Both of you are right. It can be seen as just Kinger trying to think, but I do believe that it was foreshadowing of Kinger being able to think clearly in darkness.
so you animated my fave part My fave moment in the episode animation wise is the way you see kinger's eyes widen a split second after he looks at the angel head down the other corridor in the cellar. The subtle detail of him looking at pomni, then up, then taking a split second to notice the head and react is my favorite detail in the whole thing.
Love your work!! And i was really looking for the part where kinger glows in the dark for me, that is the best animated scene, i hope you have a nice day!
Legit was screeching and crying from that shot, the foreshadowing from the start of the episode completely telegraphed what was about to happen in the single best possible way.
I think this episode couldn't have been out at a better time. I was feeling pretty down about a lot of other stuff I ended up reading and watching this year. This episode was pretty much the equivalent of a shining beacon during a stormy night at the sea for me. I don't think I can thank you and the rest of the animators enough for the wonderful work.
this is one of the few times I'm noticing a lot of differences in placements and such in the final version rather than the og animation, like kingers eyes seem to move a lot so on... good job
Every animator on Glitch seems to be making these kinds of reels and i'm all for it. Always interesting to see how things look behind the finished version and it is a really nice for the animators to show off their work and get some credit for it.
0:37 I really like this shot. It gets the viewer to look around all the walls, just like pomni does (so we can feel what she feels), then leads us from the left to look at pomni’s it expression. Fantastic
y'know, after watching the whole episode, that "Y'know, I'm starting to think" bit seems SO MUCH more significant.
nah he’s just thinking
Both of you are right. It can be seen as just Kinger trying to think, but I do believe that it was foreshadowing of Kinger being able to think clearly in darkness.
it's both hilarious in and out of context, but once you watch the full episode you realize he really _was_ starting to think
nah he’s just thinking
@@tetraploid5000 bfdi fan????
Bestie animated the most iconic scene of the entire episode - and that is SAYING something
i swear, Animators deserve more Credit and Respect, than what they are getting now.
so you animated my fave part
My fave moment in the episode animation wise is the way you see kinger's eyes widen a split second after he looks at the angel head down the other corridor in the cellar. The subtle detail of him looking at pomni, then up, then taking a split second to notice the head and react is my favorite detail in the whole thing.
im really slow could you reply the timestamp
@@DiegoCuriel-vw2ju0:56 I think
2:48 I imagine there's so much trust in the lighting crew needed when animating scenes that will change so much based on how it's handled o_o
Credit is deserved where credit is due.
Love your work!! And i was really looking for the part where kinger glows in the dark for me, that is the best animated scene, i hope you have a nice day!
Legit was screeching and crying from that shot, the foreshadowing from the start of the episode completely telegraphed what was about to happen in the single best possible way.
I think this episode couldn't have been out at a better time.
I was feeling pretty down about a lot of other stuff I ended up reading and watching this year.
This episode was pretty much the equivalent of a shining beacon during a stormy night at the sea for me.
I don't think I can thank you and the rest of the animators enough for the wonderful work.
this is one of the few times I'm noticing a lot of differences in placements and such in the final version rather than the og animation, like kingers eyes seem to move a lot so on...
good job
Every animator on Glitch seems to be making these kinds of reels and i'm all for it. Always interesting to see how things look behind the finished version and it is a really nice for the animators to show off their work and get some credit for it.
0:37 I really like this shot. It gets the viewer to look around all the walls, just like pomni does (so we can feel what she feels), then leads us from the left to look at pomni’s it expression. Fantastic
Love your work!
I love seeing these you did an awesome job
1:28 THAT MİCHAEL AFTON
What?
I’ve seen abunch of these videos, and it’s so cool to see how many people worked on the heart to heart with kinger 🙌
You did an amazing job like everyone else who animated for it!
You did great job with the animations
I’ve been looking everywhere for the Hell’s corridor scene and I just happened to see in in this video
Oh my gosh you did the shine bright like a diamond animation this is epic
"Ya know. I'm starting to think-"
I read your name in the credits and wanted to find you ever since the pilot
Your job is very awesome
AHH YOUR SO UNDERRATED I LOVE THESE !!'❤
2:07 so you’re the one that animated one of my favorite parts- Jax being tied up was funny af
So, you're the one behind these scenes, they turned out great, nice job ♥
Wow, good job!!!
God this thing is somehow even more of a nightmare fuel abomination while more primitively textured like this lmao 1:48
its my dream to become an animator for the amazing digital circus and other glitch shows
The recording tapes give me baby in yellow vibes
Yo you more subscribers your one of the animators of TADC
Yay! You deserve way more subs your really talented
I've always wondered why sometimes Caine and Kinger have those weird blue and green stripes and sometimes they're normal white eyes
The fact that you have only 644 subscribers is crazy
Oh thats noooooooooo😞0:43
You should become one of gooseworks workers
they are lol
❤
Wow!! About how much time did you have for each scene?
why don't the new caricters have viewport colors I would assume at least the heads or shotgun would be colored
Sorry to bother you but can I know the focal length of the camera at minute 0.36?
YOU ACTUALLY ANIMATE?