📅Raag Gaud Malhar Vocal - Subhra Guha Sahiba Teaches: Aroh, Avaroh, Pakad, Bandish, and Sargam

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Thaat: Kafi
Aarohi: S---RGm---R P---mPmPDNS'
Amrohi: S'---D n P---m P m---G m R S
Vadi: m
Samvadi: S
Pakard: S---RGm---mPDnPm---GmRS
Time: 9 pm - 12 am
Zaat: Sampuran - Sampuran
Raag Gaud Malhar is a raga in Hindustani classical music that combines characteristics of Malhar and the now extinct raga named Gaud. It is a morning raga, and its typical time of performance is from sunrise to noon. The raga is associated with the monsoon season, and its mood is evocative of the beauty and freshness of nature after the rains.
The notes of Raag Gaud Malhar are S R G M P D N S'. The scale is shuddha (natural) with both rishabh and gandhar being shuddha. The vadi (most important) note is the madhyam, and the samvadi (secondary important) note is the pancham. The raga is known for its delicate and lyrical melody, and its characteristic phrases often use the descending melodic movement from the pancham to the madhyam.
Some of the popular compositions in Raag Gaud Malhar are:
* "Man Na Kariye, Barkha Bairi Bhayo" by Dr. Ashwini Bhide Deshpande
* "Barsaat Ki Raat" by Pt. Bhimsen Joshi
* "Megha Malhar" by Pt. Ravi Shankar
* "Ghazal-e-Ishq" by Ustad Vilayat Khan
* "Nirgun Nirakara" by Pt. Nikhil Banerjee
Raag Gaud Malhar is a beautiful and evocative raga that is well-suited for vocal and instrumental performance. It is a challenging raga to learn, but it is also a rewarding one. If you are interested in exploring the world of Hindustani classical music, Raag Gaud Malhar is a great place to start.
Here are some additional details about Raag Gaud Malhar:
* The thaat (parent scale) of Raag Gaud Malhar is Kafi.
* The raga is classified as a vilambit (slow) raga.
* The raga is often used in the composition of khayals, ragas, and bandishes.
* Some of the ragas that are closely related to Raag Gaud Malhar are Malhar, Rageshri, and Puriya Dhanashri.
I hope this article has given you a better understanding of Raag Gaud Malhar. If you have any further questions, please feel free to ask.
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Intro: (0:00)
Pakard: (0:28)
Bandish: (0:44)
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