Grigory Sokolov - Live in Paris 2021 - Chopin, Rachmaninov, Brahms, Scriabin, Bach
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- Опубликовано: 24 июн 2021
- FRÉDÉRIC CHOPIN
00:00:12 Polonaise Op.26 No.1 in C-sharp minor (Allegro appassionato)
00:10:34 Polonaise Op.26 No.2 in E-flat minor (Maestoso)
00:20:47 Polonaise Op.44 in F-sharp minor
00:34:27 Polonaise Op.53 in A-flat major, "Héroïque" (Maestoso)
SERGEJ RACHMANINOV
10 Préludes Op.23
00:42:32 No.1 in F-sharp minor (Largo)
00:46:46 No.2 in B-flat major (Maestoso)
00:51:20 No.3 in D minor (Tempo di minuetto)
00:56:21 No.4 in D major (Andante cantabile)
01:01:48 No.5 in G minor (A la marcia)
01:06:20 No.6 in E-flat major (Andante)
01:10:09 No.7 in C minor (Allegro)
01:13:21 No.8 in A-flat major (Allegro vivace)
01:17:30 No.9 in E-flat minor (Presto)
01:19:25 No.10 in G-flat major (Largo)
Encores:
JOHANNES BRAHMS
01:24:22 Intermezzo in A major Op.118 No.2 (Andante teneramente)
01:31:50 Ballade in G minor Op.118 No.3 (Allegro energico)
FRÉDÉRIC CHOPIN
01:36:41 Mazurka in A minor Op.68 No.2 (Lento)
01:40:42 Prélude in C minor Op.28 No.20 (Largo)
ALEKSANDR SCRIABIN
01:42:45 Prélude in E minor Op.11 No.4 (Lento)
JOHANN SEBASTIAN BACH
01:45:16 Chorale Prelude "Ich ruf' zu dir, Herr Jesu Christ", BWV 639
GRIGORY SOKOLOV, piano
Live recorded at the Théâtre des Champs-Élysées, Paris, France, 21/06/2021 
Видеоклипы
I was there. The best concert/recital I have been to in my life.
congratulations!
Je suis carrément jaloux !
Agree. I was in the concert of Sokolov in Almería, the same programe, and it was sooo special...Well, he is incredible.
Did they face diaper the maestro as well? Est-ce qu'ils ont aussi muselé le maestro ?
@@mikedaniels3009 No he wasn't wearing a mask if I remember well. Thank god
I just spent two weeks listening to the entire Chopin competition. Now this. Well, another thing altogether.
БЛАГОДАРНА ВАМ ЗА ВИДЕО! ГРИГОРИЙ СОКОЛОВ - ЭТО ГЕНИЙ ! И ДАН НАМ В НАШЕ ВРЕМЯ ДЛЯ ПОДНЯТИЯ ДУХА!!!
Pure genius! How much I miss his concerts!!!!.... Thank you very much for giving us the opportunity and great pleasure to follow the Maestro via your precious recording.
Suonerà a Cles (Trento) il 1.08.2021
Every performance of Grigory Sokolov is absolutely precious!
Thank you very much for posting this one!
illegally
Великий музыкант!Ваше прочтение и проникновенность из души в душу как бальзам и нектар...чувство наслаждения не покидет...Браво!
Majestuoso en la interpretación. Momentos extraordinarios escuchando estas obras. Vale la pena vivir para poder contar estos momentos. ¡ viva la música!
Thanks, not only for the upload, but also for being so thorough with the pieces' names and time marks.
Очень благодарна за возможность наслаждаться игрой великолепного пианиста!
Невозможно перевести дыхание...хочется слушать и слушать! Просто невозможно понять:как?! Откуда берётся это волшебство?....
Мне то же самое
а мне скучно ! ТЯЖЕЛО и затянуто , трели уже совсем не те что были раньше ... и многое другое потеряло свежесть
@@gregoryludkovsky5185 Зато сколько зрелого романтизма, искренности и любви какой-то вселенской!))) В это жуткое время хочется слушать и слушать... К сожалению, в Кёльне его концерт постоянно переносится...
@@gregoryludkovsky5185 На ипподроме всегда много свежих юных лошадей ... и лошадок.
A perfect fusion of sensibility and virtuosity
Più ascolto CHOPIN 🎵🎵🙋♀️🌈🌈🎧👏👏👏👏 LA MIA ANIMA, MENTE VENGONO RAPITE DA UNA MUSICA 🎶 DOLCE, NOSTALGICA, IPNOTICA…DA STACCARMI DAL MONDO 🌎 PER TROVARMI FRA LE SUE SINFONIE..STRAORDINARIO 👍👍👏👏👏👏🌈🌈🌈🎶🦋🦋❤️🙋♀️🙋♀️🙋♀️😇
Just got tickets to hear him in Amsterdam in June! Very excited.
Maestro, gracias por tanta luz !
I've seen him once in Brussels where he played about 8 or 9 encores. Monumental concert (mostly Schubert)!
Whatever he touches - becomes monumental! In late October, he will be back in Denmark.... I can´t wait!
I have seen Sokolov performing in Denmark and he was awesome! Cool and collected!
The man is a genius!!! What a performance, I envy his perfection, thank you so much!
Merci beaucoup pour cet enregistrement et les 7 rappels !
Thank you so much!!
Fabulous !
A magic instant even on RUclips, how much I would like to be there ! Thanks a lot for the sharing !
Oh merci beaucoup !!!
Fantastic as always
Danke! ❤️🎹🎹🎹❤️
I've never seen Sokolov playing less than 5 encores :D
Six, yesterday in Genova :-) (these same six here).
I did, in the 90's he usually played 2 or 3 encores..... Now with 6 it's better! ;-)
This is a journey along the river of life
Sokolov é um dos melhores!
It’s charming!❤️
I wonder, Mr. Vlad, what it feels to hear the great man playing again after the starvation
You feel like life is starting to flow again.
Сердечно благодарю, Вас,
за великолепный концерт!
Всего самого доброго и
не болейте.
Ungewöhnliche Interpretation der Polonaise No. 1, sehr gesetzt, durchgeistigt, habe ich nie so gehört, wirkt ein klein wenig zu kontrolliert auf mich. Ein fehlerhafter Akkord in dem Stück macht diesem jedoch keinen Abbruch... Der Rest des Programms - phänomenal! (Auch wenn in einigen Programmen diverser Veranstalter bei der letzten Zugabe Bach/ Busoni steht - meines Erachtens ist es die Kempff-Version.) Wundervoll! Sokolov ist mein favorisierter Pianisten, weil er Künstler, Zauberer ist, mit gereifter Intelligenz, menschlicher Wärme, Würde, Passion und Authentizität/ Ehrlichkeit. Alles andere als ein manieristischer Virtuose, wie es so viele gibt.... Danke für das Foto in W. :-) Ich denke noch tagelang daran. Und die Erinnerung wird bleiben, solange ich lebe.
Thanks ❤️❤️❤️❤️❤️
very much thanks for uploading....wonderful..
beauuuuuuuutiful!!!♥♥♥
Это такое совершенство что даже страшно
Bravíssimo!!!
Still epic after a year, Vladi
와... 프로그램 구성 진짜 좋다
Isn’t he just incredible: such precision without distracting from the impact of the composition itself; very few people can do this. He could be the greatest pianist I’ve ever heard, or at least as good as the best. My favorite choice evolved over years, but I ended up staying with Dinu Lipatti as my reference for perfection.
Yes but did Lipatti make Couperin and Byrd speak on the modern piano?
There used to be a fascinating recording of Rachmaninov’s own interpretation. He had quite good technique, but what really stood out was how his huge hands could span his huge chords and still have the freedom in individual fingers to highlight within them the notes of his choice. Those highlighted choices were often not the ones that today’s greatest pianists would expect him to convey! Of course, in his mind, he probably hears multiple versions of his own pieces.
And, like Lipatti, he can play any composer as well as any pianist known to specialize in the same. I have my favorite players of particular styles, but only very few generalists who can do it all. If there were more Sokolov recordings across the whole spectrum of compositions, I think he would be at the top with just one or two other geniuses!
Grigory Sokolov - Next Italian Concert :
International Festival
"Omaggio all'Arte pianistica di Arturo Benedetti Michelangeli"
Cles (Trento), August 1, 2021
Auditorium Liceo "Bertrand Russell", h 21:00
The Visconti of Rachmaninov performances
Гениальное исполнение гениального произведения С .В. Рахманинова Прелюдии Ре мажор!! Огромная благодарность Григорию Соколову, великому пианисту , за его преданное служение Музыке на радость нам, его слушателям и почитателям его дарования!!!
Спасибо, а то я прозевала и очень горевала
Откуда композиторы черпают своё вдохновение?! Безусловно из жизни, имея особо чувствительное сердце: на уровне интуиции, воспринимая всё, что зависает в пространстве времени, и неподвластно для интеллектуального осмысления: слушая высокопарящие звуки, мы улетаем в мир непередаваемых чувств и благодарны Богу за умение ощущать и переживать эту многогранную жизнь !!! Да. Правление Злого не принесло людям ожидаемого счастья...Ибо написано:" Не во власти человека его путь, не может идущий направлять свои шаги"(Иеремия 10:23 ). И в произведениях великих мастеров так ярко присутствует этот вечный вопрос : В чём смысл жизни человеческой?! А вот в чем:" Блаженны непорочные в пути, ходящие в законе Господнем. Блаженны хранящие откровения Его, всем сердцем ищущие Его. Они не делают беззакония, ходят путями Его. Ты заповедал повеления Твои хранить твердо...Всем сердцем моим ищу Тебя; не дай мне уклониться от заповедей Твоих. В сердце моём сокрыл я слово Твоё, чтобы не грешить пред Тобою. Благословен Ты, Господи! Научи меня уставам Твоим...О заповедях Твоих размышляю и взираю на пути Твои. Уставами Твоими утешаюсь, не забываю слова Твоего. Яви милость рабу Твоему, и буду жить и хранить слово Твоё. Открой очи мои, и увижу чудеса закона Твоего...
Удали от меня путь лжи, и закон Твой даруй мне...Вразуми меня, и буду соблюдать закон Твой и хранить его всем сердцем..."( Псалом 118: 1-176)).
Читаю Ваши слова, пока звучит op.118,#2 Брамса. Как вовремя...
Спасибо за напоминание.
@@aquilonnord1700 И вам спасибо за ваше восприимчивое сердце. Божьих вам благословений. Для меня в своё время очень убедительно прозвучали слова при первом знакомстве со Словом Бога:" Всё Писание вдохновлено Богом и полезно для научения, для обличения, для исправления, для наставления в праведности, да будет совершен Божий человек, ко всякому доброму делу приготовлен"( 2Тимофею 3:16,17; Библия, Новый завет).
@@user-nx3rw7rc4r Не ожидал такого быстрого ответа. Вдохновительно знать, что ты слышим и понимаем.Вам того же.
@@user-nx3rw7rc4r Один мой друг сказал: музыка -- напоминание о потерянном рае.
@@aquilonnord1700 Вы совершенно правы. Гармония космоса в полной мере раскрывается в таких изумительных частотах света, который замедляет свой бег и делается доступен для раздражения души, очень тонкого устройства : по образу Бога-совершеннейшей Личности, который нас сотворил:Бытие 1:27,28. Мы понимаем значение этих слов только тогда, когда влюбляемся-в природу, в творения, в жизнь...когда внутри себя ощущаем желание созидать во благо.Наше непослушание через генетическую память предков в конечном счёте сыграло и продолжает играть злую шутку с о всем потомством Адама: Римлянам 5:12;7:1-25. Мы можем быть лучше, чем мы есть...но, увы не знаем как? Многие сегодня через размышление о высоких материях( Римлянам 1:20) приходят к Богу и, наконец ощущают долгожданный мир и смысл жизни: Иоанна 8:32; 14:6;17:3,17; Филиппийцам 4:4-7.Другие находят Творца через страдания...увы... Бога находят те, кто ищет Его: Иакова 4:8; Матфея 5:3.
That Rach 28 7 was so bizarre, can't say I didn't like it though, certainly most interesting!
we call him the "So God" in China.
Grigory Sokolov is THE TITAN OF THE PIANO!! THE GIANT OF THE PIANO!! Grigory Sokolov his Chopin piano concerto no 2! Brahms piano concerto no 2! Mozart piano concerto no 24! Saint-Saens piano concerto no 2! After Grigory Sokolov played These concertos then All The others pianists Are really only The DUST ZEROS!!!
Bravo!So really trooth.
Unfortunately he refuses to play in the United Kingdom, where I live, a nation that has gone literally to the dogs in the last 5 years. I think he was refused entry once at Heathrow Airport due to some minor Visa issue and he vowed never to return. Good for him, not so good for the rest of us. I did see him in Gstaad a few years ago. Not the overwhelming or coruscating experience of a recital by ABM or Richter, but the best we have before us today. personally I am not a fan of pianists who play endless encores, I always think it detracts from the main event, but that is a small gripe, and one does not want to be churlish.
I think he is the best pianist alive. I cannot compare him to Richter or Michelangeli as I never had the chance to hear them at a concert. Although it is sad that he won't come back to the UK, you could travel to France or Belgium to hear him again ! He is getting pretty old so you won't get many chances ! :)
@@vincent-ataramaniko Richter, and especially ABM, created an astonishing electricity in the anticipation of their recitals beforehand, and of course during the recital itself. At one ABM recital I saw Kissin, Pogorelich and Brendel along with probably every other lesser known pianist within a 250 mile radius with a night off in the audience, all just all wondering how does he do it. At his London recitals he discovered that instead of approaching the stage from the wings, there was a trap door in the floor of the platform, and so one would be sitting there awaiting his arrival and he would appear like a Mephistophelian ghost from beneath the stage and it created such a dramatic effect as to completely transfix the audience, and that before he played a single note, such was his charisma.
The famous Richter recital from the Barbican hall in 1989 was also spectacular because Richter was in a foul mood and this heightened the intensity of his playing to an extraordinary level. That recital can be viewed on RUclips.
@@jeremyd1021 very interesting! It is disappointing that I could not see those (mainly because I was not born yet!)
🌼❤❤❤🍀💙💙💙💙🌸
And then the problem disappears. I’ve been back to check it a few times and It’s there. Can’t explain it. I’m going to get an MRI (CT might miss it) scan of my auditory cortex!
Hello Mr Vlad, can you please post somewhere the Rubinstein in Moscow 1964 concert ? It got deleted :(
The G two octaves above middle G is tuned very very slightly flat. It’s enough to bother me only when it carries the melody in isolation, but maybe I’m being a little too fussy here.
One minor detail: I would like to hear a little more prominence and clarity in the left hand’s expression of the melody in the second Rachmaninov Prelude. Wonderful stuff.
Will tell him
Невозможно слушать из-за проклятой рекламы в середине произведений. Может, это только в Америке? Прекрасное исполнение, и какое свинство что Ютуб прерывает музыку рекламой через каждые несколько минут.
Can someone explain what makes this artist so great in your opinion? I say this as a fellow musician and pianist but have failed to be enamored by Sokolov. Regardless of the instrument or my initial impressions, always try to understand performers until that AHA moment happens where you understand the depth of their artistry and can articulate what makes them unique or likeable. I know these are merely opinions but this to me is what makes art great, being able to seek that which you do not understand. THANK YOU in advance.
His playing has such power (both physically and in terms of emotion), his freedom of expression, his ability to be completely involved and lost in what he's playing. What other other videos of his playing of Rachmaninov (his rach 3 is very good!) and Scriabin, Prokofiev and Brahms to get good a feel for him:)
I had the good fortune of hearing Sokolov perform live, yesterday. The technical prowess is ideally counterbalanced by expressivity. I don't feel that this is his best performance, as it is comparatively heavy-handed. I had never heard a musician do such justice in graded amplitude to a nearly inimaginable range of dynamics, to supple and yet rigorous tempos, and to multiple melodic lines all at once. His percussive younger style has mellowed and matured over the last 50+ years. He communes with the composer and the listener at once. It was an extraordinary experience of music in the abstract ideal and yet full of humanity.
@@Etche_homo thank you. In general I find his playing is heavy-handed, but in a very purposeful way. He clearly enjoys the sound quality, perhaps one day I will make sense of it, it just borderlines on being bombastic in my humble opinion. Very much in the mold of Anton Rubinstein.
@@trblcleft I highly recommend Sokolov's performance of Schumann's first piano sonata.
@@Etche_homo yes, it's interesting you should say that. i skipped to his heroique and it's definitely more heavy esp on the LH compared to the recent chopin competition. is it just stylistic? what is your view?
한국에서 곧 뵈어요!!!!!!!!!
1:37:20
He clips a couple wrong notes, which I think must inevitably be a slightly increased risk of having chubby hands, but they don’t distract me and, more importantly his concentration. Wonderful playing!
Sokolov does seem to have an adoring fan base, who almost seem to see him as a god, which he is not. Yes he can be marvellous, but here the Chopin Polonaises are pounded out at slow tempi, with no emotional engagement. To hear what the great F sharp minor can sound like try Rubinstein live in Moscow in October 1964. Here there is rubato, tempo, dynamic and tonal variation, rhythmic flexibility, power, the ability to sing and create moments of breath-taking beauty and to make it sound as though he is improvising.
Rob Pennock, I really love Rubinstein. Had I lived 60 years earlier, I would have recorded Rubinstein's recitals.
@@Vladivostok1969 Yes he's quite exceptional, if you don't have it then the Nimjemen concert on Medici Masters and the missing items on ICA Classics coupled with a Brahms B flat where he is magnificent - although Dohnanyi and the Cologne RSO aren't on the same plane - is marvellous.
I wholeheartedly agree , It's a pity CAUSE he is still the last one from the gr8EST pianists of our time
Did you know for a brief period of time Sokolov changed his name to Greffory because he realized he played pieces in the key of F better. The two F's represent F major and F minor. He realized he was better at g minor and changed his name back
wut lmao
ポロネーズop44！
very russian time-keeping, how refreshing compared to the melodrama of the current generation (nothing wrong with that either)
Sokolov is a highly gifted artist (and that's an understatement) but never forget these works were first played by guys who wrote them - Sokolov hasn't written anything. Nevertheless, he probably plays these things better than the composers themselves.
Pity no video, just audio. Realise audio is the most important but you get so much of the occasion and the emotion as well through video. Thanks for capturing audio though, appreciated. I know Sokolov is extremely fastidious with choosing piano, tuning and sound etc prior to recital.
繊細でありながら重厚で、スケールの大きな演奏は、バッハからモーツァルト、ベートーベン、ショパン、ロシア系音楽と多岐にわたる再現音楽芸術家たして魅力はつきない。
Это махина
Does nobody think, that he actually plays very heavy and sticky nowadays?..
Yes, I quite agree with you, he plays too heavily sometimes, and that makes him play slower.
Concert grand piano tuning traditions vary. My usual complaint is at tuners who like to push the upper register of the concert grand, slightly increasing as they go up in the belief that they can get a crisper sound. There is no need to do that with a concert Steinway or Bosendorfer, or probably any of today’s concert grands; it’s just plain stupid, intellectually arrogant crap when you can have an inexpensive oscilloscope available to verify your work!
Not very good recording; it has many clipping noises.
Free Ukraine
Wtf is that Brahms lmao. One of the worst 118 performances I've heard.
I don’t understand.
Poor babe.