cummings because Jeremy Irons couldn't quite hit those notes.
@@KairuHakubiIrons could hit the notes - the song was tailored to his rather limited range. The problem was that he lost his voice after yelling “YOU WON’T GET A SNIFF WITHOUT ME!”, so Jim Cummings stepped in to finish the song in the amount of studio time they’d scheduled.
@@gelchert oh that makes sense.
Genie saying ‘the princess is hot, where is she?!’
The sultan saying, “KEEP MY DAUGHTERS NAME OUT OF YOUR F** MOUTH!”
So this is basically the exact same problem YMS pointed out about the soundtrack of Lion King remake, the audio cues are still there but the action on screen doesn't reflect what is on the track anymore unlike in the cartoon. And those clowns get 300mil to make a movie, amazing.
They did the same thing with the Little Mermaid
When you showed me the intro of the live action, the first thing I thought when I heard the Genie was that there was a lack of pronounciation when he 'sings'. This weirdly makes the entire things feel more like he is just speaking rather than singing. Like if you digitally removed the instrumentation, I swear you could make a case for him just being in casual conversation there.
I know Will Smith is has a background in hip hop and I don't know enough about that genre to say that this is a common thing there but it kinda kills the scale of the song.
When the animated Genie sang the fictional praises of 'Prince Ali' he made sure to focus the pronounciation on those impossible feats, as if even he is impressed by them.
This helps making it even more impressive to us as the audience, since if those words were just spoken, we wouldn't understand if those things are impressive or not, but by having him focus on those while speaking, the reverence comes across better.
Edit:
The further I watch the video the more I notice other dumb things.
The scene where there are 'waiting' for the Sultans aproval also goes against the storybeat.
At this point in the story Aladdin and Genie are supposed to be the loudest most show-offest people in the world. Where despite being rude they charm everyone with their sheer spectacle alone. Which is empthazied by them even breaking through the door to continue the song.
Waiting for the doors to open, is that a pesant like Aladdin would do, not the walking deity that they are trying to make Prince Ali out to be.
Next, in the animated scene the Genie transforms into different people of all ages, sexes and sizes. Now I understand that in a live preformance that would be impossible to completely copy. But this is a highly edited film, with a budget large enough to run a small city on. Just use different actors and color code them to be wearing the Genies signature blue colors, while Will Smith does a simple voice imitation.
It would be much more impressive as a visual and get the point better across, rather than having him show up in drag, so well covered that without context you wouldnt know this is suppossed to be a magical creature.
I feel like many of the text changes to the song were in an attempt to make the song more 'PC' and less objectifying. Like when they replaced 'sight lovely to see' and 'dolled up'.
But again context matters. Aladdin and Genie are going for a frat boy persona. Them going for those debatably ruder word choices matter.
Another change that imacts the storytelling. In the original Aladdin was absolutely into the fake appearance. Afterall he thought he finally had it all. Wealth, fame, handsomeness and a magical genie that would all help him get the girl. Not realizing that she sees those things as a massive turn off. If I had to guess they removed many of those moments where Aladdin joins into the sharade, because they rewrote it as him feeling bad about the lie, I wouldnt know, never saw the live aciton, or they came to the conclusion that having him jump around on a live elefant wasnt the best idea. So all he could do was just sit there akwardly, waiting for the song to be over. Now if that change was made because they didn't want him to be unlikeable or because they were concerned about the actors safety will be up for debate. But point being that it makes the moment less imposing. In a scene all about being imposing
Someone else pointed this out, “heard your Princess is hot where is she?” is so much worse than the original if you’re trying to be “PC”
@@SorowFame
A “sight lovely to see” is very impersonal and also gives off a faux personality vibe.
While “is hot where is she” feels more crude and as if he is entitled to her presence.
Maybe this line was changed because they wanted Will Smith to soubrette more black?
You know, it's an interesting thing. Aladdin doesn't really have a "villain song" comparable with Poor Unfortunate Souls or Be Prepared, probably because it focuses less on Aladdin vs. Jafar and more on Aladdin's struggles with his own personal flaws. In that sense it's more like Beauty and the Beast.
...And I actually think that "Prince Ali" serves the function of the villain song in Aladdin in much the same way that "Gaston" is basically the villain song in Beauty and the Beast. The music here is really bombastic and intimidating, and both the lyrics and visuals reflect all the worst aspects of Aladdin's character which he eventually has to confront and overcome: greed, egotism, insincerity and insecurity. The whole thing is just one prolonged boast, like "Gaston", and it impresses everybody except the one person it was supposed to impress, again suggesting Gaston's ability to charm everyone in the village except Belle.
The cartoonish visuals are essential to making this impression. Aladdin in the form of Prince Ali needs to engage in outlandish stunts like bringing giant balloons and parade floats full of peacocks with him when he travels because that's what establishes him as a shallow blowhard who cares more about show than substance. Jasmine can see right through all that, which is why it's also important to show her getting fed up with the spectacle and leaving. It's foreshadowing for the scene where Aladdin tries to impress her in person and strikes out horrendously.
The live-action version looks way more like the kind of everyday parade you'd see in...well, Disney World. It's not elaborate enough to convey Aladdin's arrogance or the magnitude of the genie's powers. These animators and writers just don't get the _attitude_ behind the original scenes at all.
This is a really interesting take to think about, and one I hadn't considered in all the years I'd watched the original Aladdin. It certainly brings a new perspective to the use of a Prince Ali reprise in lieu of a "traditional" villain song for Jafar to sing.
Aladdin really is his own worst enemy in this movie. Diamond in the rough indeed, but he's the one who needs to learn that it's better to be valuable on the inside and look crummy outside than vice versa. And while he's his own enemy, he gets the best possible new friend. It's poetry.
Jafar is basically just a guy whose plans got interrupted and went completely awry. He didn't really do anything dumb until the very end.
You get it!!!
For what it’s worth, Menken and Ashman did try writing a couple of different songs for Jafar, but eventually realized that his motivation and goals were already so clear that he didn’t really need one. The “Prince Ali” reprise works perfectly, since Jafar is mocking Aladdin’s insecurities and his attempt to be someone he’s not (and it let Broadway veteran Jonathan Freeman show off his awesome singing voice at least a little).
@@gelchert Tangential but it was still a sweet detail seeing Freeman as Jafar again for the first runs of the Broadway show. The new songs were a mixed bag in terms of musical theater additions and don't have Ashman's Lyrical prowess, but there is an irony to me that Freeman was the most Musically/Broadway versed of the original cast but had the least musical contribution until this take on the story.
As a kid, the scene with the Abu elephant bursting through the palace door was SO FUNNY to me 😭😭😭!!! Everything was PERFECT!
The sultan being excited to welcome them in but Jafar keeping his hand over the door like "ah ah ahhh!!"
The "prince aaaaaLI ROYAL IS HE ALI ABABWAAA" as they burst through
Abu's goofy face
The door swinging back to reveal Jafar smushed in to the wall with an angry scowl on his face!
Everything was just perfect, i would rewind my vhs over and over again to see just that part 😂
"A hundred bad guys with swords" sounds weird when said by an adult and not a child. Idk
I can get why. One thing is that it's just kind of talking in a broad stroke like a kid recounting a story he heard from someone else (which makes sense since the Animated version is like Genie spreading a rumor/story in the crowd). Might have been served better by the Demo/Broadway version of the verse.
"He once slew 70 Turks
Mustaches, sabers, real jerks!
Who gave those bad guys the works?
Why Prince Ali!"
The second line sounds like someone who saw the Turks in question, which makes more sense if it's sung by a guy in the parade.
@@papershadow yeah 70 feels more like someone there and not as appealing to a child 🤷
I know the context is "royalty" visiting a "fellow" royal so the more officially-appropriate salam (short for "salam aleikhum", meaning peace or "peace be upon you") is correct to use here, but do you think Disney is aware the more casual (and, at least in my area, more default?) greeting "ahalan" exists? Which, by the way, "brush up your smile and salam" keeps the rhythm without making the stupid mistake of implying all these people are in the marketplace on a Friday noon which is bonkers why is the market even open today if that's the case, did everyone finish the noon prayer and rush to the market for funsies?
Your line "Brush up your smile and salam" genuinely seems like the perfect updated version of the original. It even keeps the alliteration with smile and salam!
@@CatalinaLinal7710 The point and the charm of the genie is the anachronism.
I haven't watched the film but where is it implied that it's noon? Jumuah doesnt last that long, it's not impossible to return from salah and go to the market or go to the market and later attend salah
I think the formality of Salam (aside from obviously flowing better as alliterative lyrics) suits the context, given the line is Genie telling the townsfolk to basically make themselves look good and greet this Big Shot, at least from a western outsider perspective.
Man i miss Howard Ashman. There will never be a lyricist like him (in regards to Disney, at least). It just is horrible to me how modern disney ruins everything he makes by modernising it, not realising that Howards amazing talent is what made the songs so timeless and unforgettable
when is a “live action to animation” trend going to start? now THAT would be cool to watch.
This has nothing to do with the actual song and is a very blink-and-you-miss-it moment, but I noticed that when Aladdin scoops up the gold in the live-action version to throw at the crowd, in the next shot it looks like he’s not throwing anything? Like the gold disappeared. Did they forget to add it in?? 😭😭
Omg
I now can't unsee it 😂
He hid it in his pocket to pay for having to sit there and endure that entire song. xD
Girl I’d watch you break down every single remake vs original! (As long as you’re having fun)
Will just sounds so uncomfortable singing in this film. It would have been so much better if they stopped trying to make him Robin Williams (who is a league of his own and can't be copied) and let Will Smith be Will Smith, with his own style and such. It would have been different from the original but much better than what this live action became.
That's literally the only way this movie could have worked I think. So much of the original animated one was just ad-libed by Robin Williams, that basically noone else could have done it. The only thing that could have worked was pick a comedian and let them "redo" the movie in their own comedic style, especially if they could also sing. I never had an issue with the casting of Will Smith as genie for this reason, and why I really wanted to like the live action, but they really butchered their opportunity.
@@nightengalenorth6881I don't think they could pull off a live action Genie at all. What made original Genie work was not just Robin's ad lib, but the fact that he was so bombastic and energetic. The only one who could pull that off in live action is Jim Carrey, who played a similar role in The Mask.
it's quite ironic how i really like the end credits version with dj khalid, but the actual scene version is so meh
The end version is so good!
Imagine if they’d made DJ Khalid the Genie. 😂
_sigh_ .... this is all your fault Jafar
🥨
Twisted continues to be the best Aladdin adaptation.
keep in mind that there wouldn't be any thieves if he fixed the socio economic inequality like he promised
if disney just made everyone a princess we wouldnt be dealing with these bullshit watered down live action remakes smh
The Fault lies with you, Jafar!
The fact that the massive hold stops halfway through "prince ali" but on release starts back at "prince" is driving me up a wall
I love what you said about live action not being able to keep up with animation! It's so true all of the Disney live action movies look so stiff and wooden. And it's not just movies it's their new shows too
for anyone who can’t hear them, here’s the backing vocals from the women in that one moment:
there’s no question, this ali’s alluring
never ordinary, never boring
everything about the man just plain impresses
he’s a winner, he’s a wiz, a wonder
he’s about to put my heart asunder
and i absolutely love the way he dresses
12:36 I think you hit the nail in the head with the remake having missing alliteration. Directly after what you mention here, the original says "dolled up and dropped by" which is two "d" sounds, plus the "p" in "up" and "dropped". By changing it to "all cute and dropped by" they lose all of that.
One thing i miss from the visual part, is where in the original, when the Genie disguises himself as a woman, the next shot shows Alladin kinda smiling at the Genies antics (a bit of an exasperated but amused eyebrow raise and smirk). This shows to me that Alladin thinks the Genie is fun, or at least that he enjoys the antics of the Genie to an extent.
The live action completely misses this small interaction, making the relationship between them more, boring? The OG just had a lot of small interactions between the 2 in this song which the remake just completely deletes
It's one of my favorite parts of the song because, not only does it show his budding friendship with Genie, but it also fits in that he's smiling up at the girls because, and correct me if I'm wrong, but doesn't he flex after that? He gets into the part while and has a bit of fun
Learning that they created this song in howard's hospital room broke me
The mammals line makes me laugh because in our dub he literally sings "he has hundreds of mammals, they're in the back of the parade" 😂
I can understand why they wanted to get rid of the line about slaves, but the rest of the replacements are pointless.
Just like this whole remake
The original genie felt like he was trying to get the people to like Ali and amazed and one of a kind while the genie played by will smith felt like he was hyping Ali up and when he said “definitely” it sounded like he was lying to make Ali sound better than they actually are in my opinion and i don’t know why the girl next to Jasmine trying to silently telling her that hey he has mon-ey even though Jasmine is the princess and doesn’t need money and the girl is friends with Jasmine and is allowed to be near her why is she impressed by “golden camels” it makes her look shallow and makes you question why Jasmine of all people has her as a friend
Also, Jasmine having a friend at all undermines her burdens. In the original, one of the reasons she ran away was so that she could experience friendship. It made us sympathize with her and see that being a princess of Agrabah is a lonely life.
@@vetarlittorf1807 yea and to simulate a sheltered life in the palace and i completely forgot her until i seen this video again lol that’s not a good thing
Because ''funny''.
@@kingagrabowska9366yea but it fails because there is already a 2 comedy relief the Genie and the parrot with Jafar but they also add to the story what does the “friend” do? He is just there so they can say they did something different they don’t add anything
Not only do they show ostriches when they sing about mammals, in the friend like me number, when they sing about column A and column B, will smith makes a row of clothes and a row of treasures
You know what could've really fixed all of this? If Disney hired Bollywood directors and had them do this scene.
I haven't watched any actual bollywood movies myself but I've seen plenty of "this movie is so bonkers crazy" type videos of clips from them. Idk if it's something in the water but man does India have insane ideas for action scenes and that's a compliment lol
Bollywood movies have this over the top cartoony vibe and it would've added so much more energy and punctuation to the song. Plus in universe it makes "prince Ali" stand out more amongst the other suitors as they just came in the proper way. The sultan could've been actually entertained and greet them without second thought cuz wow that was bonker yo
But apparently Disney just want the nostalgia, not the effort as to why the nostalgia worked
No, but seriously. Bollywood would hit this out of the park. I've seen some of their musical moments. xD
ruclips.net/video/l_MyUGq7pgs/видео.html&ab_channel=ErosNowMusic
This is the energy Prince Ali song should have had. xD
Absolutely - I’ve grown up on Bollywood movies and they can make even a tiny back road look super festive with the right direction and set design!
To quote Lindsay Ellis, "Was all of Bollywood busy? ...All of it?"
Oh my god, you're so right. Bollywood would make it as magical as the animated movie like it was nothing. They have luxurious sets, hundreds of extras, most colorful pallettes out there, we would accept any flying carpet and shape shifting genie too without looking twice on the animation's budget
Guy Ritchie is the last guy who should be directing a Disney remake, ESPECIALLY a musical. I’m glad he went back to his roots after this one and made _The Gentlemen._
Look all I'm saying is the Jojo's Bizarre Adventure fan-made version of "Prince Ali" featuring the villains from Part 3 WASHES the live-action version.
I also think the Zoo line reflects something else. Where the original alludes "Its Not a (common) Zoo its a World class meagerie, the remake just basically goes: hes got a Zoo and i'm telling you it be big
I love the broadway version and I'm baffled they didn't bother to use that as a template. Prince Ali is longer in the bw version, there's your extra running time, Disney. Abu isn't in the bw version, saved you unnecessary CGI.
They're so obsessed with trying to do shot for shot remakes of the animation we get this where they clearly couldn't and as you wondefully showed, it's bland and boring. I'm glad the bw version exists as it props up many lost songs that Ashman was proud of. I hate that this live action exists to seemingly drown out both the bw and the original, because that stuff is for nerds or something.
I saw the Jafar thumbnail next to your username and immediately thought "GRANNY'S GONNA GRAB YAH"
Reference brought to you by a thumb that's #1 on every list.
The most obvious thing i immediately picked up on in the live action version is alladin dont seem confident while the original he's confident af he even flexed
I get removing the slaves live, but if they wanted to keep the alliteration how about:
He's got serfs, he's got servants and flunkeys.
Then you get alliteration AND assonance.
Gah I love your videos so much. Whenever I'm talking with a friend about any live action remake and I say that I don't like how they redid a song, it's hard to articulate *why* it sounds so much worse than the original. But you put out the why in a clear and concise way that allows your audience to actually hear the differences both overt and subtle between the original and remake.
I hate “heard your princess was hot where is she” with a passion. The whole point of the song is to butter everyone up to Ali, calling Jasmine “hot” instead of something a more respectful like “lovely” isn’t gonna endear the Sultan. It’s the Disney equivalent showing up to the house of a girl you have a crush on and calling her a sexy piece of ass to her dad.
“When it comes to exotic-type mammals” shows ostriches
They're so exotic, they're a completely different taxon!
It's actually baffling to me that they took out the genie transforming into regular townsfolk but kept in him doing drag, which was the only part that could be considered offensive (because the joke is he is a guy dressed like a girl and he looks weird and it's funny). And not only did they keep it, they made it even more exaggerated and had him call Aladdin yummy and put on an over the top high voice. Very strange for a company that's been trying to sanitize their old works.
They also kind of miss the point of that bit outside the drag because the punchline becomes "the women notice the Genie's a Man" rather than "the admirers faint swooning over Ali."
Plus, all things considered, Animated Genie could pass for a (cartoonishly large) woman given the original's style (for example, compare him to the two tall/large women in "One Jump Ahead"), while for Will Smith they just kind of put some make-up on (which isn't the same as doing up a convincing Drag look) and a wrap over his chin to hide the beard. I'd get it if the joke was "they are so enamored they don't notice the Genie" but given the punchline that clearly isn't what they were going for.
In the original, Genie is appealing to the commoners AS a commoner, a much different pitch than appealing to them as (as far as they know) a high ranking official in Ababwa’s court. That stays consistent with the theme in the movie than Aladdin and Genie are both much closer to being commoners than royalty (genie is trapped in a lamp and a slave to whoever rubs it, he’s proletariat.) and relate better to them as well as endearing Ababwa to the people as the peoples prince.
also "all cute and dropped by" loses even more alliteration, i feel like when editing lyrics, they thought the only thing that mattered was keeping rhymes in tact, rather than consistent syllable count or alliteration, like lyrics arent just rhymes with some stuff before them, the stuff is important lol
"Your princess is HOT, where is she?" Sounds even bloody WORSE since in this version she didn't leave! Like, if she did leave, then the people around her could have glanced around and realized that - maybe have Jafar use that against her nearer the end of the movie. But because she stayed, thr proper reaction to that line is "She's right here, are you daft?" 😂
as an animator, the live action visuals look like what i do to scenes when i dont know what else to do with my storyboard 😭
The fact that Howard Ashman wrote this song while dying in his hospital bed really goes to show how much of a genius he truly was.
Oh my gosh, thank you so much for talking about how they ruined the music in this awful live action version!! I have been upset about how they ruined One Jump since I saw this movie (they made it SO SLOW), and you've articulated really well why I hate it so much (even tho it's a different song, but they ruined all of them so..)
The thing is, it’s not impossible to create an "animated" and fun atmosphere in live action. It just takes effort. There is no reason the genie had to stand in the same location for the entire song. They absolutely could have had him interact with the crowd. They also could have kept some of the transformations, it just would have been very difficult to pull off.
I will go to my grave believing Will Smith was absolutely the wrong choice for the genie. If the live action Aladdin had to be made (ugh), we needed someone with a totally different style of humor from Robin Williams. Yes, Will isn't quite the same as Robin, but he still leans on the broad style comedy- especially when the film forces him to essentially imitate Robin (since many of the genie's lyrics and dialogue only work because of what Robin did in the first place). Thus, Will's performance never gets a chance to stand on its own, because it's constantly under Robin's shadow.
For my money, Patrick Warburton would've been a fun option for the genie. His style is so different, and still funny. We could've gotten a hilarious genie, but in a different direction, and it would have less baggage to fight through. Comparison would still happen, sure, but I think less so. If not Warburton, then someone with a similar wry and dry sense of humor.
It's all just proof that these new remakes don't understand what made the originals such memorable works of art in the first place. Live action does not equal better.
I think Jim Carrie could be a good genie, or Danny Devito if you want the genie to be more of an aggressive character.
A big problem I have with this interpretation of the song is that I feel like they wanted to look like the original but still make it newer and "cool-er", except they half-ass it in both directions so it ends up feeling like a bad and bland interpretation of a fan-favorite song: neither good enough to be a good hommage to the original nor creatively interesting enough to be interesting in its own right. The worst thing though is that it could have been great if they decided to fully embrace that they were in a new medium with different rules and do something completely new. As bad as this song is, there are some decent ideas: holding a note until the sultan gives the signal was a good way to involve him in the song if you can't make the procession enter the palace, showing Jasmine's maidservant jamming to the song was a good characterization moment to show Jasmine's idealism versus someone who is more practical and "cynical", Aladdin being awkward could have also been interesting if they decided to embrace this characterization during the rest of the movie. It feels like they could have done so much more but couldn't let go of the idea that they needed to bring "nostalgia"
The only positive thing those remakes achieved is making us appreciate the fine craft of the og animations even more
I love that these videos are able to explain with musical theory and hard evidence all the gut-feeling dissatisfactions I'm unable to articulate.
idc I think they should’ve kept the “he’s got slaves, he’s got servants and flunkies” as it was. Bc after that is “proud to work for him, bow to his whim, love serving him, we’re just lousy w/ loyalty to Ali”, showing that even ali’s slaves rlly love and want to serve him bc he treats them so well. I think that does more to sell him as an awesome guy even if “but slavery bad”-I know but I think changing that part kinda misses its point
I commented this elsewhere, but that line also kind of reflects on Genie, who is friends with Aladdin but technically enslaved to him during the story. Someone proposed the interpretation that this number is sort of like Gaston, which was a villain song, because it's hyping Ali up and bringing Aladdin's negative traits/ego to the front. That would play into the "fake/show" nature of the parade since even that line would be undercut when Aladdin hesitates to free Genie.
"Heard your princess was hot, where is she?" sounds like something a dull high-schooler would say to a girl's dad (and make him unhappy.)
"Heard your princess was a sight lovely to see" actually sounds romantic, or at least poetic.
I also didn't like that they made it very Indian instead of Arabian like the original, their reasoning for that was to make it more "inclusive" because the story is both Indian and Chinese, but it's like taking the Cinderella fairytale which is both French, German plus Greek and smooshing those cultures together in the live-action, but they didn't, because Asian cultures are the same to them.
When you sent this to me I cannot stress enough how horrifying it was to realize they had rewritten the song in an attempt to be more sensitive but then instead of "a sight lovely they see" they just straight up call Jasmine hot 😭 I really like Lindsey Ellis' "Woke Disney" video - she predicts this is going to be a trend long before a lot of people realized it. But now we're straight up in the thick of it.
I didn't realize just how much was missing though - Jasmine being fed up, Genie trying to be over the top because he hasn't gotten to use his magic to do anything "fun" in a while and he also has to make Aladdin's plan succeed to get what he wants, The Sultan being giddy. The Jasmine stuff is especially weird because her friend has these expressions as if Jasmine is being unreasonable... which is more "sexist" compared to the original movie where she was just fed up? Like this idea that Jasmine is frustrated but her friend is like "nah you're wrong, give him a chance" immediately invalidates her experience? Why, god why, did they do this LOL
Didn't expect to see you here. (I love your channel, btw)
That's a great point there at the end, about animation being able to do stuff that's either impossible or very hard to do in live action. There's one more thing: animation inspires creativity and allows to do literally anything, which allows for greater scenes, sequences and cool effects / transitions, whereas if filiming a live action adaptation, instead of thinking about what would be cool or clever, they're more concerned with what's gonna be easier and cheaper to film.
And I simply fail to understand WHY they go for live action and ultra-realism for adapting what's essentially a broadway musical at its core. Same thing happened with the movie adaptation of "Les Miserables" and "Cats" - they tried to film extremely realistic movies on the basis of something that's supposed to be incredibly stylized, epic and imaginative. You just can't combine people singing into each other faces and historical realism without it looking jarring and frankly insane. But they keep doing it.
Wait, Aladdin actually got a live-action remake? I genuinely thought that was some very weird fever dream that I had.
Y'know, as much as I want a Hunchback live-action remake (because Hunchback is one of few animated movies good in live action), seeing this makes me feel so thankful that they shelved it lmao
The songs in that movie are too important to butcher. Although I don't think anyone will cares if they reruin "A guy like you"
@@gecfes if they make it like the stage musicals, 'A Guy Like You' would be replaced by a different (fairly better) song lol. but i'm pretty sure one of the reasons they even shelved the remake was because they didn't want to remove/ruin Hellfire.
I really hope they NEVER do it. They'd change so much. Like I dunno.. FROLLOS ENTIRE CHARACTER. Gypsies is a slur yes, but that's the point. Frollo hates gypsies. Also, I'd doubt they'd make Esmerelda and Phoebus a couple in the live action. Disney should listen to their millions of fans and just stop.
@@yoshikatsu_kiraIt's better to just cut the song entirely. Having Frollo burn Paris as the Latin chorus sings about mercy in the background doesn't mesh well with a sudden jovial comical song about a crush. The gargoyles were a mistake.
You are doing great work. It's like you're reading my mind on the disappointment in visuals AND teaching me musical details I never noticed.
"Animation doesn't exist just to be kid friendly, it's a medium"
Is something Disney (and Netflix) needs to learn.
wake up babe new astor rhymemaster video dropped
5:56 I'm glad someone else caught that, nice to finally know why that small line (sunday to friday Salam) was changed.
“weak in my kNEEEees”
yeah I’m feeling weak alright
I seriously don't know what was so wrong with the "Sight lovely to see" line that they had to make it _more_ offensive.
I never noticed "has he got a zoo?" What a bummer they changed that, it's also a joke.
Maybe it's just me, but in the original Prince Ali, Robin Williams almost gave off the impression that he was actually moving with the same energy of the Genie. Like when Genie's up with the other girls on the balcony, I can almost picture Robin Williams in the recording booth dancing just like the Genie.
Can confirm that singing the song like by myself or on a Karaoke night, you have to actively fight the urge to pose in time with certain lines or musical beats (like pointing to a "crowd" at "has he got a zoo, I'm tellin you!")
You can hear it in Ashman's and Menken's work, these songs are written as Musical pieces so that they lend themselves to certain inflections and motions when played out. For another example, try singing songs like "Be Our Guest" or "Under the Sea" without doing an impression of the accents, and they feel a lot stiffer for it. You'll end up naturally slipping into them because the songs were written for those characters and the accent is part of the performance.
Swapping 'genuflect' and 'show some respect' makes it sound like they thought they had to immediately explain what the word 'genuflect' means.
Ashman's lyrics are so dense/complex and the vocabulary is so uncommon that there's a lot of mandela effect when it comes to them. I think a lot of people think it *is* brand new star. Poor Unfortunate Souls often changes "importance of Body Language" to "POWER of Body Language" for whatever reason (the live action avoids this by not even including the line). There's other examples, but I'm blanking on them.
I don't actually SUPER dislike the Will Smith-y changes to this, they were obviously done to cater more to his performance style and I think that's fair. (As much as this live action remake in general is fair) It also means it is something *new* and not just a recreation. But it's definitely worse.
Those women’s backing vocals sound entirely identical!
I literally just subscribed how-
This really highlights how you can't really translate certain stuff from animation to live action and why they shouldn't even try to make a remake.
I also think the song is lesser because live action aladin just looks like he feels awkward. Like he doesnt want to be there. Animated aladin is playing along showing off and working with what geine says as he says it.
I still think Speechless was worse, at least this one tried, at some level, however ineffectively, to keep some of the magic of the original. Speechless just stopped the story entirely for a couple minutes to drop a completely unrelated Oscar-bait song that didn't really add anything to the story or the characters. The one saving grace is that it did suit Jasmine's character and fit in with her character arc. I don't know if they were contractually obligated to give Naomi Scott a scene-stealing song or if they genuinely thought it would improve the original story, but either way to her credit she did a good job of singing it.
Just want to say I *love* your channel. You never miss a single detail and always tie each one back into its role in the piece. Fantastic work!!!
I can't help but think if Ashmen was still alive, he'd never this to happen. Hell, it was him putting his foot down that saved Part of Your World from being cut.
Aladdin just awkwardly smiling on top of that elephant, like he's the birthday boy in a restaurant and desperately wishes the staff would stop singing the birthday song to him.
I had the best intentions going into the cinema to watch this film. I was all "I'm just going to enjoy this by not taking anything seriously". I mostly managed, but by the end of this song where they say how Prince Ali has all those llamas and fakirs and bakers and singing birds and... we see NOTHING from that, when the animation did an exceptional job showing it all one by one, I was like "Yup y'all are just lazy". Like. They've changed enough lyrics. Either change those last lyrics with something relevant happening on screen, or show all those glorious things Ali has. If not... why are you doing a musical?
The way the thumbnail made me think you were gonna critique the Prince Ali Reprise ✋😩. I was getting ready to fight you, I love that reprise.
The point you made about the unbearably loud music reminds me of YMS' complaint about The Lion King remake from the same year, where it's so much louder than the original presumably to try and overshadow notable issues with the new one.
Utterly adore how your able to put the feelings I have towards these remade songs into words, I can never seem to explain what it is about them that makes them so off putting.
Awesome analysis, thank you for the video!
Love these breakdowns.
Rip Howard Ashman, if only you were still with us
Your content is so thoughtful, intelligent and enlightening I just can't-
And I'm saying it as a person who's not that interested in music and lyrics theory(?)