Seems like Paul plays some of his best bass lines on John’s songs. “Rain,” “Hey Bulldog,” “Lovely Rita,” “And Your Bird Can Sing” (especially the Byrdsesque “giggle” version), to name a few.
@@jwardbass4452 _Gah,_ yes, “Lovely Rita” is Paul’s song, and even hearing it in my head, I know it’s Paul singing. A bit of a brainfart there! Yeah, Paul’s bass playing on George’s “Something,” for example, is superbly fancy!
John said it essentially wrote itself, with the majority of the words lifted right from the poster, John basically just had to put them together in a logical order and write the simple tune.
My favorite song because it sounds like a circus. I only went to a circus once when I was five or six, and the only thing I remember is an elephant took a giant dump in the center ring. Then the clowns came out with shovels and wheel barrows. It was great, I will never forget that.
Its crazy that this is the same band that did A Hard Days Night and the same guy who sang stuff like I'll Cry Instead. I love it all but talk about growth as musicians.
It's amazing that McCartney's Hofner bass was so out of intonation. Some of those notes are really out of tune. He was at his peak in terms of creative bass lines during this period.
@@buelstv1040 For this I definitely think it was the Rick. I mean you just don't get that thump you hear in the low end on the Hofner, and those "plinking" high notes are just definitely that sound to me. (also the Rick was his primary recording bass from around Rubber Soul and all through to the 70s, but the Hofner did peak its head from time to time)
@@evanistephani I'd love to see any citations that it was a Rick. I cannot find any. Really, I don't care. My point is that the bass is grossly out of intonation, which it is.
Paul cited this as the best bassline he played.
Seems like Paul plays some of his best bass lines on John’s songs. “Rain,” “Hey Bulldog,” “Lovely Rita,” “And Your Bird Can Sing” (especially the Byrdsesque “giggle” version), to name a few.
It is Very Good, melody and rythym
@@ahcapella I agree! And on George's songs he really helped to flesh them out with great bass parts. However, Lovely Rita is a Paul song, not John.
@@jwardbass4452 _Gah,_ yes, “Lovely Rita” is Paul’s song, and even hearing it in my head, I know it’s Paul singing. A bit of a brainfart there!
Yeah, Paul’s bass playing on George’s “Something,” for example, is superbly fancy!
@@ahcapella finally someone who doesn't just say "Something" and "Come Together".
OUTSTANDING bass work from Paul it's like a tune in and of itself , outstanding
Another song, written by John. It's about a poster that he seen. Great song, great bass.
John said it essentially wrote itself, with the majority of the words lifted right from the poster, John basically just had to put them together in a logical order and write the simple tune.
A super in tune John's vocal
Shoulda been called the Fab 5 really, George Martin added so much to The Beatles.
Yes great job, love that bass.
That Harmonium is wicked 🔥
Great job
Well done !
Nice one! And the "cut tapes at random" effects?
Amazing
My favorite song because it sounds like a circus. I only went to a circus once when I was five or six, and the only thing I remember is an elephant took a giant dump in the center ring. Then the clowns came out with shovels and wheel barrows. It was great, I will never forget that.
Its crazy that this is the same band that did A Hard Days Night and the same guy who sang stuff like I'll Cry Instead. I love it all but talk about growth as musicians.
john's voice is sharper than a razor
Beatles, Zeppelin and Pink Floyd were the kings in the studio!!!
Can you do "Come on to Me" by Paul Mccartney?
John plays the oom-pa oom-pa organ
Rush like Rickenbacker! And not a bad Pop Combo...
That guitar strap on Paul’s guitar looks so sletchy
George Martin is the best. Whatever he touches just turns to gold.
Can you plz do John Lennon's Grow Old With Me, from the album, Gimme Some Truth : The Ultimate Mixes? I really need the strings.....
The bad thing is that this song is blocked
Yeah it's a shame, but expected. Got the harmonium and organ solo parts through though!
I don't understand ....blocked ?
Due to copyright, some parts of the deconstruction are blocked on RUclips and only available when I link them myself, like I do on Google Drive.
@@rbstemsThanks.....I still don't understand.....what did they block that you didn't cover ?
I already uploaded the tape loops on my channel
Nothing about the bass harmonica and the cord harmonica used in this song .
Couldn't isolate the harmonica track on its own, but they are present with a keyboards isolation in the description
@@rbstems Thank you , I bought them hoping to replicate the sound .
Sirkus Pasar Malem
flubbed note @ 1:41
l little fret buzz there
?
@@keithfenwick9992 huh ?
It's amazing that McCartney's Hofner bass was so out of intonation. Some of those notes are really out of tune. He was at his peak in terms of creative bass lines during this period.
Wasnt it the rick?
@@buelstv1040 For this I definitely think it was the Rick. I mean you just don't get that thump you hear in the low end on the Hofner, and those "plinking" high notes are just definitely that sound to me. (also the Rick was his primary recording bass from around Rubber Soul and all through to the 70s, but the Hofner did peak its head from time to time)
This is not hofner's sound. Sounds like Rickenbaker
@@buelstv1040 To me it sounds like the Hofner.
@@evanistephani I'd love to see any citations that it was a Rick. I cannot find any. Really, I don't care. My point is that the bass is grossly out of intonation, which it is.